Recorder SKU: UT.DM-79 Composed by Ludovica Scoppola. Paperback (Soft Cov...(+)
Recorder
SKU:
UT.DM-79
Composed by
Ludovica Scoppola.
Paperback (Soft Cover).
Classical. Ut Orpheus #DM
79. Published by Ut
Orpheus (UT.DM-79).
ISBN 9790215324565. 9
x 12 inches.
This
method of instrumental
practice is aimed at all
those who, at any age,
wish to learn to play the
treble recorder, through
the reading of music.
During the course, step
by step, the various
chapters introduce the
fingering for the
recorder, together with
the understanding of the
musical symbols. The
goal, at the end of the
study course, is to be in
a position to perform all
the notes on the
instrument and to be able
to read music at a basic
level, which is the first
step in dealing with the
specific technical
studies and the music
written for the
instrument. Each
chapter, through
progressive exercises,
introduces a new note and
new topics of music
theory, in order to
achieve a gradual mastery
of the fingering of the
instrument. The
progression suggested for
learning the fingering
begins with the use of
the five fingers of the
left hand, then to
proceed to the use of the
right hand. Each topic is
then examined closely by
studying pieces from the
traditional, Renaissance,
Baroque and Classical
repertoires. The scales
are also introduced
gradually, aiming to help
the student master the
fingering of the scales
up to three sharps and
three flats and relative
minor scales. The
progressive difficulty
found in the course of
the method is measured
according to the
experience gained from
teaching students of
different ages, and can
be varied and adapted to
the needs of each
student. The workbook at
the start of each chapter
can be condensed,
expanded or developed in
relation to different
learning abilities.
Violin - easy SKU: HL.44011234 Fingerings, scales and triads. Comp...(+)
Violin - easy
SKU:
HL.44011234
Fingerings, scales and
triads. Composed by
Nico Dezaire. De Haske
Play-Along Book.
Softcover with CD.
Composed 2012. De Haske
Publications #1125312.
Published by De Haske
Publications
(HL.44011234).
Position 1 covers the
four fingerings of the
first position. The
connection between these
fingerings and the
different keys - up to
three sharps or flats -
is also dealt with. The
book features 38
exercises for the various
fingerings, sevenscale
and triad exercises, and
68 attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema's,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders endrieklanken
in de 1e positie over 2
oktaven. De 68
speelstukken kunnen met
cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd's. De
vertrouwde afwisseling
van nieuwestukken,
arrangementen van
klassieke thema's en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknupft. Das Buch
umfasst 38 Ubungen fur
die verschiedenen
Griffe,sieben Tonleiter-
und Dreiklangsubungen
sowie 68 reizvolle
Vortragstucke in einer
ganzen Palette an
Musikstilen. Die
Vortragstucke konnen zu
den Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einemPianisten gespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD
enthalten.
Posi
tion 1 couvre les
quatre doigtes de la
premiere position et
examine le rapport entre
ces doigtes et les
differentes tonalites -
jusqua trois dieses ou
bemols. Cet ouvrage
contient 38 exercices
pour les divers doigtes,
7exercices de gammes et
de triades, et 68
morceaux de concert dans
une diversite de styles.
Ces morceaux peuvent etre
executes avec
l'accompagnement du CD,
mais aussi accompagnes au
piano. Des versions
integrales et de
demonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l'accompagnamento di un
pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
Violin Position 1 Violon [Partition + CD] - Facile De Haske Publications
Violin - easy SKU: BT.DHP-1125312-400 Fingerings, scales and triads(+)
Violin - easy
SKU:
BT.DHP-1125312-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Book with
CD. Composed 2012. 92
pages. De Haske
Publications #DHP
1125312-400. Published by
De Haske Publications
(BT.DHP-1125312-400).
9x12 inches.
English-German-French-Dut
ch.
Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschemaâ??s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders endrieklanken
in de 1e positie over 2
oktaven. De 68
speelstukken kunnen met
cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cdâ??s. De
vertrouwde afwisseling
van nieuwestukken,
arrangementen van
klassieke themaâ??s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffe,sieben Tonleiter-
und Dreiklangsübungen
sowie 68 reizvolle
Vortragstücke in einer
ganzen Palette an
Musikstilen. Die
Vortragstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einemPianisten gespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD
enthalten.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy
SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch.
Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
By Ken Medema. Arranged by Jack Schrader. For SAB or Three-Part Mixed choir. Scr...(+)
By Ken Medema. Arranged
by Jack Schrader. For SAB
or Three-Part Mixed
choir. Scripture
References: Psalm 17:6 --
Psalm 55:1 -- Ephesians
6:18. Blues, Gospel,
Spirituals, Sacred,
Pentecost. Choral octavo.
12 pages
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88).
ISBN
9781491158845. UPC:
680160917563.
Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice.
Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals.
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062).
ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish.
Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co.
Chamber Music Violin SKU: PR.494031990 Composed by Karen North. Collectio...(+)
Chamber Music Violin
SKU: PR.494031990
Composed by Karen North.
Collection - Full. 44+69
pages. Theodore Presser
Company #494-03199.
Published by Theodore
Presser Company
(PR.494031990).
UPC:
680160686179.
Lyric
al Violin Legends is an
exciting collection of 20
works for violin and
piano, featuring
exclusively commissioned
works by contemporary
composers and inspiring
new arrangements of 19th
and 20th century
compositions. Listen to
the legends, discover
beautiful scenes and
enjoy lively dances
through the alluring
lyricism of this
music.These exclusive
commissioned works and
new arrangements are
suitable for intermediate
level players. The violin
part includes biographies
of all composers and
notes/ performance
suggestions for each
work.All pieces in
Lyrical Violin Legends
have free violin & piano
recordings to listen to,
as well as free piano
backing tracks to play
along with.Preview pages:
https://www.theyoungflute
player.com/violin-musicFr
ee recordings:
https://www.youtube.com/c
hannel/UCh0MBwKcJUR75_3wX
RyYj5QComposers: Johannes
Brahms, Antonin Dvorak,
Hans Engelmann, Sally
Greenaway, Greg
Harradine, Jolin Jiang,
Scott Joplin, Elena
Kats-Chernin, Toivo
Kuula, Rachel Laurin,
Edward MacDowell, Felix
Mendelssohn, Merryl
Neille, Heather Percy,
Gary
Schocker.Specifications:
€¢ Contents: 20
pieces• Standard:
Intermediate level•
Key signatures: up to
three sharps and three
flats• Time
signatures: 4/4, 3/4,
2/4, ₵, 6/8
(including mixed
metre).
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/2.
Baerenreiter Verlag
#BA10402_00. Published by
Baerenreiter Verlag
(BA.BA10402).
ISBN
9790260104723. 24.3 x 31
cm inches. Key: G minor.
Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal
source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Book with online material Clarinet SKU: HL.49046956 Die moderne Klarin...(+)
Book with online material
Clarinet
SKU:
HL.49046956
Die
moderne Klarinettenschule
fur Jugendliche und
Erwachsene fur Deutsche
and Boehm klarinette.
Woodwind Solo. Classical,
Folk, Jazz, Pop.
Softcover Media Online.
104 pages. Schott Music
#ED20642D. Published by
Schott Music
(HL.49046956).
UPC:
196288090649.
Rudol
f Mauz's new clarinet
method for young and
adult people introduces
the pupils in a
motivating and easily
comprehensible way to
learning how to play the
instrument. It is also
suitable for self-study
and for taking up one's
studies again. A
well-balanced mixture of
pieces from classical
music, folklore, musical,
pop and jazz, Vol. 2 of
the method too promises a
lot of variety and fun
when learning the new
steps. In Vol. 2, the
tonal range is gradually
expanded to C3 and the
keys are extended to
three sharp and three
flat signs. The method is
completed by exercises,
tips and information. The
attached CD contains full
and playback versions
ofthe pieces. Suitable
for the German fingering
system and the Boehm
clarinet.
