By Freddie Mercury. Arranged by Andrea Ravizza. Concert band. As performed by th...(+)
By Freddie Mercury.
Arranged by Andrea
Ravizza. Concert band. As
performed by the Queen.
Pop Music. Level: Grade
3. Score and set of
parts. Duration 2:40.
Published by Scomegna
Edizioni Musicali
(Italian import).
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches.
Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!
Mercury Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910271-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0910271-010
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910271-010. Published by
De Haske Publications
(BT.DHP-0910271-010).
Mercury is a
concert march composed in
a typically British
idiom. In 1990, Jan Van
der Roost wrote this
piece on the occasion of
the 15-year anniversary
of his own band: Brass
Band Midden Brabant. Like
many British marches, the
main theme is written in
a minor key. Powerful and
virtuoso themes
characterize the first
part of this march, while
the trio melody is much
more melodical, offering
the tenor register to
display its lyrical
skills. Follows a dynamic
passage for trombones and
trumpets/cornets, leading
to a grandioso version of
the main trio melody and
thus concluding this
march in a magnificent
way.
Een stevige
concertmars met een trio
van een ongekende
schoonheid. Een
klassieker binnen het
blaasmuziekrepertoire.
Mercury
ist ohne Zweifel einer
der weltweit bekanntesten
Märsche für
Blasorchester er stammt
aus der Feder des
belgischen Komponisten
Jan Van der Roost.
Mercury Rising Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score & Parts) - Grade 6 SKU: HL.4006437 Composed by Philip...(+)
Concert Band (Score &
Parts) - Grade 6
SKU:
HL.4006437
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 205 seconds.
Anglo Music Press #AMP
483-010. Published by
Anglo Music Press
(HL.4006437).
UPC:
888680989965. 9.0x12.0
inches.
Mercury
Rising was commissioned
by sinfonisches
blasorchester wehdel and
its conductor Thomas
Ratzek, to celebrate
their 50th anniversary in
2018. They premiered this
piece in their
half-century concert on
2nd November 2018 in the
Bremerhaven Stadttheater
in Germany. Designed as a
virtuosic and lively
opener, Mercury Rising
opens with nervous energy
and driving, syncopated
rhythms in a blaze of
colour. The horns and
saxophones then introduce
a broad melody, which the
trumpets subsequently
take up after a change of
tonality. A quieter
moment introduces a
distant fanfare on muted
horns over bubbling
semiquavers in the low
clarinets. This is
interrupted by a
passionate tenor melody
but soon returns on the
full brass section,
accompanied by echoes of
the opening woodwind
figuration, and is
extended to bring the
piece to a triumphant
close.
By Gustav Holst. Arranged by James Ancona. Percussion Ensemble. For 2 glockenspi...(+)
By Gustav Holst. Arranged
by James Ancona.
Percussion Ensemble. For
2 glockenspiels, 2
xylophones, 2
vibraphones, 2 marimbas
(low A), 5 timpani, small
suspended cymbal, 2
triangles. (10 players).
Level: Intermediate.
Duration 2:00. Published
by Tapspace Publications.
Concert Band (Score) SKU: HL.4006438 Composed by Philip Sparke. Anglo Mus...(+)
Concert Band (Score)
SKU: HL.4006438
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert.
Hardcover. Duration 205
seconds. Anglo Music
Press #AMP 483-010.
Published by Anglo Music
Press (HL.4006438).
UPC:
888680989972.
Mercu
ry Rising was
commissioned by
sinfonisches
blasorchester wehdel and
its conductor Thomas
Ratzek, to celebrate
their 50th anniversary in
2018. They premiered this
piece in their
half-century concert on
2nd November 2018 in the
Bremerhaven Stadttheater
in Germany. Designed as a
virtuosic and lively
opener, Mercury Rising
opens with nervous energy
and driving, syncopated
rhythms in a blaze of
colour. The horns and
saxophones then introduce
a broad melody, which the
trumpets subsequently
take up after a change of
tonality. A quieter
moment introduces a
distant fanfare on muted
horns over bubbling
semiquavers in the low
clarinets. This is
interrupted by a
passionate tenor melody
but soon returns on the
full brass section,
accompanied by echoes of
the opening woodwind
figuration, and is
extended to bring the
piece to a triumphant
close.
