From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Cello & Piano SKU: SU.28060070 For Cello & Piano. Composed by Jess...(+)
Cello & Piano
SKU:
SU.28060070
For
Cello & Piano.
Composed by Jesse Jones.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#28060070. Published by
Subito Music Corporation
(SU.28060070).
A lyrical and
large-arcing piece that
vacillates between
romantic pathos,
impressionist sound
painting, and tumultuous
virtuosity. cello & piano
Duration: 11' Composed:
2012 Published by:
Distributed Composer.
(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edwar...(+)
(Violoncello and Piano
With Marked and Unmarked
String Parts). Composed
by Edward Elgar
(1857-1934). Edited by
Claus Kanngiesser, Rolf
Koenen, and Rupert
Marshall-Luck. For Cello,
Piano Accompaniment.
Henle Music Folios.
Softcover. 8 pages. G.
Henle #HN1189. Published
by G. Henle
Hot Cello 3 Violoncelle, Piano [Partition + CD] Schott
18 Advanced Pop Pieces Cello and Piano Book/CD. Composed by Gabriel Koeppen. S...(+)
18 Advanced Pop Pieces
Cello
and Piano Book/CD.
Composed
by Gabriel Koeppen.
String
Solo. Classical.
Softcover
with CD. 36 pages. Schott
Music #ED22740. Published
by
Schott Music
Fingerprints for Cello and Piano. (Grade 1-4). For Cello and Piano. Book; Method...(+)
Fingerprints for Cello
and Piano. (Grade 1-4).
For Cello and Piano.
Book; Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024838 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024838
Cello
and Piano Reduction.
Composed by Magnus
Lindberg. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 100 pages.
Duration 1500 seconds.
Bote & Bock #M060123436.
Published by Bote & Bock
(HL.48024838).
ISBN
9780851627946. UPC:
840126908787.
9.0x12.0x0.256
inches.
Commissione
d by the Orchestre de
Paris, and first
performed by them in 1999
with soloist Anssi
Karttunen, conducted by
Esa-Pekka Salonen. The
work is cast in a
25-minute span punctuated
by an improvised cadenza.
Performers not wishing to
improvise may substitute
Boria from Lindbergs solo
cello suite Partia, which
is included in the
publication. Diapason
commented, The writing is
homogeneous, virtuosic,
energetic, with the cello
up near the bridge almost
without interruption in a
highly taut style which
travels at a quickstep
through all the
possibilities of the
instrument. Those
possibilities include
scordatura (for both
soloist and orchestral
cellos) and the so-called
'seagull' glissando.
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By Pam Wedgwood. For Cello and Piano. Book; Method/Instruction; String - Cello S...(+)
By Pam Wedgwood. For
Cello and Piano. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition: After Hours.
Published by Faber Music
Grade 3-4. Composed by Pam Wedgwood. Series; String - Cello Studies or Collectio...(+)
Grade 3-4. Composed by
Pam Wedgwood. Series;
String - Cello Studies or
Collection. Faber
Edition: Up-Grade!
Series. Book. Faber Music
#12-0571519636. Published
by Faber Music
Violoncelle, Piano [Partition] - Intermédiaire Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...(+)
Everybody's Favorite
Series, Volume 40.
Composed by Various.
Music Sales America.
Classical. Softcover. 192
pages. Music Sales
#AM40205. Published by
Music Sales