Composed
by Manfred Trojahn.
Stapled. Score. Composed
2009. 43 pages. Duration
21 minutes. Baerenreiter
Verlag #BA09378_00.
Published by Baerenreiter
Verlag (BA.BA09378).
ISBN 9790006539086.
32.5 x 25.5 cm
inches.
A modern
sequel to the music of
the Romantic era.
The first
movement hints at the
chromatic of
“Tristanâ€;
cantilena lines convey a
mournful scene. It is
succeeded by a brilliant
scherzo with the cryptic
title “Erste fremde
Szene†(First
Foreign/Unknown Scene
– one is invited
to solve this riddle),
while the third movement,
with its singing quality,
is related to the first.
The final movement, a
“Zweite fremde
Szeneâ€
(“Second
Foreign/Unknown
Sceneâ€), alludes to
the “last
dance†tradition,
with its ironic
undertones and the
copious use of sixths,
counterpointed with
tarantella rhythms.
A rewarding,
striking work, equally
valuable for concerts
combining older
compositions with new
works as for contemporary
music programmes.
Composed by Philip
Sparke. Debut Series
(Anglo). March. Score
Only. Composed 2003.
Anglo Music Press #AMP
036-140. Published by
Anglo Music Press
(BT.AMP-036-140).
Composer Philip
Sparke has long been
fascinated by
history’s
pioneers. In all fields
of human activity, there
has been someone with
enormous vision who has
made the first step into
the unknown. Explorers
have found new lands,
doctors have discovered
new medicines and
scientists are pushing
the bounds of technology
ever further. But there
was always one
‘pathfinder’
, someone who was not
afraid of the unknown,
who dared to go one step
further than anyone
before him. The march is
dedicated those pioneers
who have risked
everything for the sake
of their
vision.
Pathfin
ders March - zu
deutsch Pfadfindermarsch
- wurde zu Ehren der
Pioniere der Geschichte,
wie Entdecker, Forscher
und Mediziner,
komponiert. Sie alle sind
die so genannten
Pfadfinder, die es als
erste wagten,
unerforschte Wege zu
beschreiten. Der
imponierende Marsch, der
das Trompetenregister
herausstreicht, bringt
Glanz in jedes Repertoire
und überzeugt sowohl
Musiker als auch das
Publikum.
Composed by Antonin Dvorak (1841-1904). Edited by Katerina Nová. This edition...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Katerina Nová. This
edition:
urtext edition.
Paperback.
Choral score.
Baerenreiter
Verlag #BA10439.
Published by
Baerenreiter Verlag
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Terra Incognita Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1155640-130 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-130
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2015. De Haske
Publications #DHP
1155640-130. Published by
De Haske Publications
(BT.DHP-1155640-130).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Clarinet Sonatas Clarinette et Piano [Conducteur] Breitkopf & Härtel
Clarinet and piano SKU: BR.EB-32112 Urtext. Composed by Camillo Sc...(+)
Clarinet and piano
SKU: BR.EB-32112
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf. The
first edition of a
forgotten treasure.
Sonata; Late-romantic.
Score. 52 pages.
Breitkopf and Haertel #EB
32112. Published by
Breitkopf and Haertel
(BR.EB-32112).
ISBN
9790004186770. 9 x 12
inches.
There are
many composers of whom it
is said today that they
had gone back in time or
had composed against
contemporary taste.
Today, the question
arises, though, as to
what of value is to be
extracted, rediscovered,
or re-edited. Camillo
Schumann (1872-1946) is
one of these nearly
forgotten composers. His
works are still largely
unknown today. Schumann's
tonal language combines
the Brahmsian sound scape
with the grand late
romantic Liszt school.
His piano pieces range
even to sounds
reminiscent of
Rachmaninoff and are of
tremendous power and
virtuosity. The
pronounced and inventive
melody makes the works
the testimony of a
composer who has not yet
come to the fore. His two
sonatas for clarinet and
piano have hitherto
remained completely
unknown. This is
astonishing, for they are
on the level of the
sonatas of Johannes
Brahms, who probably
contributed the most
essentially to this
genre. Surfacing as a
special treasure from the
estate of the Saxon
musicologist and
collector Harald Schurz
were the autographs of
both clarinet sonatas,
now to be published for
the first time. Remember
falling in love with the
expressive qualities of
the Brahms sonatas? You
can rekindle that feeling
with these works by
Camillo Schumann.
