Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
It's Raining Again Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115119-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115119-010
As performed by
Supertramp. Composed
by Rick Davies and Roger
Hodgson. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1115119-010. Published by
De Haske Publications
(BT.DHP-1115119-010).
9x12 inches.
English-German-French-Dut
ch.
It’s
Raining Again was pop
band Supertramp’s
second largest hit,
following closely behind
The Logical Song. Thanks
to Peter Kleine
Schaars’
arrangement, you can now
perform one of
Supertramp’s most
popular hits at your next
concert. Your audience
will be ecstatic!
Naast The Logical
Song is It’s
Raining Again een van de
grootste hits van de
popgroep Supertramp. Met
dit arrangement van Peter
Kleine Schaars kunt u nu
ook deze tweede grote hit
van Supertramp toevoegen
aan uw repertoire. Uw
publiekis u vast en zeker
dankbaar…!
<
I>It’s Raining
Again ist neben
The Logical Song
einer der größten
Hits der Gruppe
Supertramp - und einer
der größten,
dauerhaftesten Hits der
Popgeschichte
überhaupt. Mit Peter
Kleine Schaars’
Arrangements dieses Songs
für Blasorchester
können Sie nun auch
den zweiten großen
Supertramp-Hit in Ihr
Repertoire aufnehmen. Das
Publikum wird es Ihnen
danken!
It’s
Raining Again è
assieme a The Logical
Song uno dei grandi
successi dei Supertramp,
leggendaria band
americana. Un evergreen,
ora disponibile in un
eccellente arrangiamento
per banda firmato Peter
Kleine Schaars.
See You Again Orchestre d'harmonie [Conducteur] - Facile Boosey and Hawkes
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005417 By Charlie Puth...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4005417
By Charlie
Puth and Wiz Khalifa.
Arranged by Johnnie
Vinson. Discovery Plus
Concert Band. Movies.
Softcover. Published by
Boosey & Hawkes
(HL.4005417).
UPC:
888680724122.
9.0x12.0x0.02
inches.
Featured in
the hit movie Furious 7
and recorded by Wiz
Khalifa featuring Charlie
Puth, this rock ballad
has a memorable melody
and nice rhythmic feel.
Here is a very effective
setting for young band by
Johnnie Vinson.
(Grade 3 - Score Only). By Philip Sparke (1951-). For Concert Band. Anglo Music ...(+)
(Grade 3 - Score Only).
By Philip Sparke (1951-).
For Concert Band. Anglo
Music Concert Band. Grade
3. 16 pages. Anglo Music
Press #AMP337040.
Published by Anglo Music
Press
(Anglo Music Press CD). By Philip Sparke (1951-). For Concert Band. Anglo Music ...(+)
(Anglo Music Press CD).
By Philip Sparke (1951-).
For Concert Band. Anglo
Music Concert Band CD.
Anglo Music Press
#AR0273. Published by
Anglo Music Press
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Against the Clock Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1.5 SKU: XC.HCB1909FS Composed by Jay C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
XC.HCB1909FS
Composed
by Jay Coles. Harmony
Band Series. Concert and
Contest. Classical,
Acoustic. Score. Excelcia
Music Publishing
#HCB1909FS. Published by
Excelcia Music Publishing
(XC.HCB1909FS).
UPC:
812598031348. 9 x 12
inches.
Against the
Clock is an exciting
musical journey of a hero
who has to save the day
in a limited amount of
time, reminiscent of film
scores in almost every
superhero movie. Composer
Jay Coles brings a unique
perspective to this
highly accessible young
band piece. Students will
be griped by the
excitement and race to
save the day in Against
the Clock!
Against the Clock Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1.5 SKU: XC.HCB1909 Composed by Jay Col...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
XC.HCB1909
Composed
by Jay Coles. Harmony
Band Series. Concert and
Contest. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#HCB1909. Published by
Excelcia Music Publishing
(XC.HCB1909).
UPC:
812598031966. 9 x 12
inches.
Against the
Clock is an exciting
musical journey of a hero
who has to save the day
in a limited amount of
time, reminiscent of film
scores in almost every
superhero movie. Composer
Jay Coles brings a unique
perspective to this
highly accessible young
band piece. Students will
be griped by the
excitement and race to
save the day in Against
the Clock!
