Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all.
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1831. MWV A 12.
4 pages. Duration 8
minutes. Carus Verlag #CV
40.187/14. Published by
Carus Verlag
(CA.4018714).
ISBN
9790007064501. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018700.
(zum Osterfest Christ lag in Todes Banden ). Composed by Georg Philipp Telemann...(+)
(zum Osterfest Christ
lag in Todes Banden ).
Composed by Georg Philipp
Telemann (1681-1767).
Edited by Klaus Hofmann.
For SATB choir, basso
continuo, [2 oboes, 2
violins, viola, cello,
violins/double bass,
bassoon]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Missa brevis uber
Christ lag in Todes.
Missa brevis in Latin,
Easter and Eastertide.
Full score. Language:
Latin. Composed 1720.
TVWV 9:3. Duration 10
minutes. Published by
Carus Verlag
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. German title: Ins
stille Land. Hymn
settings, Secular choral
music. Single Part,
Viola. 2 pages. Duration
3 minutes. Carus Verlag
#CV 40.228/13. Published
by Carus Verlag
(CA.4022813).
ISBN
9790007065416. Key: G
major. Language:
German.
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. German title: Ins
stille Land. Hymn
settings, Secular choral
music. Single Part,
Cello/Double Bass.
Composed 1842. 2 pages.
Duration 3 minutes. Carus
Verlag #CV 40.228/14.
Published by Carus Verlag
(CA.4022814).
ISBN
9790007065423. Key: G
major. Language:
German.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all.
Sacred vocal music,
Cantatas. Single Part,
Viola. Composed 1831. MWV
A 12. 4 pages. Duration 8
minutes. Carus Verlag #CV
40.187/13. Published by
Carus Verlag
(CA.4018713).
ISBN
9790007064495. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018700.
ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continu...(+)
ST vocal soli, SATB
choir, 2 flutes, 2 horns,
2 violins, viola and
basso continuo
SKU:
CA.9125614
Hymnus
de Nativitate Domini
nostri Jesu Christi.
Composed by Aemilian
Rosengart. Edited by
Andreas Traub. Coppenrath
Series.
Violoncello/double bass.
Sacred vocal music,
Hymns. Single Part,
Cello/Double Bass. 2
pages. Duration 3
minutes. Carus Verlag #CV
91.256/14. Published by
Carus Verlag
(CA.9125614).
ISBN
9790007234690. Language:
Latin.
As a
contemporary of Haydn and
Mozart, Rosengart reveals
great stylistic diversity
in his works. This Hymnus
, in two sections,
reveals his ability as a
baroque composer, who
concentrated on the
musical embellishment of
the liturgy. Christe
redemptor omnium was
performed to the glory of
God in the monastic
church at Ochsenhausen.
Score and part available
separately - see item
CA.9125600.
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. German title: Ins
stille Land. Hymn
settings, Secular choral
music. Single Part,
Violin 1. 2 pages.
Duration 3 minutes. Carus
Verlag #CV 40.228/11.
Published by Carus Verlag
(CA.4022811).
ISBN
9790007065393. Key: G
major. Language:
German.
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. German title: Ins
stille Land. Hymn
settings, Secular choral
music. Full score. 4
pages. Duration 3
minutes. Carus Verlag #CV
40.228/00. Published by
Carus Verlag
(CA.4022800).
ISBN
9790007065386. Key: G
major. Language:
German.
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. German title: Ins
stille Land. Hymn
settings, Secular choral
music. Single Part,
Violin 2. 2 pages.
Duration 3 minutes. Carus
Verlag #CV 40.228/12.
Published by Carus Verlag
(CA.4022812).
ISBN
9790007065409. Key: G
major. Language:
German.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all.
Sacred vocal music,
Cantatas. Single Part,
Violin 1. Composed 1831.
MWV A 12. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 40.187/11.
Published by Carus Verlag
(CA.4018711).
ISBN
9790007064471. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018700.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all an
einen Gott. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1831. MWV A 12. Duration
8 minutes. Carus Verlag
#CV 40.187/19. Published
by Carus Verlag
(CA.4018719).
ISBN
9790007137861. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and parts
available separately -
see item CA.4018700.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext. 1x
40.187/21 oboe 1, 1x
40.187/22 oboe 2, 1x
40.187/23 clarinet 1, 1x
40.187/24 clarinet 2, 1x
40.187/25 bassoon 1, 1x
40.187/26 bassoon 2, 1x
40.187/31 horn 1, 1x
40.187/32 horn 2, 1x
40.187/33 trumpet 1, 1x
40.187/34 trumpet 2, 1x
40.187/35 trombone 1, .
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all an
einen Gott 14. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1831. MWV A 12.
44 pages. Duration 8
minutes. Carus Verlag #CV
40.187/09. Published by
Carus Verlag
(CA.4018709).
ISBN
9790007064464. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and parts
available separately -
see item CA.4018700.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Wir glauben all.
Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1831.
MWV A 12. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 40.187/12.
Published by Carus Verlag
(CA.4018712).
ISBN
9790007064488. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018700.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 103. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.103/14. Published by
Carus Verlag
(CA.3110314).
