(Ma'oz Tzur).
Composed by Traditional.
Arranged by Michael
Hopkins. Solo or
Ensemble. Apex String
Orchestra. Kendor Music
Inc #KEN10125S. Published
by Kendor Music Inc
(KN.KEN10125S).
UPC:
822795101256.
Based
on the popular Hanukkah
song, Ma'oz Tzur, this
theme-and-variations
arrangement features
every section of the
orchestra. It offers
great opportunities for
strengthening high 3rd
finger technique on
violin and viola,
extensions on cello, and
third-position playing on
violin. Dramatic
contrasts in dynamics
create an air of
excitement throughout,
and lots of tutti scoring
builds student
confidence. Duration
4:15.
Rockin' Ol' St. Nick Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by Michael Story and Michael Story. Orchestra. Part(s); Score; String O...(+)
Arranged by Michael Story
and Michael Story.
Orchestra. Part(s);
Score; String Orchestra.
Orchestra Expressions
Book 1. Christmas;
Novelty; Rock; Secular;
Winter. Grade 1. 80
pages. Published by
Alfred Music Publishing
Danny Rocks Orchestre à Cordes - Intermédiaire Alfred Publishing
Arranged by Bob Phillips. Traditional. For String Orchestra. String Orchestra. S...(+)
Arranged by Bob Phillips.
Traditional. For String
Orchestra. String
Orchestra. String
Alternatives. Folk Song.
Level: 3 (grade 3).
Conductor Score and
Parts. 144 pages.
Published by Alfred
Publishing.
Danny Rocks Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
Arranged by Bob Phillips. Traditional. For String Orchestra. String Orchestra. S...(+)
Arranged by Bob Phillips.
Traditional. For String
Orchestra. String
Orchestra. String
Alternatives. Folk Song.
Level: 3 (grade 3).
Conductor Score. 16
pages. Published by
Alfred Publishing.
As recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Score;
String Orchestra. Pop
Intermediate String
Orchestra. Pop/Rock. 12
pages. Published by
Alfred Music (AP.45833S).
Cake by the Ocean Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As Recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As Recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Part(s);
Score; String Orchestra.
Pop Intermediate String
Orchestra. Pop; Pop/Rock.
152 pages. Published by
Alfred Music (AP.45833).
Uptown Funk, Theme from Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As Performed by Bruno Mars. Composed by Bruno Mars, Jeff Bhasker, Philip ...(+)
As Performed by Bruno
Mars. Composed by
Bruno Mars, Jeff Bhasker,
Philip Lawrence, Devon
Gallaspy, Mark Ronson,
Nicholaus Williams,
Lonnie Simmons, Ronnie
Wilson, Charles Wilson,
Rudolph Taylor, and
Robert Wilson. Arranged
by Michael Story.
Part(s); Score; String
Orchestra. Pop
Intermediate String
Orchestra. Funk;
Pop/Rock. 78 pages.
Published by Alfred Music
(AP.44859).
Rocksteady Reggae Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Matt Turner. Orchestra. Part(s); Score; String Orchestra. Highland String Alt...(+)
By Matt Turner.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Alternatives. Light
Concert; Rock. Grade 2.5.
130 pages. Published by
Alfred Music Publishing
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Go Big or Go Home Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Recorded by American Authors. Composed by Zachary Barnett, James Shelley, Mat...(+)
Recorded by American
Authors. Composed by
Zachary
Barnett, James Shelley,
Matthew Sanchez, David
Rublin, Aaron Accetta,
Jonnie Davis, and Michael
Goodman [American
Authors].
Arranged by Victor Lopez.
Part(s); Score; String
Orchestra. Pop
Intermediate
String Orchestra.
Pop/Rock.
152 pages. Published by
Alfred Music
Dreams of Fireflies Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Score; SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Rock. Grade 3.5.
24 pages. Published by
Alfred Music
Dreams of Fireflies Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Rock. Grade 3.5.
144 pages. Published by
Alfred Music
As Performed by Trans-Siberian Orchestra. By Paul O'Neill [Trans-Siberian...(+)
As Performed by
Trans-Siberian
Orchestra. By Paul
O'Neill [Trans-Siberian
Orchestra]. By Paul
O'neill. Arranged by Bob
Phillips. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Christmas;
Pop/Rock; Rock; Winter.
Part(s); Score. 192
pages. Duration 2:30.
Alfred Music #00-44821.
Published by Alfred Music
(AP.44821).
That's What I Like Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, J...(+)
As recorded by Bruno
Mars.
Composed by Christopher
Brown, Jeremy Reeves,
Jonathan Yip, Bruno Mars,
Philip Lawrence, James
Fauntleroy, Ray Romulus,
and
Ray McCollough II.
