The Earl of Oxford's March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William B...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-158-010
Composed by William Byrd.
Arranged by Philip
Sparke. Anglo Music
Midway Series.
Transcription. Set (Score
& Parts). Composed 2006.
Anglo Music Press #AMP
158-010. Published by
Anglo Music Press
(BT.AMP-158-010).
9x12
inches.
English-German-French-Dut
ch.
The Battell was
written during the late
14th Century when England
was in a mood of national
celebration after victory
over the Spanish and
French Armadas.The
movement which Byrd
called Marche Before The
Battell became known as
The Earl of Oxford?s
Marchand it appears with
that title in an early
manuscript copy of the
Fitzwilliam Virginal
Book.Written while Byrd
was at the height of his
powers, it still stirs
the soul to this day. A
perfect opener for your
concert
performances.
M
y Lady Nevells Book
uit 1591 bevat een aantal
werken van William Byrd
die waarschijnlijk waren
gecomponeerd in de 25
jaren daarvoor, inclusief
de verhalende suite
The Battell. De
programmatische muziek
van The Battellis
zeldzaam in Byrds oeuvre,
dat vooral bestaat uit
vaste muzikale vormen,
zoals gaillardes en
pavanes. Het werk is
vermoedelijk geschreven
na 1588, toen Engeland in
een overwinningsroes
verkeerde na de zege op
de Spaanseen Franse
Armada’s. Het deel
dat Byrd Marche Before
The Battell noemde,
werd bekend als The
Earl of Oxford’s
March, hoewel het
niet geheel duidelijk is
waarom. Deze muziek, die
Byrd schreef in zijn
hoogtijdagen, isnog
altijd
treffend.
Der
Notendruck kam spät
nach England. Viele
Spieler kopierten die
Musik von Hand,
wohlhabende Familien
ließen sie sich von
einem Schreiber kopieren.
Solch eine frühe
Ausgabe war My Lady
Nevells Book, das
u.a. die deskriptive
Suite The Battell
enthält. Der Satz, den
Byrd mit Marche Before
the Battel
überschrieb wurde als
The Earl of
Oxford’s March
bekannt. Das Stück,
das zur Blütezeit von
Byrds Schaffenskraft
entstand, bewegt noch
heute die Gemüter.
Eine perfekte
Eröffnung für Ihr
Konzert.
Questo
brano di musica a
programma è unico
nella produzione di
William Byrd che
comprende soprattutto
grounds, gagliarde e
pavane. The Battell - dal
quale è tratto The
Earl of Oxford’s
March (o Marche Before
the Battle), fu
composto probabilmente
dopo il 1588, ai tempi in
cui l’Inghilterra
era particolarmente
incline ai festeggiamenti
nazionali dopo la
vittoria sulle flotte
spagnole e francesi.
Questo brano, scritto
quando William Bryd era
all’apice della
gloria, continua a
commuovere.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William B...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-158-140
Composed by William Byrd.
Arranged by Philip
Sparke. Anglo Music
Midway Series.
Transcription. Score
Only. Composed 2006. 32
pages. Anglo Music Press
#AMP 158-140. Published
by Anglo Music Press
(BT.AMP-158-140).
9x12
inches.
English-German-French-Dut
ch.
The Battell was
written during the late
14th Century when England
was in a mood of national
celebration after victory
over the Spanish and
French Armadas.The
movement which Byrd
called Marche Before The
Battell became known as
The Earl of Oxford?s
Marchand it appears with
that title in an early
manuscript copy of the
Fitzwilliam Virginal
Book.Written while Byrd
was at the height of his
powers, it still stirs
the soul to this day. A
perfect opener for your
concert
performances.
