Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts.
Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works;
Masterworks;
Performance Music
Ensemble.
Faber Edition.
Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 68 pages. Duration
13'. Breitkopf and
Haertel #PB 5142.
Published by Breitkopf
and Haertel (BR.PB-5142).
ISBN 9790004208878. 10
x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
SKU: BR.SON-621 Composed by Jean Sibelius. Edited by Anna Pulkkis. Linen....(+)
SKU: BR.SON-621
Composed by Jean
Sibelius. Edited by Anna
Pulkkis. Linen. Complete
Works.
Chamber music
by Jean Sibelius - a
welcome addition to the
chamber music repertoire
for strings with
piano.
Late-romantic;
Early modern. Complete
Works. 352 pages.
Breitkopf and Haertel
#SON 621. Published by
Breitkopf and Haertel
(BR.SON-621).
ISBN
9790004803233. 9 x 12
inches.
This volume
presents partly less
known, but undoubtedly
interesting and highly
welcome additions to the
chamber music repertoire
for violinists and
cellists in the reliable
Urtext of the Complete
Edition. The violin was
Sibelius's instrument. He
was active as a violinist
mainly during his studies
at the Helsinki Music
Institute from 1885-1889
and for a short time
thereafter. The present
volume contains Jean
Sibelius's opus-numbered
works for violin or cello
and piano, 36
compositions in total.
Most of the works of this
volume were created at
the beginning of the 20th
century and remained
unpublished until the
early 1920s. Sibelius
composed far less music
for the cello than for
the violin. Malinconia
(Op. 20), published in
1911, remained his only
opus-numbered work
exclusively for cello and
piano. This volume also
includes Two Pieces (Op.
77) and Four Pieces (Op.
78) as versions for
violin with piano and for
cello with
piano.
Chamber
music by Jean Sibelius -
a welcome addition to the
chamber music repertoire
for strings with
piano.
Lemminkainen-Suite
op.22 Fruhfassung.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works.
Sibelius No.
Zero?
Late-romantic;
Early modern. Complete
Works. 336 pages.
Breitkopf and Haertel
#SON 618. Published by
Breitkopf and Haertel
(BR.SON-618).
ISBN
9790004803202. 10 x 12.5
inches.
Whoever is
looking for orchestral
works in several
movements by Sibelius
before the seven
officially numbered
symphonies will run into
Kullervo op. 7, as well
as Lemminkainen op. 22.
Sibelius follows a
cyclical concept in these
four tone poems, so that
Lemminkainen, owing to
its time of origin, can
truly be labeled as his
Symphony No. Zero. The
previously unprinted
early versions, presented
in the respective volume
of the Complete Edition
for the first time, can
be dated to the year
1895/96. The first
revision was made in
1897, after the world
premiere. Only after this
premiere did Sibelius
write his First Symphony
before he again revised
the Lemminkainen scores
some of them much later
and had them
published.
Orchestra SKU: BR.SON-443 Complete Works. Composed by Felix Bartho...(+)
Orchestra
SKU:
BR.SON-443
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Linen. Complete Works.
Romantic period. Complete
Works. 252 pages.
Breitkopf and Haertel
#SON 443. Published by
Breitkopf and Haertel
(BR.SON-443).
ISBN
9790004803516. 10 x 12.5
inches.
Mendelssohn
's ConfessionThe
Reformation Symphony,
misleadingly numbered
posthumously as 5 by its
publishers, was
Mendelssohn's first
confrontation with the
large symphonic form in
Beethoven's wake. Linking
it conceptually with the
300th anniversary of the
Augsburg Confession in
1830 seems to have first
occurred late in the
progress of its
composition, yet the
premiere did not take
place until 1832 and
ultimately even enabled
the composer to distance
himself completely from
his work and its concept.
Thanks to access to a new
source [or, ... new
access to sources... or
...new access to a
source...?], this edition
can now finally refute
the legend that a
separate original or
early version of the
symphony once
existed.
Orchestra (2.2.2.2 - 2.2.3.0 - timp - str) SKU: BR.PB-5208 Grand Symph...(+)
Orchestra (2.2.2.2 -
2.2.3.0 - timp - str)
SKU: BR.PB-5208
Grand Symphony in C
major - Urtext.
