Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Prairie Lullaby Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F).
ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Velvet Morning Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33
Composed by Sean
O'Loughlin. SWS - FS.
Carl Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
8+16+16+4+10+10+10+3
pages. Carl Fischer Music
#YAS33. Published by Carl
Fischer Music (CF.YAS33).
ISBN 9780825858468.
UPC: 798408058463. 8.5 X
11 inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Velvet Morning Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33F
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS33F. Published by
Carl Fischer Music
(CF.YAS33F).
ISBN
9780825858475. UPC:
798408058470. 8.5 X 11
inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
String orchestra SKU: M2.MOS-40163 Sinfonien 4-6. Composed by Wolf...(+)
String orchestra
SKU:
M2.MOS-40163
Sinfonien 4-6.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40163. Published by
Möseler Verlag
(M2.MOS-40163).
ISBN
9790203741633.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40162 Sinfonien 1-3. Composed by Wolf...(+)
String orchestra
SKU:
M2.MOS-40162
Sinfonien 1-3.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40162. Published by
Möseler Verlag
(M2.MOS-40162).
ISBN
9790203741626.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40008-70 Composed by Wolfgang Amadeus Mozart...(+)
String orchestra
SKU:
M2.MOS-40008-70
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40008-70.
Published by Möseler
Verlag (M2.MOS-40008-70).
ISBN
9790203742081.
Zu
den Pflichten der
Hofkapellmeister und
Hofkomponisten gehorte
stets auch die Lieferung
von Tanzmusik fur die
Hoffeste. Bei Artaria in
Wien erschienen 1791
Mozarts Zwolf deutsche
Tanze, welche in den k.
k. Redoutensalen
aufgefuhrt worden sind;
eine Zusammenstellung von
Tanzen aus KV 600, 602
und 605. Die sieben
Salzburger Menuette hatte
Mozart bereits als
Dreizehnjahriger
geschrieben, die Sechs
Landlerischen stammen aus
dem Jahr 1791.
String orchestra SKU: M2.MOS-40008 Composed by Wolfgang Amadeus Mozart. C...(+)
String orchestra
SKU:
M2.MOS-40008
Composed
by Wolfgang Amadeus
Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40008. Published by
Möseler Verlag
(M2.MOS-40008).
ISBN
9790203740087.
Zu
den Pflichten der
Hofkapellmeister und
Hofkomponisten gehorte
stets auch die Lieferung
von Tanzmusik fur die
Hoffeste. Bei Artaria in
Wien erschienen 1791
Mozarts Zwolf deutsche
Tanze, welche in den k.
k. Redoutensalen
aufgefuhrt worden sind;
eine Zusammenstellung von
Tanzen aus KV 600, 602
und 605. Die sieben
Salzburger Menuette hatte
Mozart bereits als
Dreizehnjahriger
geschrieben, die Sechs
Landlerischen stammen aus
dem Jahr 1791.
String orchestra SKU: M2.MOS-40163-70 Sinfonien 4-6. Composed by W...(+)
String orchestra
SKU:
M2.MOS-40163-70
Sinfonien 4-6.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40163-70.
Published by Möseler
Verlag (M2.MOS-40163-70).
ISBN
9790203743637.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40162-70 Sinfonien 1-3. Composed by W...(+)
String orchestra
SKU:
M2.MOS-40162-70
Sinfonien 1-3.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40162-70.
Published by Möseler
Verlag (M2.MOS-40162-70).
ISBN
9790203743620.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.