Race Against Time Orchestre d'harmonie [Conducteur] RWS Music Company
Pre 1 SKU: CL.RWS-2039-01 Composed by Robert W. Smith. Young Concert Band...(+)
Pre 1
SKU:
CL.RWS-2039-01
Composed by Robert W.
Smith. Young Concert
Band. Extra full Score.
Composed 2020. RWS Music
Company #RWS-2039-01.
Published by RWS Music
Company (CL.RWS-2039-01).
A thrilling
musical adventure for
your young band
musicians, Race Against
Time is a fast and
furious journey with an
educational focus on the
time signature. Driving
in 4/4 time, your
students will like the
intensity and strength of
the musical race.
However, they will love
their journey through the
time tunnel with simple
yet effective meter
changes. Master educator
Robert W. Smith has
provided a perfect
vehicle to teach and
reinforce the time
signature in a musically
relevant setting.
Against the Storm Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band - Grade 1 SKU: XC.DCB2305 Composed by Tyler Arcari. Concert ...(+)
Concert Band - Grade 1
SKU: XC.DCB2305
Composed by Tyler Arcari.
Concert Concert Band. Da
Capo Grade 1. Set of
parts. Excelcia Music
Publishing #DCB2305.
Published by Excelcia
Music Publishing
(XC.DCB2305).
Imagine being
on a boat at sea, only to
catch a glimpse of a
slowly approaching storm
in the distance.
Audiences will hear the
rain, ship bells, and the
sounds of the crew battle
against the storm in this
exciting, intense, and
sophisticated work for
beginning musicians. This
one is a hit!
Composed by Robert W. Smith. Young Concert Band. RWS Very Beginning Band Ser...(+)
Composed by Robert W.
Smith.
Young Concert Band. RWS
Very
Beginning Band Series.
Composed 2020. Duration 1
minute, 58 seconds.
Published
by C.L. Barnhouse
Race Against Time Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4909-01 From Atlantis: The Lost Continent. Com...(+)
Grade 3
SKU:
CL.026-4909-01
From Atlantis: The
Lost Continent.
Composed by Romeyn.
Concert Band. Extra full
score. C.L. Barnhouse
#026-4909-01. Published
by C.L. Barnhouse
(CL.026-4909-01).
Race Against
Time from Rob
Romeyn’s popular
Atlantis: The Lost
Continent is an exciting
addition for flexible
instrumentation to any
concert program.
Beautiful melodies, stark
musical contrasts and
bold drama all describe
this stunning
programmatic piece
depicting the island
nation that existed over
11,000 years ago in the
midst of the Atlantic
Ocean. The music begins
as the fateful day
ensues, reaching a
stunning climax as
Atlantis, its people and
its humanity were
swallowed by the sea.
Solid scoring and
consistent tempos make
this an excellent choice
for distance learning.
Exciting!
Man Against Machine Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant RWS Music Company
Grade 1 SKU: AP.98-RWS221100 (The Legend Of John Henry). Composed ...(+)
Grade 1
SKU:
AP.98-RWS221100
(The Legend Of John
Henry). Composed by
Earp. Young Concert Band.
Score and set of parts.
Composed 2022. RWS Music
Company #RWS-2211-00.
Published by RWS Music
Company
(AP.98-RWS221100).
Man Against
Machine, inspired by the
folk tale of John Henry,
offers an opportunity for
your students to practice
musical storytelling.
This legendary story is
an opportunity for SEL
(social emotional
learning) in your
classroom as you discuss
grit and work ethic with
your students. The
educational possibilities
are endless with this
well written and crafted
composition for the young
band!
(Grade 3 - Score Only). By James L Hosay. For Concert Band. Curnow Music Concert...(+)
(Grade 3 - Score Only).
By James L Hosay. For
Concert Band. Curnow
Music Concert Band. Grade
3. 40 pages. Curnow Music
#063102. Published by
Curnow Music
Against the Storm Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band - Grade 1 SKU: XC.DCB2305FS Composed by Tyler Arcari. Concer...(+)
Concert Band - Grade 1
SKU: XC.DCB2305FS
Composed by Tyler Arcari.
Concert Concert Band. Da
Capo Grade 1. Score.
