Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Phili...(+)
(Edition for Gamba
(Viola) with marked and
unmarked string parts).
By Carl Philipp Emanuel
Bach (1714-1788). Edited
by Ernst-Günter
Heinemann, Wolfram Enlin,
and Ernst-G. For Viola,
Viola da gamba, Piano
Accompaniment. Henle
Music Folios. Softcover.
160 pages. G. Henle
#HN990. Published by G.
Henle
(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by E...(+)
(Version for Viola
Revised Edition). By
Johannes Brahms
(1833-1897). Edited by
Egon Voss and Johannes
Behr. For Viola (VIOLA
WITH PIANO
ACCOMPANIMENT). Henle
Music Folios. Softcover.
G. Henle #HN988.
Published by G. Henle
Composed by York Bowen (1884-1961). Masterworks; Solo; Solo Small Ensembles; Str...(+)
Composed by York Bowen
(1884-1961). Masterworks;
Solo; Solo Small
Ensembles; String - Viola
and Piano. Kalmus
Edition. 20th Century;
Masterwork. Book. 52
pages. Kalmus Classic
Edition #00-K04301.
Published by Kalmus
Classic Edition
(With Marked and Unmarked String Part). Composed by Henry Vieuxtemps. Edited by ...(+)
(With Marked and Unmarked
String Part). Composed by
Henry Vieuxtemps. Edited
by Peter Jost. For Viola,
Piano Accompaniment.
Henle Music Folios.
Softcover. 34 pages. G.
Henle #HN577. Published
by G. Henle
Piano Accompaniment, Viola - Grade 4 SKU: HL.359826 Prepared for Viola...(+)
Piano Accompaniment,
Viola - Grade 4
SKU:
HL.359826
Prepared
for Viola and Piano.
Composed by Henri
Vieuxtemps. Edited by
Boguslawa Hubisz-Sielska.
PWM. Classical.
Softcover. Duration 6:30.
Polskie Wydawnictwo
Muzyczne #12481.
Published by Polskie
Wydawnictwo Muzyczne
(HL.359826).
ISBN
9781705122280. UPC:
840126946390. 9x12
inches. Kamillo
Lendvay.
Henri
Vieuxtemps was a
remarkably productive
composer who wrote seven
violin concertos, concert
etudes, two viola sonatas
and a dozen or so chamber
works, yet the bulk of
his output consists of
works for violin and
piano. Vieuxtemps's
favorite musical form was
the then-fashionable
fantasy on themes from
well-known operas, of
which he left us quite a
number. The Romance
originally composed for
violin and piano is based
on a theme from Stanislaw
Moniuszko's national
opera Halka (Jontek's
famous aria 'Szumia jodly
na gór szcycie'
[The firs sough on the
mountain top.]). The
present edition is based
on Zdzislaw Jahnke's 1952
edition. This work gives
the player the
opportunity to display a
beautiful tone and
proficiency in both the
left and right hand; it
is also a marvelous
exercise in rubato
playing.
Viola and piano - easy to intermediate SKU: HL.49019312 Composed by Eduar...(+)
Viola and piano - easy to
intermediate
SKU:
HL.49019312
Composed
by Eduard Puetz. Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Softcover. 6
pages. Schott Music
#ED09924. Published by
Schott Music
(HL.49019312).
ISBN
9790001180238.
Over
coming the boundaries
between 'serious' and
entertaining music was
what mattered to the
musician Eduard Putz
(1911-2000). His
compositions therefore
include stylistic
features of jazz and pop
music. Many of his works
were written for children
and young
instrumentalists to offer
them a break from the
monotony of classical
sonatinas and studies.
'Blue Waltz' is such a
treat - very easy to
play, it carefully helps
the player to open a
listening ear for jazz
sounds. The arrangement
for accompanied melodic
instrument is also
suitable for beginner's
lessons and the first
ensemble playing.
Super Solos Alto, Piano [Partition + CD] - Intermédiaire Anglo Music
Viola and Piano - late intermediate SKU: BT.AMP-352-400 10 Selected So...(+)
Viola and Piano - late
intermediate
SKU:
BT.AMP-352-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
352-400. Published by
Anglo Music Press
(BT.AMP-352-400).
ISBN
9789043138703. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).