M
y Lady Nevells Book
uit 1591 bevat een aantal
werken van William Byrd
die waarschijnlijk waren
gecomponeerd in de 25
jaren daarvoor, inclusief
de verhalende suite
The Battell. De
programmatische muziek
van The Battellis
zeldzaam in Byrds oeuvre,
dat vooral bestaat uit
vaste muzikale vormen,
zoals gaillardes en
pavanes. Het werk is
vermoedelijk geschreven
na 1588, toen Engeland in
een overwinningsroes
verkeerde na de zege op
de Spaanseen Franse
Armada’s. Het deel
dat Byrd Marche Before
The Battell noemde,
werd bekend als The
Earl of Oxford’s
March, hoewel het
niet geheel duidelijk is
waarom. Deze muziek, die
Byrd schreef in zijn
hoogtijdagen, isnog
altijd
treffend.
Der
Notendruck kam spät
nach England. Viele
Spieler kopierten die
Musik von Hand,
wohlhabende Familien
ließen sie sich von
einem Schreiber kopieren.
Solch eine frühe
Ausgabe war My Lady
Nevells Book, das
u.a. die deskriptive
Suite The Battell
enthält. Der Satz, den
Byrd mit Marche Before
the Battel
überschrieb wurde als
The Earl of
Oxford’s March
bekannt. Das Stück,
das zur Blütezeit von
Byrds Schaffenskraft
entstand, bewegt noch
heute die Gemüter.
Eine perfekte
Eröffnung für Ihr
Konzert.
Questo
brano di musica a
programma è unico
nella produzione di
William Byrd che
comprende soprattutto
grounds, gagliarde e
pavane. The Battell - dal
quale è tratto The
Earl of Oxford’s
March (o Marche Before
the Battle), fu
composto probabilmente
dopo il 1588, ai tempi in
cui l’Inghilterra
era particolarmente
incline ai festeggiamenti
nazionali dopo la
vittoria sulle flotte
spagnole e francesi.
Questo brano, scritto
quando William Bryd era
all’apice della
gloria, continua a
commuovere.
Grand March Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960731-140 Composed by Soich...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960731-140
Composed by Soichi
Konagaya. Brilliant
Marches. March. Score
Only. Composed 1996. 32
pages. De Haske
Publications #DHP
0960731-140. Published by
De Haske Publications
(BT.DHP-0960731-140).
9x12
inches.
‘Gran
d March’ was
composed in 1995 for the
All Shizuoka Youth Band
of Japan. The piece opens
with a majestic fanfare.
A superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995
für die All Shizuoka
Youth Band of Japan
komponiert. Der Marsch
beginnt hoffnungsvoll mit
einer majestätischen
Fanfare. Darauf folgt ein
toll klingender,
energischer Marsch. Das
Talent dieses japanischen
Komponisten zeigt sich
besonders im lyrischen
Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorit superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Grand March Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960731-010 Composed by Soich...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960731-010
Composed by Soichi
Konagaya. Brilliant
Marches. March. Set
(Score and Parts).
Composed 1996. De Haske
Publications #DHP
0960731-010. Published by
De Haske Publications
(BT.DHP-0960731-010).
9x12
inches.
â??Grand
Marchâ?? was composed in
1995 for the All Shizuoka
Youth Band of Japan. The
piece opens with a
majestic fanfare. A
superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995
für die All Shizuoka
Youth Band of Japan
komponiert. Der Marsch
beginnt hoffnungsvoll mit
einer majestätischen
Fanfare. Darauf folgt ein
toll klingender,
energischer Marsch. Das
Talent dieses japanischen
Komponisten zeigt sich
besonders im lyrischen
Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorit superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Prince of Denmark's March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-010 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-010
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Set (Score &
Parts). Composed 2001.
Anglo Music Press #AMP
027-010. Published by
Anglo Music Press
(BT.AMP-027-010).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-140 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-140
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Score Only.
Composed 2001. 20 pages.
Anglo Music Press #AMP
027-140. Published by
Anglo Music Press
(BT.AMP-027-140).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Composed
by Soichi Konagaya. De
Haske Concert Band.
March. Score Only.
Composed 1996. Hal
Leonard #960731.
Published by Hal Leonard
(HL.44002606).
UPC:
073999491302.
8.25x11.75x0.795
inches.
