50 Selected Studies by Jean Baptiste Cramer. Edited by Hans von Bülow and Maurice Hinson. For Piano. Masterworks; Piano Collection. Alfred Masterwork Edition. Masterwork; Romantic. Advanced; Early Advanced. Book. 136 pages. Published by Alfred Music Publishing

Piano

SKU: BT.EMBZ14761

By Ágnes Lakos. EMB Musical Expeditions. Educational Tool. Book Only. Composed 2011. 60 pages. Editio Musica Budapest #EMBZ14761. Published by Editio Musica Budapest (BT.EMBZ14761).

This collection of character pieces by Swedish, Finnish, Norwegian and Danish composers is a good illustration of the fact that there is plenty to discover in those areas of Europe that more rarely enjoy the limelight. The composers featured in this volume were all famous in their day, and not only participated in European musical life but also helped to shape it: the Norwegian Agathe Backer-Grondahl, for example, was a pupil of Ferenc Liszt and Hans von Bülow, the Swede Ludvig Norman was also an outstanding concert pianist, and Niels Wilhelm Gade was the most important Danish romantic composer, conductor of the Leipzig Gewandhaus Orchestra and a friend of Mendelssohn andSchumann.

Die Sammlung an Charakterstücken von schwedischen, finnischen, norwegischen und dänischen Komponisten zeigt auch gut, dass man sehr wohl in den Gebieten Europas vieles entdecken kann, die weniger in Rampenlicht stehen. Die Meister des Bandes waren zu ihrer Zeit nicht nur berühmte Komponisten und am europäischen Musiklebens beteiligt, sie beeinflussten es auch. Beispielsweise war die Norwegerin Agathe Backer-Grondahl eine Schülerin von Franz Liszt und Hans von Bülow, der Schwede Ludvig Norman war selbst ein ausgezeichneter Pianist. Niels Wilhelm Gade, der bedeutendste romantische Komponist Dänemarks, war Dirigent des Leipziger Gewandhausorchesters und Freund von Mendelssohn undSchumann.

Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212602

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Masterwork. Score and Part(s). LudwigMasters Publications #36-A212602. Published by LudwigMasters Publications (AP.36-A212602).

UPC: 676737597597. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212601

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Score. LudwigMasters Publications #36-A212601. Published by LudwigMasters Publications (AP.36-A212601).

ISBN 9798888520987. UPC: 676737611651. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212648

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Performance Music Ensemble; Piano, Solo with Piano; Single Titles. Kalmus Edition. Form: Sonata. 20th Century; Masterwork. Book. LudwigMasters Publications #36-A212648. Published by LudwigMasters Publications (AP.36-A212648).

ISBN 9798888520994. UPC: 676737744748. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. This is the solo piano and orchestra piano reduction.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Edition without fingering. Composed by Ludwig van Beethoven (1770-1827). Edited by Bertha Antonia Wallner. Henle Music Folios. Softcover. 288 pages. G. Henle #HN1032. Published by G. Henle (HL.51481032).

Edition without fingering. Composed by Ludwig van Beethoven (1770-1827). Edited by Bertha Antonia Wallner. Henle Music Folios. Softcover. 334 pages. G. Henle #HN1034. Published by G. Henle (HL.51481034).

Piano

SKU: BT.EMBZ12900

Composed by Franz Liszt. EMB Liszt Works. Book Only. Composed 2016. 48 pages. Editio Musica Budapest #EMBZ12900. Published by Editio Musica Budapest (BT.EMBZ12900).

English-German.

Liszt s Piano Sonata in B minor, first drafted in 1849, is one of his most innovative piano works. The handwritten, final version was completed on 2 February 1853, and was first published in April 1854. Liszt dedicated the work to Robert Schumann as a response to Schumann previously dedicating his C Major Fantasy to Liszt. The Sonata in B Minor was premiered on 22 January 22 1857, by the Liszt s youngest daughter s husband, Hans von Bülow, who was a renowned pianist and conductor.This publication contains not only musical scores of excellent quality, but also a detailed foreword in English and German as well as critical notes in English.

Composed by Johann Sebastian Bach (1685-1750). Edited by Martina Rebmann and Christoph Wolff. This edition: facsimile. Linen. Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Facsimile. BWV 846-869. 98/28 pages. Baerenreiter Verlag #BVK02493_00. Published by Baerenreiter Verlag

For Solo Flute. By Karl Joachim Andersen. Schott. 40 pages. Published by Schott.

Orchestra (Study Score)

SKU: HL.49045871

Study Score. Composed by Gustav Mahler. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. 218 pages. Eulenburg Edition #ETP1546. Published by Eulenburg Edition (HL.49045871).

