Cello and piano SKU: BR.EB-9391 Urtext based on the Complete Edition J...(+)
Cello and piano
SKU:
BR.EB-9391
Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Anna Pulkkis. Solo
instruments; stapled.
Edition Breitkopf.
Late-romantic; Early
modern. Score. 28 pages.
Duration 12'. Breitkopf
and Haertel #EB 9391.
Published by Breitkopf
and Haertel (BR.EB-9391).
ISBN 9790004188651. 9
x 12 inches.
Jean
Sibelius composed far
less music for the cello
than for the violin.
Malinconia (op. 20) -
published in 1911 but
composed in 1900 under
the title Fantasia -
remained his only
opus-numbered work
exclusively for cello and
piano. The Fantasia for
cello and piano, an early
stage of Malinconia , was
premiered at a soiree in
the Solemnity Hall of the
University of Helsinki on
12 March 1900 and was
given positive press
reviews: The work, which
mainly drew attention
with its logical and
clear structure, begins
with a powerful and
substantial cello solo,
to which the piano
responds with a
glimmering series of
arpeggiated chords. At
the end where the
instruments unite in a
harmonious, deeply
emotional song, the
harmonic impression they
create is very bright and
lovely. The autograph
manuscript of Fantasia
shows that Sibelius
omitted a larger passage
of music between the
present bars 24 and 25
and that he made further
revisions to the work,
either before the
publishing process or in
the proofs he read in
April 1911 for
Breitkopf.
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.â€.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
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catalogue
world-wide
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experience (founded 1948
exclusively for Urtext
editions)
Ballade Pour Un 3/4 Violoncelle, Piano [Conducteur et Parties séparées] Billaudot
(Pour Violoncelle Et Piano). Composed by Marc-Didier Thirault. For Cello, Piano....(+)
(Pour Violoncelle Et
Piano). Composed by
Marc-Didier Thirault. For
Cello, Piano. Score and
parts. Standard notation.
Duration 2 minutes.
Gerard Billaudot Editeur
#514-00613. Published by
Gerard Billaudot Editeur
Grade 3-4. Composed by Pam Wedgwood. Series; String - Cello Studies or Collectio...(+)
Grade 3-4. Composed by
Pam Wedgwood. Series;
String - Cello Studies or
Collection. Faber
Edition: Up-Grade!
Series. Book. Faber Music
#12-0571519636. Published
by Faber Music
(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
Cello and Piano - Grade 4 SKU: BT.EMBZ14895 Composed by Zoltan Kodaly. Ed...(+)
Cello and Piano - Grade 4
SKU: BT.EMBZ14895
Composed by Zoltan
Kodaly. Educational Tool.
Book and Part(s).
Composed 2014. 12 pages.
Editio Musica Budapest
#EMBZ14895. Published by
Editio Musica Budapest
(BT.EMBZ14895).
Zoltán
Kodály (1882-1967)
composed Adagio for
violin and piano in 1905
and dedicated it to the
outstanding violinist
Imre Waldbauer. In 1910
Kodály made versions
of the work for both
viola and cello, while
Norbert Duka transcribed
it for double bass. In
2014 we published all
four versions of Adagio
in a new edition.Adagio
for violin and piano: Z.
14911 Adagio for viola
and piano: Z. 14894
Adagio for violoncello
and piano: Z. 14895
Adagio for double bass
and piano: Z. 14896 (The
former catalogue number
was Z.
768.)
Zoltán
Kodály (1882-1967)
komponierte sein Adagio
für Violine und
Klavier im Jahre 1905 und
widmete es dem
hervorragenden
Geigenvirtuosen Imre
Waldbauer. 1910 schuf
Kodály Fassungen
für Viola sowie
Violoncello: für
Kontrabass wurde das Werk
von Norbert Duka
bearbeitet. 2014 wurden
alle vier Fassungen des
Adagios in einer neuen
Edition in Einzelausgaben
veröffentlicht.
Cello and Piano. Composed by Claude Debussy (1862-1918). Editions Durand. Cl...(+)
Cello and Piano. Composed
by
Claude Debussy
(1862-1918).
Editions Durand.
Classical.
Softcover. 20 pages.
Editions
Durand #DD01626100.
Published
by Editions Durand
By Johannes Brahms (1833-1897). Arranged by Carl Burchard. For violin, cello and...(+)
By Johannes Brahms
(1833-1897). Arranged by
Carl Burchard. For
violin, cello and piano
duet. Facsimile Editions
- Strings and Piano.
Quartets. Romantic.
Published by Rosewood
Publications
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Kurt Weill Songs Violoncelle, Piano [Partition + CD] Universal Edition
(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Co...(+)
(Violoncello and Piano
with CD of Performance
and Play-Along Tracks
Book/CD). Composed by
Kurt Weill (1900-1950).
