(Complete Bass Parts to 64 Orchestral Masterworks on CD-ROM) For bass. Includes ...(+)
(Complete Bass Parts to
64 Orchestral Masterworks
on CD-ROM) For bass.
Includes CD-ROM (Windows
and Mac). With standard
notation. Classical.
Series: The Orchestra
Musician's CD-ROM
Library. 9x12 inches.
Published by Hal Leonard.
(Complete Bass Parts to 90 Orchestral Masterworks on CD-ROM) For bass. Includes ...(+)
(Complete Bass Parts to
90 Orchestral Masterworks
on CD-ROM) For bass.
Includes CD-ROM (Windows
and Mac). With standard
notation. Classical.
Series: The Orchestra
Musician's CD-ROM
Library. 9x12 inches.
Published by Hal Leonard.
By Chuck Sher and Marc Johnson. For Bass. The only book ever published specifica...(+)
By Chuck Sher and Marc
Johnson. For Bass. The
only book ever published
specifically designed to
improve your soloing!.
Book and 2 CD's.
Published by Sher Music
Company.
The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Double Bass....(+)
The Orchestra Musician's
CD-ROM Library, Volume
10. By Various. For
Double Bass. The
Orchestra Musician's
CD-ROM Library. CD-ROM
only. 8 pages. Published
by Hal Leonard.
Composed by J. Peter Close; Holger Sassmannshaus. Stapled. Barenreiter's Sassman...(+)
Composed by J. Peter
Close; Holger
Sassmannshaus. Stapled.
Barenreiter's
Sassmannshaus.
Instructional.
Performance score. 72
pages. Published by
Baerenreiter Verlag
(BA.BA9660).
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
Spielstucke fur kleine
Leute ab funf Jahren.
Composed by Claus
Freudenstein. German /
English. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2984.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-2984).
ISBN
9790203429845. 9 x 12
inches.
1. Riesen
Spass; 2. Tatu Tata, die
Feuerwehr ist da; 3.
Liebe Mama, schau mal an;
4. Ein alter Drache
grinst; 5. Bruder Jakob;
6. Wer geht mit nach
Rummelskirchen; 7. Drei
Chinesen; 8. In einem
kleinen Apfel; 9.
Bi-Ba-Butzemann; 10.
Summ, summ, summ; 11.
Tuk, tuk, tuk, ihr
Huhnerchen; 12. Hansel
und Gretel; 13. Fuchs, du
hast die Gans gestohlen;
14. Weisst du, wieviel
Sternlein stehen; 15. Auf
der Mauer, auf der Lauer;
16. Wer geht mit nach
Rummelskirchen; 17. Denkt
Euch nur, der Frosch ist
krank; 18. Taler, Taler,
du musst wandern; 19. Wie
geht mein bunter
Minibass; 20.
Geisterstunde; 21. Lieber
Nikolo; 22. Morgen kommt
der Weihnachtsmann; 23.
Ihr Kinderlein kommet;
24. Alle Jahre wieder;
25. Hey! Hey! Los
geht's!; 26. Die
Bassritter.
By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English. 72
pages. Published by
Baerenreiter Verlag
Double bass SKU: M7.VHR-3903 Composed by Simone Drebenstedt. Sheet music....(+)
Double bass
SKU:
M7.VHR-3903
Composed
by Simone Drebenstedt.
Sheet music. Student's
edition. 172 pages.
Holzschuh Musikverlag
#VHR 3903. Published by
Holzschuh Musikverlag
(M7.VHR-3903).
ISBN
9783940069818.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
(For the Developing Student). By Janice Tucker Rhoda. For string bass. The ABC's...(+)
(For the Developing
Student). By Janice
Tucker Rhoda. For string
bass. The ABC's of Bass.
Method. Instructional
book. Standard notation.
48 pages. Published by
Carl Fischer
By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English/German.
72 pages. Published by
Baerenreiter Verlag
Double bass SKU: BR.EOS-20897-27 Suite in Olden Style. Composed by...(+)
Double bass
SKU:
BR.EOS-20897-27
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series.
Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
Romantic
period. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-27. Published by
Breitkopf and Haertel
(BR.EOS-20897-27).
ISBN 9790004780107. 10
x 12.5 inches.
In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For String ...(+)
Traditional, Old Time,
Bluegrass and Celtic
Solos. By Mark Geslison.
For String Bass. Solos.
Fiddle Tunes. Level:
Beginning-Intermediate.
Book/CD Set. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Publications, Inc.
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part...(+)
Double Bass
SKU:
HL.51483307
For
String Orchestra Double
Bass Part. Composed
by Antonin Dvorá,
Antonin Dvorak, and k.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 12
pages. G. Henle #HN3307.
Published by G. Henle
(HL.51483307).
UPC:
196288206828.
9.25x12.0x0.062
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most
beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through