(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1725. 32 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. This
edition: paperbound. BWV
137. Cantatas; Stuttgart
Urtext editions; Use
during church year:
Pentecost. Level 3.
Score. Language:
German/English. Composed
1725. 52 pages. Duration
18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part:
Violoncello/Contrabass.
Language: German/English.
Composed 1725. 12 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part: Violin 1.
Language: German/English.
Composed 1725. 8 pages.
Duration 18 min
(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 12. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Grischkat, Hans. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Violin solo,
Strings, Organ. BWV 137.
Full score available
separately - see item
CA.3113700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Pentecost.
Level 3. Part: Viola.
Language: German/English.
Composed 1725. 4 pages.
Duration 18 min
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel
(1685-1759). Edited by
Ton Koopman / Jan
Siemons. Arranged by
Siegfried Petrenz. For
SATB soli, S(S0ATB choir,
2 oboes, 2 bassoons, 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Messiah kart
GA-Format. Oratorios.
Full score. Language:
English/German. Composed
1742. HWV 56. 328 pages.
Duration 150 minutes.
Published by Carus Verlag
(Getting Started on the Piano). Arranged by Pam Wedgwood. For Piano. Book; Piano...(+)
(Getting Started on the
Piano). Arranged by Pam
Wedgwood. For Piano.
Book; Piano Collection;
Piano Supplemental; Solo.
Faber Edition: Classic
FM. Masterwork
Arrangement; Radio. Early
Elementary; Elementary;
Late Elementary.
Published by Faber Music
Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts.
Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works;
Masterworks;
Performance Music
Ensemble.
Faber Edition.
Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
Rhapsody Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb SKU: CA.1...(+)
Solo A, Coro TTBB, 2 Fl,
2 Ob, 2 Clt, 2 Fg, 2 Cor,
2 Vl, Va, Vc, Cb
SKU:
CA.1039700
(Alto
Rhapsody). Composed
by Johannes Brahms.
Edited by Rainer Boss.
Secular choral music.
Full score. Op. 53. 32
pages. Duration 14
minutes. Carus Verlag #CV
10.397/00. Published by
Carus Verlag
(CA.1039700).
ISBN
9790007187590. Language:
German.
Johannes
Brahms's Alto Rhapsody is
published here in a new
Urtext edition,
modernised for
present-day performance
practice. It is based on
the 2nd impression of the
first printed edition, as
this is regarded as the
authentic musical text
following the last
revisions made by the
composer. The musical
setting of Goethe's poem
Harzreise im Winter opens
with a somber beginning,
then by turning to divine
powers, it arrives at a
hopeful new level. The
work - which was composed
in connection with the
marriage of Julie, the
daughter of Brahms's
revered Clara Schumann,
in 1869 - impresses above
all with its personal
touch as well as its
pioneering progressive
harmonies and enormous
compositional power,
which still entice
listeners into the
concert hall.
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007).
ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber.
In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000.
By Kevin Costley. For Piano. Spotlight Solo Sheets. Ideal for Halloween, this so...(+)
By Kevin Costley. For
Piano. Spotlight Solo
Sheets. Ideal for
Halloween, this solo is
sure to be a haunted
hit!. Halloween. Level:
Intermediate. Solo Sheet.
Published by The FJH
Music Company, Inc.
Missa Divi Xaverii ZWV 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Avancé Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
Mixed choir-SATB,
orchestra (Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed choir
(SATB), Orchestra) -
Level 5
SKU:
BA.BA09594
Composed
by Jan Dismas Zelenka.
Edited by Václav Luks.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. ZWV 12.
Baerenreiter Verlag
#BA09594_00. Published by
Baerenreiter Verlag
(BA.BA09594).
ISBN
9790260107526. 31 x 24.3
cm inches. Text language:
Czech, English, German.
Preface: Stockigt, Janice
B. / Luks,
Václav.
The
â??Missa Divi
Xaveriiâ? ZWV 12, an
expansive and unusually
richly scored work, marks
a highlight in the uvre
of Jan Dismas Zelenka
(1679-1745). It was
composed in 1729 while he
was working at the
Dresden court.
The
principal source of this
first edition is the
damaged autograph score
which had long been kept
under lock and key.
Passages missing because
of its damaged condition
have been supplemented
using secondary sources
or reconstructed by
Václav Luks, clearly
marked as such in the
musical text.
The
first performance to use
the present new edition
took place in the summer
of 2014, when it was
performed at the Utrecht
Early Music Festival. A
CD recording by Collegium
1704, conducted by
Václav Luks, has been
released by the label
Accent (ACC
24301).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Edited by Edward Huws Jones. For Violin and Piano. Book; Method/Instruction; Str...(+)
Edited by Edward Huws
Jones. For Violin and
Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. 36 pages.
Published by Faber Music