| Rocking Pneumonia and the Boogie Woogie Flu Chorale 2 parties 2 parties, Piano [Octavo] Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. 2-Part Choir. Choral Oc...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. 2-Part
Choir. Choral Octavo. Pop
Choral. 8 pages.
Published by Alfred Music
Publishing
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rocking Pneumonia and the Boogie Woogie Flu Chorale 3 parties TTB/TBB [Octavo] Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. Men's Choir. Choral Oct...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. Men's
Choir. Choral Octavo. Pop
Choral. 8 pages.
Published by Alfred Music
Publishing
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 4 to 6 business days | | |
| Rocking Pneumonia and the Boogie Woogie Flu Chorale SATB SATB, Piano [Octavo] Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. SATB choir. Choral Octa...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. SATB
choir. Choral Octavo. Pop
Choral. 8 pages.
Published by Alfred Music
Publishing
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rocking Pneumonia and the Boogie Woogie Flu [Pack instrumental] Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. For SoundPax. This edit...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. For
SoundPax. This edition:
SoundPax. Choral Octavo;
Part(s). Pop Choral. 18
pages. Published by
Alfred Music Publishing
$30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Marx: Wandrers Nachtlied; Phanomen Chorale SATB SATB Carus Verlag
| | |
| Boyz Nite Out (A Medley including Teenager in Love, Rockin Pneumonia and the Boogie Woogie Flu, and Gimme Some Lovin) [Octavo] - Intermédiaire Alfred Publishing
Arranged by Kirby Shaw. For Choir. (TBB). Choral Octavo. Pop Choral Series. Cho...(+)
Arranged by Kirby Shaw.
For Choir. (TBB). Choral
Octavo. Pop Choral
Series. Choral Octavo. 24
pages. Published by
Alfred Publishing.
Level: Moderate
(grade 3).
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pianomania: 20 Emotional Piano Pieces Piano seul [Partition + CD] Bosworth & Co.
Book/CD Pack Piano SKU: HL.14048329 Book with MP3 CD. Composed by ...(+)
Book/CD Pack Piano
SKU: HL.14048329
Book with MP3 CD.
Composed by Hans-Guenter
Heumann. Music Sales
America. Classical.
Softcover with CD.
Composed 2016. 88 pages.
Bosworth & Co. #BOE7852.
Published by Bosworth &
Co. (HL.14048329).
ISBN 9783865439543.
9.0x12.0x0.277 inches.
German. 20 easy and
medium difficulty pieces.
Minimal and New Age music
dominates these very
emotional compositions by
Hans-Gunter Heumann. $23.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rocking Pneumonia and the Boogie Woogie Flu CD Chorale [CD d'accompagnement] Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. This edition: SoundTrax...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. This
edition: SoundTrax CD.
CD; Choral Octavo. Pop
Choral
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rocking Pneumonia and the Boogie Woogie Flu Chorale 3 parties SAB, Piano Alfred Publishing
By Heuy P. Smith. Arranged by Kirby Shaw. Choir Secular. 3-Part Mixed Choir (SAB...(+)
By Heuy P. Smith.
Arranged by Kirby Shaw.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo. Pop Choral. 8
pages. Published by
Alfred Music Publishing
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 4 to 6 business days | | |
| Meghan Trainor : All About That Bass Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Promoting positive body image in the lyric, with a catchy melody and an infec...(+)
Promoting positive body
image in the lyric, with
a
catchy melody and an
infectious grove, this
pop
tune definitely has a bit
of
a '50s and '60s doo-wop
feel
that makes it refreshing.
With its throwback soul
beat, its body-positive
message couched in a cute
musical metaphor, and its
dance-filled,
candy-colored
video, it's become a
straight-up pop
phenomenon
loved by today's pop
culture. A very playable
arrangement with a fresh
touch! (1:45).
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flashback Sc/pts Full Score Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44011765 Composed by Jan ...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44011765 Composed
by Jan de Haan. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094779.
