By George Frideric Handel. Arranged by Tom Wade-West. For F Horn and Keyboard. B...(+)
By George Frideric
Handel. Arranged by Tom
Wade-West. For F Horn and
Keyboard. Brass - French
Horn Solo. Baroque.
Level: Medium. Duration
00:01:55. Published by
Eighth Note Publications.
Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dr. Hans Bischoff. For
Piano. Book; Masterworks;
Piano Solo; Solo. Alfred
Masterwork Edition. Form:
Suite. Baroque;
Masterwork; Recital.
Advanced. 28 pages.
Published by Alfred Music
Keyboard - very easy to easy SKU: HL.49044585 100 neue bekannte Hits(+)
Keyboard - very easy to
easy
SKU:
HL.49044585
100
neue bekannte Hits.
Arranged by Uwe Bye. This
edition: Paperback/Soft
Cover. Sheet music.
Piano. Dieses Songbook
fur Keyboarder enthalt
eine grosse Auswahl
leicht spielbarer
Arrangements aus den
verschiedensten
Musikgenres. Softcover.
120 pages. Schott Music
#ED 22157. Published by
Schott Music
(HL.49044585).
ISBN
9783795749736. German -
English -
French.
Following
on from the successful
Keytainment (ED 21233),
now it's getting really
easy. This songbook for
keyboard players contains
a large selection of
easy-to-play arrangements
from various music
genres. There really is
something for everybody!
Includes: Dexter (theme
song) - I'm Always Here
(Baywatch theme) - and
many more.
For French Horn. Classical (chamber). Includes a high-quality printed music scor...(+)
For French Horn.
Classical (chamber).
Includes a high-quality
printed music score and a
compact disc containing
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
By Kevin Kaisershot. For 3 F Horns. Brass - French Horn Trio; Part(s); Score; Tr...(+)
By Kevin Kaisershot. For
3 F Horns. Brass - French
Horn Trio; Part(s);
Score; Trio. Eighth Note
Publications.
Contemporary. Duration
00:02:15. Published by
Eighth Note Publications
(F/Eb Horn). Arranged by Colin Cowles. For French Horn. Fentone Instrumental Boo...(+)
(F/Eb Horn). Arranged by
Colin Cowles. For French
Horn. Fentone
Instrumental Books. Play
Along. Book with CD. 40
pages. Fentone Music
#F815. Published by
Fentone Music
Horn (unaccompanied) - Advanced SKU: CY.CC2136 Composed by Johann Sebasti...(+)
Horn (unaccompanied) -
Advanced
SKU:
CY.CC2136
Composed by
Johann Sebastian Bach.
Arranged by Ralph Sauer.
Baroque solo. PDF files.
Published by Cherry
Classics (CY.CC2136).
Bach's
Unaccompanied Suites
beautifully and
meticulously edited for
Horn by Ralph Sauer, are
now available for the
first time in pdf format
as a file download from
our server to your
computer. You store the
files and print out as
required. Mr. Sauer's
thoughtful version of the
Six Suites gives the
performer room to breathe
musically. To quote Mr.
Sauer and Pablo Casals,I
refrained from using
fanciful descriptive
terms such as con brio,
or quasi una fantasia
because they may suggest
a particular style...This
transcription is not
intended to be a
blueprint to be followed
exactly, but rather, it
is the raw material from
which a personal
interpretation can be
built.To quote Pablo
Casals, Where
interpreting Bach's music
is concerned, there are
no hard and fast
rules...The best thing to
do is to discard all
preconceived ideas and
try to approach in our
performances whatever the
music conveys to
us....
French Horn, Piano SKU: HU.HN1332 For Horn and Piano. Composed by Richard Strau...(+)
French Horn, Piano
SKU: HU.HN1332
For Horn and Piano.
Composed by Richard
Strauss. Edited by
Dominik Rahmer. Brass,
Repertoire, Solos.
Andante in C major.
Softcover Book. 12 pages.
G. Henle #HN1332.
Published by G. Henle
(HU.HN1332).
Piano - intermediate SKU: HL.50565843 For Piano Four Hands. By Edm...(+)
Piano - intermediate
SKU: HL.50565843
For Piano Four
Hands. By Edmond
Lemaitre. By Claude
Debussy. Editions Durand.
Classical. Softcover.
Composed 2016. Editions
Durand #DD01632000.
Published by Editions
Durand (HL.50565843).
PNODT inches.
English-French.
