Arranged by Matthew Harris. For SATB a cappella w/divisi. Mixed Chorus a cappell...(+)
Arranged by Matthew
Harris. For SATB a
cappella w/divisi. Mixed
Chorus a cappella with
divisi and solos --
Sitting in an outdoor
cafe in Mexico a few
years ago, I was
intrigued when a
strolling mariachi band
played something str
strange yet familiar.
Here was 'La Bamba' the
'right way'!, I thought.
But a little. Modern.
Octavo. 22 pages.
Duration circa 6 minutes
Long, Long Ago Chorale SATB SATB divisi, A Cappella [Octavo] - Intermédiaire Hinshaw Music Inc.
By Thomas Haynes Bayly. Arranged by Dan Forrest. For SATB choir, divisi (a cappe...(+)
By Thomas Haynes Bayly.
Arranged by Dan Forrest.
For SATB choir, divisi (a
cappella). Folk Songs of
America series. Main Key:
G Major. Folk, Secular.
Difficulty: Medium
(Adult). Octavo. 12
pages. Duration 4
minutes. Published by
Hinshaw Music Inc.
(HI.HMC
A New Musical Collection from Cirque du Soleil (Piano/Vocal/Chords). For K...(+)
A New Musical Collection
from Cirque du Soleil
(Piano/Vocal/Chords). For
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Chords.
Book; Piano/Vocal/Chords;
Shows and Movies.
Broadway;
Pop; Pop/Rock;
Traditional.
188 pages. Published by
Alfred Music
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
By Nielle Mann. For SATB choir, a cappella. Mixed Voices. ...for Choirs Collecti...(+)
By Nielle Mann. For SATB
choir, a cappella. Mixed
Voices. ...for Choirs
Collections. Sacred,
Choral Collection. 272
pages. Published by
Oxford University Press
Entre
le bœuf et l'âne
gris. Composed by 0.
Arranged by Ian David
Coleman. Sws. Yas. Full
score. 8 pages. Carl
Fischer Music #YAS201F.
Published by Carl Fischer
Music (CF.YAS201F).
ISBN 9781491157589.
UPC: 680160916160. 9 x 12
inches.
This
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement also creates
an evocative sound world.
The mood of this piece is
inspired by viewing the
expanse of the night sky.
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season. This ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement also creates
an evocative sound
world. The mood of
this piece is inspired by
viewing the expanse of
the night sky.Â
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Entre le
bœuf et l'âne
gris. Composed by
Traditional French Carol.
Arranged by Ian David
Coleman. Folio. Yas. Set
of Score and Parts.
8+8+2+5+5+8+5 pages.
Duration 3 minutes, 5
seconds. Carl Fischer
Music #YAS201. Published
by Carl Fischer Music
(CF.YAS201).
ISBN
9781491157763. UPC:
680160916344. 9 x 12
inches.
Though not
as familiar as other
holiday carols, this
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement creates an
evocative sound world.
The mood is inspired by
viewing the expanse of
the night sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time. In
this arrangement you will
find a sense of wonder
and awe as the melody
weaves its way between
consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between. Though not as
familiar as other holiday
carols, this ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement creates an
evocative sound
world. The mood is
inspired by viewing the
expanse of the night
sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time.Â
In this arrangement you
will find a sense of
wonder and awe as the
melody weaves its way
between consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1743S Score Only. C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1743S
Score
Only. Composed by
Mike Collins-Dowden.
Arranged by Mike
Collins-Dowden. Concert
Band. FJH Developing
Band. Form: March; March.
March. Score. Duration
2:00. The FJH Music
Company Inc #98-B1743S.
Published by The FJH
Music Company Inc
(FJ.B1743S).
English.
Three
fearsome dragons do
battle in this exciting
and unique concert march.
Each strain represents
the character of a
different dragon, with
every instrument getting
an opportunity to play at
least one of the menacing
themes. There's even a
dragon fight section
where the winds and
percussion trade rhythmic
hits. Sure to add some
fire to your next
concert!
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1743 Composed by Mike Coll...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1743
Composed by
Mike Collins-Dowden.
Arranged by Mike
Collins-Dowden. Concert
Band; MakeMusic Cloud.
FJH Developing Band.
Form: March; March.
March. Score and Part(s).
Duration 2:00. The FJH
Music Company Inc
#98-B1743. Published by
The FJH Music Company Inc
(FJ.B1743).
