Flute and piano - easy SKU: HL.49008199 Easy Jazz and Pop Pieces. ...(+)
Flute and piano - easy
SKU: HL.49008199
Easy Jazz and Pop
Pieces. Composed by
Mike Schoenmehl. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Classical. Edition with
CD. 88 pages. Schott
Music #ED 8881. Published
by Schott Music
(HL.49008199).
ISBN
9783795753818.
9.0x12.0x0.27
inches.
'Fun with
Jazz Flute' is a series
for beginners of any age,
a way of complementing
traditional teaching
material with an
introduction to the
characteristics of pop
and jazz. To help with
practicing, the CD
contains just the piano
part as well as the
complete track with both
instruments for each
piece. Walking by the sea
* Two Note Blues *
Dreaming of You * Up and
Down Boogie * Try It! *
The hurdy-gurdy *
Singing' in the Church *
Love Waltz * Sunset *
Waltzin' * Happy reunion
* Farewell-Gospel * Happy
Talk * Holidays *
Folksong * Looking back *
Cuba Libre *
Recollections of autumn *
Hot Stuff * Song for
Peace * French Evening *
Gangster chase * Flight
over the mountains * In
the summer meadow * March
of the old fogies *
Agaric Rag * Notes on
Interpretation,
Commentary and Tips *
Notes on the piano
accompaniment * Even and
Swing Quavers * Beat *
CD-Index.
Piano SKU: BT.9781408192788 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano
SKU:
BT.9781408192788
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 24 pages. Collins
Music Publishing
#9781408192788. Published
by Collins Music
Publishing
(BT.9781408192788).
ISBN
9781408192788.
D
esigned to complement Get
Set! Piano Tutor Book 2,
Get Set! Piano
Pieces Book 2
contains an exciting
collection of pieces by
Heather Hammond and Karen
Marshall, arranged and
written specially for
thetwenty-first century
child.
Get
Set! Piano Pieces Book
2 follows and
supplements the tried and
tested progressive
teaching method of Get
Set! Piano Tutor Book 2
(9781408193075), guiding
the learner fromPrep test
to Grade 1. It includes
favourites like La
Bamba, Frère
Jacques and This
Old Man as well as
engaging new solo and
ensemble pieces in a
variety of styles.
The perfect repertoire
bookforgetting to Grade
1, Get Set! Piano
Pieces Book 2 is
attractively laid out and
fully illustrated, with
quizzes and crosswords to
reinforce
learning.
Oboe SKU: BT.9781408105283 Composed by Helen McKean. Abracadabra. Method....(+)
Oboe
SKU:
BT.9781408105283
Composed by Helen McKean.
Abracadabra. Method. Book
with CD. Collins Music
Publishing
#9781408105283. Published
by Collins Music
Publishing
(BT.9781408105283).
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Field
Drum, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion,
Percussion 1, Percussion
2, Piccolo, Sleigh Bells,
Trombone and more. -
Grade 1.5
SKU:
CF.FPS54
Good King
Wenceslas, Up on the
Housetop, Jingle
Bells. Composed by
Traditional. Arranged by
Joseph Compello. FS-SWS.
Carl Fischer First Plus
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation. Carl Fischer
Music #FPS54. Published
by Carl Fischer Music
(CF.FPS54).
ISBN
9780825861734. UPC:
798408061739. 9 X 12
inches. Key: Bb
major.
Arranger
Joseph Compello brings us
a nice holiday collage
that features the
percussion section
playing real street
beats. Beside being an
effective and fun
arrangment, your
percussion section will
learn different roll-offs
and streets that will be
useful for parades or
other events where street
beats are needed. Well
done Joe!
Concert Band Alto
Saxophone, Baritone
Saxophone, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Clarinet I,
Clarinet II, Euphonium,
Field Drum, Flute, Flute
II, Horn, Oboe, Piccolo,
Sleigh Bells, Tenor,
Tenor Saxophone, Trumpet
I, Trumpet II, Tuba -
Grade 1.5
SKU:
CF.FPS54F
Good
King Wenceslas, Up on the
Housetop, Jingle
Bells. Composed by
Traditional. Arranged by
Joseph Compello. SWS.
Carl Fischer First Plus
Performance Series. Full
score. With Standard
notation. Carl Fischer
Music #FPS54F. Published
by Carl Fischer Music
(CF.FPS54F).
ISBN
9780825861741. UPC:
798408061746. 9 X 12
inches.
Arranger
Joseph Compello brings us
a nice holiday collage
that features the
percussion section
playing real street
beats. Beside being an
effective and fun
arrangment, your
percussion section will
learn different roll-offs
and streets that will be
useful for parades or
other events where street
beats are needed. Well
done Joe!
Orchestra (Print and
Digital) Choral
(Orchestra (Score &
Parts))
SKU:
HL.114534
Composed by
Rosephanye Powell.
Arranged by Jim Kessler.
Secular Christmas Choral.
Christmas, Holiday Pops.
General Merchandise.
Published by Hal Leonard
(HL.114534).
UPC:
884088874926.
11.0x17.0x0.1
inches.
Rosephanye
Powell's stunning work
recorded with the
Baltimore Choral Arts
Society will make a
wonderful feature for
concert choirs from high
school through community
and collegiate levels.
Whether you perform with
piano only or collaborate
with an orchestra, this
romantic ballad will be a
choir and audience
favorite! (.
Chamber Music Flute, Guitar, Violin SKU: PR.144404050 Composed by Robert ...(+)
Chamber Music Flute,
Guitar, Violin
SKU:
PR.144404050
Composed
by Robert Martin.
Christmas and Holiday.
Set of Score and Parts.
With Standard notation.
Composed 1998. 12+8+8+8
pages. Duration 8
minutes, 45 seconds.
Theodore Presser Company
#144-40405. Published by
Theodore Presser Company
(PR.144404050).
UPC:
680160030187.
Adapt
ed from 5
DIVERTIMENTIE.439b for 2
clarinets & bassoon, this
unforced, idiomatic
arrangement by Frederick
Hand is a splendid
addition to the
flute/guitar repertoire.
About 19 1/2 min. For
college, conservatory,
professional, amateur.
Medium.
Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714).
ISBN
9790004216514. 10.5 x 14
inches.
More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980.