ISBN
9790007047528. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Composed
by Friedrich Silcher.
Edited by Hermann Josef
Dahmen. Complete
orchestral parts. Hymn
settings, Secular choral
music. Set of Orchestra
Parts. Duration 3
minutes. Carus Verlag #CV
40.228/19. Published by
Carus Verlag
(CA.4022819).
ISBN
9790007218072. Key: G
major. Language:
German.
Score and
parts available
separately - see item
CA.4022800.
(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Seb...(+)
(Cantata for the 3rd
Sanday after Trinity/all
occasions). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. For STB
vocal soli (SB/TB/SATB),
SATB choir, oboe,
bassoon, 3 trumpets, 4
trombones, timpani, 2
violins, viola, basso
continuo. Stuttgart
Urtext Edition. German
title: Ich hatte viel
Bekummernis. Cantatas.
Level 3. Cello/double
bass part. Language:
German/English. Composed
1713. BWV 21. 12 pages.
Duration 45 minutes.
Published by Carus Verlag
Composed by Dietrich
Buxtehude. Edited by
Bruno Grusnick. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Buxtehude. Ihr Lieben
Christen, Freut Euch 51.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. BuxWV
51. Duration 12 minutes.
Carus Verlag #CV
36.009/19. Published by
Carus Verlag
(CA.3600919).
ISBN
9790007144395. Key: D
major. Language:
German.
Score and
parts available
separately - see item
CA.3600900.
Because He Lives Chorale SATB [Vocal Score] Hope Publishing Company
Composed by William and Gloria Gaither. Arranged by Jack Schrader. Funeral, Eas...(+)
Composed by William and
Gloria Gaither. Arranged
by Jack Schrader.
Funeral, Easter,
Sacred. Vocal score.
Published by Hope
Publishing Company
(HP.8828).
Amazing Grace Chorale SATB SATB [Octavo] Hope Publishing Company
Arranged by Jack Schrader. For Choir. (Satb). American Folk Tune, Blues/Gospel,...(+)
Arranged by Jack
Schrader. For Choir.
(Satb). American Folk
Tune, Blues/Gospel,
Celebration, Eternal
Life, Grace, Guidance,
Blues-Gospel-Spirituals
and Sacred. Print Music
Single (SATB). Published
by Hope Publishing
Company.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. German title:
Gott, Der Herr, Ist Sonn
Und Schild Rev.
Innovative practice aids,
Sacred vocal music,
Cantatas, Psalms, German,
Special days, Reformation
day, Praise and thanks.
Single Part, Cello/Double
Bass. Composed circa
1725. BWV 79. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.079/14. Published by
Carus Verlag
(CA.3107914).
ISBN
9790007045289. Key: G
major. Language:
German/English.
Aft
er the really well-known
cantata Ein feste Burg
ist unser Gott BWV 80,
Bach's only other cantata
for Reformation Day is
Gott, der Herr, ist Sonn
und Schild BWV 79. The
central chorale movement
Nun danket alle Gott has
become extremely famous
separately from the
cantata. This movement is
characterised by the
catchy melody of the two
horn parts with their
interludes between the
lines of the chorale.
These in turn are taken
from the freely-composed
opening chorus, thus
forming a surprising link
between the movement for
chorus and the chorale.
The chorus and both the
arias in the cantata were
used later in a Latin
parody in the so-called
Lutheran Masses. Score
and part available
separately - see item
CA.3107900.
I Thank You, Lord Chorale SATB SATB [Octavo] Hope Publishing Company
By Joseph Martin / Joseph Martin. For SATB choir. Scripture References: Phil. 2:...(+)
By Joseph Martin / Joseph
Martin. For SATB choir.
Scripture References:
Phil. 2:10-11 -- Isaiah
12:4 -- Acts 18:9. Praise
and Worship, Sacred,
Thanksgiving. Choral
octavo. 12 pages
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violoncello solo
1-3. Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Cello 1-3. Composed 1729.
BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/15. Published by
Carus Verlag
(CA.3117415).
ISBN
9790007209681. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Choralkantate.
Composed by Heinrich von
Herzogenberg. Edited by
Konrad Klek. Gott Ist
Gegenwartig.Choralkantate
. Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1897.
Op. 106. 8 pages. Carus
Verlag #CV 23.001/12.
Published by Carus Verlag
(CA.2300112).
ISBN
9790007198510. Language:
German. Text: Tersteegen,
Gerhard. Text: Gerhard
Tersteegen.
Reprint
of the first edition.
Friedrich Spitta
recommended to
Herzogenberg that he set
Gerhard Tersteegen's text
Gott ist Gegenwartig on
the occasion of that
poet's 200th birthday.
Besides the obbligato
organ, Herzogenberg
restricted the
instrumentation to
strings, two trumpets,
three trombones and
timpani, and thus
achieved a majestic
quality which corresponds
to the text. Score and
part available separately
- see item
CA.2300100.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola solo 1-3.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Viola solo 1-3. Composed
1729. BWV 174. 16 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/14. Published by
Carus Verlag
(CA.3117414).
ISBN
9790007209674. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin solo 3. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/13. Published by
Carus Verlag
(CA.3117413).
ISBN
9790007209667. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.