Mercury Rising Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band - Grade 1 SKU: XC.DCB2009FS Composed by Gene Milford. Da Cap...(+)
Concert Band - Grade 1
SKU: XC.DCB2009FS
Composed by Gene Milford.
Da Capo Band Series.
Concert and Contest.
Concert and contest.
Score. Excelcia Music
Publishing #DCB2009FS.
Published by Excelcia
Music Publishing
(XC.DCB2009FS).
UPC:
812598033830. 9 x 12
inches.
Mercury
Rising is an uplifting
work for beginning band
by Gene Milford. With
plenty of opportunity for
reinforcement of tutti
playing, this work
features many
call-and-response between
choirs in the
ensemble.
Mercury Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0910271-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0910271-020
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910271-020. Published by
De Haske Publications
(BT.DHP-0910271-020).
Mercury is a
concert march composed in
a typically British
idiom. In 1990, Jan Van
der Roost wrote this
piece on the occasion of
the 15-year anniversary
of his own band: Brass
Band Midden Brabant. Like
many British marches, the
main theme is written in
a minor key. Powerful and
virtuoso themes
characterize the first
part of this march, while
the trio melody is much
more melodical, offering
the tenor register to
display its lyrical
skills. Follows a dynamic
passage for trombones and
trumpets/cornets, leading
to a grandioso version of
the main trio melody and
thus concluding this
march in a magnificent
way.
(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy...(+)
(Crazy Little Thing
Called
Love with It's Still Rock
and
Roll to Me). By Billy
Joel
and Queen. By Billy Joel
and
Freddie Mercury. Arranged
by
Tom Anderson. Pop Choral
Series. Classic Rock,
Show
Choir, Medley, Pop, Rock.
Octavo. Published by Hal
Leonard
Mercury Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-0910271-030 Composed by Jan Van der Roos...(+)
Brass Band - Grade 4
SKU:
BT.DHP-0910271-030
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910271-030. Published by
De Haske Publications
(BT.DHP-0910271-030).
Mercury is a
concert march composed in
a typically British
idiom. In 1990, Jan Van
der Roost wrote this
piece on the occasion of
the 15-year anniversary
of his own band: Brass
Band Midden Brabant. Like
many British marches, the
main theme is written in
a minor key. Powerful and
virtuoso themes
characterize the first
part of this march, while
the trio melody is much
more melodical, offering
the tenor register to
display its lyrical
skills. Follows a dynamic
passage for trombones and
trumpets/cornets, leading
to a grandioso version of
the main trio melody and
thus concluding this
march in a magnificent
way.
Een stevige
concertmars met een trio
van een ongekende
schoonheid. Een
klassieker binnen het
blaasmuziekrepertoire.
Dieser
majestätische Marsch
mit seinem einzigartigen
Trioteil ist ein
absoluter Klassiker und
sollte in keinem
Brass-Band-Repertoire
fehlen.
Orchestra Orchestra SKU: PR.416414050 Flute and Chamber Orchestra....(+)
Orchestra Orchestra
SKU: PR.416414050
Flute and Chamber
Orchestra. Composed
by Carter Pann. Premiere:
River Oaks Chamber
Orchestra; Houston, TX.
Contemporary. Full score.
With Standard notation.
Composed 2009. 106 pages.
Duration 23 minutes.
Theodore Presser Company
#416-41405. Published by
Theodore Presser Company
(PR.416414050).
UPC:
680160600984. 8.5 x 11
inches.
A major
three-movement work of 23
minutes, Carter
Pann’s MERCURY
CONCERTO was commissioned
for flute virtuoso
Christina Jennings,
Pann’s colleague
at University of Colorado
at Boulder. The
commission and premiere
came from the River Oaks
Chamber Orchestra where
Jennings is the principal
flutist. Pann describes
the title as referring to
the music’s
fleeting virtuosity and
mercurial spirit.