ISBN 9783795711634. UPC: 888680791568. 6.0x9.0x0.556 inches.

With a detailed preface by Giselher Schubert Mahler 2 - written between 1888 and 1894 and known as 'Resurrection Symphony.' Mahler found inspiration for the final, 'Resurrection' movement at the funeral of Hans von Bülow. Content: Preface Vorwort I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck II. Andante moderato. Sehr gemächlich. Nie eilen III. In ruhig fliessender Bewegung IV. Urlicht. Sehr feierlich, aber schlicht (Choralmässig) V. Im Tempo des Scherzos. Wild herausfahrend.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Voice and guitar

SKU: HL.49015258

Das Liederbuch der jungen Szene. Edited by Bertold Marohl. This edition: Plastic cover. Paperback. Edition Schott. Classical. Melody Line (with Chords). 274 pages. Schott Music #ED 7120. Published by Schott Music (HL.49015258).

ISBN 9783795720629. 4.75x7.25x0.59 inches. German.

Der neue Zupfgeigenhansl erscheint als Folgeband des seit der Jugendbewegung allgemein bekannten Zupfgeigenhansl und enthalt 121 Lieder, die auf die Anliegen der jungen Generation des ausgehenden 20. Jahrhunderts eingehen: Fahrt uber Lander und Meere - internationale Folklore und Spirituals - kritische alte und neue Lieder zu unseren Zeitproblemen - das Thema Liebe - Balladeskes und Heiteres. Das Buch bietet Melodien, vollstandige Texte, Akkorde fur Gitarrebegleitung, Bilder und Infos zu den Textern, Komponisten und Interpreten.

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.PB-4960

Composed by Pjotr Iljitsch Tschaikowsky. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 120 pages. Duration 32'. Breitkopf and Haertel #PB 4960. Published by Breitkopf and Haertel (BR.PB-4960).

ISBN 9790004207451. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Violoncello (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-23

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-23. Published by Breitkopf and Haertel (BR.OB-4960-23).

ISBN 9790004326824. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Double bass (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-27

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-27. Published by Breitkopf and Haertel (BR.OB-4960-27).

ISBN 9790004326831. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Viola (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-19

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-19. Published by Breitkopf and Haertel (BR.OB-4960-19).

ISBN 9790004326817. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Chorus (with soloists) and orchestra (solos: SMezTTTTBarBarB - choir: TTBB - 3(picc).2.cor ang.2.B-clar.3 - 4.3.3.1 - timp.perc(2) - hp - str / stage music: cor ang.6hn.3trp.3tbne)

SKU: BR.CHB-138-02

Music Drama in 3 Acts. Composed by Richard Wagner. Choir; stapled. Chor-Bibliothek (Choral Library).

Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 u. Opera; Music theatre; Romantic. Choral score. 8 pages. Breitkopf and Haertel #ChB 138-02. Published by Breitkopf and Haertel (BR.CHB-138-02).

ISBN 9790004400791. 6 x 8.5 inches.

Translation s: engl. (H. und F. Comer), french (A. Ernst/P. Bruck) Place: Tristan's ship, King Mark's castle in Cornwall, Tristan's castle Characters: Tristan (tenor) - King Mark (bass) - Isolde (soprano) - Kurwenal (baritone) - Melot (tenor) - Brangane (mezzo-soprano) - Shephard (tenor) - Mate (baritone) - Voice of a young sailor (tenor)In 1856 pressing financial obligations forced Wagner to interrupt the composition of the Ring to work on Tristan und Isolde. He initially planned a work that was modest in its production and performance demands. The project was also given priority not least because of the prospect of the royalties which he would then receive. He once again turned to Breitkopf & Hartel for the performance material: 'Tristan und Isolde' is scheduled to be given its first performance at the end of this year. I still hope that it will take place in Karlsruhe under my guidance. Due to the celebrity that I have now acquired, I assume that a new and easily performable work of mine should be able to spread very quickly across the German stages in its first winter season. Wagner was wrong. although the publisher had spent a great deal of time and money in producing preliminary material, Wagner wrote to Breitkopf & Hartel from Munich in November 1864: The squalor of Germany's opera singers and the vile condition of its opera houses have so far dissuaded me from allowing a performance of 'Tristan und Isolde'. What I needed was an impassioned young monarch to restore my courage. Next spring you will hear about the work's premiere in Munich, and you will then hopefully become more confident about this publication.

Richa rd Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 under the direction of Hans von Bulow.