Thi
s critical edition of the
Petite Suite is an
excerpt from the COMPLETE
WORKS OF CLAUDE DEBUSSY,
Series I, volume 9. The
titles of the movements
of the Petite Suite,
'Cortege' and 'Ballet',
evoke the universe of
both the Premiere Suite
d'orchestreand Fetes
galantes by Paul Verlaine
('Cortege' and 'En
bateau'), several poems
from which Debussy began
to set as early as
1882.The contract that
Debussy signed with the
editors Durand,
Schoenewerk & Cie for the
Petite Suite is dated 8
December 1888. The work
appeared at the beginning
of the following year;
the 'depot legal', (legal
deposit) of the work, was
accomplished on12
February 1889. It is
difficult to believe that
the Petite Suite, which
became one of Durand's
bestselling items during
the composer's lifetime,
was at first not
appreciated by those who
heard
it.
Claude
Debussy's
Petite Suite for
Piano 4-hands.
Cette edition
critique de la Petite
Suite constitue un tire a
part des OEUVRES
COMPLETES DE CLAUDE
DEBUSSY, Serie I, volume
9. Les titres des
mouvements de la Petite
Suite, notamment <<
Cortege >> et << Ballet
>>, evoquent aussi bien
la Premiere
Suited'orchestre que
l'univers poetique des
Fetes galantes de Paul
Verlaine (<< Cortege >>,
<< En bateau >>) dont
Debussy avait mis en
musique plusieurs poemes
des 1882. L'oeuvre fut
cedee a l'editeur Durand,
Schoenewerk & Cie le 8
decembre 1888. Elle
parutau debut de l'annee
suivante, le depot legal
ayant ete effectue le 12
fevrier 1889. On a
beaucoup de mal a
imaginer que la
PetiteSuite qui fut une
des meilleures ventes de
l'editeur Durand du
vivant du compositeur fut
d'abord boudee par les
auditeursqui la
decouvrirent.
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
An ABRSM
syllabus title, 2014-21,
Grade 6. Although the
recorder was a popular
instrument in France at
the beginning of the 18th
century, relatively few
original French pieces
for recorder have
survived. One reason for
this is that the
repertoire of the
recorder players of that
time was largely taken
from the flute
literature, the pieces
being transposed a third
higher because of the
difference in pitch
between the flute and the
recorder. Six of the
seven suites in this
volume - works by Caix
d.Hervelois, Dornel,
Pierre Philidor,
Hotteterre, Naudot and de
la Barre - are indeed
flute music transposed in
accordance with the
custom of the period, one
suite, however, is an
original work for
recorder by Dieupart
written for the B flat
descant recorder and
transposed for the C
descant recorder in use
today. In selecting the
works our aim was to
provide a stylistic
panorama of the French
music of the period,
featuring the various
types of suite.
Concert Band (Score) - Grade 3 SKU: HL.44011072 Concert Band Full Scor...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.44011072
Concert Band Full
Score. Composed by
Jacob De Haan. De Haske
Concert Band. Classical.
Score Only. Composed
2009. De Haske
Publications #1094774140.
Published by De Haske
Publications
(HL.44011072).
Diese Suite in
c-Moll zollt einem
berühmten
klassischen Blaserwerk
Tribut - der Ersten Suite
in Es-Dur von Gustav
Holst von 1909 - und
erscheint zu deren
100-jahrigem Jubilaum.
Die viersatzige Suite
erinnert an die Stilistik
von Holst, enthalt aber
auch charakteristische
Klangidiome sowie
Strukturmerkmale von
Jacob de Haan. Eine
erfrischende originale
Komposition, inspiriert
von einem durchaus nicht
angestaubten Klassiker.
En 1909, Gustav
Holst composa une
œuvre audacieuse et
novatrice, la Premiere
Suite en Mib Majeur, op.
28 ndeg1 (First Suite in
Eb major, Op. 28, No.
1), une suite
exclusivement ecrite pour
instruments a vent. A
l'occasion du centenaire
de cette piece, devenue
un classique du
repertoire pour Orchestre
d'Harmonie, Jacob de Haan
a compose la Memorial
Suite en Ut mineur.
Cette composition en
quatre mouvements fait
reference aux qualites
stylistiques de
l'œuvre de Holst,
tout en s'appuyant sur le
langage sonore et
l'ecriture
caracteristiques du style
de Jacob de Haan. Le
resultat est
original.Comme Gustav
Holst, Jacob de Haan a
choisi d'ouvrir sasuite
avec une chaconne, une
forme de variation
contrapuntique (a
l'origine une danse
espagnole a trois temps)
dans laquelle un theme
revient de facon
recurrente accompagne a
chaque fois par un
nouveau contre-chant. Ce
theme ostinato est
utilise de differentes
manieres tout au long des
quatre mouvements,
assurant ainsi l'unite de
l'œuvre. Le second
mouvement est un
scherzo. Par sa
progression et son
caractere, il s'apparente
a l'intermezzo
central de la suite de
Holst. Le troisieme
mouvement, Song
Without Words (Chanson
sans paroles), porte
le meme titre que le
second mouvement de la
Deuxieme Suite en Fa,
op. 28 ndeg 2 (Second
Suite in F, Op. 28, No.
