By Taylor Swift. Arranged by Mark A. Brymer. Pop Choral Series. Choral, Concert, Pop. Octavo. 12 pages. Published by Hal Leonard

By Brad Green. Arranged by Lloyd Larson. For SATB choir, piano. Palm Sunday. Octavo. Published by Lorenz Publishing Company

Piano - Medium

SKU: AU.9781506487281

Piano Settings. Composed by John Helgen. Christian. Score. Augsburg Fortress #9781506487281. Published by Augsburg Fortress (AU.9781506487281).

ISBN 9781506487281. 8.5x11 inches.

John Helgen masterfully spins original music from the tunes he has chosen for this collection and skillfully weaves the two together, creating varied and delightful settings. The seven hymn-based arrangements are useful throughout the year and feature The Earth Adorned (SOMMARPSALM) and Oceans Rise, the Coastlands Tremble/God Alone Be Praised (AD LUCEM).

SATB choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA09071-91

Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Choral score. Opus 36. Baerenreiter Verlag #BA09071_91. Published by Baerenreiter Verlag (BA.BA09071-91).

ISBN 9790006565467. 27 x 19 cm inches. Text Language: German, English.

Felix Mendelssohn Bartholdy completed his first oratorio - St. Paul , op. 36 - in 1836, at the age of twenty-seven.

The first version, which was premiered on 22 May 1836, was then extensively revised by the composer. This second version, which at the same time served as the basis for the published version, was premiered as early as October that year in Birmingham . The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score, Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner, who later denigrated Mendelssohn, was full of admiration. Today, St. Paul belongs to the core repertoire of sacred choral music.

This Urtext edition of the oratorio, edited by the internationally-recognise d Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work, the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work, but also, with the complete performing material, into the performance of the original version. The appendices (first version) which appear in the full score and vocal score are not contained in this choral score.

The full score and vocal score include the German and English texts of the oratorio.

The vocal score is by Mendelssohn.

- Urtext edition, representing the latest musicological research
- Vocal texts in German and English
- Supplements the already existing material available to this work

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BR.BDV-138

Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Gertrud Strobel and Werner Wolf. Linen. Complete works/textbook. Romantic period. Complete Works. 632 pages. Deutscher Verlag fur Musik #BDV 138. Published by Deutscher Verlag fur Musik (BR.BDV-138).

ISBN 9783370002300. 0 x 0 inches. German.

With the publication of Volume 11 in November 1999, Werner Breigs fundamentally new scholarly concept of Richard Wagners complete letters begins to make itself felt more strongly. The meticulously annotated volumes are illustrated with facsimiles and little known photos. Further enhancing the value of this edition are a number of letters, which were hitherto practically unavailable and are published here for the first time. The commentaries are based on many previously unpublished documents.

Concerning Volume 10 (published one year later than Volume 11) we have obtained the following fax by the English Wagner expert Stewart Spencer, who wittily praises Werner Breig's fundamental new concept:

There is a general problem of reviewing such magnificent volumes. They are the yardstick by which all other writings on Wagner will be judged. It is like sending someone to inspect the standard metre rule in Paris and asking them to review it. All one can say is that it exists and that it is in a class of its own. I'd like to congratulate you on its publication and thank you most warmly for picking up this edition. (Stewart Spencer, October 11, 2000)

Im Sommer 1861 kommt es zur endgultigen Trennung des Ehepaars Wagner. Nach Auflosung des gemeinsamen Pariser Haushalts lasst sich Minna Wagner in Dresden nieder wo sie ihre letzten Lebensjahre verbringt. All dies ist in den Briefen detailliert nachzulesen daneben aber auch die kunstlerischen Erfolge des Jahres: In Frankfurt dirigiert Wagner zum ersten Mal seinen ,,Lohengrin (zwolf Jahre nach der Urauffuhrung!) in Leipzig stellt er die ,,Meistersinger-Ouverture vor und in Wien veranstaltet er Konzerte mit Szenen aus seinen Opern. Biographisch einschneidend sind die vollstandige Amnestierung - nun darf Wagner auch wieder den Boden seiner sachsischen Heimat betreten - sowie die weitere Entfremdung und schliesslich die endgultige Trennung von seiner Ehefrau Minna.

Choral (SAB Choir)

SKU: HL.540118

Composed by Charles Petersen and Sherry Blevins. Fred Bock Publications. General Worship, Sacred. Octavo. 8 pages. Fred Bock Music Company #BG2685. Published by Fred Bock Music Company (HL.540118).

UPC: 196288075677. 6.75x10.5x0.019 inches.

