| Philip Sparke: The Sun
Will Rise Again: Concert
Band: Score Orchestre d'harmonie Anglo Music
for the victims of the Japanese earthquake and tsunami March 2011-ʌ...(+)
for the victims of the Japanese earthquake and tsunami March 2011-Le 11 mars 2011 un violent séisme de magnitude 9.0 s?est produit près de la côte nord-est du Japon.
J?écris cette note de programme tout juste une semaine après la terrible catastrophe et le nombre de morts causé par le tremblement de terre et le tsunami provoqué par ce dernier s?élève déjà à plus de 6000 personnes tout en sachant que des milliers d?autres sont toujours portées disparues.
J?ai beaucoup d?amis dans le milieu des Orchestres à Vent au Japon et l?un d?entre eux Yutaka Nishida m?a suggéré d?écrire une œuvre destinée à collecter des fonds pour venir en aide aux personnes affectées par ce cataclysme. Ayant étéimmédiatement séduit par sa proposition j?ai écrit un arrangement pour Orchestre d?Harmonie de la pièce Cantilena (une œuvre pour Brass Band récemment commandée par le Grenland International Brass Festival en Norvège) et lui ai donné un nouveau titre en hommage à mes amis du Pays du Soleil Levant : The Sun Will Rise Again (Le soleil se lèvera à nouveau).
Je reverserai l?intégralité des droits d?auteur de ce morceau au fonds de secours de la Croix-Rouge japonaise. En outre je suis ravi d?annoncer que mon distributeur De Haske qui a généreusement décidé de donner tous les bénéfices nets sur les ventes de cette œuvre s?est engagé à effectuer immédiatement un versement substantiel à la Croix-Rouge afin que le Japon puisse profiter sans délai de l?aide modeste générée par ce projet.
J?espère très sincèrement que celui-ci permettra aux Orchestres à Vent du monde entier de soutenir le peuple japonais pour qui la musique joue un rôle important
en ces temps difficiles.
Philip Sparke
15.99 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Philip Sparke: The Sun
Will Rise Again: Concert
Band: Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Anglo Music
for the victims of the Japanese earthquake and tsunami March 2011-ʌ...(+)
for the victims of the Japanese earthquake and tsunami March 2011-Le 11 mars 2011 un violent séisme de magnitude 9.0 s?est produit près de la côte nord-est du Japon.
J?écris cette note de programme tout juste une semaine après la terrible catastrophe et le nombre de morts causé par le tremblement de terre et le tsunami provoqué par ce dernier s?élève déjà à plus de 6000 personnes tout en sachant que des milliers d?autres sont toujours portées disparues.
J?ai beaucoup d?amis dans le milieu des Orchestres à Vent au Japon et l?un d?entre eux Yutaka Nishida m?a suggéré d?écrire une œuvre destinée à collecter des fonds pour venir en aide aux personnes affectées par ce cataclysme. Ayant étéimmédiatement séduit par sa proposition j?ai écrit un arrangement pour Orchestre d?Harmonie de la pièce Cantilena (une œuvre pour Brass Band récemment commandée par le Grenland International Brass Festival en Norvège) et lui ai donné un nouveau titre en hommage à mes amis du Pays du Soleil Levant : The Sun Will Rise Again (Le soleil se lèvera à nouveau).
Je reverserai l?intégralité des droits d?auteur de ce morceau au fonds de secours de la Croix-Rouge japonaise. En outre je suis ravi d?annoncer que mon distributeur De Haske qui a généreusement décidé de donner tous les bénéfices nets sur les ventes de cette œuvre s?est engagé à effectuer immédiatement un versement substantiel à la Croix-Rouge afin que le Japon puisse profiter sans délai de l?aide modeste générée par ce projet.
J?espère très sincèrement que celui-ci permettra aux Orchestres à Vent du monde entier de soutenir le peuple japonais pour qui la musique joue un rôle important
en ces temps difficiles.
Philip Sparke
81.99 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Rick Davies Roger
Hodgson: It's Raining
Again: Concert Band:
Score Orchestre d'harmonie De Haske Publications
as performed by Supertramp-It?s Raining Again est après The Logical Song l?un ...(+)
as performed by Supertramp-It?s Raining Again est après The Logical Song l?un des plus gros tubes du groupe de rock progressif britannique Supertramp fondé en 1969. L?arrangement de Peter Kleine Schaars du deuxième plus grand standard de ce groupe subjuguera tous les amateurs de poprock de votre auditoire.