Grand
March' was composed in
1995 for the All Shizuoka
Youth Band of Japan. The
piece opens with a
majestic fanfare. A
superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995 fur
die All Shizuoka Youth
Band of Japan komponiert.
Der Marsch beginnt
hoffnungsvoll mit einer
majestatischen Fanfare.
Darauf folgt ein toll
klingender, energischer
Marsch. Das Talent dieses
japanischen Komponisten
zeigt sich besonders im
lyrischen Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March est une
composition datant de
1995 pour l'ensemble
japonais All Shizuoka
Youth Band. L'oeuvre
commence par une fanfare
majestueuse, tel que le
promet le titre, suivie
d'une marche superbe au
caractere imperieux. Le
talent de ce compositeur
japonais est revele dans
le style tres lyrique du
trio, qui fait un
magnifique contraste avec
les premiers themes
lyriques de la Grand
March.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorita superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Organ SKU: HL.14000750 Composed by Alfred Hollins. Music Sales America. P...(+)
Organ
SKU:
HL.14000750
Composed
by Alfred Hollins. Music
Sales America. Post-1900.
Sheet Music, Instrumental
Work. With Text language:
English. 12 pages. Music
Sales #NOV580340.
Published by Music Sales
(HL.14000750).
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
March-Chagu-Chagu Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175813-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175813-010
Composed by Satoshi
Yagisawa. Brilliant
Marches. March. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175813-010. Published by
De Haske Publications
(BT.DHP-1175813-010).
English-German-French-
Dutch.
This work
was composed as
ceremonial music, as part
of a march medley for the
participants’
entry for the 71st
National Sports Festival
and the 16th National
Disabled Personnel Sports
Festival, held in Iwate
Prefecture in 2016. The
European premiere of this
piece took place in
December of that year,
the composer guest
conducting the Young
Musicians from Fribourg,
Switzerland. This work,
fusing Japanese folk song
with march music, will
have wide appeal, like
the sister work
March-Bou-Shu,
also published by de
Haske
Publications.
Dit
werk is gecomponeerd als
ceremoniële muziek:
het maakte deel uit van
een marsenmedley voor de
binnenkomst van
deelnemers aan het 71e
Nationale Sportfestival
en het 16e Nationale
Sportfestival voor
Gehandicapten, gehouden
in de prefectuur Iwate,
in 2016. Deze combinatie
van Japanse volksmuziek
met marsmuziek zal veel
muzikanten en luisteraars
aanspreken, net als het
zusterwerk
March-Bou-Shu, dat
ook door de Haske
Publications bv werd
uitgegeven.
Dieses Werk wurde
2016 anlässlich eines
großen Sportfestes in
Japan komponiert und war
Teil eines Marsch-Medleys
für den Einmarsch der
Teilnehmer. Die
europäische Premiere
fand 2016 mit den Young
Musicians aus Fribourg
(Schweiz) und dem
Komponisten als
Gastdirigent statt. Im
March-Chagu-Chagu
vermischen sich
japanische Volksmusik und
Marschmusik zu einem
exotischen
Hörvergnügen.
Ques
to brano è stato
composto nello stile di
una musica cerimoniale,
come parte di un medley
di marce per accompagnare
l’entrata dei
partecipanti al 71°
National Sports Festival
e al 16° National
Disabled Personnel Sports
Festival nella Prefettura
di Iwate in Giappone nel
2016. La prima europea
della composizione si
è tenuta nel dicembre
dello stesso anno a
Friburgo (Svizzera),
sotto la direzione del
compositore stesso. Come
per March-Bou-Shu
successo garantito per
questa delizioso mix di
canzone popolare
giapponese e marcia.
March-Chagu-Chagu Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175813-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175813-140
Composed by Satoshi
Yagisawa. Brilliant
Marches. March. Score
Only. Composed 2017. De
Haske Publications #DHP
1175813-140. Published by
De Haske Publications
(BT.DHP-1175813-140).
English-German-French-
Dutch.
