Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024687 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024687
Musette - Chant des
mariniers galants d'apres
Rameau - Tambourin
d'apres Rameau.
Composed by Jacques
Offenbach. Edited by
Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages. Bote
& Bock #M202535349.
Published by Bote & Bock
(HL.48024687).
ISBN
9781540058775. UPC:
888680952945.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
ISBN
9790006574926. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text:
Simon-Joseph
Pellegrin.
Rameauâ
€™s “Hippolyte
et Aricieâ€
showcases great
confusions amongst nymphs
and gods. The opera
represents a fascinating
masterpiece of a Baroque
“Tragdie en
musique†by the
French composer. This
edition of the
“Symphoniesâ€
includes all of the
purely instrumental
numbers of the opera in
their various versions.
The contents provides an
overview of the movements
according to keys so that
an effective suite can be
easily compiled for a
concert performance. The
expressive and diverse
music encompasses some of
Rameau’s most
popular instrumental
works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: HL.48188422 Composed by Jean-Philippe Rameau. Leduc. CD....(+)
Harpsichord
SKU:
HL.48188422
Composed
by Jean-Philippe Rameau.
Leduc. CD. 163 pages.
Heugel and Cie #HE32533.
Published by Heugel and
Cie (HL.48188422).
UPC: 888680948566.
9.0x12.0x0.787 inches.
French.
â??This
edition of Harpsichord
Music features the three
volumes composed by
Jean-Philippe Rameau:
?Livre de Piece de
clavecin?, ?Pieces de
Clavessin? and ?Nouvelle
suite de Pieces de
clavecin?. The second and
third volumes are divided
into 2 parts each and the
whole book has a total
duration of 2 hours and
10 minutes (22 minutes
for the first book, 52
and 53 minutes for the
following ones). For
upper intermediate and
above level. Harpsichord
Music has a baroque
style, as most of the
music byJean-Philippe
Rameau (1683-1764) who
was one of the most
famous composers of that
era. He replaced Lully'
as the main composer of
the Opera.â?.
ISBN 9790006523375.
32.9 x 23.9 cm inches.
Text Language:
French/German. Preface:
Soury, Thomas. Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Acte de ballet.
Composed by Jean-Philippe
Rameau. Edited by
Nathalie Berton-Blivet.
Arranged by François
Saint-Yves. This edition:
urtext edition.
Paperback. Vocal Score.
RCT 52. Baerenreiter
Verlag #BA08861_90.
Published by Baerenreiter
Verlag (BA.BA08861-90).
ISBN 9790006558186. 27
x 19 cm inches. Text
Language: French.
Preface: Nathalie
Berton-Blivet. Text:
Ballot de Sauvot,
Sylvain.
Pigmalionw
as the first example of a
one-act ballet, preceded
by an overture, composed
specifically for the
Academie royale de
musique. With this work,
Rameau turned to the form
of the petit opera. From
its very first
revival,Pigmalionwas
highly successful, and
remained so until 1781.
The new edition by
Nathalie Berton-Blivet is
based, for the most part,
on the production
material used at the
Opera from 1748 to 1781
and the performance
material realized for the
court revival at
Fontainebleau in October
1754.
This later
version, the last one
validated by Rameau, is
the one reconstituted in
this precious OOR volume,
including a detailed
introduction in French
and English, a critical
libretto edition, the new
score with its critical
report and some
interesting facsimile
pages.
<
p>The ballet â??Les
Fêtes d'Hbâ? deals
with the talents that are
usually the subject of
the Opra and are placed
at the service of love on
stage: poetry and
declamation (1st entre,
La Posie), song and
harmony (2nd entre, La
Musique) and finally
dance and choreography
(3rd entre, La Danse);
hence the alternative
title of the ballet
â??Les Talents
lyriquesâ?. In this
ballet opera, Rameau
consistently gives
priority to the female
roles. The prologue
glorifies Hb, the goddess
of youth, and her
alliance with love, while
â??La Posieâ? praises
the poetress Sappho, who
sings almost throughout,
and â??La Musiqueâ?
concentrates on the
omnipresent princess
Iphise; finally, â??La
Danseâ? has as its
main character the
shepherdess Ã?gl, who
excels in dance and
song.
Since the
premiere, the text of the
libretto has been
perceived as rather
unbalanced. Rameau
compensates for these
poetic shortcomings with
musical boldness and
innovations of the
highest order. Be it the
overture that throws
Lully's model overboard,
the varied choral
movements such as that of
the Thessalians â??Que
jusqu'au fond de nos
grottes profondesâ?,
the virtuoso arias such
as Sappho's air â??Un
jour pass dans les
tourmentsâ? or the
magnificent monologues
for Iphise and Tirte â??
the originality and
beauty of the music
testify to incredible
ingenuity.
ISBN
9790006558216. 33.7 x
25.8 cm inches. Text
Language: French.
Preface: Bouissou, Sylvie
/ Kocevar, Érik.
Text: Charles
Colle.
The heroic
pastoral Daphnis et Egl
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version—which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas—but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Flute, piano - Level 3 SKU: HF.FH-2161 Ausgewahlte Stucke zum Uben und...(+)
Flute, piano - Level 3
SKU: HF.FH-2161
Ausgewahlte Stucke zum
Uben und Vorspielen.
Arranged by Geller. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 2161. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-2161).
ISBN 9790203421610. 9
x 12 inches.
1. 2
Menuette (Johann
Sebastian Bach); 2. 2
Stucke aus dem
Notenbuchlein fur Anna
Magdalena Bach (Johann
Sebastian Bach); 3.