14.99 GBP - vendu par Musicroom GB |
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| Christoph Walter: Thank
You And See You Again:
Concert Band: Score and
Parts Orchestre d'harmonie [Conducteur et Parties séparées] Obrasso
Thank You And See You Again
83.80 GBP - vendu par Musicroom GB |
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| Samuel R. Hazo: We Meet
Again: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
(Concert Opener)-We Meet Again is a regal overture for developing bands that evo...(+)
(Concert Opener)-We Meet Again is a regal overture for developing bands that evolves from a powerful fanfare into a fugue-like allegro section building to a glorious ending. This concise concert opener will excite young musicians the firsttime through the piece and keep them intrigued with each repetition. Commissioned by the Waller (TX) Jr. High Band and premiered at the 2009 National Concert Band Festival. Dur: 1:50 (Grade 2.5)
54.99 GBP - vendu par Musicroom GB |
|
| Rick Davies Roger
Hodgson: It's Raining
Again: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
as performed by Supertramp-It?s Raining Again est après The Logical Song l?un ...(+)
as performed by Supertramp-It?s Raining Again est après The Logical Song l?un des plus gros tubes du groupe de rock progressif britannique Supertramp fondé en 1969. L?arrangement de Peter Kleine Schaars du deuxième plus grand standard de ce groupe subjuguera tous les amateurs de poprock de votre auditoire.
73.99 GBP - vendu par Musicroom GB |
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| Dave Appell Kal Mann:
Let's Twist Again:
Concert Band: Score and
Parts Orchestre d'harmonie [Conducteur et Parties séparées] Bernaerts Music 71.80 GBP - vendu par Musicroom GB |
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| Swords Against The Sea
(HOSAY JAMES L) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the s...(+)
Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the ship Queen Anne’s Revenge, were the terrors of the Atlantic and the Caribbean in the early 18th century. Composer James L. Hosay captures those turbulent times in music with his vivid and exciting new tone poem, SWORDS AGAINST THE SEA. This presents an excellent opportunity for cross-curriculum teaching with history. SWORDS AGAINST THE SEA carves out new territory all its own. A rollicking sea chantey and the emotions of impending battle are described in the first two movements. Your audience will thrill to the sound and fury of battle in the final movement, as the most feared Pirate of his day finally meets his match. Go ahead! Raise your spyglass! Look ahead, look astern, look a’weather and a’lee! / Niveau : 3 / Répertoire / Concert Band ou Harmonie
123.23 EUR - vendu par LMI-partitions Délais: Sur commande |
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| James L. Hosay: Swords
against the Sea: Concert
Band: Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music 96.99 GBP - vendu par Musicroom GB |
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| James L. Hosay: Swords
against the Sea: Concert
Band: Score & Parts Orchestre d'harmonie Curnow Music 96.99 GBP - vendu par Musicroom GB |
|
| Wojciech Kilar: Race
Against The Sunset From
The Film 'Dracula':
Concert Band: Orchestre d'harmonie PWM (Polskie Wydawnictwo Muzyczne)
Race Against The Sunset From The Film 'Dracula'
27.60 GBP - vendu par Musicroom GB |
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| James L. Hosay: Swords
against the Sea: Concert
Band: Score Orchestre d'harmonie Curnow Music 16.99 GBP - vendu par Musicroom GB |
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| Wilco Moerman: Theme Park
Fun!: Concert Band: Score Orchestre d'harmonie Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...(+)
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
17.99 GBP - vendu par Musicroom GB |
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| Wilco Moerman: Theme Park
Fun!: Concert Band: Score
& Parts Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...(+)
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
124.99 GBP - vendu par Musicroom GB |
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| Jan Van der Roost:
Spartacus: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own mel...(+)
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own melodical materials however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J) as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R) but has been worked out rhytmically.
168.99 GBP - vendu par Musicroom GB |
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| Carl Wittrock: The Road
to the West: Concert
Band: Score Orchestre d'harmonie Gobelin Music Publications
As he did before in the often played and commonly appreciated ‘Lord Tullam...(+)
As he did before in the often played and commonly appreciated ‘Lord Tullamore’ in which he poetically depicted the landscape and the cultural elements of a small Irish village in his composition ‘The Road to the West’ Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In ‘The Road to the West’ the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890 the days of the so-called Wild West.In those days the Wild West used to be the territory west of civilization the domain of cowboys trappers and other fortune hunters. In short ample ingredients for a captivating story.In the firstscene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through ‘the Plains’ where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. ‘The Saloon’ is the perfect meeting place – here news is exchanged and hilarious scenes regularly take place.
24.99 GBP - vendu par Musicroom GB |
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| Peter Martin: Scottish
Dances: Concert Band:
Score Orchestre d'harmonie Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...(+)
Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
18.99 GBP - vendu par Musicroom GB |
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| Peter Martin: Scottish
Dances: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...(+)
Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
132.99 GBP - vendu par Musicroom GB |
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| Carl Wittrock: The Road
to the West: Concert
Band: Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
As he did before in the often played and commonly appreciated ‘Lord Tullam...(+)
As he did before in the often played and commonly appreciated ‘Lord Tullamore’ in which he poetically depicted the landscape and the cultural elements of a small Irish village in his composition ‘The Road to the West’ Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In ‘The Road to the West’ the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890 the days of the so-called Wild West.In those days the Wild West used to be the territory west of civilization the domain of cowboys trappers and other fortune hunters. In short ample ingredients for a captivating story.In the firstscene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through ‘the Plains’ where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. ‘The Saloon’ is the perfect meeting place – here news is exchanged and hilarious scenes regularly take place.
