(aus: Drei Lamentationen fur die erste Matutin-Nokturn des Karsamstags). By Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlhase. Arranged by Wolfgang Horn. For Bass Voice Solo, Basso continuo. F-Dur (F major). German title: Lamentatio III fur Karsam. full score. Lent and Passiontide, Holy Week, Easter and Eastertide.

By Jan Dismas Zelenka. Use during church year: Lent and Passiontide, Holy Week. Score. 104 pages. Published by Carus Verlag (German import).

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.

(Die funfstimmigen Vertonungen (Munchen 1585) und die vierstimmigen Vertonungen der Klagelieder). Composed by Orlande De Lassus (1532-1594). Edited by Peter Bergquist. For mixed choir. This edition: Complete edition, Urtext edition. Linen. Orlando di Lasso. Samtliche Werke (Neue Reihe), Volume 22. Anthology. Published by Baerenreiter Verlag

Piano

SKU: HL.14046098

Composed by Felix Sierra. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #REALMK19075. Published by Real Musical (HL.14046098).

ISBN 9788438712528. Spanish.

Nueva edicion de la coleccion Lenguaje Musical de Felix Sierra que abarca los 4 cursos de Grado Elemental y 2 de Grado Medio. Cada curso consta de dos volumenes: A y B. En esta nueva edicion se han ampliado el numero de ejercicios dedicados, tanto ala formacion ritmica y de lectura de notas - escasa en la edicion original-, como a la entonacion de melodias. Los ejercicios de entonacion incluyen un sencillo acompanamiento pianistico, con el que se pretende un triple objetivo: facilitar suestudio estabilizando la afinacion, ayudar a la interiorizacion de las funciones armonicas y aproximarlos a esa musica que, como se ha dicho con fina ironia, tambien existe fuera de los conservatorios. No se trata, con ellos, de descifrar unapartitura. A pesar de lo limitado de los medios empleados, se puede -y se debe- realizar con estas piezas en miniatura una labor artistica. El CD que se incluye con el libro, aunque nunca puede suplir al profesor, si que, al menos en parte, cumpleesta funcion. Otra novedad la constituye la inclusion del arreglo para instrumentos escolares de una de las canciones con que se inicia cada unidad didactica, canciones que siguen siendo la materia principal que se desarrolla en el resto de launidad. Canciones y melodias a una y dos voces con acompanamiento de piano, ejercicios de ritmo y lectura de notas, percusion corporal, pequenas obras escritas para instrumentos de laminas, nociones de teoria, juegos musicales, practica de laimprovisacion y la creacion musical... y todo ello con un riguroso planteamiento didactico en el que la armonia es el eje vertebrador de todas las actividades que se proponen. Ayudar a descubrir el apasionante mundo musical debe de ser, a juicio delautor, la tarea principal del maestro de musica. Esperamos con estos libros, favorecer esta dificil labor. Lenguaje Musical , Lecciones De Entonacion y Educacion Auditiva son las colecciones de Felix Sierra que contemplan la ensenanza del lenguajemusical. Se trabaja en este cuaderno la tonalidad de DO mayor -sin alteraciones accidentales y sin incluir la nota SI-, las figuras blanca, negra, corchea, sus silencios y el puntillo aplicado a la blanca y a la negra, los compases de dos y tres porcuatro, la anacrusa, la ligadura de union y las funciones armonicas basicas: tonica, dominante y subdominante.

Aus: Lamentationes pro hebdomada sancta. By Jan Dismas Zelenka. Edited by Kohlhase, Thomas. Arranged by Paul Horn. For Bass Solo, Orch. ZWV 53 no. 1. Lent and Passiontide, Holy Week, Easter and Eastertide. Score. Language: Latin. Composed 1722. 20 pages. Published by Carus Verlag (German import).

Guitar solo - Advanced

SKU: DZ.DZ-4303

Composed by Luciano Lima. Score. Les Productions d'OZ #DZ 4303. Published by Les Productions d'OZ (DZ.DZ-4303).

ISBN 9782898522208.

Dedi cated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.

Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.

Cello

SKU: HL.50600927

For Cello Solo. Composed by Giovanni Sollima. String. Classical. Softcover. Ricordi #SONZ3129. Published by Ricordi (HL.50600927).

24 Traditional Folk Songs for Intermediate Piano Solo. Arranged by James Wilding and Nkululeko Zungu. Educational Piano Solo. Folk, Solos. Softcover. Published by Hal Leonard