1) composee par Holst
en 1911. A mi-chemin de
ce mouvement tres
expressif apparait un
solo de saxophone alto.
Jacob de Haan conclut son
œuvre par une
Marche comme le
fit jadis Gustav
Holst.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score and
Parts). Composed 2021.
Anglo Music Press #AMP
503-010. Published by
Anglo Music Press
(BT.AMP-503-010).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetlâÃ
¢Â‚¬â„¢ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
‘klezmorimÃ
¢â‚¬â„¢, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kleyââÂ
‚¬â„¢ (instrument)
and
‘zemerââ
‚¬â„¢ (song). The
roots of the style are
found in secular
melodies, popular dances,
Jewish
‘hazanutâ
€™ (cantorial
music) and also the
‘nigunimâ
€™, the
wordless melodies intoned
bythe
‘Hasidimâ
€™ (orthodox
Jews). The melodies used
in the four movements of
A Little Klezmer
Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De
première vond in
oktober 2020 plaats
tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s
van Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke
melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze
melodieën die
worden gezongen door de
orthodoxe chassidische
joden. De
melodieën die in
de vier delen van A
Little Klezmer Suite
zijn gebruikt, werden
vanoorsprong ten gehore
gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung
fand im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in
den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“,
seit dem frühen
Mittelalter bei Festen,
insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist
ein jiddischer Begriff,
der die
hebräischen
Wörter
kley“
(Instrument) und
zemer“
(Lied) miteinander
kombiniert. Der Ursprung
des Stils liegt in
weltlichen Melodien,
Volkstänzen,jÃÃ
‚¼discher
Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A
Little Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from On...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44012456
Suite
from Once Upon a Time
.... Composed by Jan
Van der Roost. De Haske
Concert Band. Softcover.
Composed 2014. De Haske
Publications #1145609010.
Published by De Haske
Publications
(HL.44012456).
UPC:
888680084646.
English-German-French-Dut
ch.
Based on the
orchestral part of the
play Es War einmal...
(Once Upon a Time...)
for narrator, actors,
children's choir and wind
band, there's now an
'enchanted' suite for
band only -- Grimm's
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time... reappear in
this lovely instrumental
suite by Jan Van der
Roost. Welcome to the
enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal... (Er was
eens...), is er nu het
sprookjesachtige
Grimm's Fairytale
Forest, dat is
gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieen en thema's
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
fur Erzahler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit Grimm's
Fairytale Forest nun
eine marchenhafte Suite
aus dem Singspiel vor.
Der
farbenreicheOrchesterteil
bot mehr als genugend
musikalisches Material
fur diese
Instrumentalsuite, in der
die schonsten Melodien
und Themen aus vier
beruhmten Grimms-Marchen
erklingen. Willkommen im
Marchenwald!
Jan
Van der Roost a cree
Grimm's Fairytale
Forest en reprenant
la partie orchestrale de
l'oeuvre Es war
einmal... (Il etait
une fois...). Coloree et
variee, les melodies et
themes les plus
memorables de l'oeuvre
source y occupent
unelarge place. Bienvenue
dans l'univers magique
des freres Grimm, un
monde plein de fantaisie
qui reflete pourtant la
realite de la vie - comme
c'est souvent le cas dans
les contes de
fees.
Jan Van der
Roost ha composto
Grimm's Fairytale
Forest riprendendo la
parte orchestrale del
brano Es war
einmal (C'era una
volta). Colorite e
variegate, le melodie piu
memorabili dell'opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti nell'universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
pero la realta della
vita.
Piano SKU: BT.EMBZ7212 BWV 806-811. Composed by Johann Sebastian B...(+)
Piano
SKU:
BT.EMBZ7212
BWV
806-811. Composed by
Johann Sebastian Bach,
Perti, and Tamas
Zaszkaliczky. EMB Urtext.
Book Only. Composed 1977.
100 pages. Editio Musica
Budapest #EMBZ7212.
Published by Editio
Musica Budapest
(BT.EMBZ7212).
English-German-Hungari
an.
The name
'English Suites' did not
originate with Bach, and
up to now its origin
could not be clarified.
In his Bach biography
Forkel mentions that the
composer wrote the suites
to fulfil an English
commission. It is a much
more likely assumption,
however, that Bach
derived inspiration for
his suites from studying
certain English models. A
stylistic relationship,
and indeed, certain
thematic identities can
be pointed out between
the English Suites and
the suites of the French
composer, Dieupart, who
lived in London. The
piano suites of Handel,
published in 1720,
shortly before the origin
of the English Suites,
could also have served as
antecedents.The English
Suites have notremained
extant in Bach's own
hand, but they are
included in a number of
contemporaneous
manuscript collections.
Relying on the most
significant sources, our
publication gives all the
essential differences
among the copies in
footnotes, thus enabling
the performer to choose
for himself among the
variants. (Tamás
Zászkaliczky).