This work
was composed as
ceremonial music, as part
of a march medley for the
participants’
entry for the 71st
National Sports Festival
and the 16th National
Disabled Personnel Sports
Festival, held in Iwate
Prefecture in 2016. The
European premiere of this
piece took place in
December of that year,
the composer guest
conducting the Young
Musicians from Fribourg,
Switzerland. This work,
fusing Japanese folk song
with march music, will
have wide appeal, like
the sister work
March-Bou-Shu,
also published by de
Haske
Publications.
Dit
werk is gecomponeerd als
ceremoniële muziek:
het maakte deel uit van
een marsenmedley voor de
binnenkomst van
deelnemers aan het 71e
Nationale Sportfestival
en het 16e Nationale
Sportfestival voor
Gehandicapten, gehouden
in de prefectuur Iwate,
in 2016. Deze combinatie
van Japanse volksmuziek
met marsmuziek zal veel
muzikanten en luisteraars
aanspreken, net als het
zusterwerk
March-Bou-Shu, dat
ook door de Haske
Publications bv werd
uitgegeven.
Dieses Werk wurde
2016 anlässlich eines
großen Sportfestes in
Japan komponiert und war
Teil eines Marsch-Medleys
für den Einmarsch der
Teilnehmer. Die
europäische Premiere
fand 2016 mit den Young
Musicians aus Fribourg
(Schweiz) und dem
Komponisten als
Gastdirigent statt. Im
March-Chagu-Chagu
vermischen sich
japanische Volksmusik und
Marschmusik zu einem
exotischen
Hörvergnügen.
Ques
to brano è stato
composto nello stile di
una musica cerimoniale,
come parte di un medley
di marce per accompagnare
l’entrata dei
partecipanti al 71°
National Sports Festival
e al 16° National
Disabled Personnel Sports
Festival nella Prefettura
di Iwate in Giappone nel
2016. La prima europea
della composizione si
è tenuta nel dicembre
dello stesso anno a
Friburgo (Svizzera),
sotto la direzione del
compositore stesso. Come
per March-Bou-Shu
successo garantito per
questa delizioso mix di
canzone popolare
giapponese e marcia.
Towards the Future Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1124756-140 Composed by Hay...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1124756-140
Composed by Hayato
Hirose. Brilliant
Marches. Concert March.
Score Only. Composed
2012. 20 pages. De Haske
Publications #DHP
1124756-140. Published by
De Haske Publications
(BT.DHP-1124756-140).
9x12 inches.
English-German-French-Dut
ch.
Towards the
Future was
commissioned by the
Nagoya City Fire Bureau
for the 50th anniversary
of the Nagoya City Fire
Bureau Band (Nagoya,
Japan). It was premiered
by the band on 7 February
2009, conducted by Masuo
Nakamura. This concert
march was conceived to
lift up the spirits of
the firemen who save
people’s lives.
The solemn and
heart-warming melodies
express their braveness
when faced with danger
and the tenderness shown
towards the people they
protect.It is an ideal
march to open a concert
and to inspire both
performers and
audience.
Towar
ds the Future is
geschreven in opdracht
van de Nagoya City Fire
Bureau Band (Nagoya,
Japan) ter gelegenheid
van het vijftigjarig
bestaan van het orkest.
Het werk is tot stand
gekomen met financiële
steun van het NagoyaCity
Fire Bureau. De
première vond op 7
februari 2009 plaats
onder leiding van Masuo
Nakamura.Deze concertmars
is gecomponeerd met de
intentie om de
brandweerlieden, die
telkens weer het leven
van burgers redden, een
hart onder deriem te
steken. De plechtige en
hartverwarmende
melodieën verklanken
moed in gevaarlijke
omstandigheden en de
toewijding aan de mensen
die worden beschermd.De
mars is ideaal om een
concert mee te openen en
zowel muzikanten als
publiekin de stemming te
brengen.
