The Way of the Cross. Composed by William Rowan. Lent, Good Friday. Tune ...(+)
The Way of the
Cross. Composed by
William Rowan. Lent, Good
Friday. Tune Name: Via
Crucis. Sacred. 12 pages.
GIA Publications #4169A.
Published by GIA
Publications
(GI.G-4169A).
By William J. Gaither. Arranged by Donald Hustad. For Organ, Piano. Sacred. Leve...(+)
By William J. Gaither.
Arranged by Donald
Hustad. For Organ, Piano.
Sacred. Level:
(Moderate). Print Music
Collection (Organ and
Piano Book). Published by
Hope Publishing Company.
(For Organ). By Vincent Persichetti (1915-1987). For Organ Solo. Premiered by Do...(+)
(For Organ). By Vincent
Persichetti (1915-1987).
For Organ Solo. Premiered
by Donald Williams.
Softcover. Standard
notation. Opus 162. 15
pages. Duration 12
minutes. Published by
Theodore Presser Company
softcover
Organ SKU: HL.48024623 Organ Arrangement by Greg Morris. Composed ...(+)
Organ
SKU:
HL.48024623
Organ
Arrangement by Greg
Morris. Composed by
Ralph Vaughan Williams.
Edited by Greg Morris. BH
Piano. Classical,
English, Folk. Softcover.
20 pages. Boosey & Hawkes
#M060134494. Published by
Boosey & Hawkes
(HL.48024623).
ISBN
9781784543907. UPC:
888680940775.
9.0x12.0x0.096
inches.
A major
addition to the
repertoire of
transcriptions for organ,
the whole suite or any
one of the movements will
delight performers and
audiences alike. Vaughan
Williams's original score
for military band of 1923
(orchestrated by Gordon
Jacob the following year)
was a milestone in the
introduction of English
folk song to the
classical repertory which
both he and his friend
Holst championed. Over
its three contrasting
movements (two marches
separated by an
intermezzo) no fewer than
nine folk songs are
presented, in both lively
and emotive style. Greg
Morris, organist at
London's Temple Church,
has deftly arranged the
suite, providing generic
registration suggestions
for a romantic
instrument, but in the
hands of imaginative
players the score will
readily transfer to
organs of most styles and
eras.
With Hammond Organ Registration. By Adoniram J. Gordon, Charles C. Converse, Ano...(+)
With Hammond Organ
Registration. By Adoniram
J. Gordon, Charles C.
Converse, Anonymous, Sir
Arthur Seymour Sullivan.
Edited by Clarence
Kohlmann. Arranged by
Kenneth Hallett. Text:
Adoniram J. Gordon;
George J. Webb; Hursley;
S. Woodworth; Waltham;
William B. Bradbury. For
Organ Solo. Solo part. 66
pages. Published by
Theodore Presser Company.
Organ - intermediate-advanced SKU: HL.14027157 Composed by Ernest Tomlins...(+)
Organ -
intermediate-advanced
SKU: HL.14027157
Composed by Ernest
Tomlinson, Gordon Jacob,
Harold Darke, Sir William
Henry Harris, and York
Bowen. Music Sales
America. Post-1900. Book
[Softcover]. 44 pages.
Music Sales #NOV010182.
Published by Music Sales
(HL.14027157).
ISBN
9780853602637.
8.25x11.75x0.17
inches.
The pieces
contained in this
collection were all
written during the
1950's. The composers are
Harold Darke, William
Harris, Gordon Jacob,
York Bowen and Ernest
Tomlinson.
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogn...(+)
Organ
SKU:
BR.EB-6612
Composed
by Henry Purcell. Edited
by Friedrich Hogner. Solo
instruments; Softcover.
Edition Breitkopf. Suite;
Renaissance/early
Baroque; Baroque. Score.
16 pages. Breitkopf and
Haertel #EB 6612.
Published by Breitkopf
and Haertel (BR.EB-6612).
ISBN 9790004168325. 12
x 9 inches.
Die
vorliegende Suite fur die
Orgel ist eine freie
Bearbeitung von
Kompositionen, die Henry
Purcell (1659-1695) -
1679 Organist an der
Westminster Abbey in
London, 1682 einer der
Organisten an der Chapel
Royal - fur das Cembalo
komponiert hat. Die hier
zusammengestellten Stucke
wurden den
Cembalokompositionen
entnommen, die William
Barclay Squire 1895 im
Rahmen der Gesamtausgabe
der Werke Purcells
(London 1878-1928)
herausgegeben hat.
Vorangestellt wurde der
Auswahl eine vom
Herausgeber nach Motiven
Purcells geschriebene
Introduktion. Von einigen
der in dieser Suite
enthaltenen Satze gibt es
bereits Bearbeitungen fur
die Orgel. Abgesehen von
der andersartigen
Zusammenstellung der
Satze und ihrer
Einleitung durch eine
Introduktion nach Motiven
Purcells unterscheidet
sich die vorliegende
Ausgabe durch eine
grossere Freiheit des
Tonsatzes gegenuber dem
Original. Diese hat der
Herausgeber ganz bewusst
gewahlt, weil er der
Meinung ist, dass in
diesem Fall eine enge
Anlehnung an das Original
dem Wesen und den
Eigenarten des
Instrumentes, fur das die
Bearbeitung erfolgt,
nicht gerecht zu werden
vermag. Da bei den
deutschen Orgeln die
Funktion der Manuale
unterschiedlich ist, moge
man die angegebene
Manualverteilung nicht
starr, sondern sinngemass
anwenden. Die
Pralltriller sollen in
der Regel mit der
diatonischen Obersekunde
beginnen; die Mordente
dagegen sind stets mit
der kleinen Untersekunde
auszufuhren. Friedrich
Hogner, Munchen, im
Fruhjahr 1970.