Arranged
by Michael Story. Full
Orchestra; Part(s);
Score.
Pop Intermediate
String/Full
Orchestra. Light Concert;
Pop; Pop/Rock; Radio;
Rock.
142 pages. Published by
Alfred Music
Leap of Faith Orchestre à Cordes - Intermédiaire Alfred Publishing
(Viola Feature). By Randy Sabien. Orchestra. For string. Part(s); Score; String ...(+)
(Viola Feature). By Randy
Sabien. Orchestra. For
string. Part(s); Score;
String Orchestra.
Highland String
Alternatives. Jazz. Grade
3. 124 pages. Published
by Alfred Music
Publishing
(As performed by Trans-Siberian Orchestra). Arranged by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Arranged by
Paul O'Neill
[Trans-Siberian
Orchestra], setting by
Bob Phillips. Orchestra.
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra. Form:
March. Christmas; Rock;
Sacred; Winter. Grade 3.
148 pages. Published by
Alfred Music
The Rings of Saturn Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Michael Story and Michael Story. Orchestra. String Orchestra. Orchestra Expre...(+)
By Michael Story and
Michael Story. Orchestra.
String Orchestra.
Orchestra Expressions
Book 1. Grade 1.5.
Conductor Score and
Parts. 66 pages.
Published by Alfred Music
Publishing
Uptown Funk Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As Performed by Bruno Mars. Composed by Bruno Mars, Jeff Bhasker, Philip ...(+)
As Performed by Bruno
Mars. Composed by
Bruno Mars, Jeff Bhasker,
Philip Lawrence, Devon
Gallaspy, Mark Ronson,
Nicholaus Williams,
Lonnie Simmons, Ronnie
Wilson, Charles Wilson,
Rudolph Taylor, and
Robert Wilson. Arranged
by Dean Marshall and Bob
Phillips. Part(s); Score;
String Orchestra. Pop
Concert String Orchestra.
Funk; Pop/Rock. 128
pages. Published by
Alfred Music (AP.44860).
Uptown Funk Orchestre à Cordes [Conducteur] Alfred Publishing
As Performed by Bruno Mars. Composed by Bruno Mars, Jeff Bhasker, Philip ...(+)
As Performed by Bruno
Mars. Composed by
Bruno Mars, Jeff Bhasker,
Philip Lawrence, Devon
Gallaspy, Mark Ronson,
Nicholaus Williams,
Lonnie Simmons, Ronnie
Wilson, Charles Wilson,
Rudolph Taylor, and
Robert Wilson. Arranged
by Dean Marshall and Bob
Phillips. Score; String
Orchestra. Pop Concert
String Orchestra. Funk;
Pop/Rock. 20 pages.
Published by Alfred Music
(AP.44860S).
By Alan Silvestri, Glen Ballard. Arranged by Bob Cerulli. Words and music by Gle...(+)
By Alan Silvestri, Glen
Ballard. Arranged by Bob
Cerulli. Words and music
by Glen Ballard and Alan
Silvestri / arr. Bob
Cerulli. For String
Orchestra. String
Orchestra. Pop Beginning
String Orchestra. Movie.
Level: 1.5 (grade 1.5).
Conductor Score & Parts.
132 pages. Duration 2:04.
Published by Alfred
Publishing.
Featuring: Jesus of Suburbia / Holiday / Boulevard of Broken Dreams / Wake Me...(+)
Featuring: Jesus of
Suburbia / Holiday /
Boulevard of Broken
Dreams / Wake Me Up When
September Ends / American
Idiot. Composed by
Billie Joe Armstrong,
music by Green Day.
Arranged by Tom Kitt,
arr. for concert string
orchestra by Eric
Gorfain. Part(s); Score;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley. Broadway;
Rock. 124 pages.
Published by Alfred Music
(AP.35939).
By Jason Hayes. Arranged by Victor LÌ_pez. Orchestra. Score; String Orchestra. ...(+)
By Jason Hayes. Arranged
by Victor LÌ_pez.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra.
Novelty; Pop; Rock; Video
Game. Grade 1.5. 8 pages.
Published by Alfred Music
Publishing
By Jason Hayes. Arranged by Victor LÌ_pez. Orchestra. For string w/ vln3, pno a...(+)
By Jason Hayes. Arranged
by Victor LÌ_pez.
Orchestra. For string w/
vln3, pno acc, drumset.
Part(s); Score; String
Orchestra. Pop Beginning
String Orchestra.
Novelty; Pop; Rock; Video
Game. Grade 1.5. 78
pages. Published by
Alfred Music Publishing