Passepied (Charles
Dieupart); 4. La Galante
(Francois Couperin); 5. 2
Rigaudons (Jean-Phlippe
Rameau); 6. Le Tambourin
(Jean-Philippe Rameau);
7. Andantino (Wolfgang
Amadeus Mozart); 8.
Romanze (Ludwig van
Beethoven); 9. Landler
(Franz Schubert); 10.
Deutscher Tanz (Franz
Schubert); 11.
Schwedischer Tanz (Max
Bruch); 12. Walzer
(Edvard Grieg); 13.
Arietta (Edvard Grieg);
14. Halling (Edvard
Grieg).
Flute SKU: HL.14036419 Composed by Trevor Wye. Music Sales America. Tuiti...(+)
Flute
SKU:
HL.14036419
Composed
by Trevor Wye. Music
Sales America. Tuition.
CD. Music Sales
#NOV120978. Published by
Music Sales
(HL.14036419).
5.0x5.0x0.062
inches.
This CD
contains all the numbered
pieces in A Beginner's
Book For The Flute Part
Two, (numbers 43-72).
Each piece is played
complete followed by a
four second pause, then
the piano accompaniment
only, preceded by a
lead-in of the
appropriate number of
metronome beats.
Performed by Trevor Wye
and Clifford Benson
(piano).
Accordion SKU: LM.24274 Composed by Alain Abbott. Classical. Score. Editi...(+)
Accordion
SKU:
LM.24274
Composed by
Alain Abbott. Classical.
Score. Editions Henry
Lemoine #24274. Published
by Editions Henry Lemoine
(LM.24274).
ISBN
9790230942744.
BACH
Johann Sebastian : Marche
- BACH Johann Sebastian :
Menuet - BACH Johann
Sebastian : Polonaise -
HAENDEL Georg Friedrich :
HAENDEL Georg Friedrich :
Menuet - RAMEAU
Jean-Philippe : Menuet -
RAMEAU Jean-Philippe :
Rigaudon - SCHUMANN
Robert : Lied - SCHUMANN
Robert : Melodie -
SCHUMANN Robert : Petite
piece.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Opera-ballet with one prologue and 3 acts. Composed by Jean-Philippe Rameau ...(+)
Opera-ballet with one
prologue and 3 acts.
Composed
by Jean-Philippe Rameau
(1683-1764). Edited by
Julien
Dubruque. This edition:
complete edition, urtext
edition. Cloth bound.
Jean-
Philippe Rameau. Opera
Omnia
(OOR) IV/12. Versions of
1746
and 1745. Complete
edition,
Score. RCT 59.
Baerenreiter
Verlag #BA08859-01.
Published
by Baerenreiter Verlag
Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
(Ballet buffon en un prologue et trois actes). Composed by Jean-Philippe Rameau ...(+)
(Ballet buffon en un
prologue et trois actes).
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by M. Elizabeth C.
Bartlet. For singing
voice/choir/orchestra.
This edition: Complete
edition, Urtext edition.
Linen. Jean-Philippe
Rameau. Opera Omnia (OOR)
IV/10. Score. Duration 3
hours. Published by
Baerenreiter Verlag
Composed by Jean-Philippe
Rameau. Arranged by Eric
Vireton. Arrangement.
Classical. Score and Set
of Parts. FLEX Editions
#FX074471. Published by
FLEX Editions
(FL.FX074471).
Instruments:Flu
te Quintet: 1 Piccolo 4
Flutes; Difficuly Level:
Grade 2; Duration: 3 mn
20 s; Musical Style:
Classical; Category:
Arrangement; Composer:
Jean-Philippe RAMEAU;
Arranger: Eric
VIRETON.
Soprano voice solo and piano reduction SKU: BA.BA09193 Composed by Jean-P...(+)
Soprano voice solo and
piano reduction
SKU:
BA.BA09193
Composed
by Jean-Philippe Rameau.
Edited by Benoît
Dratwicki, Julien
Dubruque, and Sylvie
Bouissou. Arranged by
François Saint-Yves.
This edition: urtext
edition. Paperback. Airs
d'opera/ Operatic arias.
Vocal score, collection.
145 pages. Baerenreiter
Verlag #BA09193_00.
Published by Baerenreiter
Verlag (BA.BA09193).
ISBN 9790006561421.
29.8 x 21.2 cm inches.
Preface: Bouissou, Sylvie
/ Dratwicki, Benoît /
Dubruque,
Julien.
Volume 3
for soprano contains the
first half of the
large-scale arias and
ariettas that Rameau
composed for lyric
soprano (the 18th-century
equivalent of
today’s lyric
coloratura soprano) in
his prologues and
divertissements. Each
number is accompanied by
a keyboard reduction and
is introduced by a brief
account of the dramatic
situation as well as an
English translation of
the vocal text.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Pigmalion RCT 52 Soli, choeur mixte et accompagnement Barenreiter
Acte de ballet. Composed by Jean-Philippe Rameau (1683- 1764). Edited by Nath...(+)
Acte de ballet. Composed
by
Jean-Philippe Rameau
(1683-
1764). Edited by Nathalie
Berton-Blivet. This
edition:
complete edition, urtext
edition. Cloth bound.
Jean-
Philippe Rameau. Opera
Omnia
(OOR) IV/16. Complete
edition, Score, Urtext
Edition. RCT 52.
Baerenreiter Verlag
#BA08861-01. Published by
Baerenreiter Verlag
Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.4802...(+)
Volume 1 Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024686
Tarantelle - Trois
Andante - Marche
chinoise. Composed by
Jacques Offenbach. Edited
by Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 48 pages. Bote
& Bock #M202535332.
Published by Bote & Bock
(HL.48024686).
ISBN
9781540058768. UPC:
888680952938.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