Orchestra Orchestra SKU: PR.41641405L Flute and Chamber Orchestra....(+)
Orchestra Orchestra
SKU: PR.41641405L
Flute and Chamber
Orchestra. Composed
by Carter Pann. Premiere:
River Oaks Chamber
Orchestra; Houston, TX.
Contemporary. Large
Score. With Standard
notation. Composed 2009.
106 pages. Duration 23
minutes. Theodore Presser
Company #416-41405L.
Published by Theodore
Presser Company
(PR.41641405L).
UPC:
680160600991. 11 x 17
inches.
A major
three-movement work of 23
minutes, Carter
Pann’s MERCURY
CONCERTO was commissioned
for flute virtuoso
Christina Jennings,
Pann’s colleague
at University of Colorado
at Boulder. The
commission and premiere
came from the River Oaks
Chamber Orchestra where
Jennings is the principal
flutist. Pann describes
the title as referring to
the music’s
fleeting virtuosity and
mercurial spirit.
(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy...(+)
(Crazy Little Thing
Called
Love with It's Still Rock
and
Roll to Me). By Billy
Joel
and Queen. By Billy Joel
and
Freddie Mercury. Arranged
by
Tom Anderson. Pop Choral
Series. Classic Rock,
Show
Choir, Medley, Pop, Rock.
Octavo. Published by Hal
Leonard
Mercury Rising Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB2009 Composed by Gene Milf...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB2009
Composed
by Gene Milford. Da Capo
Band Series. Concert and
Contest. Concert and
contest. Set of parts.
Excelcia Music Publishing
#DCB2009. Published by
Excelcia Music Publishing
(XC.DCB2009).
UPC:
812598033212. 9 x 12
inches.
Mercury
Rising is an uplifting
work for beginning band
by Gene Milford. With
plenty of opportunity for
reinforcement of tutti
playing, this work
features many
call-and-response between
choirs in the
ensemble.
Guitar SKU: SU.80119502 For Guitar. Composed by Meyer Kupferman. G...(+)
Guitar
SKU:
SU.80119502
For
Guitar. Composed by
Meyer Kupferman. Guitar,
Solo Guitar. Score.
Subito Music Corporation
#80119502. Published by
Subito Music Corporation
(SU.80119502).
Guitar
Composed: 1995 Published
by: Soundspells
Productions Mercury
(1995) is an intense moto
perpetuo for solo guitar,
composed for Roberto
Limon.
(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy...(+)
(Crazy Little Thing
Called
Love with It's Still Rock
and
Roll to Me). By Billy
Joel
and Queen. By Billy Joel
and
Freddie Mercury. Arranged
by
Tom Anderson. Pop Choral
Series. Classic Rock,
Show
Choir, Medley, Pop, Rock.
Octavo. Published by Hal
Leonard
Large orchestra (Score) SKU: HL.49015932 Suite. Composed by Gustav...(+)
Large orchestra (Score)
SKU: HL.49015932
Suite. Composed by
Gustav Holst. Edited by
Colin Matthews and Imogen
Holst. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Op. 32. 196 pages.
Duration 52'. Eulenburg
Edition #ETP 8007.
Published by Eulenburg
Edition (HL.49015932).
ISBN 9783795768775.
UPC: 841886001879.
7.5x10.5x0.477
inches.
Preface *
Faksimile * The Planets:
* 1. Mars, the bringer of
war * 2. Venus, the
bringer of peace * 3.
Mercury, the winged
messenger * 4. Jupiter,
the bringer of jollity *
5. Saturn, the bringer of
old age * 6. Uranus, the
magician * 7. Neptune,
the mystic.
Quicksilver Saxophone Alto et Piano Theodore Presser Co.
Chamber Music Piano, alto Saxophone SKU: PR.114419850 Composed by Stacy G...(+)
Chamber Music Piano, alto
Saxophone
SKU:
PR.114419850
Composed
by Stacy Garrop. Sws. See
lengthy program note on
prefatory page. Set of
Score and Parts. 44+24
pages. Duration 23
minutes. Theodore Presser
Company #114-41985.