Chamber Music Piano SKU: PR.490011640 Inventions 19 - 36. Composed...(+)
Chamber Music Piano
SKU: PR.490011640
Inventions 19 -
36. Composed by
Robert Baksa. Full score.
With Standard notation.
48 pages. Composers
Library Editions
#490-01164. Published by
Composers Library
Editions (PR.490011640).
UPC: 680160602599. 8.5
x 11
inches.
Inspired by
the two- and three-part
inventions of Bach,
Baksa's 36 Canonic
Inventions were composed
in the early 1980s but
are now available
complete in two volumes.
Each two voice invention
is followed by a three
voice invention in the
same key so that the
result is somewhat like
the Master of Master's
Preludes and Fugues. Many
of these pieces were
premiered by
Harpsichordist Elaine
Comparone but they are
equally suitable for
performance on piano or
pianoforte. --American
composer Lee Hoiby once
asked me where I learned
to write counterpoint. I
told him that I learned
by writing my Canonic
Inventions.-- (Robert
Baksa).
Chamber Music Piano SKU: PR.490011630 Inventions 1-18. Composed by...(+)
Chamber Music Piano
SKU: PR.490011630
Inventions 1-18.
Composed by Robert Baksa.
Full score. With Standard
notation. 48 pages.
Composers Library
Editions #490-01163.
Published by Composers
Library Editions
(PR.490011630).
UPC:
680160599387. 8.5 x 11
inches.
Inspired by
the two and three part
inventions of Bach,
Baksa's 36 Canonic
Inventions were composed
in the early 1980s but
are now available
complete in two volumes.
Each two voice invention
is followed by a three
voice invention in the
same key so that the
result is somewhat like
the Master of Master's
Preludes and Fugues. Many
of these pieces were
premiered by
Harpsichordist Elaine
Comparone but they are
equally suitable for
performance on piano or
pianoforte. American
composer Lee Hoiby once
asked me where I learned
to write counterpoint. I
told him that I learned
by writing my Canonic
Inventions. (Robert
Baksa).
Piano SKU: BR.EB-9450 Sonatas, Individual Piano Pieces, Variations - U...(+)
Piano
SKU:
BR.EB-9450
Sonatas, Individual
Piano Pieces, Variations
- Urtext. Composed by
Dame Ethel Mary Smyth.
Solo instruments;
Softcover. Edition
Breitkopf. Romantic;
Late-romantic. Sheet
Music. 96 pages.
Breitkopf and Haertel #EB
9450. Published by
Breitkopf and Haertel
(BR.EB-9450).
ISBN
9790004189276. 9 x 12
inches.
It is quite
amazing that the piano
works of the English
composer Ethel Smyth had
remained unpublished
until 2003. All of them
were written during her
Leipzig study years after
1877, a period that Ethel
Smyth herself described
as the happiest time of
her life. In Leipzig, she
met such musical giants
as Brahms, Clara
Schumann, Dvorak, Grieg
and Tchaikovsky. It
should come as no
surprise that these
encounters left stylistic
traces in Ethel Smyth's
piano oeuvre.Smyth wrote
the three piano sonatas
in 1877, yet they are
stylistically diverse:
Smyth raced through a
kind of musico-historical
evolution. Her point of
departure was Haydn and
Mozart, who clearly
inspired her sonata in C
major. It was followed by
the impassionate sonata
in C sharp minor, which
was inspired by the
actress Marie Geistinger.
The two-movement fragment
in D major, reflecting
Ethel Smyth's admiration
for Brahms, concludes the
sonatas.Most of the other
piano pieces borrow their
atmosphere and titles
from Baroque models
(dance movements, genre
pieces) and are
technically undemanding.
They have been arranged
in this edition in order
of progressive
difficulty.
It is
quite amazing that the
piano works of the
English composer Ethel
Smyth had remained
unpublished to this day.
She wrote all of these
pieces during her years
of study in Leipzig,
after 1877.