Composed by Camille
Saint-Saens. Edited by
Fritz Naf. Sacred vocal
music, Requiem. Requiem
Op. 54. Sacred vocal
music, Requiem. Full
score. Composed 1878. Op.
54. 108 pages. Duration
35 minutes. Carus Verlag
#CV 27.317/00. Published
by Carus Verlag
(CA.2731700).
ISBN
9790007167875. Language:
Latin.
During his
most productive period as
an opera composer,
Camille Saint-Saens also
wrote sacred works, among
which his Oratorio de
Noel has enjoyed great
worldwide popularity. The
colorful and opulently
orchestrated Messe de
Requiem was composed in
1878 in Bern. The
composer dedicated it to
his patron, Albert Libon.
We have published this
edition both with its
larger orchestral forces
and to enable perfomances
of the Requiem in
slightly reduced scoring
(without losing the
special characteristics
of the work), in a
version with a smaller
orchestra consisting of
11 winds, two harps,
organ and string
instruments. The full
score reproduces the
Urtext of the Requiem
with its original
scoring, whereas the
performance material is
presented and conceived
so to enable it to be
performed either in the
original orchestration or
the version with reduced
forces.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. 48 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/03. Published by
Carus Verlag
(CA.4068203).
ISBN
9790007018771. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Violin 2. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/12. Published by
Carus Verlag
(CA.4068212).
ISBN
9790007220242. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Cantata
for the inauguration of a
new town council.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat, Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wir danken dir, Gott, wir
danken dir. Sacred vocal
music, Cantatas, Praise
and thanks. Choral Score.
Composed 1731. BWV 29. 8
pages. Duration 28
minutes. Carus Verlag #CV
31.029/05. Published by
Carus Verlag
(CA.3102905).
ISBN
9790007042394. Key: D
major. Language:
German/English.
Bac
h's cantata Wir danken
dir, Gott, wir danken dir
of 1731, composed for the
inauguration of the
Leipzig town council, is
one of the cantatas which
has an obbligato organ
part. In the introductory
Sinfonia (an arrangement
of the opening movement
of the Partita in E for
solo violin) and the
final aria, the organ has
a prominent solo part.
The final aria is a
transposed repetition of
the first aria in the
cantata, which frames its
central section as a
motto Halleluja, Stark
und Macht sei dem
allerhochsten Namen.
However, the high point
of the cantata is the
magnificent choral
movement which precedes
the first Halleluja. Bach
also re-used this music
later in the Gratias and
Dona nobis pacem sections
of the Mass in B minor.
New revised edition.
Score available
separately - see item
CA.3102900.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Sacred vocal
music, Masses, Latin.
Choral Score. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/05. Published by
Carus Verlag
(CA.4068205).
ISBN
9790007110130. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
40.682/13. Published by
Carus Verlag
(CA.4068213).
ISBN
9790007220259. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
SATB vocal soli, SATB
choir, 2 english horn, 2
horns, 2 violins,
cello/contrabass, organ
solo, [2
clarinos/trumpets,
timpani]
SKU:
CA.4060319
Missa
in honorem Beatissimae
Virginis Mariae.
Composed by Franz Joseph
Haydn. Edited by
Christoph Grosspietsch.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE ORGELSOLOMESSE IN
ES XXII:4. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. Hob.
XXII:4. Duration 40
minutes. Carus Verlag #CV
40.603/19. Published by
Carus Verlag
(CA.4060319).
ISBN
9790007133207. Key: E
flat major. Language:
Latin.
Haydn's
so-called Great Organ
Solo Mass in E flat major
is among those works by
Joseph Haydn which early
in its history enjoyed
widespread dissemination.
The E flat major Mass,
with an unusual scoring
including two English
horns in the orchestra,
was composed around 1770
during the first years of
Haydn's tenure as Music
Director for the Court of
Esterhazy. Despite the
readily playable,
effective part for organ,
employed prominently as a
solo instrument in the
piece, the Missa in
honorem Beatissimae
Virginis Mariae, which
was composed for a Feast
to the Blessed Virgin
Mary, is seldom performed
today. The new critical
edition hopes to
stimulate new interest in
this work. Score and
parts available
separately - see item
CA.4060300.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
40.682/19. Published by
Carus Verlag
(CA.4068219).