Commentators have
compared Schumann's works
not only to Brahms, but
also to Liszt and
Rachmaninoff. Run to your
shop and order
now.(Gregory Barrett, The
Clarinet)
Bethlehem Babe Chorale SATB [Octavo] - Intermédiaire Jackman Music Corporation
By Unknown. Arranged by Donald H. Ripplinger. Text: unknown. For SATB Choir. Chr...(+)
By Unknown. Arranged by
Donald H. Ripplinger.
Text: unknown. For SATB
Choir. Christmas. Level:
Medium. Duration 3:15.
Published by Jackman
Music Corporation.
Terra Incognita Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1155640-030 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-030
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2015. De Haske
Publications #DHP
1155640-030. Published by
De Haske Publications
(BT.DHP-1155640-030).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Mixed choir SKU: CA.210300 Composed by Various. Edited by Stefan Schuck. ...(+)
Mixed choir
SKU:
CA.210300
Composed by
Various. Edited by Stefan
Schuck. Sacred vocal
music, Psalms, German,
Psalms, Latin. Choral
collections. Conductor's
score, with CD. Sacred
vocal music, Psalms,
German, Psalms, Latin.
Choir Book. Carus Verlag
#CV 02.103/00. Published
by Carus Verlag
(CA.210300).
ISBN
9790007244668.
The
Choral Collection Psalms
contains over 50 settings
for mixed unaccompanied
choir from six centuries.
It is a true
treasure-trove of
compositions in various
styles and levels of
difficulty: with some
unknown new discoveries
and some classics of the
choral literature, the
selection will enrich
both worship and
concerts. The 150 psalms
of the Old Testament
express rejoicing, joy,
confidence, but also
lament, grief, anger, and
even doubt. The psalms
are present throughout
Christianity and Judaism
to this day, and are sung
worldwide in countless
settings. The Choral
Collection Psalms
displays the whole
stylistic and linguistic
variety ranging from
contemplative, simple
Anglican chant through
Russian Orthodox
homophony to virtuoso
motets with jazzy echoes.
The linguistic spectrum
is equally broad:
English, French, German
(some with added singable
English translation),
Estonian, Icelandic and,
of course, Latin psalm
settings are represented,
as well as works in
Church Slavonic and
Hebrew (both accompanied
by transliterations and a
singable German text).
The foreword (German /
English) offers many
hints regarding the
performance of the psalm
settings, and a detailed
index will help with
choosing appropriate
pieces for the liturgical
occasion according to the
Anglican, Protestant, or
Catholic calendar. Over
the last ten years editor
Stefan Schuck has
performed two psalm
compositions every week
in his NoonSong series in
Berlin. From the
resulting 800 works, he
has selected the most
interesting compositions
arranged according to
level of difficulty. The
choral director's volume
includes a CD with
recordings of selected
works, sung by sirventes
and conducted by the
editor, which will help
with learning and
rehearsing the
repertoire. over 50 psalm
settings from six
centuries for worship and
concert use stylistic
variety and mixed levels
of difficulty: from
Anglican Chant to
virtuoso motets for
four-part mixed choir,
some with organ/piano
accompaniment
transliterations and
German singing texts help
with practising
cross-cultural repertoire
liturgical classification
of all settings for
Catholic, Protestant, and
Anglican lectionary
includes many unknown
jewels such as Boze, Boze
moj (Cesar Cui), Jauschew
be seser eljaun (David
Rubin), and Schubert's
setting of Psalm 23 in
the first Hebrew version
CD recording (sirventes
berlin, cond. Stefan
Schuck) with a selection
of settings helps with
getting to know the
pieces economical choral
edition (editionchor)
available.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Vocal score. KV
Anh. 110. 8 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/03.
Published by Carus Verlag
(CA.5136103).
ISBN
9790007110826. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score available
separately - see item
CA.5136100.
Resignation Piano seul EMB (Editio Musica Budapest)
Piano SKU: HL.50511294 1st and 2nd Versions. Composed by Franz Lis...(+)
Piano
SKU:
HL.50511294
1st
and 2nd Versions.
Composed by Franz Liszt.
Romantic. EMB. Book Only.
Editio Musica Budapest
#Z13961. Published by
Editio Musica Budapest
(HL.50511294).
ISBN
9790080139615. UPC:
073999346435. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Ferenc Liszt;
Imre Sulyok; Imre
Mezo.
The
catalogues list under the
title 'Resignazione' a
short work for organ
consisting merely of 29
bars. The investigation
of sources carried out by
the editors in connection
with the New Complete
Edition of Liszt's Works
revealed that this is, in
fact a work for piano the
final version of which
was worked out later.