Published by De Haske
Publications
(HL.44011765). UPC:
884088896621. 9x12
inches.
English-German-French-Dut
ch. A flashback is
an interesting
psychological phenomenon:
a seemingly random
trigger can bring back
long-forgotten memories
from the subconscious
mind. The composer
underwent a similar
experience before writing
this piece. He was asked
to write a piece for The
National Youth Fanfare
Band in the Netherlands,
one which he heard
perform many years ago.
All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstuk voor het
Nationaal Jeugd Fanfare
Orkest inopdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
op dit Engelse kerklied
nam hij als
inspiratiebronen hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback ist ein
psychologisches Phanomen:
Eine Erfahrung weckt
scheinbar aus dem Nichts
die Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plotzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!
Le
flash-back est un
phenomene psychologique.
Des evenements du passe,
imprimes dans la memoire
a long terme,
resurgissent comme une
reponse inconsciente et
soudaine a un stimulus
lie a une experience
anterieure.Cette
œuvre a ete composee
a l'occasion du
cinquantieme anniversaire
de l'Orchestre de Fanfare
National des Jeunes des
Pays-Bas, une formation
talentueuse, dont Jan de
Haan fut lui-meme membre,
au cours des annees 1960.
Jeune musicien, il
eprouvait un profond
respect pour le chef
d'alors, Piebe Bakker
(1929-2002), un homme
passionne, avec un style
de direction tres
stimulant. En revenant
sur cette periode,
quarante ans apres, Jan
de Haan a revecu
lesnombreuses
interpretations de la
piece Deep
Harmony. La melodie
scintillante - extraite
d'un cantique anglais -
lui est alors apparue
comme un flash-back et
c'est comme un eclair
mental qu'il a choisi de
lui redonner vie dans le
passage final de cette
œuvre. $48.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liaison Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (clar,vl,vc,pno) SKU: BR.KM-2516 Composed by Isabel Mundry...(+)
String Quartet
(clar,vl,vc,pno) SKU:
BR.KM-2516 Composed
by Isabel Mundry. Chamber
music; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere of the 1st
version: Dresden,
Semperoper, June 6, 2008.
Music post-1945; New
music (post-2000). Score
and parts. Composed
2007/09. 60 pages.
Duration 15'. Breitkopf
and Haertel #KM 2516.
Published by Breitkopf
and Haertel (BR.KM-2516).
ISBN 9790004502938.
11.5 x 16
inches. Der
Komposition gehen keine
aussermusikalischen
Eindrucke voraus, sondern
sie konzentriert sich auf
innermusikalische
Uberlegungen, weshalb es
nicht leicht ist,
uberhaupt Worte fur sie
zu finden. In einem losen
Zyklus, den ich in den
nachsten Jahren
fortsetzen mochte, will
ich mich auf das Phanomen
der innermusikalischen
Bindungen konzentrieren
sowie auf ihr Gegenuber,
die Einschnitte,
Trennlinien oder
Kontraste. Jenseits der
Tonalitat stellt sich mit
jeder neuen Komposition
auch die Frage erneut,
was zwei Klange
zusammenhalten kann, was
Ferne und Nahe bedeuten,
was das Lose ist und was
das Gebundene. Stehen
solche Uberlegungen in
meinen anderen
Kompositionen im Dienste
anderer Visionen, so will
ich ihnen hier wie ein
Geologe auf den Grund
gehen.Immer wieder ziehen
sich Linien durch die
Musik, im konkreten Sinne
melodischer Phrasen, aber
auch im allgemeinen Sinne
der Weiterfuhrung von
Klangcharakteren. So
unterliegt die Musik
permanenten Wandlungen,
gehalten von imaginaren
Faden, die sich auch
verknoten, vernetzen oder
vervielfaltigen konnen.
