Flute, piano SKU: PR.ZM29270 Soprano aria Blute nur from the St. Matth...(+)
Flute, piano
SKU:
PR.ZM29270
Soprano
aria Blute nur from the
St. Matthew Passion BWV
244 Alto aria from the
cantata Sei Lob und
EhrÆ dem hoechsten
Gut BWV 117 (Holle).
Composed by Johann
Sebastian Bach. Flauto
principale. With Standard
notation. BWV 249.
Zimmermann #ZM29270.
Published by Zimmermann
(PR.ZM29270).
Fanmi Imèn Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114419090 Poem for Flute and Piano<...(+)
Chamber Music flute,
piano
SKU:
PR.114419090
Poem
for Flute and Piano.
Composed by Valerie
Coleman. Set of Score and
Parts. With Standard
notation. 12 4 pages.
Duration 6:30. Theodore
Presser Company
#114-41909. Published by
Theodore Presser Company
(PR.114419090).
ISBN
9781491113578. 9 x 12
inches.
The title
Fanmi Imèn is
Haitian Creole for Maya
Angelouââ¬â¢s
famous work, Human
Family. Both the musical
and literary poems
acknowledge differences
within mankind due to
ethnicity, background,
and geography, but
Angelouââ¬â¢s
refrain: ââ¬Åwe
are more alike, my
friends, than we are
unalikeââ¬Â,
reaffirms our humanity as
a reminder of unity.
Colemanââ¬â¢s
work draws inspiration
from French flute music
blended with an
underlying pentatonicism
found in Asian
traditions, a caravan
through Middle Eastern
parts of the world
merging with Flamenco,
and an upbeat journey
southward into Africa
with the sounds of
Kalimba (thumb piano).
Fanmi Imèn was
commissioned by the
National Flute
Association for its 2018
High School Soloist
Competition.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
Flute and Piano SKU: IS.FP4175EM Composed by Jef Schampaert. Woodwinds - ...(+)
Flute and Piano
SKU:
IS.FP4175EM
Composed
by Jef Schampaert.
Woodwinds - Flute.
Metropolis Music
Publishers #FP4175EM.
Published by Metropolis
Music Publishers
(IS.FP4175EM).
ISBN
9790365041756.
Joze
f (Jef) Schampaert's 1952
Notturno e Danza
(Nocturne and Danse) for
flute and piano, written
as a concours piece for
the Royal Conservatoire
Antwerp in Belgium, is a
bit of a curious beast.
While the rest of the
Belgian school was
experimenting with a
return to lush
romanticism (Alpaerts,
Maes, and the musical
progeny of Benoit), or
beginning to prod the
tonal bounds of
listenable 12-tone and
serialism (Constant and
Verbesselt), Schampaert
took towards a different
sound: that of the
Impressionists,
transmuted through his
distinctly Flemish touch.
The Nocturne and Danse is
no exception. The core of
the Nocturne is a
relatively
straightforward melody,
but it's quickly pulled
apart into Debussyian
fragments and melodic
cells - a rhapsody in
miniature, with touches
of Ibert's stranger runs
and figures through. The
Danse retains a clearer
sense of melody, but one
that's even closer to
Debussy and Ravel - grace
notes and intertwined,
changing runs are
integral melodic
material, by turns dark
then playful. A small
cadenza again touches on
a sense of Ibert before
the piece is brought to a
quiet close.