Composed by Franz
Schubert. Edited by Peter
Hauschild. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well. Symphony; Romantic.
Full score. 148 pages.
Duration 50'. Breitkopf
and Haertel #PB 5208.
Published by Breitkopf
and Haertel (BR.PB-5208).
ISBN 9790004210390. 10
x 12.5 inches.
This
edition is based on
authentic sources con
sisting of the autograph
and contemporary
performance material. It
goes without saying that
the issue of the proper
numbering of the Schubert
symphonies - as
controversial as ever
today - is given a
decisive and definitive
treatment in the
Preface.
Peter
Hauschilds Urtext edition
of the Great C major
Symphony i the first
source critical edition
of the posthumously
published work which can
be used in performance as
well.
The Tempest Orchestre [Conducteur] Faber Music Limited
An Opera in Three Acts (Full Score). Composed by Thomas Ades (1971-). Full Orc...(+)
An Opera in Three Acts
(Full
Score). Composed by
Thomas
Ades (1971-). Full
Orchestra
(Full Score); Larger
Works;
Performance Music
Ensemble.
Faber Edition. Score.
Faber
Music #12-057153838X.
Published by Faber Music
By Georges Bizet (1838-1875). Edited by Robert Didion. For Orchestra (Study Scor...(+)
By Georges Bizet
(1838-1875). Edited by
Robert Didion. For
Orchestra (Study Score).
Study Score. Softcover.
64 pages. Hal Leonard
#ETP1544. Published by
Hal Leonard
Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Sou...(+)
Symphonies. Composed by
Jean-
Philippe Rameau
(1683-1764).
Edited by Thomas Soury.
This
edition: urtext edition.
Paperback. Score,
anthology.
Baerenreiter Verlag
#BA08895_00. Published by
Baerenreiter Verlag
ISBN
9790006523351. 33 x 24 cm
inches. Preface: Denis
Herlin. Text:
Charles-Antoine Leclerc
de La
Bruere.
“Dard
anus†is
Rameau’s third
“Tragdie
lyrique†composed
for Paris after
“Hippolyte et
Aricie†and
“Castor et
Polluxâ€. With its
multi-facetted music it
represents quite a high
point of this genre. Its
performance history is
remarkable in that within
only five years two
clearly different
versions were being
performed.
The new
critical edition by Denis
Herlin for the first time
offers the possibility to
reconstruct the version
of May 1744 in addition
to the version of 1739.
Also, the Appendices
include the complete
performance material of
the version of April
1744, many parts of which
could not be heard since.
Last but not least the
changes of the successful
re-staging of 1760 are
presented.
This
performing edition
contains all the purely
instrumental numbers of
the opera in their
various versions. Apart
from the preludes and
ritornellos, these are
above all the diverse
dance numbers.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: FG.55011-468-5 Composed by Armas Jarnefelt. Study score. F...(+)
Orchestra
SKU:
FG.55011-468-5
Composed by Armas
Jarnefelt. Study score.
Fennica Gehrman
#55011-468-5. Published
by Fennica Gehrman
(FG.55011-468-5).
ISBN
9790550114685.
To
mark the 150th
anniversary of Armas
Jarnefelt, Fennica
Gehrman publishes his
hitherto unpublished
works. Jarnefelt's
first composition for
stage was music for Z.
Topelius's play Miranda
in 1900-1901. It is a
kind of melodrama with
recitation and choral
singing, not so much
incidental music.
Jarnefelt composed a
rather broad array of
numbers for Miranda,
seven movements in total.
Miranda is characterized
by a downwards moving
chromatic chord
progression. Listeners
especially liked the
Nymf- och trolldans
movement, its slowly and
elegantly swinging waltz,
and the Oriental colours
of one of the dance
movements. Orchestral
parts available for
hire.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.51487253
Hornkonzert Nr. 1
Es-Dur Opus 11 Study
Score. Composed by
Richard Strauss. Edited
by Peter Damm. Henle
Study Scores. Classical.
Softcover. 83 pages. G.
Henle #HN7253. Published
by G. Henle
(HL.51487253).
UPC:
840126933048.
6.75x9.5x0.245
inches.
With his
first horn concerto, the
merely eighteen-year-old
Richard Strauss succeeded
in producing a
captivating masterstroke.