Toward
s the Futurewurde von
der Nagoya City Bureau
Band (Blasorchester der
Städtischen Feuerwehr
Nagoya, Japan) in Auftrag
gegeben. Anlass zu diesem
von der Städtischen
Feuerwehr Nagoya
unterstützten Werk war
das 150-jährige
Jubiläum dieses
Orchesters, welches am
7.Februar 2009 unter der
Leitung von Masuo
Nakamura die
Uraufführung
spielte.Dieser
Konzertmarsch wurde zur
Ermutigung der
Feuerwehrleute
geschrieben, die
Menschenleben retten. Die
feierlichen,
herzergreifenden Melodien
beschreiben den Mut der
Feuerwehrleute, den sie
im Angesicht von Gefahr
beweisen, und ihre
Fürsorglichkeit
gegenüber den
Menschen, die sie
beschützen.Mit diesem
Marsch kann man sehr
gutein Konzert
eröffnen und die
Stimmung von Musikern als
auch Zuhörenden heben.
Questa
marcia da concerto è
stata composta in onore,
ma anche per incoraggiare
e sostenere i vigili del
fuoco che salvano le vite
dei cittadini, spesso
mettendo a rischio la
propria incolumit . Le
melodie solenni e
commoventi al contempo
descrivono il coraggio di
questi uomini davanti al
pericolo e vogliono
sottolineare la tenerezza
e la dedizione nei
confronti delle persone
che sono chiamati a
salvare.
Towards the Future Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1124756-010 Composed by Hay...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1124756-010
Composed by Hayato
Hirose. Brilliant
Marches. Concert March.
Set (Score & Parts).
Composed 2012. De Haske
Publications #DHP
1124756-010. Published by
De Haske Publications
(BT.DHP-1124756-010).
9x12 inches.
English-German-French-Dut
ch.
Towards the
Future was
commissioned by the
Nagoya City Fire Bureau
for the 50th anniversary
of the Nagoya City Fire
Bureau Band (Nagoya,
Japan). It was premiered
by the band on 7 February
2009, conducted by Masuo
Nakamura. This concert
march was conceived to
lift up the spirits of
the firemen who save
people’s lives.
The solemn and
heart-warming melodies
express their braveness
when faced with danger
and the tenderness shown
towards the people they
protect.It is an ideal
march to open a concert
and to inspire both
performers and
audience.
Towar
ds the Future is
geschreven in opdracht
van de Nagoya City Fire
Bureau Band (Nagoya,
Japan) ter gelegenheid
van het vijftigjarig
bestaan van het orkest.
Het werk is tot stand
gekomen met financiële
steun van het NagoyaCity
Fire Bureau. De
première vond op 7
februari 2009 plaats
onder leiding van Masuo
Nakamura.Deze concertmars
is gecomponeerd met de
intentie om de
brandweerlieden, die
telkens weer het leven
van burgers redden, een
hart onder deriem te
steken. De plechtige en
hartverwarmende
melodieën verklanken
moed in gevaarlijke
omstandigheden en de
toewijding aan de mensen
die worden beschermd.De
mars is ideaal om een
concert mee te openen en
zowel muzikanten als
publiekin de stemming te
brengen.
Toward
s the Futurewurde von
der Nagoya City Bureau
Band (Blasorchester der
Städtischen Feuerwehr
Nagoya, Japan) in Auftrag
gegeben. Anlass zu diesem
von der Städtischen
Feuerwehr Nagoya
unterstützten Werk war
das 150-jährige
Jubiläum dieses
Orchesters, welches am
7.Februar 2009 unter der
Leitung von Masuo
Nakamura die
Uraufführung
spielte.Dieser
Konzertmarsch wurde zur
Ermutigung der
Feuerwehrleute
geschrieben, die
Menschenleben retten. Die
feierlichen,
herzergreifenden Melodien
beschreiben den Mut der
Feuerwehrleute, den sie
im Angesicht von Gefahr
beweisen, und ihre
Fürsorglichkeit
gegenüber den
Menschen, die sie
beschützen.Mit diesem
Marsch kann man sehr
gutein Konzert
eröffnen und die
Stimmung von Musikern als
auch Zuhörenden heben.