ISBN
9790007220266. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and parts available
separately - see item
CA.4068200.
Soli STB, SATB Choir, 2 Ob, Cor, Org obl, 2 Vl, Va, Bc - Level 3 SKU: CA.3107...(+)
Soli STB, SATB Choir, 2
Ob, Cor, Org obl, 2 Vl,
Va, Bc - Level 3
SKU:
CA.3107349
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1724. BWV
73. 16 pages. Duration 17
minutes. Carus Verlag #CV
31.073/49. Published by
Carus Verlag
(CA.3107349).
Key: G
minor / c minor.
Language:
German/English.
In
1724, Bach composed the
cantata Herr, wie du
willt, so schicks mit mir
[Lord, as you will, do
unto me] BWV 73 for the
third Epiphany Sunday.
Like in some other
cantatas from the first
annual cycle, the opening
movement contains a part
for corno which would in
fact have been unplayable
on an instrument of that
era - probably also a
reason why Bach allocated
this part to the organ in
a repeat performance
(both variants can be
performed using the Carus
edition). The unusual
choral movement,
interrupted by
recitatives, is based
quite substantially on a
short four-note motive
which is introduced by
the horn; at the end of
the chorus, the choir
sings it to the words
Herr, wie du willt [Lord,
as you will] - an avowal
which also quite
substantially
characterizes other
movements of the cantata.
Score and part available
separately - see item
CA.3107300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. MH 13. 40 pages.
Duration 55 minutes.
Carus Verlag #CV
54.013/49. Published by
Carus Verlag
(CA.5401349).
ISBN
9790007165314. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Messe In As
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1828. D
678. 36 pages. Duration
50 minutes. Carus Verlag
#CV 40.659/49. Published
by Carus Verlag
(CA.4065949).
ISBN
9790007085506. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and part available
separately - see item
CA.4065900.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014).
ISBN
9790007200770. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
(Cantata for the Sunday Jubilate). Composed by Johann Sebastian Bach (1685-1750)...(+)
(Cantata for the Sunday
Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Anja Morgenstern.
Arranged by Paul Horn.
For SATB vocal soli, SATB
choir, flute, 2 oboes/2
oboe d'amore, taille
(english horn), 2
violins, viola, basso
continuo, organ obligato.
This edition: Paperbound.
D-Moll (D minor).
Stuttgart Urtext Edition.
German title: Wir mussen
durch viel Trubsal.
Cantatas, Easter and
Eastertide. Organ part.
Language: German/English.
Composed circa 1728?. BWV
146. 32 pages. Duration
40 minutes. Published by
Carus Verlag
Composed by Leopold
Mozart. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1765. KV.
Duration 15 minutes.
Carus Verlag #CV
27.051/49. Published by
Carus Verlag
(CA.2705149).
ISBN
9790007199500. Language:
Latin.
If, during
his lifetime, Leopold
Mozart was highly
regarded as composer of
programmatic instrumental
music, it is his church
music which has proven to
comprise the more
important part of his
opus. This is also
especially true for the
influence which this
music had on the sacred
compositions of his son
Wolfgang Amadeus. In the
Missa in A (ca.1765), in
the manner of the times,
Leopold Mozart blends
baroque and gallant
stylistic elements and
through formal structure
and an expressive musical
language he gives the
Credo a special
importance. Score and
part available separately
- see item
CA.2705100.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649).
ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Organ.
Composed 1715. BWV 63. 32
pages. Duration 27
minutes. Carus Verlag #CV
31.063/49. Published by
Carus Verlag
(CA.3106349).
ISBN
9790007206635. Key: C
major. Text language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and part available
separately - see item
CA.3106300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949).
ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Composed
by Johann David
Heinichen. This edition:
Paperbound. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1765.
Duration 45 minutes.
Carus Verlag #CV
27.048/49. Published by
Carus Verlag
(CA.2704849).
ISBN
9790007199449. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score and
part available separately
- see item
CA.2704800.
Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Organ.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Organ.
Composed 1749. BR-CPEB E
4 (Wq 215). 40 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/49. Published by
Carus Verlag
(CA.3321549).
ISBN
9790007051716. Language:
Latin.
C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1728ca.
BWV 173. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
31.173/49. Published by
Carus Verlag
(CA.3117349).
