STB vocal soli, SATB choir, 2 violins, viola, cello, basso continuo

SKU: CA.3119619

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. Composed 1708. BWV 196. Duration 14 minutes. Carus Verlag #CV 31.196/19. Published by Carus Verlag (CA.3119619).

ISBN 9790007210496. Text language: German/English.

Esp ecially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score and parts available separately - see item CA.3119600.

STB vocal soli, SATB choir, 2 violins, viola, cello, basso continuo

SKU: CA.3119605

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Wedding. Choral Score. Composed 1708. BWV 196. 8 pages. Duration 14 minutes. Carus Verlag #CV 31.196/05. Published by Carus Verlag (CA.3119605).

ISBN 9790007210434. Language: German/English.

Esp ecially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score available separately - see item CA.3119600.

(10 Festive Arrangements for 2-Part Voices (Kit)). Composed by Sally K. Albrecht, Jay Althouse, Lynn Shaw Bailey, Andy Beck, Michael Clawson, Mary Donnelly, Brian Fisher, Greg Gilpin, Ruth Morris Gray, Donald Moore, Ruth Elaine Schram, and George L. O. Strid. This edition: CD Kit. Book; Classroom/Pre-School; Enhanced CD; General Music and Classroom Publications; Reproducible. Two-Gether We Sing. Christmas; Secular; Winter. 80 pages. Published by Alfred Music

Clarinet

SKU: HL.49002458

Composed by Various. Arranged by Pamela Weston. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 16 pages. Schott Music #ED 10669. Published by Schott Music (HL.49002458).

ISBN 9790220104091. UPC: 073999491074. 6.0x9.0x0.095 inches.

Composed by Frederic Chopin (1810-1849). Edited by Wendelin Bitzan. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Opus 60. Baerenreiter Verlag #BA11831. Published by Baerenreiter Verlag

By Richard E. Brown. Young Band. FJH Young Band. Modal Menagerie is a suite of four very short, fun pieces that are intended to introduce young students to modal tonalities. Each movement musically depicts an animal whose name alliterates with the mode being demonstrated: Lydian Lions, Phrygian Pheasants, Dorian Donkeys, and Mixolydian Monkeys. Score for this title: B1305S. Concert Band. Level: 2. Score and Set of Parts. Composed 2006. Published by The FJH Music Company Inc.

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 56 pages. Published by Hal Leonard.

Vocal

SKU: HL.49006116

Study Score. Composed by Krzysztof Penderecki. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical, Opera. Study Score. Composed 1968-1969. 216 pages. Duration 110'. Schott Music #ED 6225. Published by Schott Music (HL.49006116).

ISBN 9790001066365. UPC: 073999353327. 9.0x12.0x0.699 inches. German - English.

4 (auch 2 Picc. u. Altfl.) * 0 * 2 Engl. Hr. * Es-Klar. * 0 * Kb.-Klar. * 2 Alt-Sax. * 2 Bariton-Sax. * 3 * Kfg. - 6 * 4 (auch 1 Trp. in D) * 4 * 2 - P. S. (Trgl. * 2 Gongs * javanischer Gong * 2 Rohrengl. * 6 hg. Beck. * 2 Tamt. * Mil. Tr. * Reibtr. * gr. Tr. * Beck * 5 Holzbl. * Ratsche * Peitsche * Guiro * Messgl. * Kirchengl. * Sapo cubana * ca. 30 versch. Metallrohre ohne bestimmte Tonhohe * Sage * Flex.) - Hfe. * Klav. * Org. * Harm. * elektr. Bass-Git. - Str. (20 * 0 * 8 * 8 * 6).

Piano

SKU: BT.EMBZ300

Composed by Bela Bartok. Educational Tool. Book Only. Composed 1951. 16 pages. Editio Musica Budapest #EMBZ300. Published by Editio Musica Budapest (BT.EMBZ300).

English-German-Hungari an.

'The Ten Easy Pieces - with a 'Dedication' as an eleventh - are a complement to the Bagatelles. The former were written with pedagogical purposes, that is, to supply piano students with easy contemporary pieces' wrote Bartók in the foreword to a planned American edition. This was his first piano series to be published with detailed fingering and pedalling indications, as he had done with the works of Bach, Beethoven, Mozart etc. in what are known as his performing editions of classical piano music.' (HCD 32525 Bartók New Series Vol. 25, László Somfai).