UPC:
241444392676.
English.
Three
fearsome dragons do
battle in this exciting
and unique concert march.
Each strain represents
the character of a
different dragon, with
every instrument getting
an opportunity to play at
least one of the menacing
themes. There's even a
dragon fight section
where the winds and
percussion trade rhythmic
hits. Sure to add some
fire to your next
concert!
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
Convergence Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
By Roland Barrett. Concert Band/Wind Ensemble. FJH Concert Band. Give me your ti...(+)
By Roland Barrett.
Concert Band/Wind
Ensemble. FJH Concert
Band. Give me your tired,
your poor, your huddled
masses yearning to
breathe free. "We hold
these truths to be
self-evident: that all
men are created equal."
"Four score and seven
years ago our fathers
brought forth, upon this
continent, a new nation,
conceived in liberty, and
dedicated to the
proposition that 'all men
are created equal.'"
These quotations are
symbolic of one of the
most basic of all
American tenants: that
for all people, our
nation was conceived as a
wellspring of vast
potential, a place of
immeasurable opportunity,
a land where all dreams
could take root, grow,
and flourish. America
represents a tremendous
confluence of diverse but
convergent elements and
resources. This piece
celebrates the power,
energy, and boundless
spirit created by this
convergence of cultures,
beliefs, and ideals.
Score for this title:
B1295S. Extra part for
this title: B1295P.
Concert Band. Level:
Grade 4. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
Performed by Kenny G. For saxophones (soprano, alto, tenor), keyboard, guitar, b...(+)
Performed by Kenny G. For
saxophones (soprano,
alto, tenor), keyboard,
guitar, bass and drum
set. Format: full score
(includes separate
pull-out saxophone part).
With full score notation,
chord names and drum
notation. Adult
contemporary and pop.
Series: Hal Leonard
Artist Transcriptions. 72
pages. 9x12 inches.
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Mario Aschauer. Thi...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Mario Aschauer. This
edition:
urtext edition. Stapled.
Barenreiter Urtext. With
the
Rondo "Alla Turca".
Performance score. KV 331
(300i). Baerenreiter
Verlag
#BA11816. Published by
Baerenreiter Verlag
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
is giving lessons to horn
players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Nick Lane
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trombone" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Nick
Lane Nick Lane has been
active in the Los Angeles
music scene for over
twenty five years. He
joined Maynard Ferguson's
Band after graduating
from Bostones Berklee
College of Music and
remained on the road for
three years before moving
to Los Angeles. He
continued touring while
based in L. A. with Rod
Stewart, The Who and Tom
Petty and The Heart
Breakers. Nick Lane
continues to perform with
Etta James, Chicago,
Shakira, Alejandro Sans
and has even performed
with Jennifer Lopez. Nick
has also been featured in
a special PBS broadcast
about "the blues" with
T-Bone Burnett. Nick
remains active in the
commercial recording
fields for movies,
television, commercials
and has recorded with
such Pop artists as; Macy
Gray, Tim Mc Graw, Baby
Face, Destiny's Child,
The Offspring, The
Wallflowers, Fast Ball,
Green Day, No Doubt,
Natalie Merchant,
Everclear, Barbara
Streisand and Joe Cocker.
Nick has recorded with
such Jazz artists as;
Rick Braun, Jeff Golub,
David Benoit, Dave Koz,
Kombo, Greg Karukus and
Warren Hill. Nick's
popular "lounge jazz" CD
performed with baritone
saxophonist Greg Smith
and an organ trio is
recorded on the Oakland
Stroke Label.
String
quartet based on Sonnets
by William Shakespeare
Score and. Composed
by Ludger Vollmer.
Ensemble. Classical.
Softcover. 196 pages.
Duration 1920 seconds.
Schott Music #ED22466.
Published by Schott Music
(HL.49046476).
ISBN
9781705102718. UPC:
840126931679.
My
love is as a fever was
inspired by William
Shakespeare's sonnets.
The work was created for
the Faust Quartet with
the aim of creating a
counterpart to Alban
Berg's Lyrical Suite
using new compositional
techniques, both in terms
of emotional expression
and technical
requirements. It is a
melodic-rhythmic
composition, whose
techniques consist of the
transformation of
non-European music and
the music that was
practiced in Europe a
thousand years ago.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.