Gleichzeitig gibt es auch
Einschnitte, scheinbar
losgeloste Geschehnisse,
die wie unbegrundet
hineinplatzen, und
dennoch vergleichbar mit
einem Stein in einem
Fluss ihren Einfluss auf
den Verlauf des Ganzen
nehmen.Liaison - der
Titel beschreibt zwei
Seiten dieses Projektes,
namlich einerseits die
Bindung als
innermusikalisch
fokussiertes Thema,
andererseits den Antrieb,
sich mit einem solch
basalen Phanomen der
Musik erneut zu
beschaftigen: die Liaison
als Liebesbeziehung, in
der die einfachsten Dinge
doch wieder zu einem
Ratsel werden
konnen.(Isabel
Mundry). $82.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Csardas obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14779 Composed
by Franz Liszt. Book
Only. Composed 2011. 16
pages. Editio Musica
Budapest #EMBZ14779.
Published by Editio
Musica Budapest
(BT.EMBZ14779).
The arranger of
this work (a well-known
Hungarian composer living
in Romania) writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the latter
suggests the description
of a type of behaviour,
the emotional state of a
dancer's inner frame of
mind abstracted into
movements, expressed in
dance movements, and this
is a fascinating
interpretation. The
demonstration ofstubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
in Transylvania. At that
time, I asked the
composer, Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartókian false
relations that keep
recurring in the work,
the B-E flat-G, etc. That
foreshadows Debussy,
creating harmonic thrills
that, when I hear the
work, keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the cello.
The arranger of
this work, the well-known
Romania-based Hungarian
composer Cs ky
Boldizsár writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinateone, may refer
to its ostinato
character, this is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the
lattersuggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of
stubbornresistance ,
defiance to the point of
exhaustion, was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
here in Transylvania
(Romania).
Der
Bearbeiter des Werkes,
der renommierte
ungarische Komponist aus
Rumänien, schreibt:
Dieses Stück reizte
immer schon meine
Phantasie, sogar in
vielerlei Hinsicht. Als
erstes sein Name. Der
deutsche Titel
‚Hartnäckiger'
kann auf den ihm
innewohnenden ostinativen
Charakter hinweisen, was
der Liszt'schen
Programm-Konzeption
näher kommt, das
französische
,obstiné' steht jedoch
eher dem Wort
‚dickköpfig'
nah. Das sind nur
geringfügige
Unterschiede, mir ist das
dennoch wichtig, weil aus
Letzterem die Darstellung
eines Verhaltens, der in
Tanzgesten
ausgedrückte, zur
Bewegung abstrahierte
innere emotionale Zustand
eines Tänzers
durchscheint, und das ist
eine überaus
beeindruckendeErklärun
g. Die Demonstration des
bis zur Erschöpfung
reichenden Trotzes, der
störrischen Kraft
erscheint bei Liszt
selten. Der zweite
Aspekt: Zu Beginn der
70er Jahre spielte bei
uns Zoltán Kocsis das
Stück. Schon damals
(und seitdem) frage ich
den Komponisten:. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mantel Intonation For Strings Schott
(TB) SKU: HL.49032755 Spielraume fur Streicher. Composed by Mantel...(+)
(TB) SKU:
HL.49032755
Spielraume fur
Streicher. Composed
by Mantel. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Gerhard Mantel vermittelt
in diesem Buch
Hintergrundwissen zum
Phanomen der Intonation
und nennt praktische
Ubemethoden, die uber
eine simple, spontane
Bestimmung von zu hoch -
zu tief weit hinausgehen.
Die teilweise
unkonventionellen
Losungsansatze ermog. 180
pages. Schott Music #ED
8729. Published by Schott
Music (HL.49032755).
ISBN 9783795787295.
5.75x8.25x0.384 inches.
German. 'How can I
play cleaner - even
cleaner?' This question
bothers every critical
string instrument player
during his/her daily
practice. According to a
survey, more than 70 per
cent of the actual
practising time and
attention of a string
instrument player is
spent on intonation.In
this book, Gerhard Mantel
provides basic
information on the
phenomenon of intonation,
presenting practical
methods which go far
beyond a simple,
spontaneous determination
of 'too high - too low'.