Excelcia Music Publishing
#DCB2305FS. Published by
Excelcia Music Publishing
(XC.DCB2305FS).
Imagine being
on a boat at sea, only to
catch a glimpse of a
slowly approaching storm
in the distance.
Audiences will hear the
rain, ship bells, and the
sounds of the crew battle
against the storm in this
exciting, intense, and
sophisticated work for
beginning musicians. This
one is a hit!
Race Against Time Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4909-00 From Atlantis: The Lost Continent. Com...(+)
Grade 3
SKU:
CL.026-4909-00
From Atlantis: The
Lost Continent.
Composed by Romeyn.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-4909-00.
Published by C.L.
Barnhouse
(CL.026-4909-00).
Race Against
Time from Rob
Romeyn’s popular
Atlantis: The Lost
Continent is an exciting
addition for flexible
instrumentation to any
concert program.
Beautiful melodies, stark
musical contrasts and
bold drama all describe
this stunning
programmatic piece
depicting the island
nation that existed over
11,000 years ago in the
midst of the Atlantic
Ocean. The music begins
as the fateful day
ensues, reaching a
stunning climax as
Atlantis, its people and
its humanity were
swallowed by the sea.
Solid scoring and
consistent tempos make
this an excellent choice
for distance learning.
Exciting!
Man Against Machine Orchestre d'harmonie [Conducteur] - Débutant RWS Music Company
Grade 1 SKU: CL.RWS-2211-01 (The Legend Of John Henry). Composed b...(+)
Grade 1
SKU:
CL.RWS-2211-01
(The Legend Of John
Henry). Composed by
Earp. Young Concert Band.
Extra full score.
Composed 2022. RWS Music
Company #RWS-2211-01.
Published by RWS Music
Company (CL.RWS-2211-01).
Man Against
Machine, inspired by the
folk tale of John Henry,
offers an opportunity for
your students to practice
musical storytelling.
This legendary story is
an opportunity for SEL
(social emotional
learning) in your
classroom as you discuss
grit and work ethic with
your students. The
educational possibilities
are endless with this
well written and crafted
composition for the young
band!
Tirol Terra Fortis Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094734-010.
Published by De Haske
Publications
(BT.DHP-1094734-010).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Tirol Terra Fortis Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 40
pages. De Haske
Publications #DHP
1094734-140. Published by
De Haske Publications
(BT.DHP-1094734-140).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Composed by Wilco
Moerman. Set (Score &
Parts). 48 pages. Gobelin
Music Publications #GOB
001140-010. Published by
Gobelin Music
Publications
(BT.GOB-001140-010).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en
beeld.
Deel 1:
'The Entrance & Parade'
[met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001140-140. Published by
Gobelin Music
Publications
(BT.GOB-001140-140).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.
Composed by Wilco
Moerman. Concert Piece.
Set (Score & Parts).
Composed 2012. 164 pages.
Gobelin Music
Publications #GOB
001196-010. Published by
Gobelin Music
Publications
(BT.GOB-001196-010).
9x12 inches.
English-Dutch.
T
he Quest for Victory
sets to music the
adventures of a superhero
who is locked in an
eternal struggle against
the forces of evil. The
piece begins with the
statement of the
superhero’s theme. We
then hear such emotions
as jealousy, resentment
and hatred, and witness a
fierce battle but again
and again—and with
a happy ending—the
majestic hero’s theme
sounds. As colourful and
exciting as a comic book
movie!
The
Quest for Victory van
Wilco Moerman is zo
kleurrijk en spannend als
een stripboek! Het
verklankt de belevenissen
van een superheld in zijn
eeuwige strijd tegen het
kwaad. …maar met een
happy end!
The
Quest for Victory
vertont die Erlebnisse
eines Superhelden, der im
ewigen Kampf gegen das
Böse von einem Sieg zum
nächsten strebt. Das
Werk beginnt mit der
Vorstellung seines
Themas. Es wurden
Gefühle wie Neid, Groll
und Hass seitens des
Bösewichts vertont, ein
heftiger Kampf ist zu
hören, aber immer wieder
- und natürlich zum
guten Schluss - erklingt
das majestätische
Heldenthema unseres
Superhelden. So bunt und
spannend wie ein
Comicfilm!
