Geistliche Kantate. Urtext der Telemann-Werkausgabe. By Georg Philipp Telemann. ...(+)
Geistliche Kantate.
Urtext der
Telemann-Werkausgabe. By
Georg Philipp Telemann.
Edited by Wolf Hobohm.
Text: Karl W Ramler. For
Soprano solo, Alto solo,
Tenor solo, Bass solo
(2), Mixed Choir-SATB,
Alto recorder (f,g) (2),
Piccolo (2), Flute (2),
Oboe (2), Bassoon, Horn
(2), Trumpet (3),
Kettledrum, Strings,
Basso continuo. Telemann
Musikalische Werke, Band
30. Score; Urtext
Edition; Complete Edition
(cloth bound). TWV 1:797.
Published by
Baerenreiter-Ausgaben
(German import).
(No. 2 from Alpha and Omega ). By Gwyneth W. Walker (1947-). Arranged by Gwynet...(+)
(No. 2 from Alpha and
Omega ). By Gwyneth W.
Walker (1947-). Arranged
by Gwyneth W. Walker. For
SAB vocal soli, SATB
choir, Piano, or Brass
Quint, Percussion, Organ
or Orchestra. Choral,
Christmas. Duration 4
minutes, 45 seconds.
Published by E.C.
Schirmer Publishing
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. Unfortunately,
only a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is
Brucknerââ¬â¢s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Conducteur et Parties séparées] Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Carus digital:
Extra digital products.
Full Score. WAB 26.
Duration 45 minutes.
Carus Verlag #2709244.
Published by Carus Verlag
(CA.2709244).
ISBN
9790007303358. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerâ??s symphonic
approach becomes evident
for the first time in the
Mass in D minor from
1864, the work does not
place the same high
demands on the performers
as the two later masses.
This arrangement for
soloists, choir and 2
pianos has an air of
transparency, rather like
a work of chamber
music.. Score
available separately -
see item CA.2709200.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709246.
Published by Carus Verlag
(CA.2709246).
ISBN
9790007310868. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerââ¬â¢s
symphonic approach
becomes evident for the
first time in the Mass in
D minor from 1864, the
work does not place the
same high demands on the
performers as the two
later masses. This
arrangement for soloists,
choir and 2 pianos has an
air of transparency,
rather like a work of
chamber music.. Score
and parts available
separately - see item
CA.2709200.
(Easter Monday). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinho...(+)
(Easter Monday). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboes, oboe
d'caccia (viola), 2
violins, viola, cello
piccolo, basso continuo.
German title: Bleib bei
uns, denn es will Abend
w. 6. Cantatas, Easter
and Eastertide, Morning,
midday, evening. Level 3.
Organ part. Language:
German/English. Composed
1725. BWV 6. 28 pages.
Duration 26 minutes.
Published by Carus Verlag
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109).
ISBN
9790007081003. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Requiem In B Mh 838.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
MH 838. Duration 55
minutes. Carus Verlag #CV
54.838/19. Published by
Carus Verlag
(CA.5483819).
ISBN
9790007133696. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert. Score and parts
available separately -
see item CA.5483800.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Sacred vocal
music, Mass, latin.
German title: Grosse
Orgelsolomesse. Sacred
vocal music, Masses,
Latin. Full score. 72
pages. Duration 35
minutes. Carus Verlag #CV
40.682/00. Published by
Carus Verlag
(CA.4068200).
ISBN
9790007088934. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the
movements.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.838/21 oboe 1, 1x
54.838/22 oboe 2, 1x
54.838/23 bassoon 1, 1x
54.838/24 bassoon 2, 1x
54.838/31 horn 1, 1x
54.838/32 horn 2, 1x
54.838/33 trumpet 1, 1x
54.838/34 trumpet 2, 1x
54.838/35 trombone 1, 1x
54.838/36 trombone 2, 1x
54.838/37 trombone 3, .
Stuttgart Urtext Edition:
Johann Michael Haydn.
Requiem In B Mh 838.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
MH 838. 192 pages.
Duration 55 minutes.
Carus Verlag #CV
54.838/09. Published by
Carus Verlag
(CA.5483809).
ISBN
9790007226336. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert. Score and parts
available separately -
see item CA.5483800.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1808. 24
pages. Duration 35
minutes. Carus Verlag #CV
40.682/49. Published by
Carus Verlag
(CA.4068249).
