(Classic Christmas Hits). By Pam Wedgwood. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Faber Edition: Jazzin' About. Christmas; Jazz; Winter. Late Intermediate. Published by Faber Music

By Melody Bober. For Piano. Composers In Focus. From the smooth and lyrical Reminiscence to the upbeat Summer Samba, a full range of styles provides students with a variety of artistic challenges. Contents include: Summer Samba; Reminiscence; The Phantom; Hometown Hoedown. Level: Intermediate/Late Intermediate. Book. Published by The FJH Music Company, Inc.

By Pam Wedgwood. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Faber Edition: Jazzin' About. Jazz. Intermediate. Published by Faber Music

By Carol Matz. For Piano. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Sheet. Signature Series. Early Intermediate. 8 pages. Published by Alfred Music

By Nancy Faber, Randall Faber. For Piano. Piano Adventures. Methods. Level: Grade 1. Book. Published by The FJH Music Company Inc.

Arranged by Johnnie Vinson. Score and full set of parts. Discovery Concert Band. Grade 1.5. Published by Hal Leonard.

String Festival Solos, Volume 1 (Violin Solo). Edited by Sel., transcr., and ed. Samuel Applebaum. For Violin Solo. String Series. Grade 1; Grade 1.5; Grade 2. Book. 16 pages. Published by Alfred Music Publishing

Deluxe Guitar Play-Along Volume 1. By Various. Deluxe Guitar Play-Along. Softcover Audio Online. 136 pages. Published by Hal Leonard

By Kevin Costley. For Piano. The FJH Piano Ensemble Series. Level: Early Intermediate. Duet Sheet. Published by The FJH Music Company Inc.

Piano - Initial-Grade 1

SKU: TL.TCL012890

Repertoire. CD. Trinity College London #TCL 012890. Published by Trinity College London (TL.TCL012890).

ISBN 9780857363367.

By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Music Press.

Keyboard Style Series. Performed by Various. Keyboard instruction. Book and CD Package. Size 9x12 inches. 80 pages. Published by Hal Leonard.

Piano

SKU: HF.FH-3531

10 Stucke fur Rock- und Pop-Klavier. Composed by Mona Liese (Lieselotte Reznicek). Sheet music. Friedrich Hofmeister Musikverlag #FH 3531. Published by Friedrich Hofmeister Musikverlag (HF.FH-3531).

ISBN 9790203435310. 9 x 12 inches.

1. Singing; 2. Smoothing; 3. Swinging; 4. Playing; 5. Loving; 6. Blue Evening; 7. Tango Dancing; 8. Dreaming; 9. Rock 'n Rolling; 10. Happening.

By Steve Hodges. By Steve Hodges. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score. Published by Alfred Publishing.

By Steve Hodges. By Steve Hodges. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(Sextet). By Steve Davis. For Jazz Ensemble. Second Floor Music-Jazz. Published by Second Floor Music

(Grade 1.5 - Score Only). By James Curnow. Curnow Music Concert Band. Grade 1.5. 19 pages. Curnow Music #088605. Published by Curnow Music

By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score

By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Challenger Band Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score. 8 pages. Published by Alfred Publishing.

Piano

SKU: AP.44697

Book 1. Composed by Tom Gerou. Method/Instruction; Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Broadway; Movie; Pop. Book. 40 pages. Alfred Music #00-44697. Published by Alfred Music (AP.44697).

ISBN 9781470627331. UPC: 038081508139. English.

Alfred's Basic Adult Piano Course: Popular Hits answers the often- expressed need for a variety of supplementary material in many different popular styles. Soon after beginning piano study, students can play attractive versions of the best-known music of today. This book is correlated page-by-page with Lesson Book 1 of Alfred's Basic Adult Piano Course and Level 1 of Alfred's Basic Adult All-in-One Course. When pieces from the Popular Hits books are assigned in conjunction with the material in the Lesson Books, new concepts are reinforced in a fun and motivating way, increasing the student's interest in piano study. Titles: Best Day of My Life (American Authors) * Big Yellow Taxi (Joni Mitchell) * Bye Bye, Love (The Everly Brothers) * Clouds (Zach Sobiech) * Don't Stop Believin' (Journey) * Everything Is Awesome (Awesome Remixx!!!) (from The LEGO Movie) * Flicker (Kanye West Rework) (from The Hunger Games: Mockingjay, Part 1) * I Could Have Danced All Night (from My Fair Lady) * I Got You Babe (Sonny and Cher) * I Love Paris (from Can-Can) * I'll Stand By You (The Pretenders) * James Bond Theme * Let It Go (from Walt Disney's Frozen) * Mamma Mia (from Mamma Mia!) * Over the Rainbow (as sung by Israel IZ Kamakawiwo'ole) * Raiders March (from Raiders of the Lost Ark) * The Rose (Bette Midler) * Star Wars (Main Theme) * Take My Breath Away (Berlin) * A Teenager In Love (Dion and The Belmonts) * Try to Remember (from The Fantasticks) * You Raise Me Up (Josh Groban).

About Alfred's Basic Adult Piano Course

Des igned for use with an instructor, the Adult All-in-One Course is for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that includes lessons, theory, technique, and additional repertoire in a convenient all-in-one format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles.

SKU: HL.366190

Wall Mount for Heil Sound Booms. Heil Sound. Studio & Rehearsal Support. Hal Leonard #WM1. Published by Hal Leonard (HL.366190).

UPC: 810100410551. 3.0x3.0x3.5 inches.

The WM-1 is a unique mount for the Heil booms that allows them to be mounted on a vertical surface. The brass insert of the WM-1 insures smooth, perfect fit. The brass insert accepts a 1/2″ stem.

Composed by Joseph-Henri Altes. Leduc. Classical. Softcover. 192 pages. Alphonse Leduc #AL21313. Published by Alphonse Leduc

By Michael Hopkins. For string orchestra (88555) with optional 3rd violin/viola TC (3 copies) and piano. Playground String Orchestra Series. Grade 1. Score and set of parts. Duration 2 minutes, 25 seconds. Published by Kendor Music Inc

Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

Solo Repertoire and Lead Sheets from Movies, TV, Radio, and Stage. Edited by E. L. Lancaster and Kenon D. Renfrow. Method/Instruction; Promotional Packet. Alfred's Group Piano for Adults. Pop. Book. Alfred Music #00- 106941. Published by Alfred Music