Published by Theodore
Presser Company
(PR.114419850).
ISBN
9781491135808. UPC:
680160681044. 9 x 12
inches.
Both a
spectacular concerto for
saxophone, and a dramatic
tone poem on Roman
mythology, QUICKSILVER is
a 23-minute concerto for
Alto Saxophone and Wind
Ensemble by one of the
sax literature’s
most commissioned and
admired composers.Through
worded captions as well
as gorgeously expressive
tone painting, Movement 1
depicts the birth and
childhood pranks of
Mercury, Movement 2 shows
him escorting souls to
the gates of the
Underworld, and Movement
3 is a phantasmagoric
finale portraying Mercury
as messenger amid the
conflicts of other
mythological figures.
There are many YouTube
performances available,
both in the original
version with Wind
Ensemble, and with
Piano. In addition to
being another name for
the element mercury,
“quicksilverâ€
is used to describe
something that changes
quickly or is difficult
to contain. My concerto
of the same name was
inspired by the Roman god
Mercury, as well as the
mercurial nature of the
saxophone: unpredictable,
very lively, and
volatile. Mercury (known
as Hermes in Greek
mythology) is best known
for his winged shoes,
which allowed him to fly
swiftly as the messenger
of his fellow Olympians.
Mercury had other duties
too, including serving as
the god of merchants,
travelers, and
tricksters; he also
ushered souls of the
departed to the
Underworld.Quicksilver
tells three tales of the
Roman god. The first
movement (Antics of a
Newborn God) opens with
the birth of Mercury;
after he takes his first
steps, he toddles around,
gleefully looking for
mischief. He stumbles
across a herd of cows
that belong to his
brother Apollo; Mercury
slyly lets the cows out
of their pen before
toddling onward with his
mischief-making.In the
second movement (Guiding
Souls to the Underworld),
Pluto, god of the
Underworld, bids Mercury
to bring him fresh souls.
The movement begins with
death-knells tolling for
humans who are about to
die; Mercury picks up
these souls and leads
them down to the gates of
the Underworld.The third
and final movement
(Messenger of Olympus)
depicts Mercury as he is
busily running errands
for various gods and
goddesses. We first
encounter him mid-flight
as he dashes to earth to
find Aeneas, a Trojan
lieutenant who had been
run out of Troy by the
invading Greeks. Aeneas
is on a quest to find
land on which to
establish a new city that
would eventually become
Rome. While traveling, he
is distracted from his
quest when he meets the
beautiful queen Dido.
They live together for
many years before Mercury
intervenes; he chastises
Aeneas for giving up on
his quest and persuades
him to pick it up again.
As Aeneas mournfully
resumes his journey, we
hear Dido perish of a
broken heart. Mercury
then takes to the skies
to seek out Perseus, who
is preparing to kill
Medusa, the hideous
gorgon who has snakes for
hair and a gaze that
turns those who catch her
glance into stone.
Mercury advises Perseus
on how to slay Medusa and
lends Perseus his sword
to do the deed. We hear
Perseus victorious in the
beheading of Medusa,
after which Mercury takes
to the skies once more to
fly home to Olympus.
Somebody To Love Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125261-010 As Performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1125261-010
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Set (Score
and Parts). Composed
2011. De Haske
Publications #DHP
1125261-010. Published by
De Haske Publications
(BT.DHP-1125261-010).
9x12 inches.
English-German-French-Dut
ch.
Somebody to
Love, from rock
legends Queen, is one of
the most popular rock
ballads of all time.
Taking its inspiration
from gospel choirs, the
bandâ??s vocal lines
were multiplied many
times over to create a
full choral sound. This
layered effect has been
carefully preserved in
Peter Kleine Schaarsâ??
powerful arrangement for
concert band.