Questa
marcia da concerto è
stata composta in onore,
ma anche per incoraggiare
e sostenere i vigili del
fuoco che salvano le vite
dei cittadini, spesso
mettendo a rischio la
propria incolumit . Le
melodie solenni e
commoventi al contempo
descrivono il coraggio di
questi uomini davanti al
pericolo e vogliono
sottolineare la tenerezza
e la dedizione nei
confronti delle persone
che sono chiamati a
salvare.
Arsenal Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0950665-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0950665-010
Composed by Jan Van der
Roost. Brilliant Marches.
Concert March. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950665-010.
Published by De Haske
Publications
(BT.DHP-0950665-010).
9x12
inches.
Arsenal<
/I> was composed for the
50th anniversary of the
'Harmonie van het
Spoorwegarsenaal'
[railroad arsenal], based
in Mechelen (Belgium).
Rather a stately concert
march, it has beautiful
themes and a broad melody
in the trio. It
waspremiered in the
Mechelen Cultural Center
on the 11th of May 1996
during the solemn
ceremony, opening the
anniversary year and
conducted by the
composer. In the
meantime, Arsenal
has been recorded
several times by such
renowed performers
likethe Tokyo Kosei Wind
Orchestra, the Black Dyke
BB etc.
Arsenal
werd gecomponeerd ter
gelegenheid van het
vijftigjarig bestaan van
de Koninklijke Harmonie
Arsenaal Mechelen een
orkest dat bij de
oprichting in 1946 enkel
uit spoorwegarbeiders van
het
‘Arsenaal’
bestond. Deze heldhaftige
en plechtige mars behoort
inmiddels tot het
standaardrepertoire van
harmonieorkest en
brassband.
Wer
auf der Suche nach einem
originalen,
anspruchsvollen,
eleganten und festlichen
Konzertmarsch ist, hat
ihn mit Arsenal
von Jan Van der Roost
gefunden. Arsenal
wurde aus Anlass des
50jährigen
Jubiläums der Harmonie
van hetSpoorwegarsenaal
(Blasorchester des
belgischen
Eisenbahnarsenals) in
Mechelen, Belgien,
komponiert. Der
würdevolle
Konzertmarsch enthält
wunderschöne Themen
und eine ausgedehnte
Melodie im
Trio.
Arsen
al è stato
composto per il 50°
anniversario
dell’orchestra di
fiati
‘Arsenaal’
con sede a Mechelen in
Belgio, una banda che la
tradizione vuole formata
da ferrovieri . Questo
brano, eroico e maestoso,
è diventato uno
standard nel repertorio
di bande.
By Franz Schubert. For piano, 4 hands. Op.103,Fantasy(f); Op.107,Rondeau(A); Op....(+)
By Franz Schubert. For
piano, 4 hands.
Op.103,Fantasy(f);
Op.107,Rondeau(A);
Op.121,2 Marches
Caracteristiques;
Op.138,Rondeau: Notre
Amitie(D); Op.140,Grand
Duo(Sonata)(C);
Op.144,Allegro(a)(Lebenss
tuerme); Op.152,Fugue(e).
Published by C.F. Peters.
KYO-WA Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135400-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135400-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 40 pages. De Haske
Publications #DHP
1135400-140. Published by
De Haske Publications
(BT.DHP-1135400-140).
9x12 inches.
English-German-French-Dut
ch.
KYO-WA
is a suite in three
movements - Fanfare,
Chorale and
March, which
composer Satoshi Yagisawa
wrote individually year
on year between 2008 and
2010 for a symphonic wind
band. The word KYO in the
title can mean resonance,
but also togetherness,
working together and
competition. WA means
peace and harmony. These
ideas, together with a
broad palette of emotions
from sadness and fear to
hope and rapture, have
been woven into a piece
that is typical of his
new compositional
style.