Arranged by Martin
Reiter. For Cello, Piano
Accompaniment. String
Solo. Universal Edition
#UE34682. Published by
Universal Edition
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by
Anna
Catharina Nimczik. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. Op. 112. 16
pages.
Schott Music #SE1023.
Published by Schott Music
Hot Cello 3 Violoncelle, Piano [Partition + CD] Schott
18 Advanced Pop Pieces Cello and Piano Book/CD. Composed by Gabriel Koeppen. S...(+)
18 Advanced Pop Pieces
Cello
and Piano Book/CD.
Composed
by Gabriel Koeppen.
String
Solo. Classical.
Softcover
with CD. 36 pages. Schott
Music #ED22740. Published
by
Schott Music
Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduc...(+)
Fantasy On Little Russian
Songs For Violoncello And
Orchestra (cello/piano
reduction). (Cello and
Piano Reduction). By
David Popper (1843-1913).
Cello-Bibliothek (Cello
Library). Piano reduction
with solo part. 38 pages.
Schott Music #CB194.
Published by Schott Music
(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kann...(+)
(Cello and Piano).
Composed by Johannes
Brahms (1833-1897).
Edited by Claus
Kanngiesser, Egon Voss,
Johannes Behr, and Klaus
Schilde. For Cello, Piano
Accompaniment. Henle
Music Folios. G. Henle
#HN1134. Published by G.
Henle
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Violoncello, Piano. Sco...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Violoncello,
Piano. Score; Single
Part; Urtext Edition.
Published by
Baerenreiter-Ausgaben
(German import).
Violoncello and Piano (Violin An Cello) SKU: HL.50511962 Per violoncel...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511962
Per
violoncello solo, con
violini e basso
continuo. Composed by
Nicola Porpora. Baroque.
EMB. Piano score. Editio
Musica Budapest #Z12802.
Published by Editio
Musica Budapest
(HL.50511962).
ISBN
9790080128022. A/4
inches. Nicola Porpora;
Gyorgy Orban; Arpad
Pejtsik.
The source
of the present edition is
preserved in the Archivio
di Stato, Bologna.
Editorial principles: In
the score, the number of
editorial interventions
has been kept to a
minimum. The original
dynamic and expression
markings are extremely
few and far between, but
precise. Only three
dynamic levels are
specified: forte, dolce (
= piano) and dolce assai
( = pianissimo). As
regards expression
markings we note the
complete absence of the
legato sign, though the
appoggiatura, staccato,
trill and two different
types of bow-vibrato
(both in association with
dolce or dolce assai) can
all be found. It is a
well known fact that 18th
century vibrato, obtained
not by a movement of the
left hand but rather by a
variation in the pressure
of the bow, was an
expressive effect to be
used with discretion and
not, as today, a constant
means of sound
production. Territorial
restrictions may apply.
Please ask before
ordering.
(Cello and Piano). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Cello and Piano).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Ernst-G�¼nter
Heinemann. For Cello,
Piano Accompaniment.
Henle Music Folios.
Softcover. G. Henle
#HN1294. Published by G.
Henle
Piano Trio SKU: HL.48186475 Composed by Gaussin Allain. Leduc. 80 pages. ...(+)
Piano Trio
SKU:
HL.48186475
Composed
by Gaussin Allain. Leduc.
80 pages. Alphonse Leduc
#AL30735. Published by
Alphonse Leduc
(HL.48186475).
UPC:
888680828189. 9.5x12
inches.
“Alla
in Gaussin: Les
céphéides,
trio for violin, cello
and piano - AL 30 735 For
more than forty years,
Allain Gaussin,
fascinated by
astrophysics, has found a
major source of
inspiration in observing
the cosmos, as attest a
number of works going
from Vent solaire (1974)
to Philae (2015), by way
of L'Harmonie des
sphères (2006).
Ten years later, the
'Messiaen du Pays de la
Meije' Festival hosted
the first performance of
the piano trio Les
Céphéides.
The musical journey
enables the listener to
enter a space 'just as
impalpable and fragile'
as that in which moves
each Cepheid variable '
this star whose
brightness varies over
regular periods according
to two elements: the
diameter of the heavenly
body and the temperature
reading of its
surface.
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
Cello, Piano SKU: PR.UE008600 For Cello and Chamber Orchestra. Com...(+)
Cello, Piano
SKU:
PR.UE008600
For
Cello and Chamber
Orchestra. Composed
by Alexander Tcherepnine.
This edition: Edition For
Cello And Piano. With
Standard notation. Opus
37 Number 2. Universal
Edition #UE008600.
Published by Universal
Edition (PR.UE008600).
(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). B...(+)
(10 Solo Pieces from
Pablo Casals' Repertoire
for Cello and Piano
Accompanim). By Pablo
Casals Ernest Bloch.
Edited by Marion Feldman,
Pablo Casals. Arranged by
Theodore Moses-Tobani.
For Cello, Piano. 76
pages. Published by Carl
Fischer
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.