ISBN
9790007209629. Text
language:
German/English.
Bac
h created the cantata
Erhohtes Fleisch und Blut
by setting the sacred
words to what had
originally been the music
of a secular cantata,
presumably for the
festival of Pentecost in
1727. Bach made few
alterations to the
musical structure, but he
enlarged the original
solo scoring for soprano
and bass to a four-voice
ensemble. Particularly
notable among the solo
movements is the
extensive duet for
soprano and bass in the
form of a minuet, which
in its musical language
is certainly unique in
Bach's cantatas. The
dancelike final chorus
brings the four voices
together, and gives
highly effective
expression to the joy of
Pentecost. Score and part
available separately -
see item CA.3117300.
Shorter Sacred Works Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Barenreiter
Arranged for Soloists, Choir and Organ. By Wolfgang Amadeus Mozart. Arranged by ...(+)
Arranged for Soloists,
Choir and Organ. By
Wolfgang Amadeus Mozart.
Arranged by K!Hs,
Andreas. For Soli, Mixed
Choir (SATB), Organ. Chor
and Orgel. Collection
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Nicolai-Messe.
Composed by Franz Joseph
Haydn. Edited by Volker
Kalisch. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Nikolaimesse In G
Xxii:6. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Study score.
Composed 1772. Hob.
XXII:6. 72 pages.
Duration 27 minutes.
Carus Verlag #CV
40.605/07. Published by
Carus Verlag
(CA.4060507).
ISBN
9790007073831. Key: G
major. Language:
Latin.
Haydn wrote
the Missa Sancti Nicolai
in 1772, probably for the
name day of prince
Nicolaus Esterhazy. This
work is on a larger scale
than the other missae
breves, and in the
orchestra two oboes and
two horns join the
strings. At the very
beginning of the Kyrie
the gentle, pastoral
character which
distinguishes this work
is established. Haydn
reprises the music of the
Kyrie in the Dona nobis
pacem to round off the
work. The full score
contains at the same time
the organ part. This work
is now available in carus
music, the choir app!
Score available
separately - see item
CA.4060500.
Composed by Georg Philipp
Telemann and Martin
Luther. Edited by Gunter
Graulich. Arranged by
Paul Horn. Hymns by
Martin Luther: Nun komm,
der Heiden Heiland;
Stuttgart Urtext Edition:
Telemann-Archiv. Organ.
Sacred vocal music,
Cantatas, Advent. Single
Part, Organ. TVWV 1:1178.
8 pages. Duration 7
minutes. Carus Verlag #CV
39.493/49. Published by
Carus Verlag
(CA.3949349).
ISBN
9790007240639. Language:
German/English.
The
cantata text by Erdmann
Neumeister known from
Bach's work of the same
name (BWV 61), appears
here in a much shorter
composition by Telemann.
Definitely it has a charm
of its own. Score and
part available separately
- see item
CA.3949300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349).
ISBN
9790007199616. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, Organ. Composed
1716. BWV 162. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/49. Published by
Carus Verlag
(CA.3116249).
ISBN
9790007208943. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Composed
by Franz Xaver Richter.
Edited by Hans Gurski,
Annette Naumann. Organ.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Organ.
Composed 1775. Reutter A
23. 36 pages. Duration 40
minutes. Carus Verlag #CV
97.006/49. Published by
Carus Verlag
(CA.9700649).
ISBN
9790007238919. Key: G
major. Language:
Latin.
Several
elements contribute to
the Christmas character
of this mass, which is
distinguished by the fine
skillfulness of its
composition: structural
means, such as motives in
triads, the symbol of
gently rocking,
traditional themes and a
fitting instrumentation
with trumpets and flutes.
Because of its catchy,
easiliy graspable quality
this Messa Pastorale,
published here in a first
edition, is highly suited
for liturgical use. Score
and part available
separately - see item
CA.9700600.
Cantata for the Sunday
of Septuagesimae.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ.
Composed 1725. BWV 92. 36
pages. Duration 33
minutes. Carus Verlag #CV
31.092/49. Published by
Carus Verlag
(CA.3109249).
ISBN
9790007206956. Key: B
minor. Language:
German/English. Text:
Gerhardt,
Paul.
Score and
part available separately
- see item
CA.3109200.