KYO-WA
I> is een driedelige
suite, bestaande uit
Fanfare, Chorale
en March. Satoshi
Yagisawa componeerde dit
werk voor symfonisch
blaasorkest. Het woord
KYO in de titel is een
Japans homoniem. Het kan
zowel resonantie als ook
samen zijn, samenwerken
en wedstrijd betekenen.
WA betekent
‘harmonie‘ en
‘vrede‘. Dit
idee en een breed scala
aan gevoelens als
treurnis, angst, hoop en
ook verrukking verwerkte
Yagiswa in een werk dat
typisch is voor zijn
nieuwe
klankidioom.
KY
O-WA ist eine Suite
aus den drei Teilen
Fanfare, Chorale
und March, die
Satoshi Yagisawa einzeln
in den Jahren 2008 bis
2010 für ein
symphonisches
Blasorchester
komponierte. Das Wort KYO
im Titel ist ein
japanisches Homonym, das
sowohl Resonanz“
als auch
Zusammensein“,
Zusammenarbeit“ und
Wettbewerb“
bedeuten kann. WA
bedeutet Harmonie“
und Frieden“. Diese
Ideen und eine breite
Palette an Gefühlen
von Trauer, Angst und
Hoffnung bis hin zu
Entzücken
verarbeitete Yagiswa in
einem Stück, das
typisch für seinen
neuen Kompositionsstil
ist.
KYO-WA è
una suite in tre parti,
Fanfare, Chorale e
March, composte
separatamente da Satoshi
Yagisawa nel 2008 e 2010
per un’orchestra
sinfonica. KYO è una
parola giapponese dai
molteplici significati:
risonanza,
collaborazione,
associazione e concorso.
WA significa armonia e
pace. Questi significati,
come anche
un’ampia gamma di
sentimenti che vanno dal
lutto, alla paura fino
alla speranza sono stati
trasposti in musica da
Yagisawa in un brano
dallo stile
caratteristico del
compositore
nipponico.
KYO-WA Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135400-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135400-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135400-010. Published by
De Haske Publications
(BT.DHP-1135400-010).
9x12 inches.
English-German-French-Dut
ch.
KYO-WA
is a suite in three
movements - Fanfare,
Chorale and
March, which
composer Satoshi Yagisawa
wrote individually year
on year between 2008 and
2010 for a symphonic wind
band. The word KYO in the
title can mean resonance,
but also togetherness,
working together and
competition. WA means
peace and harmony. These
ideas, together with a
broad palette of emotions
from sadness and fear to
hope and rapture, have
been woven into a piece
that is typical of his
new compositional
style.
KYO-WA
I> is een driedelige
suite, bestaande uit
Fanfare, Chorale
en March. Satoshi
Yagisawa componeerde dit
werk voor symfonisch
blaasorkest. Het woord
KYO in de titel is een
Japans homoniem. Het kan
zowel resonantie als ook
samen zijn, samenwerken
en wedstrijd betekenen.
WA betekent
‘harmonie‘ en
‘vrede‘. Dit
idee en een breed scala
aan gevoelens als
treurnis, angst, hoop en
ook verrukking verwerkte
Yagiswa in een werk dat
typisch is voor zijn
nieuwe
klankidioom.
KY
O-WA ist eine Suite
aus den drei Teilen
Fanfare, Chorale
und March, die
Satoshi Yagisawa einzeln
in den Jahren 2008 bis
2010 für ein
symphonisches
Blasorchester
komponierte. Das Wort KYO
im Titel ist ein
japanisches Homonym, das
sowohl Resonanz“
als auch
Zusammensein“,
Zusammenarbeit“ und
Wettbewerb“
bedeuten kann. WA
bedeutet Harmonie“
und Frieden“. Diese
Ideen und eine breite
Palette an Gefühlen
von Trauer, Angst und
Hoffnung bis hin zu
Entzücken
verarbeitete Yagiswa in
einem Stück, das
typisch für seinen
neuen Kompositionsstil
ist.