Piano

SKU: BR.EB-4341

Instructive Edition. Composed by Ludwig van Beethoven. Edited by Frederic Lamond. Solo instruments; Softbound. Edition Breitkopf. The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic LamondHave a look into EB 4342. Sonata; Classical. Score. 260 pages. Breitkopf and Haertel #EB 4341. Published by Breitkopf and Haertel (BR.EB-4341).

ISBN 9790004162866. 9 x 12 inches.

Whereas in past decades Urtext editions with assorted aspirations and readings by various editors were the primary points of departure in addressing Beethoven's piano sonatas, today it is more often the question of what significance so-called instructive editions have in the history of interpretation, what additional benefit is generated from them, and wherein lies their legitimacy. Unlike his teacher Hans von Bulow in his edition of the sonatas, Lamond did not allow any intervention in the music text per se. His indications give instead interpretive approaches, additionally inspiring today's musicians in the realization of the musical composition. By the beginning of the 20th century he was a successful and celebrated pianist, concertizing in the US and across much of Europe. He repeatedly caused a stir with his Beethoven projects such as performing sixteen sonatas as well as the Diabelli and Eroica variations within four days at the Queen's Hall in London (1925). Dating from this period is also his edition of Beethoven's 32 piano sonatas that first appeared from Breitkopf & Hartel in 1923. Frederic Lamond thus epitomizes Beethoven interpretation. Even today his name is still associated primarily with Beethoven. The present ,,Instructive Edition of Beethoven's 32 Piano Sonatas is a part of the ,,Breitkopf Originals series on the occasion of Beethoven's 250th Birthday in 2020. Apart from the established Urtext editions, this reissue opens up a fascinating view on the interpretation- and performance practice of one of the most important Beethoven interpreters in the 19th and 20th century.

The Scotsman and his Beethoven - The 32 Piano Sonatas in the Instructive Edition, edited and supplied with fingerings by Frederic Lamond.

Concert Band - Grade 5

SKU: BT.DHP-1033505-040

Gulliver's Travels. Composed by Maxime Aulio. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033505-040. Published by De Haske Publications (BT.DHP-1033505-040).

9x12 inches.

Duration: 19:00 minutes

Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.

1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1043758-140

Composed by Jacob De Haan. Performance Series. Concert Piece. Score Only. Composed 2004. 36 pages. De Haske Publications #DHP 1043758-140. Published by De Haske Publications (BT.DHP-1043758-140).

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Fanfare Band - Grade 2.5

SKU: BT.DHP-1043758-020

Composed by Jacob De Haan. Performance Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043758-020. Published by De Haske Publications (BT.DHP-1043758-020).

9x12 inches. English-German-French-Dut ch.

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Fanfare Band - Grade 2.5

SKU: BT.DHP-1043758-120

Composed by Jacob De Haan. Performance Series. Concert Piece. Score Only. Composed 2004. 36 pages. De Haske Publications #DHP 1043758-120. Published by De Haske Publications (BT.DHP-1043758-120).

9x12 inches. English-German-French-Dut ch.

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Concert Band - Grade 2.5

SKU: BT.DHP-1043758-040

Composed by Jacob De Haan. Performance Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043758-040. Published by De Haske Publications (BT.DHP-1043758-040).

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1043758-010

Composed by Jacob De Haan. Performance Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043758-010. Published by De Haske Publications (BT.DHP-1043758-010).

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Voice and piano

SKU: HG.OSW-16C

Buhnenwerke Vol 16. Composed by Othmar Schoeck. Edited by Max Lutolf. Opera. Serie III, Band 16KA. Hug Musikverlage #OSW 16C. Published by Hug Musikverlage (HG.OSW-16C).

ISBN 9783906415338.

Band 16c Massimilla Doni (Klavierauszug) Serie III: Buhnenwerke vorgelegt von Michael Baumgartner Hug & Co. Musikverlage, Zurich 2000 ISBN 3-906415-33-3 400 S. 310 x 230 mm, Fadenheftung, in dunkelblaues Leinen gebunden mit silberner Titel- und Ruckenpragung, hochwertiges, holzfreies Offsetpapier Vorwort des Herausgebers, Einleitung (deutsch), Notenteil, Kritische Berichte, 4 schwarz-weiss-Faksimiles, Bibliografie, Diskografie, Register.

Organ Medleys for Contemporary Worship. Arranged by Don Wyrtzen. Sacred Folio. Size 9x12 inches. 80 pages. Published by Word Music.