Somebody to
Love komt van het
album A Day at the
Races van Queen uit
1976. Het is een
rockballad. Ge nspireerd
door het gezang van
gospelkoren,
vermenigvuldigden ze hier
de stemmen van Freddie
Mercury, Brian May en
RogerTaylor tot een
gigantisch koor. Dit
zorgde voor een heel
speciale sound. En juist
dit bijzondere geluid
weet Peter Kleine Schaars
heel goed te behouden in
zijn bewerking voor
orkest.
Somebod
y to Love ist eine
Rockballade aus dem Album
A Day at the Races
von 1976. Inspiriert vom
Gesang von
Gospelchören, wurden
fu?r die Aufnahme die
Stimmen von Freddie
Mercury, Brian May und
Roger Taylor zu einem
riesigen Chor
vervielfacht, was fu?r
den speziellen Sound des
Titels sorgte. Dieses
besondere Feeling ist
auch in der
Blasorchesterbearbeitung
von Peter Kleine Schaars
sehr schön erhalten.
Somebody to
Love è una ballata
rock dallâ??album A
Day at the Races del
1976. Ispirato dalla
musica gospel, le voci di
Freddie Mercury, Brian
May e Roger Taylor sono
state amplificate per
divenire un enorme coro
gospel. Un arrangiamento
molto particolare e di
sicuro effetto.
Somebody To Love Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125261-140 As Performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1125261-140
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Score Only.
Composed 2011. 20 pages.
De Haske Publications
#DHP 1125261-140.
Published by De Haske
Publications
(BT.DHP-1125261-140).
9x12 inches.
English-German-French-Dut
ch.
Somebody to
Love, from rock
legends Queen, is one of
the most popular rock
ballads of all time.
Taking its inspiration
from gospel choirs, the
band’s vocal lines
were multiplied many
times over to create a
full choral sound. This
layered effect has been
carefully preserved in
Peter Kleine
Schaars’ powerful
arrangement for concert
band.
Somebody
to Love komt van het
album A Day at the
Races van Queen uit
1976. Het is een
rockballad. Ge nspireerd
door het gezang van
gospelkoren,
vermenigvuldigden ze hier
de stemmen van Freddie
Mercury, Brian May en
RogerTaylor tot een
gigantisch koor. Dit
zorgde voor een heel
speciale sound. En juist
dit bijzondere geluid
weet Peter Kleine Schaars
heel goed te behouden in
zijn bewerking voor
orkest.
Somebod
y to Love ist eine
Rockballade aus dem Album
A Day at the Races
von 1976. Inspiriert vom
Gesang von
Gospelchören, wurden
für die Aufnahme
die Stimmen von Freddie
Mercury, Brian May und
Roger Taylor zu einem
riesigen Chor
vervielfacht, was
für den speziellen
Sound des Titels sorgte.
Dieses besondere Feeling
ist auch in der
Blasorchesterbearbeitung
von Peter Kleine Schaars
sehr schön erhalten.
Somebody to
Love è una ballata
rock dall’album
A Day at the Races
del 1976. Ispirato dalla
musica gospel, le voci di
Freddie Mercury, Brian
May e Roger Taylor sono
state amplificate per
divenire un enorme coro
gospel. Un arrangiamento
molto particolare e di
sicuro effetto.
We Are The Champions Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1185965-070 As Perform...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1185965-070
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Anthony Gröger. De
Haske Pops for String
Quartet. Pop and Rock.
Set (Score and Parts).
Composed 2018. De Haske
Publications #DHP
1185965-070. Published by
De Haske Publications
(BT.DHP-1185965-070).
ISBN 9789043154505.
English-German-French-Dut
ch.
Queen are known
not only for their
stylistic diversity, but
also for their
over-the-top theatrics
during concerts and in
videos. This helped give
them the staying power to
have hit songs for over
twenty years! One of
their biggest, instantly
recognised hits is the
rock-anthem We Are the
Champions, written by
Freddie Mercury. This
monster hit is now
available in an energetic
string quartet
arrangement by Anthony
Gröger.
