Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year. Full score.
Composed 1715. BWV 163.
24 pages. Duration 18
minutes. Carus Verlag #CV
31.163/00. Published by
Carus Verlag
(CA.3116300).
ISBN
9790007097615. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler.
By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Hor...(+)
By Heinrich Schutz
(1585-1672). Edited by
Graulich, Gunter.
Arranged by Paul Horn.
For SATB/SATB
Favorit-Chor
(Antiphonal/Chamber
Choir), [8 Instruements],
Basso Continuo. This
edition: paperbound. SWV
463. Psalms, German,
Psalms, Latin; Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during chuch year: Easter
and Eastertide. Level 3.
Score. Language:
German/Latin. Composed
1650-51. 8 pages.
Duration 3 min
Don Giovanni, K. 527 Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Eulenburg
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Alfred Einstein. For Choral,...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Alfred
Einstein. For Choral,
Chorus, Orchestra, Vocal,
Voice (Study Score).
Eulenburg
Taschenpartituren (Pocket
Scores). Study Score. 658
pages. Eulenburg (Schott
Music) #ETP918. Published
by Eulenburg (Schott
Music)
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709246.
Published by Carus Verlag
(CA.2709246).
ISBN
9790007310868. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version ââ¬â
including
Brucknerââ¬â¢s
Te Deum. The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für
die musizierende Jugend
in
Baden-Württemberg
Ochsenhausen to newly
arrange
Brucknerââ¬â¢s
Te Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerââ¬â¢s
symphonic approach
becomes evident for the
first time in the Mass in
D minor from 1864, the
work does not place the
same high demands on the
performers as the two
later masses. This
arrangement for soloists,
choir and 2 pianos has an
air of transparency,
rather like a work of
chamber music.. Score
and parts available
separately - see item
CA.2709200.
A German Requiem Op. 45 Soli, choeur mixte et accompagnement [Conducteur] Breitkopf & Härtel
Solo voices, choir, 2 pianos, timpani With timpani part. Composed by Johannes ...(+)
Solo voices, choir, 2
pianos,
timpani
With timpani part.
Composed
by Johannes Brahms (1833-
1897). Edited by Heinrich
Poos. Arranged by
Heinrich
Poos. Score. Breitkopf
and
Haertel #PB 5697.
Published
by Breitkopf and Haertel
Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: pape...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. This
edition: paperback.
Oratorios. Classic Choral
Works. Set of string
parts (contains 1 violin
solo, 1 double bass, 2
of all others). 112
pages. Duration 35'.
Published by Oxford
University Press
(OU.9780193360983).
Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: pape...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. This
edition: paperback.
Oratorios. Classic Choral
Works. Set of non-string
parts (1 of each
including timpani). 32
pages. Duration 35'.
Published by Oxford
University Press
(OU.9780193360976).
Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: pape...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. This
edition: paperback.
Oratorios. Classic Choral
Works. Harp part. 8
pages. Duration 35'.
Published by Oxford
University Press
(OU.9780193360990).
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01).
ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare.
Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume.
A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Annelies Soli, choeur mixte et accompagnement [Conducteur] Chester
(Soprano, SATB Chorus, and Chamber Ensemble or Orchestra). By James Whitbourn. F...(+)
(Soprano, SATB Chorus,
and Chamber Ensemble or
Orchestra). By James
Whitbourn. For Orchestra
(Full Score). Music Sales
America. 198 pages.
Chester Music #CH6927801.
Published by Chester
Music