136.50 GBP - vendu par Musicroom GB |
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| André Waignein: Dunamis:
Concert Band: Score &
Parts Orchestre d'harmonie Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...(+)
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
194.99 GBP - vendu par Musicroom GB |
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| Philip Sparke: Looking Up
Moving On: Concert Band:
Score Orchestre d'harmonie Anglo Music
Looking Up Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piè...(+)
Looking Up Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette pièce faisait partie du programme de la tournée effectuée par l?orchestre en mai 2012 qui s?est produit dans de nombreuses régions dévastées par le tremblement de terre et le tsunami de 2011.La composition a pour thème l?immense capacité humaine à surmonter de telles catastrophes et envisager l?avenir de façon positive. Elle débute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopés. Les cors et les euphonium introduisent bientôt une fanfare en forme de choral à laquelle répondent des bois pétillants. L?ambiance s?apaise jusqu?à ce qu?unsaxophone alto introduise un court extrait de The Sun Will Rise Again du même compositeur une pièce écrite pour collecter des fonds en faveur des victimes du désastre de 2011. Le climat change hâtivement lorsque les cors introduisent un thème noble par-dessus des fioritures exécutées par les bois. Vient ensuite la principale section vivo de la pièce qui se caractérise encore une fois par des syncopes très marquées dans le cadre d?un thème fleuri assuré dans le registre grave des bois. Cette mélodie fait l?objet de divers développements par tous les pupitres de l?orchestre jusqu?au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener à une coda plus rapide qui rassemble les éléments précédents en contrepoint pour clore la pièce dans un climat optimiste.
26.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Jan Van der Roost: Et in
terra Pax: Concert Band:
Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
This piece was commissioned by the ‘Concert Band Vlamertinge’ and i...(+)
This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D E G A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro the broad almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more this time broadly while the words ‘Et In Terra... Pax’ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life too.
163.50 GBP - vendu par Musicroom GB |
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| Andreas Ludwig Schulte:
Variations on Shalom
Chaverim: Concert Band:
Score Orchestre d'harmonie Gobelin Music Publications
Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung a...(+)
Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).
13.99 GBP - vendu par Musicroom GB |
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| James L. Hosay:
Cyberspace Blues: Concert
Band: Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
This one ROCKS! An infectious funky blues-rock tune CYBERSPACE BLUES is a chart...(+)
This one ROCKS! An infectious funky blues-rock tune CYBERSPACE BLUES is a chart your band will want to play again and again. James L. Hosay's outstanding percussion writing and jazzy harmonies put this one in the groove. Built in are enough phrasing and articulation considerations dynamics and ensemble style playing to make it a wonderfully educational experience as well as lots of fun. And you KNOW the audience will love it! Hit 'em where they live! Put CYBERSPACE BLUES on your next concert.
54.99 GBP - vendu par Musicroom GB |
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| Andreas Ludwig Schulte:
Variations on Shalom
Chaverim: Concert Band:
Score & Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung a...(+)
Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).
96.99 GBP - vendu par Musicroom GB |
|
| James L. Hosay:
Cyberspace Blues: Concert
Band: Score Orchestre d'harmonie Curnow Music
This one ROCKS! An infectious funky blues-rock tune CYBERSPACE BLUES is a chart...(+)
This one ROCKS! An infectious funky blues-rock tune CYBERSPACE BLUES is a chart your band will want to play again and again. James L. Hosay's outstanding percussion writing and jazzy harmonies put this one in the groove. Built in are enough phrasing and articulation considerations dynamics and ensemble style playing to make it a wonderfully educational experience as well as lots of fun. And you KNOW the audience will love it! Hit 'em where they live! Put CYBERSPACE BLUES on your next concert.
13.99 GBP - vendu par Musicroom GB |
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| Thomas Doss: Clockwork:
Concert Band: Score &
Parts Orchestre d'harmonie [Conducteur et Parties séparées] Mitropa Music
In vivid imaginative musical pictures Clockwork tells the story of a young gi...(+)
In vivid imaginative musical pictures Clockwork tells the story of a young girl who finds it hard to get up in the mornings: Every evening Barbara sets her alarm so that she doesn’t sleep in and isn’t late for school.Today as usual she can´t make it and lets her alarm ring again and again. She dozes off and dreams of lovely things - landscapes and stories - while time flies by and the clock continues to tick. As the big living room clock loudly strikes eight however she jumps up startled - school has already begun! Now she’ll be late again…
64.99 GBP - vendu par Musicroom GB |
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| Stephen Bulla: Get on
Board: Concert Band:
Score & Parts Orchestre d'harmonie Curnow Music
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section...(+)
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual 'The Gospel Train' lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again and so will you so Get On Board!
69.99 GBP - vendu par Musicroom GB |
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| Egbert van Groningen:
Hellender: Concert Band:
Score Orchestre d'harmonie Gobelin Music Publications
Composer of Groningen Egbert composed the march 'Hellender' in response to the ...(+)
Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.
12.99 GBP - vendu par Musicroom GB |
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