Queen
is niet alleen gekend om
hun muziek in diverse
stijlen, maar ook om hun
theatrale uitvoeringen
tijdens concerten en in
videoclips. Een van hun
grootste hits is het
rocknummer We Are the
Champions, geschreven
door Freddie Mercury.
Deze monsterhit is nu
beschikbaar in een
meesleepend arrangement
voor strijkkwartet
bewerkt door Anthony
Gröger.
Neben
der stilistischen
Vielseitigkeit ist das
Theatralische und
Pompöse eines der
Erkennungsmerkmale der
Musik von Queen und zwar
offensichtlich durchaus
im positiven Sinne, wie
der zeitlose Erfolg ihrer
Hits beweist! Ein
Paradebeispiel dafu r ist
die Rockhymne We Are
the Champions aus der
Feder von Freddie
Mercury, die nun in einer
mitreiÃ?enden
Streichquartettbearbeitun
g von Anthony Gröger
vorliegt.
Somebody To Love Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185966-020 As Performed by Queen(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1185966-020
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2018. De Haske
Publications #DHP
1185966-020. Published by
De Haske Publications
(BT.DHP-1185966-020).
Somebody to
Love, from rock
legends Queen, is one of
the most popular rock
ballads of all time.
Taking its inspiration
from gospel choirs, the
band’s vocal lines
were multiplied many
times over to create a
full choral sound. This
layered effect has been
carefully preserved in
Peter Kleine
Schaars’ powerful
arrangement for fanfare
band.
Somebody
to Love komt van het
album A Day at the
Races van Queen uit
1976. Het is een
rockballad. Ge nspireerd
door het gezang van
gospelkoren,
vermenigvuldigden ze hier
de stemmen van Freddie
Mercury, Brian May en
Roger Taylor tot een
gigantisch koor. Dit
zorgde voor een heel
speciale sound. En juist
dit bijzondere geluid
weet Peter Kleine Schaars
heel goed te behouden in
zijn bewerking voor
orkest.
Somebody to
Love ist eine
Rockballade aus dem Album
A Day at the Races
von 1976. Inspiriert vom
Gesang von
Gospelchören, wurden
fu r die Aufnahme die
Stimmen von Freddie
Mercury, Brian May und
Roger Taylor zu einem
riesigen Chor
vervielfacht, was fu r
den speziellen Sound des
Titels sorgte. Dieses
besondere Feeling ist
auch in der
Fanfarebearbeitung von
Peter Kleine Schaars sehr
schön erhalten.
Somebody To Love Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185966-120 As Performed by Queen(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1185966-120
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2018. 16 pages. De Haske
Publications #DHP
1185966-120. Published by
De Haske Publications
(BT.DHP-1185966-120).
Somebody to
Love, from rock
legends Queen, is one of
the most popular rock
ballads of all time.
Taking its inspiration
from gospel choirs, the
band’s vocal lines
were multiplied many
times over to create a
full choral sound. This
layered effect has been
carefully preserved in
Peter Kleine
Schaars’ powerful
arrangement for fanfare
band.
Somebody
to Love komt van het
album A Day at the
Races van Queen uit
1976. Het is een
rockballad. Ge nspireerd
door het gezang van
gospelkoren,
vermenigvuldigden ze hier
de stemmen van Freddie
Mercury, Brian May en
Roger Taylor tot een
gigantisch koor. Dit
zorgde voor een heel
speciale sound. En juist
dit bijzondere geluid
weet Peter Kleine Schaars
heel goed te behouden in
zijn bewerking voor
orkest.
Somebody to
Love ist eine
Rockballade aus dem Album
A Day at the Races
von 1976. Inspiriert vom
Gesang von
Gospelchören, wurden
fu r die Aufnahme die
Stimmen von Freddie
Mercury, Brian May und
Roger Taylor zu einem
riesigen Chor
vervielfacht, was fu r
den speziellen Sound des
Titels sorgte. Dieses
besondere Feeling ist
auch in der
Fanfarebearbeitung von
Peter Kleine Schaars sehr
schön erhalten.