His approaches to a
solution, some of them
quite unconventional,
enable every sting
instrument player to find
his/her individual way to
the best possible
intonation and eliminate
seemingly insoluble
problems in the ensemble
playing with other string
instrument, wind
instrument or piano
players. The author
attaches particular
importance to dealing
with intonation playfully
and use it specifically
for the artistic
expression. $24.95 - Voir plus => Acheter | | |
| Flashback Sc/pts Orchestre d'harmonie - Avancé Hal Leonard
Concert Band/Harmonie (Score & Parts) - Grade 5 SKU: HL.44011764 Composed...(+)
Concert Band/Harmonie
(Score & Parts) - Grade 5
SKU: HL.44011764
Composed by Jan de Haan.
De Haske Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #1094779.
Published by Hal Leonard
(HL.44011764). UPC:
884088896614. 9x12
inches.
English(US)/Deutsch/Franc
ais/Nederlands. A
flashback is an
interesting psychological
phenomenon: a seemingly
random trigger can bring
back long-forgotten
memories from the
subconscious mind. The
composer underwent a
similar experience before
writing this piece. He
was asked to write a
piece for The National
Youth Fanfare Band in the
Netherlands, one which he
heard perform many years
ago. All of a sudden he
remembered Deep
Harmony, a piece
frequently programmed
back then. He used his
own flashback-experience
as an inspiration to
weave an old English hymn
into his new composition,
much like a musical
flashback. The right idea
at the right moment, as
this piece will
prove!
Een
flashback is een
psychologisch fenomeen:
een hedendaagse belevenis
roept zomaar uit het
niets herinneringen uit
het verleden op. Zo
verging het ook Jan de
Haan, toen hij een
muziekstuk voor het
Nationaal Jeugd Fanfare
Orkest inopdracht kreeg.
Het is het orkest waarin
hij zelf ooit speelde.
Plotseling viel hem het
werk Deep Harmony
in, een werk dat hij
destijds vaak had
gespeeld. Zijn flashback
op dit Engelse kerklied
nam hij als
inspiratiebronen hij
verwerkte het in dit
nieuwe muziekstuk. De
juiste inval op het
juiste moment, zoals nu
iedereen kan
horen!
Ein
Flashback ist ein
psychologisches Phanomen:
Eine Erfahrung weckt
scheinbar aus dem Nichts
die Erinnerung an lang
Zurückliegendes. So
ging es auch Jan de Haan,
als er ein Stück
für ein
Jugendauswahlorchester
der Niederlande, in dem
er selbst einst
mitspielte, schreiben
sollte. Plotzlich fiel
ihm ein damals oft
programmiertes
Stück namens
Deep Harmony ein
und er nahm diesen
Flashback als
Inspiration, dieses
englische Kirchenlied in
seinem neuen Werk zu
verarbeiten. Der richtige
Einfall im richtigen
Moment, wie das Resultat
beweist!
Le
flash-back est un
phenomene psychologique.
Des evenements du passe,
imprimes dans la memoire
a long terme,
resurgissent comme une
reponse inconsciente et
soudaine a un stimulus
lie a une experience
anterieure.Cette
œuvre a ete composee
a l'occasion du
cinquantieme anniversaire
de l'Orchestre de Fanfare
National des Jeunes des
Pays-Bas, une formation
talentueuse, dont Jan de
Haan fut lui-meme membre,
au cours des annees 1960.
Jeune musicien, il
eprouvait un profond
respect pour le chef
d'alors, Piebe Bakker
(1929-2002), un homme
passionne, avec un style
de direction tres
stimulant. En revenant
sur cette periode,
quarante ans apres, Jan
de Haan a revecu
lesnombreuses
interpretations de la
piece Deep
Harmony. La melodie
scintillante - extraite
d'un cantique anglais -
lui est alors apparue
comme un flash-back et
c'est comme un eclair
mental qu'il a choisi de
lui redonner vie dans le
passage final de cette
œuvre. $221.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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