To this day, the concerto
is beloved throughout the
world (not only) by horn
players, and together
with Mozart's
masterworks, numbers
among the essential
pieces in the
instrument's repertoire.
Peter Damm, former
principal horn for the
Staatskapelle Dresden and
world-class soloist, has
not only performed the
concerto publicly over
170 times himself, but
has also presented
pivotal research findings
and publications on its
genesis. Prepared after
reviewing all surviving
sources, the Urtext
edition he has edited may
thus been regarded as the
edition of reference. The
orchestral score,
available in a practical
study edition, eliminates
innumerable errors from
the first edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Baritone; Orchestra (Study Score) SKU: HL.49045995 Chinese Songs Barit...(+)
Baritone; Orchestra
(Study Score)
SKU:
HL.49045995
Chinese Songs Baritone
and Orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score.
Chinese, Classical,
Symphony. Softcover.
Composed 2008/2017. 72
pages. Duration 1080
seconds. Schott Music
#ED22970. Published by
Schott Music
(HL.49045995).
ISBN
9790001203692. UPC:
842819100195.
8.25x11.75x0.184 inches.
German.
The history
of the symphony is full
of curiosities, ranging
from works that are
extremely long or scored
for extensive
instrumental forces to
those of dubious
authorship. There are
also famous symphonies
labelled as No. 0, works
with alternate or
multiple opus numbers,
and a wealth of
'unfinished' symphonies.
Krzysztof Pendereckis 6.
Sinfonie can also be
included in this
category, since his
Seventh and Eighth were
completed decades ago.
This work is comprised of
eight songs on Chinese
texts connected by solo
intermezzos played on the
Chinese stringed
instrument,erhu. As in
his two preceding works,
the focus here is on
vowels. This work,
however, is scored for
smaller orchestral forces
and possesses a more
intimate chamber music
character, at times with
greater melancholy than
before. Penderecki has
declared this symphony to
be his farewell from the
genre, although we know
from experience that
anything is possible with
symphonies.
Full orchestra SKU: LO.30-3653L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3653L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3653L. Published by
Lorenz Publishing Company
(LO.30-3653L).
UPC:
000308152227.
Score
and parts plus CD with
printable parts for The
Body of Christ (55/1197L)
Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3650L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3650L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Full score.
Lorenz Publishing Company
#30/3650L. Published by
Lorenz Publishing Company
(LO.30-3650L).
UPC:
000308152197.
Full
score for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3651L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3651L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Instrumental
parts. Lorenz Publishing
Company #30/3651L.
Published by Lorenz
Publishing Company
(LO.30-3651L).
UPC:
000308152203.
Set
of parts for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3652L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3652L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3652L. Published by
Lorenz Publishing Company
(LO.30-3652L).
UPC:
000308152210.
CD
with printable parts for
The Body of Christ
(55/1197L) Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
ISBN
9790006574926. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text:
Simon-Joseph
Pellegrin.
Rameauâ
€™s “Hippolyte
et Aricieâ€
showcases great
confusions amongst nymphs
and gods. The opera
represents a fascinating
masterpiece of a Baroque
“Tragdie en
musique†by the
French composer. This
edition of the
“Symphoniesâ€
includes all of the
purely instrumental
numbers of the opera in
their various versions.
The contents provides an
overview of the movements
according to keys so that
an effective suite can be
easily compiled for a
concert performance. The
expressive and diverse
music encompasses some of
Rameau’s most
popular instrumental
works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
ISBN 9790006523375.
32.9 x 23.9 cm inches.
Text Language:
French/German. Preface:
Soury, Thomas. Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jon...(+)
Facade Entertainments by
William Walton
(1902-1983). Arranged by
David Lloyd-Jones.
Narrator, flute (
piccolo), clarinet (
bass clarinet), alto
saxophone, trumpet in C,
percussion, cello (1-2
players); Percussion:
snare drum, cymbal,
triangle, Chinese block,
castanets, tambourine,
jingles). Scores. William
Walton Edition. Walton
Edition. Full score. 272
pages. Duration 50'.
Published by Oxford
University Press
Norfolk Rhapsody No. 2 Orchestre [Conducteur d'étude / Miniature] - Facile Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Stephen Hogger. For or...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Stephen Hogger.