Liszt never published
this manuscript and this
late masterpiece has
remained unknown for
scholars as well. The
present edition publishes
the work for the first
time. The publication
includes the first
version of the work
too.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613).
ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 2. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/12. Published by
Carus Verlag
(CA.3106212).
ISBN
9790007043629. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Dress Blues Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.023-4715-01 Composed by Hammonds. Young Concert Band. Ext...(+)
Grade 1
SKU:
CL.023-4715-01
Composed by Hammonds.
Young Concert Band. Extra
full score. C.L.
Barnhouse #023-4715-01.
Published by C.L.
Barnhouse
(CL.023-4715-01).
Dress Blues is
a tribute to the
ceremonial aspects of the
U.S. Armed Forces,
captured with the
pageantry of the U.S.
Army’s 3rd
Infantry Division
sentinels tasked with
guarding the Tomb of the
Unknown at Arlington
National Cemetery. Dress
blue uniforms capture the
essence of service as
defined by the words
Duty, Honor, Country.
Everyone will enjoy this
powerful work!
Piano, four-hands - Intermediate SKU: LO.70-2444L Composed by Daniel Burt...(+)
Piano, four-hands -
Intermediate
SKU:
LO.70-2444L
Composed
by Daniel Burton. Sacred,
General, Holy Communion,
Pentecost. Lorenz
Publishing Company
#70/2444L. Published by
Lorenz Publishing Company
(LO.70-2444L).
ISBN
9780787778736.
This
splendid book of
four-hand piano duet
arrangements combines
Daniel Burtonâ??s
elegant writing with
seven timeless hymns, and
the results will delight.
Meeting a variety of
musical needs, this
collection will add
introspective beauty and
reflection to your Spring
services.
6 Great Pieces Saxophone Alto et Piano - Intermédiaire Digital Music Print
By Various. Edited by Frans Hanssen. For Saxophone (Eb) and Piano. Educational. ...(+)
By Various. Edited by
Frans Hanssen. For
Saxophone (Eb) and Piano.
Educational. Instrumental
Collection. Classical.
Level: Intermediate. Book
and Solo Part. 36 16
pages. Duration 25
minutes. Published by
Digital Music Print
(Belgian import).
Trio Piano Trio: piano, violon, violoncelle Editorial de Musica Boileau
Violin, cello and piano SKU: BO.B.3713 Composed by Joaquim Malats. Publis...(+)
Violin, cello and piano
SKU: BO.B.3713
Composed by Joaquim
Malats. Published by
Editorial de Musica
Boileau (BO.B.3713).
Without doubt,
the most important
chamber music work by
Malats, and one of his
finest compositions, is
his Trio for Violin,
Cello and Piano in B Flat
Major. It was composed in
1898.
Malats
dedicated the Trio to one
of the greatest composers
of all time, Camille
Saint-Saëns, close
personal friend of both
Malats and Granados. An
unknown gem of the
chamber music repertoire,
this Modernist work is
superior in form,
technique and musical
content to similar work
by Granados, Breton,
Chapi and
others.
Malats
had considerable
knowledge and experience
with the trio form. In
1894 at the Sala erard in
Paris he performed four
trios by Beethoven,
Mendelssohn, Godard and
Saint-Saëns with C.
Flesch and Hasselmann.
Given his experiences
with chamber music it is
not surprising that
Malats exhibited such
confidence and security
in writing his Trio
maintaining perfect
balance and dialogue
between the three
instruments which he
achieved through
masterful control of the
formal structure. This
work has a rich harmonic
language and none of the
Nationalist qualities of
his previous pieces.
Instead, it reveals
Malats proximity to then
current European music
yet, at the same time,
exhibits his personal
style and musical
knowledge.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108063...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108063
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Viola. Composed
1728/31. BWV 80b. 12
pages. Duration 30
minutes. Carus Verlag #CV
31.080/63. Published by
Carus Verlag
(CA.3108063).
ISBN
9790007206819. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Easy
Instrumental Duets -
Trombone Edition.
Composed by Various. Easy
Instrumental Duets.
Disney, Duet, Movies.
Softcover. 48 pages.
Published by Hal Leonard
(HL.382599).
ISBN
9781705153598. UPC:
196288020714.
9.0x12.0x0.132
inches.
This
collection features 23
Disney hits arranged for
duets among two trombones
or a trombone in
combination with flute,
clarinet, alto sax, or
trumpet! Songs include:
Be Our Guest • Into
the Unknown •
Reflection • That's
How You Know • Try
Everything • Under
the Sea • You've
Got a Friend in Me
• and more.