In a nutshell, the message is how we are lifted by the love of God. The song praises that fact and prays for more. The music is not only uplifting but almost sings itself. An excellent choice for almost any time of the year.

By Sally K. Albrecht and Jay Althouse. For Choir. (2-Part). Choral Octavo. Level: Level 2 (grade L2). Choral Octavo. 12 pages. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1135483-140

Great Classics. Score Only. Composed 2013. 68 pages. De Haske Publications #DHP 1135483-140. Published by De Haske Publications (BT.DHP-1135483-140).

9x12 inches. English-German-French-Dut ch.

Geschichten aus dem Wienerwald (Tales from the Vienna Woods), composed by Johann Strauss II in 1868, is a patriotic masterpiece that praises the beauty of the Vienna Woods. This icon of Viennese music is frequently performed at the New Year’s Concert given by the Vienna Philharmonic Orchestra. Geschichten aus dem Wienerwald features the zither, a musical instrument native to Austria and its neighbours. If no zither is available, a double reed ensemble or saxophone ensemble can be substituted in this band transcription.

Geschichten aus dem Wienerwald (Verhalen uit het Weense woud), een vaderlandslievend meesterwerk dat in 1868 werd gecomponeerd door Johann Strauss jr., prijst de schoonheid van het Wienerwald: een rijk bebost gebied dat zich uitstrekt over de Oostenrijkse deelstaten Neder-Oostenrijk (Niederösterreich) en Wenen. Dit icoon van de Weense muziek wordt geregeld uitgevoerd tijdens de nieuwjaarsconcerten die worden gegeven door de Wiener Philharmoniker.In Geschichten aus dem Wienerwald komt ook de citer aan bod, een muziekinstrument dat in Oostenrijk en de omringende landen veel voorkomt in de volksmuziek. Als er geen citer beschikbaar is, kan de partij indeze transcriptie voor blaasorkest ook worden gespeeld door een dubbelriet- of saxofoonensemble.

GESCHICHTEN AUS DEM WIENERWALD (Tales from the Vienna Woods) aus der Feder von Johann Strauss (Sohn) im Jahre 1868 ist ein patriotisches Meisterwerk, das die Schönheit des Wienerwaldes preist. Dieses Wahrzeichen Wiener Musik wird regelmäßig beimNeujahrskonzert der Wiener Philharmoniker gespielt.

In GESCHICHTEN AUS DEM WIENERWALD spielt die Zither, ein Instrument, das aus Österreich und dessen Nachbarländern stammt, eine hervorgehobene Rolle. Blasorchester, die keine Zither zur Verfügung haben, können sie in dieser Transkription durch einEnsemble aus Doppelrohrblattinstrument en oder Saxophonen ersetzen.

La valse Geschichten aus dem Wienerwald (Histoires de la forêt viennoise), composée by Johann Strauss fils en 1868, est un chef-d’œuvre patriotique qui rend hommage la beauté de la forêt viennoise. Ce joyau de la musique viennoise est souvent interprété lors du concert du Nouvel An donné par l’Orchestre philharmonique de Vienne.Geschichten aus dem Wienerwald met en avant la cithare, un instrument originaire d’Autriche et des pays voisins. Si une cithare n’est pas disponible, cette transcription pour orchestre d’harmonie permet de la remplacer par un ensemble d’instruments anche double ou de saxophones.

By Sally K. Albrecht, Jay Althouse. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Broadway. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB choir, organ - Grade 3

SKU: KJ.9164

Composed by Walter Pelz. Collection. Music for the Church Year. Sacred, General, Funeral. Octavo. 9 pages. Neil A. Kjos Music Company #9164. Published by Neil A. Kjos Music Company (KJ.9164).

UPC: 084027046753.

Maste r choral composer Walter Pelz brings great musical depth to this text by Herbert Brokering, which beautifully illustrates the interplay of music as related to life. The solid craft of Pelz's organ writing shines through in the accompaniment. Give us one tune to sing with joy our praises of ecstasy inside your harmony.

SATB choir, piano accompaniment - Grade 4

SKU: KJ.9018

Composed by Graeme Morton. Arranged by Graeme Morton. Collection. Music for the Church Year. Sacred, Easter & Eastertide. Octavo. Neil A. Kjos Music Company #9018. Published by Neil A. Kjos Music Company (KJ.9018).

UPC: 8402701475.

After the rousing organ introduction, the music moves into smaller sections, including a devotional O sing praises to our God followed by a glorifying canon on O clap your hands. Ending on a satisfying Alleluia, this piece is a strong addition to any service.