| Il Xerse (Venice 1655) Soli, choeur mixte et accompagnement Barenreiter
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
$546.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700300
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
This edition: Paperbound.
German title: Stabat
Mater (Satb Arr.Salieri)
Spira. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Composed 1736/1800/1843.
128 pages. Duration 35
minutes. Carus Verlag #CV
97.003/00. Published by
Carus Verlag
(CA.9700300). ISBN
9790007113124. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. $77.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
$30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700312
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 2. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/12. Published by
Carus Verlag
(CA.9700312). ISBN
9790007238766. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700313
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Viola. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/13. Published by
Carus Verlag
(CA.9700313). ISBN
9790007238773. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700349
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Organ. Composed
1736/1800/1843. 28 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/49. Published by
Carus Verlag
(CA.9700349). ISBN
9790007238797. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700305
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Choral
Score. Composed
1736/1800/1843. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/05. Published by
Carus Verlag
(CA.9700305). ISBN
9790007131777. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score
available separately -
see item CA.9700300. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700314
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Cello/Double Bass.
Composed 1736/1800/1843.
12 pages. Duration 35
minutes. Carus Verlag #CV
97.003/14. Published by
Carus Verlag
(CA.9700314). ISBN
9790007238780. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700311
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 1. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/11. Published by
Carus Verlag
(CA.9700311). ISBN
9790007238759. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 bassoons, 2 horns, 3
trombones, 2 violins,
viola, basso continuo
SKU: CA.9700319
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Set of
Orchestra Parts. Composed
1736/1800/1843. Duration
35 minutes. Carus Verlag
#CV 97.003/19. Published
by Carus Verlag
(CA.9700319). ISBN
9790007133757. Language:
Latin. Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
parts available
separately - see item
CA.9700300. $186.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), tim...(+)
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo - Level 3
SKU: CA.5032119
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. German title:
Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155.
Duration 35 minutes.
Carus Verlag #CV
50.321/19. Published by
Carus Verlag
(CA.5032119). ISBN
9790007133566. Key: C
minor. Language:
Latin. Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100. $226.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116414 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414). ISBN
9790007209056. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116412 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412). ISBN
9790007209032. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116413 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413). ISBN
9790007209049. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, basso
continuo SKU:
CA.3116411 Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411). ISBN
9790007209025. Text
language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), tim...(+)
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo - Level 3
SKU: CA.5032109
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109). ISBN
9790007081003. Key: C
minor. Language:
Latin. Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), tim...(+)
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo - Level 3
SKU: CA.5032105
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1771. MH 155. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
50.321/05. Published by
Carus Verlag
(CA.5032105). ISBN
9790007080990. Key: C
minor. Language:
Latin. Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score
available separately -
see item CA.5032100. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Compassion from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Facile MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate SKU:
MN.56-0108 Composed
by Howard Goodall. Lent,
Holy Week, Triduum/Three
Days, Tenebrae, 21st
Century. Score &
instrument parts.
Duration 6 minutes, 19
seconds. MorningStar
Music Publishers
#56-0108. Published by
MorningStar Music
Publishers (MN.56-0108).
UPC: 688670221255.
English, Latin. Psalms
142; Jeremiah 3:48, 52,
56. Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, SATB choir
and piano. This fourth
movement of the larger
work is inspired by the
extraordinary story of
Irena Sendler née
Krzyżanowska, a Polish
nurse and head of
Żegota, the Polish
Council to Aid Jews in
the Second World War,
whose personal
interventions saved the
lives of approximately
2,500 Jewish children in
the Warsaw Ghetto,
smuggling them to safety,
acts of humanitarian
bravery that eventually
caused her arrest and
torture by the Gestapo.
She is honoured as
Righteous Amongst the
Nations at Yad Vashem,
Jerusalem. The Latin
texts of this movement
are taken from the Book
of Lamentations
(“My eye hath run
down with streams of
water, for the
destruction of the
daughter of my people. My
enemies have chased me
and caught me like a
bird, without
cause…â€) and
from Psalm 142, the Old
Testament being the
meeting-point of
Sendler’s
Catholicism and the
Jewish tradition of those
whose lives she saved.
Duration 6:19. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lamentation from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Débutant MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Beginning
SKU: MN.56-0106
Composed by Howard
Goodall. Lent, Holy Week,
Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 47
seconds. MorningStar
Music Publishers
#56-0106. Published by
MorningStar Music
Publishers (MN.56-0106).
UPC: 688670221231.
English,
Latin. Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
movement, scored for
soprano solo, SATB choir
and piano, expresses the
unimaginable pain felt by
a mother seeing her child
torn away from her at a
slave auction. To this
harrowing account are
appended the words of
William Wilberforce,
spoken in the House of
Commons on 18th April
1791, “You may
choose to look the other
way but you can never say
again that you did not
know.†Duration
6:47. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Song of Mary Magdalene: Now we are they who weep from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Facile MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate SKU:
MN.56-0109 Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1. Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57. $3.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymne Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra (Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Ti...(+)
Orchestra (Soli SATB,
Coro SATB, 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb) - Grade 2 SKU:
CA.2300509 Dich
preist,
Allmächtiger.
Composed by Albert
Lortzing. Edited by
Martin Helbich. Set of
Orchestra Parts. Composed
1822. LoWV 5. Duration 14
minutes. Carus Verlag
#2300509. Published by
Carus Verlag
(CA.2300509). ISBN
9790007246877. Key: C
major. German. Text: von
Matthisson,
Friedrich. Today
best known for his comic
operas such as Zar und
Zimmermann and Der
Waffenschmied, Albert
Lortzing was also a
composer of sacred music.
In 1822, inspired by the
performances of great
choral symphonic works at
the Lower Rhine Music
Festival, Lortzing, then
aged only 21 years old,
ventured to set a sacred
anthem to music: In his
Dich preist,
Allmächtiger
(Praise to you, Almighty)
for four-part choir,
soloists and orchestra,
his love of opera shines
through with memorable
melodies, striking
instrumentation and an
expressive and diverse
musical design that
conjure up diverse scenes
for the listener. The
palette ranges from
powerful wind passages
praising
Godââ¬â¢s
omnipotence to
'classical' fugati and
intimate solo and
ensemble passages with
transparent
accompaniment.
The
Urtext edition
ââ¬â in fact
the first printed version
of the work
ââ¬â is based
on autograph sources.
Drawing on the
preparatory work and
practical experience of
church musician and
conductor Wolfgang
Helbich, this edition was
completed by his son, the
musicologist Martin
Helbich. Vocal score and
performance materials are
also available. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |