Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Par SAINT-SAENS CAMILLE. Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volumecontains the full score for violin and orchestra of both these magnificent pieces./ Répertoire / Orchestre

Vl2. Par SAINT-SAENS CAMILLE. Editeur(s) d'origine: Jost, Peter/ Répertoire / Orchestre

Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to supplement the full score and performance material on sale - Based on 'Camille Saint-Saëns ' Complete Edition of the Instrumental Works' - Detailed Foreword (Ger/Eng/Fr) 'In this work I gave everything I had to give. ['] What I did here I will never do again'. (Camille Saint-Saëns) Camille Saint-Saëns was justifiably proud of his Symphony No. 3 dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called 'Organ Symphony' was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. This study score is based on 'Camille Saint-Saëns ' Complete Edition of the Instrumental Works', Volume I/3.

Cette partition SYMPHONIE EN FA 'URBS ROMA' PARTITION de Saint-Saëns Camille a été éditée par les éditions Billaudot. La référence de cette partition de musique est EFM1915. Cette oeuvre d'une durée de 00:43:00 est idéale pour les musiciens pratiquant Orchestre. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Musique Symphonique / Partition

Ce travail est l'un des ouvrages les plus populaires de Saint-Saëns, qui au début ne voulait même pas le publier car il craignait pour sa réputation. Dans ce travail, Saint-Saëns parodie ses collègues Offenbach (tortue) et Berlioz (éléphant), entre autres.