KYO-WA è
una suite in tre parti,
Fanfare, Chorale e
March, composte
separatamente da Satoshi
Yagisawa nel 2008 e 2010
per un’orchestra
sinfonica. KYO è una
parola giapponese dai
molteplici significati:
risonanza,
collaborazione,
associazione e concorso.
WA significa armonia e
pace. Questi significati,
come anche
un’ampia gamma di
sentimenti che vanno dal
lutto, alla paura fino
alla speranza sono stati
trasposti in musica da
Yagisawa in un brano
dallo stile
caratteristico del
compositore
nipponico.
Soprano recorder (BFL) - very easy SKU: HL.49033119 Die Blockflotensch...(+)
Soprano recorder (BFL) -
very easy
SKU:
HL.49033119
Die
Blockflotenschule fur
Kinder ab funf
Jahren. Composed by
Rainer Butz. This
edition: Ring/Spiral
binding. Sheet music.
Edition Schott. 80 pages.
Schott Music #ED 9491.
Published by Schott Music
(HL.49033119).
ISBN
9783795756123.
7.25x10.75x0.492 inches.
German. Bernhard Mark;
Karin
Schliehe.
Hereinspa
ziert und willkommen im
lustigen Flotenzirkus!
Mit dieser neuen Schule
fur Sopran-Blockfloten in
drei Banden lernen Kinder
ab funf Jahren die ersten
Flotentone spielend
leicht. Uber neunzig
Lieder mit vielen Texten
rund um die Themen
Marchen, Theater und
Zirkus ermuntern die
Kinder zu kreativem
Vergnugen mit Musik,
Spiel und Tanz. Darunter
sind auch bekannte
Kinderlieder von Hanschen
klein bis zum
Pumuckl-Lied sowie Lieder
zu den Jahreszeiten und
zu besonderen Anlassen.
Viele lustige Bilder
regen die Phantasie zum
Ausmalen an. Einfache
Ubungen machen mit der
Notenschrift vertraut.
Bei dem Tonumfang von c'
bis d'' wurde bewusst auf
Tone mit Vorzeichen sowie
auf das Uberblasen
verzichtet. Die
Einfuhrung der Tone folgt
didaktischen
Gesichtspunkten. Der
Lernfortschritt wird
durch Belohnungspunkte
und Das grosse
Zirkus-Bilderratsel
sichtbar. Die
ausklappbare Grifftabelle
erleichtert das Einpragen
der Griffbilder. Die
Schule ist sowohl fur die
barocke als auch fur die
deutsche Griffweise
geeignet. Der
Flotenzirkus bietet sich
dank der bewahrten
Methode von Rainer Butz
auch fur den
Gruppenunterricht in der
Grundschule, im
Kindergarten oder in der
musikalischen
Fruherziehung an.
Funeral March Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-215 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-215
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Score
Only. Composed 2013. 20
pages. De Haske
Publications #DHP
1135497-215. Published by
De Haske Publications
(BT.DHP-1135497-215).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoni’s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
‘Adagio van
Albinoni’, en
waarvan sinds kort blijkt
dat het eigenlijk werd
geschreven door Giazotto.
Door de _x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte
für diesen
Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen
Stückes Anklänge
an das Adagio“ von
Albinoni, das nach
neueren Erkenntnissen
aber von dessen Biograf
Remo Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbühne bei
einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda
l’Adagio di
Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.
Funeral March Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135497-015
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Set
(Score and Parts).
Composed 2013. De Haske
Publications #DHP
1135497-015. Published by
De Haske Publications
(BT.DHP-1135497-015).
9x12 inches.
English-German-French-Dut
ch.
Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoniâ??s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
â??Adagio van
Albinoniâ??, en waarvan
sinds kort blijkt dat het
eigenlijk werd geschreven
door Giazotto. Door de
_x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte fu?r
diesen Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen Stu?ckes
Anklänge an das
Adagioâ?? von Albinoni,
das nach neueren
Erkenntnissen aber von
dessen Biograf Remo
Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbu?hne bei einem
Gedenkkonzert.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda lâ??Adagio
di Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo.