(Special Deluxe Edition with DVD and 2 CDs). For Guitar (Guitar). Music Sales Am...(+)
(Special Deluxe Edition
with DVD and 2 CDs). For
Guitar (Guitar). Music
Sales America. Rock 'n'
Roll, Rock N Roll. Book
and CD and DVD Package.
Music Sales #DV10065N.
Published by Music Sales
. Book and CD and DVD
Package. Rock 'n' Roll,
Rock N Roll.
Composed by
Thierry Rougier.
Classical. Score. 5
pages. Editions Henry
Lemoine #25038. Published
by Editions Henry Lemoine
(LM.25038).
ISBN
9790230950381.
Ieu
n'ai un ome qu'es pichon
- Som-Som, minon-minauna
- Triste es lo cel,
triste es la terra -
L'Auselon a nou plumetas
- La Boier - Quand
Gargantua tornec de
l'armada - Hilhas
n'aimetz pas tan los omes
- A Boreu ia una dama,
pomas, arrasins, higas e
Castanhas - La
Crosada.
Guitar SKU: GI.G-10321G Recibirás Benedición / Blessings from Go...(+)
Guitar
SKU:
GI.G-10321G
Recibirás
Benedición / Blessings
from God. Composed by
Nilceia Protásio.
Arranged by Carlos
Colón. This edition:
Guitar edition. Sacred.
Guitar part. With guitar
chord names. 4 pages. GIA
Publications #10321G.
Published by GIA
Publications
(GI.G-10321G).
UPC:
785147032175. English,
Portuguese, Spanish. Text
Source: Based on
Deuteronomy 28:6, words
by Nilceia Protásio,
Span. tr. Gerardo
Oberman, Eng. tr. Mary
Louise Bringle;
Translation: Mary Louise
Bringle. Text by Nilceia
Protásio.
Mi
Corazon is dedicated to
Carmen Genest - my
accomplice in life and on
stage - and recalls our
tours in South America.
Composed in a
neo-romantic style, it is
particularly inspired by
Mexican lyrical airs.
Jazz Ensemble (Guitar) SKU: HL.7013626 Volume 2. Arranged by John ...(+)
Jazz Ensemble (Guitar)
SKU: HL.7013626
Volume 2. Arranged
by John Berry, Michael
Sweeney, Paul Murtha, and
Rick Stitzel. Discovery
Jazz. Jazz, Pop.
Softcover. 32 pages.
Published by Hal Leonard
(HL.7013626).
UPC:
840126915235.
9.0x12.0x0.124
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Includes: Ain't No
Mountain High Enough;
Baby, It's Cold Outside;
Blue 'n' Moody; Blue
Train; Come Fly with Me;
Final Countdown; Green
Onions; Hawaii Five-O
Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me.
Guitar SKU: GI.G-8531G A Bilingual Setting of the Revised Order of Mas...(+)
Guitar
SKU:
GI.G-8531G
A
Bilingual Setting of the
Revised Order of Mass
2010. Composed by
Marty Haugen. Edited by
Tony Alonso S.J. This
edition: Guitar edition.
Mass. Sacred. Guitar
part. With guitar chord
names. 28 pages. GIA
Publications #8531G.
Published by GIA
Publications
(GI.G-8531G).
UPC:
785147853176. English,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass. Misal
Romano, tercera
edición
Guitar SKU: LM.28631 Composed by Renaud Gillet. Junior de Thierry Masson ...(+)
Guitar
SKU:
LM.28631
Composed by
Renaud Gillet. Junior de
Thierry Masson et Patrick
Guillem. Pop, jazz. Score
and CD. Editions Henry
Lemoine #28631. Published
by Editions Henry Lemoine
(LM.28631).
ISBN
9790230986311.
Five
O'Clock Blues - Carrousel
du Moncel - Rock'n Muffin
- Creolita - Bossa Finada
- Mango Mambo - Austral
Tango - Zouk a mwe - Miss
Terre Rieuse.
By Mel Reeves. guitar method. DVD. Published by Music Sales. (FMDVD1001) Using...(+)
By Mel Reeves. guitar
method. DVD. Published by
Music Sales. (FMDVD1001)
Using one simple chord
sequence Mel Reeves shows
how to create authentic
solos and rhythm parts in
any style. Uses the
latest computer graphics,
clearly-explained
examples played at half
speed, and a booklet.
Covers Rock 'N' Roll,
Blues, Jazz, Country,
Rock and Fusion. Special
features include chapters
on theory and technique.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar SKU: LM.28138 Composed by Oscar Caceres. Classical. Score. Edition...(+)
Guitar
SKU:
LM.28138
Composed by
Oscar Caceres. Classical.
