Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. The
Giant Sheet Music
Collection. Contemporary
Christian; Sacred. 244
pages. Published by
Alfred Music Publishing
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1723. BWV 60. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.060/14. Published by
Carus Verlag
(CA.3106014).
ISBN
9790007043452. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Study score.
Composed 1723. BWV 60. 64
pages. Duration 20
minutes. Carus Verlag #CV
31.060/07. Published by
Carus Verlag
(CA.3106007).
ISBN
9790007043407. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Set of Orchestra
Parts. Composed 1723. BWV
60. Duration 20 minutes.
Carus Verlag #CV
31.060/19. Published by
Carus Verlag
(CA.3106019).
ISBN
9790007134044. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and parts available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Viola. Composed 1723. BWV
60. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.060/13. Published by
Carus Verlag
(CA.3106013).
ISBN
9790007043445. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Choral Score.
Composed 1723. BWV 60. 2
pages. Duration 20
minutes. Carus Verlag #CV
31.060/05. Published by
Carus Verlag
(CA.3106005).
ISBN
9790007043391. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score available
separately - see item
CA.3106000.
Soli ATB, SATB Choir, 2 Obda, Cor, 2 Vl, Va, Bc - Level 3 SKU: CA.3106049 ...(+)
Soli ATB, SATB Choir, 2
Obda, Cor, 2 Vl, Va, Bc -
Level 3
SKU:
CA.3106049
Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, End of
the church year, Whitsun.
Single Part, Organ.
Composed 1723. BWV 60. 24
pages. Duration 20
minutes. Carus Verlag #CV
31.060/49. Published by
Carus Verlag
(CA.3106049).
Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Full score.
Composed 1723. BWV 60. 60
pages. Duration 20
minutes. Carus Verlag #CV
31.060/00. Published by
Carus Verlag
(CA.3106000).
ISBN
9790007043377. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen
Geist..
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: O Ewigkeit,
du Donnerwort. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Single Part,
Violin 1. Composed 1723.
BWV 60. 8 pages. Duration
20 minutes. Carus Verlag
#CV 31.060/11. Published
by Carus Verlag
(CA.3106011).
ISBN
9790007043421. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and part available
separately - see item
CA.3106000.
Kantate zum 24.
Sonntag nach
Trinitatis. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.060/21 oboe d'amore 1,
1x 31.060/22 oboe d'amore
2, 1x 31.060/31 horn, 1x
31.060/32 trumpet. German
title: O Ewigkeit, du
Donnerwort 4. Sacred
vocal music, Cantatas,
End of the church year,
Whitsun. Set of Orchestra
Parts. Composed 1723. BWV
60. 16 pages. Duration 20
minutes. Carus Verlag #CV
31.060/09. Published by
Carus Verlag
(CA.3106009).
ISBN
9790007043414. Key: D
major / a major.
Language:
German/English.
The
cantata Eternity, O
awesome word BWV 60,
which belongs to Bach's
first Leipzig annual
cycle and was written for
the 24th Sunday after
Trinity Sunday, is one of
Bach's few dialog
cantatas. It deals with
the conflict between
Dread (contralto) and
Hope (tenor) in the face
of death, which is
already the topic of the
expansive opening chorale
arrangement . Using a
device which was
surprisingly dramatic for
a Baroque church cantata,
the bass joins in as a
third vocal part
(functioning as Vox
Christi) in the
penultimate movement -
the recitative Der Tod
bleibt doch der
menschlichen Natur
verhasst (Dread) - with
the Bible quote Blessed
are the dead which die in
the Lord. This also
convinces Dread and leads
into the concluding
chorale Es ist genug, so
nimm Herr meinen Geist..
Score and parts available
separately - see item
CA.3106000.
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
By Johannes Brahms. For Choir. (SATB with S,Bar Soli). Choral Worship Cantata. ...(+)
By Johannes Brahms. For
Choir. (SATB with S,Bar
Soli). Choral Worship
Cantata. Kalmus Edition.
Masterwork; Sacred. Book.
96 pages. Published by
Alfred Publishing.
(Easy Piano). Arranged by Carol Tornquist. For Piano. This edition: Easy Piano. ...(+)
(Easy Piano). Arranged by
Carol Tornquist. For
Piano. This edition: Easy
Piano. Book; Piano - Easy
Piano Collection. The
Giant Book of Sheet
Music. Contemporary
Christian; Sacred. Easy
Piano. 148 pages.
Published by Alfred Music
By Johannes Brahms (1833-1898). Edited by Lara Hoggard. Arranged by Johannes Bra...(+)
By Johannes Brahms
(1833-1898). Edited by
Lara Hoggard. Arranged by
Johannes Brahms
(1833-1898). Text:
Biblical; Translated by
Lara Hoggard; Text
editor: Lara Hoggard. For
Piano accompaniment.
(SATB with Soprano & Bass
Solos). Sacred, Concert.
Level: Medium Advanced
Adult. Published by
Hinshaw Music Inc.