The
Quest for Victory (La
quête de la victoire)
met en musique les
aventures d‘un
super-héros qui se bat
avec frénésie contre le
mal. L’oeuvre commence
par l’exposition du
thème, où
s’enchevètre
différents motifs liés
au sentiments tels que
l’envie, le
ressentiment, la haine du
méchant… une bataille
féroce se fait entendre.
Mais le bien triomphe du
mal, notre super-héros
sort vainqueur alors que
retentissent les sons
majestueux de la
victoire. Une oeuvre
colorée et passionnante
comme toute bande
dessinée !
The
Quest for Victory
traduce in musica le
gesta di un supereroe
nella sua lotta perenne
contro il male. Il brano
inizia con la
presentazione del tema:
sentimenti come l’odio
e l’invidia vengono
esposti attraverso una
feroce battaglia. Il
maestoso tema che
descrive il supereroe è
proposto a più riprese e
fino al finale.
Composed by Wilco
Moerman. Concert Piece.
Score Only. Composed
2012. 42 pages. Gobelin
Music Publications #GOB
001196-140. Published by
Gobelin Music
Publications
(BT.GOB-001196-140).
9x12 inches.
English-Dutch.
T
he Quest for Victory
sets to music the
adventures of a superhero
who is locked in an
eternal struggle against
the forces of evil. The
piece begins with the
statement of the
superhero’s theme. We
then hear such emotions
as jealousy, resentment
and hatred, and witness a
fierce battle but again
and again—and with
a happy ending—the
majestic hero’s theme
sounds. As colourful and
exciting as a comic book
movie!
The
Quest for Victory van
Wilco Moerman is zo
kleurrijk en spannend als
een stripboek! Het
verklankt de belevenissen
van een superheld in zijn
eeuwige strijd tegen het
kwaad. …maar met een
happy end!
The
Quest for Victory
vertont die Erlebnisse
eines Superhelden, der im
ewigen Kampf gegen das
Böse von einem Sieg zum
nächsten strebt. Das
Werk beginnt mit der
Vorstellung seines
Themas. Es wurden
Gefühle wie Neid, Groll
und Hass seitens des
Bösewichts vertont, ein
heftiger Kampf ist zu
hören, aber immer wieder
- und natürlich zum
guten Schluss - erklingt
das majestätische
Heldenthema unseres
Superhelden. So bunt und
spannend wie ein
Comicfilm!
The
Quest for Victory (La
quête de la victoire)
met en musique les
aventures d‘un
super-héros qui se bat
avec frénésie contre le
mal. L’oeuvre commence
par l’exposition du
thème, où
s’enchevètre
différents motifs liés
au sentiments tels que
l’envie, le
ressentiment, la haine du
méchant… une bataille
féroce se fait entendre.
Mais le bien triomphe du
mal, notre super-héros
sort vainqueur alors que
retentissent les sons
majestueux de la
victoire. Une oeuvre
colorée et passionnante
comme toute bande
dessinée !
The
Quest for Victory
traduce in musica le
gesta di un supereroe
nella sua lotta perenne
contro il male. Il brano
inizia con la
presentazione del tema:
sentimenti come l’odio
e l’invidia vengono
esposti attraverso una
feroce battaglia. Il
maestoso tema che
descrive il supereroe è
proposto a più riprese e
fino al finale.
Scottish Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-010 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-010
Composed by Peter Martin.
Arranged by Menno
Haantjes. Set (Score &
Parts). 164 pages.
Gobelin Music
Publications #GOB
000956-010. Published by
Gobelin Music
Publications
(BT.GOB-000956-010).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
II.
'The Bonnie Bank's O'Loch
Lomond', gaat over een
triest verhaal dat zich
afspeelde tijdens een
opstand tegende Engelsen.
In 1745 moest Bonnie
Prince Charlie zich
terugtrekken. Twee van
zijn mannen werden
gevangen genomen. Eén
van hen werd veroordeeld
en geexecuteerd, terwijl
de ander vrijgelaten
werd. De geest van de
geexecuteerde soldaatzou
via de 'low road'
(onderwereld) eerder in
Schotland aankomen dan
zijn kameraad, die nog
een lange ruige weg te
gaan had.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Scottish Dances Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.