ISBN
9790007140069. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title: Dich,
Mutter Des Herrn, Loben W
1660B01. Sacred vocal
music. Choral Score. 8
pages. Duration 8
minutes. Carus Verlag #CV
91.200/05. Published by
Carus Verlag
(CA.9120005).
ISBN
9790007121273. Key: C
major. Language:
German/Latin.
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. German title:
Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155.
Duration 35 minutes.
Carus Verlag #CV
50.321/19. Published by
Carus Verlag
(CA.5032119).
ISBN
9790007133566. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1771. MH 155. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
50.321/05. Published by
Carus Verlag
(CA.5032105).
ISBN
9790007080990. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score
available separately -
see item CA.5032100.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. 1x 40.682/31
trumpet 1, 1x 40.682/32
trumpet 2, 1x 40.682/41
timpani. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 20
pages. Duration 35
minutes. Carus Verlag #CV
40.682/09. Published by
Carus Verlag
(CA.4068209).
ISBN
9790007220228. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and parts available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Violin 1. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/11. Published by
Carus Verlag
(CA.4068211).
ISBN
9790007220235. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. 48 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/03. Published by
Carus Verlag
(CA.4068203).
ISBN
9790007018771. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title: Dich,
Mutter Des Herrn, Loben W
1660B01. Sacred vocal
music. Single Part, basso
continuo. Composed 1706.
4 pages. Duration 8
minutes. Carus Verlag #CV
91.200/49. Published by
Carus Verlag
(CA.9120049).
ISBN
9790007233594. Key: C
major. Language:
German/Latin.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title: Dich,
Mutter Des Herrn, Loben W
1660B01. Sacred vocal
music. Single Part,
Violin 1 and 2. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 91.200/11.
Published by Carus Verlag
(CA.9120011).
ISBN
9790007233587. Key: C
major. Language:
German/Latin.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Violin 2. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/12. Published by
Carus Verlag
(CA.4068212).
ISBN
9790007220242. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
The Creation (Die Schopfung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, Ob, Clt, Fg, 2 Cor, Tr, Timp, 2 Vl, Va, Vc,...(+)
Orchestra Soli STB, Coro
SATB, 2 Fl, Ob, Clt, Fg,
2 Cor, Tr, Timp, 2 Vl,
Va, Vc, Cb
SKU:
CA.5199050
Version
with a reduced number of
wind instruments.
Composed by Franz Joseph
Haydn. Arranged by Joe
Hickman. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Oratorios, Praise
and thanks. Full score.
328 pages. Duration 105
minutes. Carus Verlag #CV
51.990/50. Published by
Carus Verlag
(CA.5199050).
ISBN
9790007188481. Language:
German/English. Text: van
Swieten,
Gottfried.
With
this arrangement it is
possible to present the
work in a performance
space of limited size.
Haydn's original
orchestration is filled
with vivid tone painting
and this reduced version
represents Haydn's score
using accurate colors for
the obligato melodies and
appropriate instrumental
voices for the colla
parte passages. It
follows the format and
content of the critical
edition by Carus (ed. W.
Gersthofer) and may be
used together with the
other materials from
Carus 51.990 (choral and
vocal scores, string
parts). Modern
performances of Creation
use sometimes 50-60
players. It is hoped that
the present reduction
will make this beautiful
work available to smaller
groups, smaller
performance venues, and
groups with smaller
budgets. Score available
separately - see item
CA.5199000.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Sacred vocal
music, Masses, Latin.
Choral Score. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/05. Published by
Carus Verlag
(CA.4068205).
ISBN
9790007110130. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
This edition: Paperbound.
Music from East Bavaria.
German title: Dich,
Mutter Des Herrn, Loben W
1660B01. Sacred vocal
music. Full score. 24
pages. Duration 8
minutes. Carus Verlag #CV
91.200/00. Published by
Carus Verlag
(CA.9120000).
ISBN
9790007121266. Key: C
major. Language:
German/Latin.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Requiem In
B Mh 838. Sacred vocal
music, Requiem, Mourning,
death. Full score. MH
838. Duration 55 minutes.
Carus Verlag #CV
54.838/00. Published by
Carus Verlag
(CA.5483800).
ISBN
9790007091125. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title: Dich,
Mutter Des Herrn, Loben W
1660B01. Sacred vocal
music. Single Part,
Trumpet/Pauken. 2 pages.
Duration 8 minutes. Carus
Verlag #CV 91.200/31.
Published by Carus Verlag
(CA.9120031).