Harpsichord

SKU: HL.14016902

Harpsichord Part. Composed by Kaija Saariaho. Music Sales America. Classical. Book [Softcover]. 20 pages. Music Sales #HH00102. Published by Music Sales (HL.14016902).

ISBN 9788759854532. 12.0x8.0x0.438 inches. English.

This is the Harpsichord Part for Kaija Saariaho's Jardin Secret II for Saariaho's 1986 work for Harpsicord and Electronics. This hair raising and spatially aware piece from 1986 also contains detailed performance instructions and tape guides. Also available is a CD and CD-Rom package, with accompaniments and all the patches and files required for a real time performance (KP00291).

Harpsichord

SKU: HL.48187911

Composed by Jacques Duphly. Leduc. Classical. Softcover. 122 pages. Heugel & Cie #HE31812. Published by Heugel & Cie (HL.48187911).

UPC: 888680907433. 0.33 inches. French.

This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces, this work for Harpsichord was reviewed and edited by Francoise Petit. With a preface in French, English and German that sets the context of the work and presents the composer, this first book offers a set of pieces for intermediate players. With simple rhythms, it includes few accidental alterations and some arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau..

Harpsichord

SKU: HL.48188858

Composed by Louis Couperin. Leduc. Softcover. 172 pages. Heugel & Cie #HE33691. Published by Heugel & Cie (HL.48188858).

UPC: 840126994933. 9.0x12.0x0.306 inches. French.

The complete Harpsichord work - Volume 2 by Louis Couperin is the second of a series of volumes with suites for Harpsichord. Composed in a Baroque style, the whole series features 133 pieces for advanced players. Louis Couperin (1626-1661) was a French composer and performer, who created many pieces for Organ and for Harpsichord who later became musician at the court. He invented the genre of Unmeasured Prelude for which he created a form of notation where the harpsichordist can choose how long each note lasts. Francois Couperin, Louis? nephew, is also a very famous musician who played the Harpsichord..

Harpsichord

SKU: BT.ALHE31812

Composed by Jacques Duphly. Le Pupitre - Heugel. Classical. Book Only. 122 pages. Heugel & Cie #ALHE31812. Published by Heugel & Cie (BT.ALHE31812).

French.

This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces, this work for Harpsichord was reviewed and edited by Françoise Petit. With apreface in French, English and German that sets the context of the work and presents the composer, this first book offers a set of pieces for intermediate players. With simple rhythms, it includes few accidental alterations andsome arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.

Harpsichord

SKU: BT.ALHE32440

Composed by Jean-Henri D'Anglebert. Le Pupitre - Heugel. Book Only. 108 pages. Heugel & Cie #ALHE32440. Published by Heugel & Cie (BT.ALHE32440).

English.

Jean-He nri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore, the collection of his works, Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieveorchestral sonority. Moreover, d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significant composers. The first volume of Pieces for Harpsichord comprises fourHarpsichord Suites composed by d'Anglebert, each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore, the three unmeasured preludes included in Suites one, two and three aretruly remarkable examples of their kind. With a descriptive preface in French, English and German, volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.

Harpsichord

SKU: FZ.50528

Composed by Louis Couperin, Johann-Jakob Froberger, Girolamo Frescobaldi & Luigi Rossi. Edited by Benjamin Alard. Book and CD. Duration 56 minutes 27 seconds. Published by Anne Fuzeau Productions - France (FZ.50528).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. The Bauyn manuscript is to Louis Couperin what the Andreas Bach Buch (Hortus045) is to young Bach: a collection of mixed compositions: his own and those of teachers, close friends and acquaintances. In Paris, 1652, a curtain pulls back to show us Couperin and Froberger at a harpsichord in animated conversation. The young organist from Saint Gervais improvises in his host's style the famous globe trotter in turn plays several Italian pieces and improvises.

By Charles Wuorinen. For Harpsichord. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration 13'. Published by C.F. Peters.

Harpsichord

SKU: ST.Y231

Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y231. Published by Stainer & Bell Ltd. (ST.Y231).

ISBN 9790220221767.

Writ ten for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it.

By Louis Marchand (1669-1732). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 64 pages

Harpsichord

SKU: SU.80101495

For Harpsichord. Composed by Carson Cooman. Keyboard, Piano/Harpsichord. Harpsichord. Score. Zimbel Press #80101495. Published by Zimbel Press (SU.80101495).

Suite in Three Movements (2021) for harpsichord was commissioned by Scott Hyslop. The three movements take their inspiration and forms from early models. They combine allusions to common practice harmony with later harmonic and rhythmic elements. The first movement, Concerto, is in a bright, Italianate manner (not without a bit of humor). The animating contrast is between ripieno (ritornello) sections and filigree-driven solo episodes. The second movement, Arioso, is a lyric aria in which the baroque-like principal material is integrated with more varied harmonic excursions. The third movement, Sonata, is a vibrant binary movement in the manner of Domenico Scarlatti.Harpsichord Duration: 13’ Composed: 2021 Published by: Zimbel Press.

Harpsichord - intermediate

SKU: HL.49008078

Three Pieces. Composed by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1991. 8 pages. Schott Music #ED 8542. Published by Schott Music (HL.49008078).

ISBN 9790001114790. 9.0x12.0x0.102 inches.

Though technically not too difficult, these 3 pieces by Hans-Martin Linde demand an acute awareness of their rhythmical complexities from the player. The title also contains programmatic allusions: the tonal and rhythmical structural subtleties require a heightened perception from the listener. The pieces are suitable for competition as well as concert performance.

Harpsichord

SKU: HL.48024704

Harpsichord. Composed by Jyrki Linjama. BH Piano. Classical. Softcover. Fennica Gehrman #M550114999. Published by Fennica Gehrman (HL.48024704).

ISBN 9781540059857. UPC: 888680955199.

The church sonata has three movements, each of which has a definite liturgical character and a choral tune as cantus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

France 1. Baroque. Guide to Early Keyboard Music. Softcover. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest

Harpsichord

SKU: BT.ALHE32201

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 196 pages. Heugel & Cie #ALHE32201. Published by Heugel & Cie (BT.ALHE32201).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457,includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of tworoyal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: ST.Y232

Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y232. Published by Stainer & Bell Ltd. (ST.Y232).

ISBN 9790220221750.

With Copper Ribbons, Silver Threads is one of a pair of virtuoso harpsichord pieces by Rhian Samuel, and the two may be programmed together or performed as separate recital items. The music of Silver Threads is the restless pursuit of a single idea through fleet textures, dividing an unbroken line of melody between the hands and manuals throughout the register of the instrument.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Leduc. Classical. Softcover. 212 pages. Heugel and Cie #HE32121. Published by Heugel and Cie

Harpsichord

SKU: BT.ALHE32121

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 208 pages. Heugel & Cie #ALHE32121. Published by Heugel & Cie (BT.ALHE32121).

French.

Itali an composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volumeis indispensable to performers of the genre.

Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations toremote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royalfamilies.The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competentand popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essentialaddition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: BT.ALHE32645

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 204 pages. Heugel & Cie #ALHE32645. Published by Heugel & Cie (BT.ALHE32645).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includesthe popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed inthe service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.