Score. Editions Henry
Lemoine #28138. Published
by Editions Henry Lemoine
(LM.28138).
ISBN
9790230981385.
SOR
F. : Etudes Op.31 n. 1 -
Op.35 n. 3, 4 et 6 -
Op.44 n. 1 - Op.60 n. 5,
7, 8, 14 et 19 - 2 Etudes
- AGUADO D. : Methode,
1ere partie (etudes 11 et
18) - Methode, 2eme
partie (etudes n. 1 a 4,
6, 7,11, 12, 15, 19 et
20) - CANO A. : 5 Etudes
- CARULLI F. : 10 Etudes
- GIULIANI M. : 2 Etudes
Op.50 - 3 Etudes - Etudes
Op.43 n. 1 - Op.100 n. 2
- Op.139 n. 4 - CARCASSI
M. : 3 Etudes Op.59 -
Etude - 5 Etudes Op.21 -
COSTE N. : 7 Etudes.
Valses Et Menuets Guitare [Conducteur] - Intermédiaire Lemoine, Henry
Guitar - Level 3 SKU: LM.27830 Composed by Fernando Sor. Oscar Caceres. C...(+)
Guitar - Level 3
SKU:
LM.27830
Composed by
Fernando Sor. Oscar
Caceres. Classical.
Score. Editions Henry
Lemoine #27830. Published
by Editions Henry Lemoine
(LM.27830).
ISBN
9790230978309.
Vals
es, Op.2 n. 2 et 4, Op.8
n. 6, Op.17 n. 2 a 5,
Op.18 n. 1, 3 et 4, Op.32
n. 2, Op.33 n. 2, Op.43
n. 6, Op.45 n. 4, Op.48
n. 4 et 5, Op.51 n. 2, 3,
4 et 6, Op.57 n. 3 et 5 -
Menuets, Op.3 n. 2, Op.5
n. 1 et 3, Op.11 n. 1 a 8
et 10, Op.24 n. 1, 5 et
6. Extraits des sonates,
Op.22, 25 et 34. Extrait
de Folies d'Espagne,
Op.15.
Guitar SKU: GI.G-10515G Music of the Paschal Triduum / Música del T...(+)
Guitar
SKU:
GI.G-10515G
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 168
pages. GIA Publications
#10515G. Published by GIA
Publications
(GI.G-10515G).
Guitar SKU: BT.MUSMS0253 Method. Book with CD. Composed 2018. Play Music ...(+)
Guitar
SKU:
BT.MUSMS0253
Method.
Book with CD. Composed
2018. Play Music Spain
#MUSMS0253. Published by
Play Music Spain
(BT.MUSMS0253).
Spanish.
Nuestro
método se dirige a
todos los que desean
aprender a leer las notas
en el pentagrama, en
clave de Sol, para
encontrarlas
instantáneamente
en el mástil de la
guitarra. A lo largo de
nuestras páginas y
de forma muy progresiva
Ud aprenderá
primero a situar las
notas que se encuentran
en las líneas del
pentagrama, en las
interlíneas y en
las líneas
suplementarias.
Añadiendo las
alteraciones,
cubrirá la primera
postura en su conjunto.
Podrá pasar
entonces a la segunda
postura y a la tercera y
así dominar los
doces primeros trastes de
la guitarra. Un trabajo
específico de
lalectura con las
alteraciones a la clave
le pondrá entonces
en situación real
de lectura de una
partitura. Y por
último, un trabajo
cuerda por cuerda le
brindará la
posibilidad de ir un poco
más lejos en el
mástil de la
guitarra, lo que
resultará
útil en el toque
en solo. Todos los
ejercicios, sin ninguna
excepción
están a su
disposición en el
CD MP3 incluido en el
método, o sea
cerca de 250 grabaciones
en total que le
permitirán
averiguar si ha acertado
en su trabajo y lo
harán más
divertido.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Guitar - Grade 2 SKU: BT.MUSMS0358 Composed by Diego Portillo. Tuition. B...(+)
Guitar - Grade 2
SKU:
BT.MUSMS0358
Composed
by Diego Portillo.
Tuition. Book with CD.
Composed 2017. Play Music
Spain #MUSMS0358.
Published by Play Music
Spain (BT.MUSMS0358).
Spanish.
Apre
nder las escalas, los
arpegios, los clichés de
los mejores músicos...
es una cosa, pero crear
un solo a la vez
coherente, musical,
interesante, vibrante y
atractivo, respetando el
contexto en el cual se
toca,es otra cosa.