For orchestra (2 flutes,
2 oboes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
bass tuba, timpani,
triangle, harp and
strings). This edition:
paperback. Level B-C
(easy - moderately
difficult). Study score.
32 pages. Duration 10
minutes. Published by
Oxford University Press
Full orchestra SKU: BA.BVK01601 Facsimile of the autograph score held ...(+)
Full orchestra
SKU:
BA.BVK01601
Facsimile of the
autograph score held in
the Bibliotheque
nationale de France.
Composed by Hector
Berlioz. Edited by Hugh
MacDonald. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/53 /
Barenreiter Facsimile.
Facsimile of the
autograph score held in
the Bibliothèque
nationale de France.
Facsimile. Opus 14.
292/12 pages.
Baerenreiter Verlag
#BVK01601_00. Published
by Baerenreiter Verlag
(BA.BVK01601).
ISBN
9783761816011. 48.8 x 32
cm inches. Text Language:
English, German,
French.
The two
string quartets by
Camille Saint-Saens
appear here in one volume
for the first time. The
String Quartet No. 1 in E
Minor op. 112 (1899)
numbers among the
composer's most
successful pieces and is
emblematic of the genre
in the French repertoire.
Here Saint-Saens displays
his fully developed
mastery and presents the
wealth of his inspiration
and musical prowess. Only
three years before his
death, he surprisingly
composed the String
Quartet No. 2 in G major
op. 153 (1918) which,
with its classicistic
stance, represents a
homage to the masters of
the late eighteenth
century Viennese
School.
In
addition to the first
critical edition of the
two string quartets, this
second volume of
theOeuvres instrumentales
completesde Camille
Saint-Saens includes the
first version of the
final movementInterlude
et Finalfrom the second
string quartet, the
fragmentary beginning of
an early work for string
quartet as well as the
previously unknown and
unpublished Adagio from
Symphony No. 2 in A Minor
op. 55 for string
quintet. An extensive
Introduction (Fr/Eng/Ger)
illuminates the genesis,
historical performance
and reception histories
of all these pieces; the
Critical Report (Fr)
provides information
about all the sources and
their variants.
ISBN 9790006575213. 33
x 24 cm inches. Text
Language: French. Louis
de Cahusac.
This
collection of the
instrumental numbers from
Zoroastre, a Tragdie in
five acts includes the
movements and dances of
all the original
versions, i.e. those of
January and February 1756
(found in the Opera Omnia
Rameau volume IV.26,
BA08867-01) as well as
those of 1749. Orchestras
can compile a suite to
meet precisely their own
needs. For this purpose,
the index includes a
separate overview sorted
by key. The performance
material of the
Symphonies is available
on hire reflecting the
high standard of Opera
Omnia.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Richard Wagner (1813-1883). Edited by Ulrich Konrad. This edition:...(+)
Composed by Richard
Wagner
(1813-1883). Edited by
Ulrich
Konrad. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/56 /
Barenreiter Facsimile.
Facsimile. Baerenreiter
Verlag #BVK02418.
Published
by Baerenreiter Verlag
Choir Sacred Children's
choir, SATB choir, and
Orchestra
SKU:
PE.EP72565B
For
Children's Choir, SATB
Choir, and Orchestra
(2014). Composed by
Jonathan Dove. Choral
Works (inc. Oratorios).
Edition Peters. Modern.
Book. 72 pages. Duration
00:15:00. Edition Peters
#98-EP72565B. Published
by Edition Peters
(PE.EP72565B).
ISBN
9790577008219.
English.
Commiss
ioned by The Bach Choir
in memory of Leopold de
Rothschild (1927-2012), a
singing member of the
Choir for 50 years and
Chairman for 23 years.
Following his resignation
as a singer Leo became
the Choir's President, a
position he held until
his death; over this
extraordinary period of
devotion to the Choir he
became a friend to vast
numbers of his fellow
singers, and gave
unstintingly of his time
and wisdom
First
performance 10 June 2014
in the Royal Festival
Hall, London, by The Bach
Choir, the Philharmonia
Orchestra, and The Young
Singers, a choir formed
by The Bach Choir in
partnership with the
Tri-borough Music Hub,
conducted by David
Hill.
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