Y ésta es la meta que
nuestro método quiere
hacerle alcanzar. Aquí
no se trata de aprender
las herramientas
melódicas de las que uno
dispone (sobran los
métodos sobre eltema),
sino de la elaboración
en sí de unos hermosos
solos de guitarra.
La metodología que
hemos adoptado es
sencilla, lúdica y
progresiva. El estudiante
encontrará no menos de
14playbackscompletos (de
4, 8 y 12 medidas), con,
para cada uno, 4 solos
diferentes y de
dificultad progresiva (o
sea 56 solos en total).
En realidad se trata
siempre de la misma base
que está desarrollada
melódicamente,rítmicame
nte y técnicamente a lo
largo de la
progresión.
Dicho
de manera más clara, el
primer solo es básico,
al alcance de todos,
mientras que el último
es más complejo.Pero,
que quede claro, el
verdadero solo no es
solamente el último: a
cada etapa corresponde un
verdadero solo digno de
ese nombre.
En el
disco de datos incluido
en el método (audios mp3
y vídeos mp4)encontrará
para los 56 solos
presentados en el
método, la demostración
en vídeo, a velocidad
normal y luego más
lenta, y también los
múltiples playbacks
correspondientes,
enversión ?larga
duración?, para que le
dé tiempo a expresarse
en ellos.
Guitar SKU: BT.MUSMS0285 Composed by Bruno Tejeiro. Classical. Book with ...(+)
Guitar
SKU:
BT.MUSMS0285
Composed
by Bruno Tejeiro.
Classical. Book with CD.
Composed 2017. Play Music
Spain #MUSMS0285.
Published by Play Music
Spain (BT.MUSMS0285).
Spanish.
Cual
quiera que sea su nivel,
Ud encontrará en
este libro material para
ampliar su cultura
musical y para disfrutar
tocando las más
grandes melodías
de la música
clásica en su
guitarra.
Todos los
grandes compositores que
han dejado huella en la
historia de la
música (Mozart,
Bach, Beethoven,
Tchaïkovski, Verdi,
Brahms, Wagner,
Vivaldi...) están
presentes en nuestro
libro a través
desus mejores obras.
Melodías conocidas
de todos, los mayores
“éxitos&rdqu
o; de la música
clásica que uno
podrá presumir
saber tocar a la
guitarra... que
ésta sea
acústicaoelé
;ctrica.
Transcritas en solfeo
y cifra y con las
posturas que le vienen
mejor al toque a la
guitarra, dichas
maravillosas
melodías
están grabadas en
el CD adjunto, en unas
versiones variadas
ymodernas (con uno o
más efectos:
chorus,
distorsión,
delay...). Tendrá
también a su
disposición un
playback completo para
tocar cada una de ellas
“en
situación”..
.
¡Unamaravilla!
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
Composed by
Delia Estrada. Method,
studies. Score. Editions
Henry Lemoine #26331.
Published by Editions
Henry Lemoine (LM.26331).
ISBN
9790230963312.
ESTR
ADA D. : Sur les six
cordes - Etude - CARULLI
F. : Exercice - CARCASSI
M. : Valse - ESTRADA D. :
Bailando - Lullaby -
Danse du fleuve - Etude
d'apres Antonio
Cano-Curriela - Lafalado
- Prelude - Comme un
blues - AYALA H. : Aire
de Vidala - ESTRADA D. :
Etude a deux voix - Tempo
di Carnavalito - BELTRAN
T. : Evi - AYALA H. : El
Coyuyo - ESTRADA D. :
Etude - Lent, comme une
Vidala - Marche - Etude -
CARCASSI M. : Valse -
CARULLI F. : Valse n. 1 -
ESTRADA D. : Chanson
enfantine - Chanson pour
dire a Elsa... - Berceuse
pour ma petite fille -
Chanson - Etude en forme
de Choral - CARULLI F. :
Poco Allegretto - ESTRADA
D. : Aube - CARULLI F. :
Andante - ESTRADA D. :
Olenka - BELTRAN T. :
T'es ballade ! - CARCASSI
M. : Valse - RODRIGUEZ A.
: Guajira - AGUADO D. :
Lecon n. 66 - ESTRADA D.
: Bossa Metisse - AYALA
H. : Cholita - ESTRADA D.
: Cancion - A la Claire
Fontaine (arr. D.
Estrada) - BELTRAN T. :
La Bossa de Margot -
ESTRADA D. : Air de
Bolero - AGUADO D. :
Lecon - CARCASSI M. :
Allegro - Valse -
Allegretto non troppo -
BELTRAN T. : Couleur
Pastel - RODRIGUEZ A. :
Cancion - SOR F. : Etude
n. 8.