Composed by Billie Eilish
O'Connell and Finneas
O'Connell. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Movie;
Pop/Rock. Score. Alfred
Music #00-50770S.
Published by Alfred Music
(AP.50770S).
ISBN
9781470669997. UPC:
038081591872.
English.
In this
GRAMMY-winning song, What
Was I Made For?, from the
Barbie movie, Billie
Eilish and Finneas
O'Connell captured a
major theme from the
movie---self-awareness.
With beautiful melodies
and soft rhythms, the
violins, violas, and
cellos cover the lovely
melody with lush
accompaniments in all
sections. Arranger Bob
Phillips set this hit
perfectly for
intermediate string
orchestra while remaining
very close to the
original. An optional
repeat allows for
flexibility in the length
of the piece.
SKU: AP.49845 Practical Strategies for Social-Emotional Learning. ...(+)
SKU: AP.49845
Practical Strategies
for Social-Emotional
Learning. Composed by
Krista Hart. This
edition: Book. Choral
Resources; Classroom
Resources;
Classroom/Pre-School;
General Music and
Classroom Publications;
NAMM Best Tools for
Schools; Other Classroom;
Other Resources;
Reproducible; Resources.
Book. 64 pages. Alfred
Music #00-49845.
Published by Alfred Music
(AP.49845).
ISBN
9781470651930. UPC:
038081571591.
English.
Trying to
incorporate consistent
social-emotional learning
practices into your music
classes and ensembles?
This informative
entry-point resource
views SEL through a
musical lens, helping to
identify and connect the
most important
competencies and skills
with common musical
scenarios and concepts.
The varied activities in
this book encourage
students to build
self-awareness, become
better teammates,
navigate social
situations, reduce
performance anxiety, and
so much more. Use the
ideas and reproducible
worksheets precisely as
written, or as the
inspiration to customize
and develop your very
own. Recommended for
grades 5 and up.
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian
Mason.
World premiere: Paris,
Cite
de la musique, January
14,
2020. Breitkopf and
Haertel
#EB 9377. Published by
Breitkopf and Haertel
(The Keys to Unlock a World of Creativity). By Dave DiCenso. For Drumset. Method...(+)
(The Keys to Unlock a
World of Creativity). By
Dave DiCenso. For
Drumset.
Method/Instruction;
Percussion - Drum Set
Method or Collection.
Book and CD. 100 pages
Choir Secular (2-Part choir) SKU: AP.48301 1. Early to Bed 2. Live wit...(+)
Choir Secular (2-Part
choir)
SKU:
AP.48301
1. Early
to Bed 2. Live with Ease
3. Don't Throw Stones 4.
Fish and Visitors.
Composed by Sally K.
Albrecht. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48301.
Published by Alfred Music
(AP.48301).
UPC:
038081551241. English.
Benjamin
Franklin.
Each of
the brief pieces in this
clever quartet for
emerging 2-part singers
is built on sage advice
from Benjamin Franklin's
Poor Richard's Almanac.
Exploring themes of
wellness, doing what's
right, self-awareness,
and house guest
etiquette, each
mini-movement makes great
use of musical humor. Use
Sally's optional
choreography included in
the octavo (also
available as a free video
tutorial) to leave a
lasting impression!
African Blessing Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
By Deborah Baker Monday. For string orchestra (88555) with optional 3rd Violin/V...(+)
By Deborah Baker Monday.
For string orchestra
(88555) with optional 3rd
Violin/Viola TC (3) and
piano. Standard string
orchestra (88555) with
optional 3rd Violin/Viola
TC (3) and piano.
Playground String
Orchestra series. Grade
1.5. Score and parts.
Duration 1 minute 55
seconds. Published by
Kendor Music Inc
By James Morton. For Drum Set. method. You Can Teach Yourself. All Styles. Level...(+)
By James Morton. For Drum
Set. method. You Can
Teach Yourself. All
Styles. Level: Beginning.
Book DVD. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str)
SKU:
BR.PB-5562
Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Full score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5562. Published by
Breitkopf and Haertel
(BR.PB-5562).
ISBN
9790004213728. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Etudes and Familiar Chord Progressions for Two Guitars. Composed by Tim Fisch...(+)
Etudes and Familiar Chord
Progressions for Two
Guitars. Composed by Tim
Fischer and William
Flynn.
Saddle-stitched. USC
School
of Music. Jazz. Book and
online audio. 52 pages.
Published by Mel Bay
Publications, Inc
Viola SKU: M7.VHR-3838 Composed by Andrea Holzer-Rhomberg. Sheet music wi...(+)
Viola
SKU:
M7.VHR-3838
Composed
by Andrea
Holzer-Rhomberg. Sheet
music with Online
material. Method. 76
pages. Holzschuh
Musikverlag #VHR 3838.
Published by Holzschuh
Musikverlag
(M7.VHR-3838).
ISBN
9783864341175.
German.
Volume 5
progressively develops
skills in playing in the
upper positions and in
bowing technique.
Different ways of bowing
and developing an
awareness of such
determinants as contact
point, bowing speed and
arm weight all help to
vary intonation and to
refine tonal quality. In
addition to a wealth of
practice and playing
material, the edition
also features
tried-and-tested music
from the Baroque,
Classical and Romantic
periods and from
contemporary music. The
audio data of the sound
samples and playalongs
can be downloaded with
the download code
included in the book.
Piano - Grade 4-5 SKU: BT.WMP2416 Composed by Josephine Koh. Tuition. Boo...(+)
Piano - Grade 4-5
SKU:
BT.WMP2416
Composed
by Josephine Koh.
Tuition. Book Only.
Composed 2019. Wells
Music Publishers
#WMP2416. Published by
Wells Music Publishers
(BT.WMP2416).
ISBN
9789811177583.
T
eachers’ Choice,
Selected Piano Repertory
& Studies for Grades 4 &
5 is compiled to provide
teachers and students
with good options for the
2019 & 2020 ABRSM piano
examinations.
This
series of interesting and
appealingpiano pieces
contains editorial
suggestions for
pedagogical purposes.
Most teachers will find
helpful teaching points
to develop stylistic
awareness in their
students. Details on
articulation, dynamics,
fingering, pedal marks
andtempo serve to provide
a directed approach for
students to strive
towards achieving musical
excellence and
perfection. Most
important of all, enjoy
the high standards of
music typography. The
digital print on
qualitycream-colouredpape
r ensures comfort in the
reading of these music
scores.
A Guide to Practice, Performance, and Inspiration. By Mia Olson. This edition: 0...(+)
A Guide to Practice,
Performance, and
Inspiration. By Mia
Olson. This edition:
0876390521. Berklee
Press. Softcover. 144
pages. Published by
Berklee Press.
Dance of the Tumblers Ensemble de Percussions [Conducteur et Parties séparées] - Avancé Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden).
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Lewis Norfleet.
Percussion Ensemble. For
glockenspiel, xylophone,
chimes, 2 vibraphones,
two 4.3-octave (low A)
marimbas, two smaller
4-octave marimbas, 4
timpani, snare drum,
small and large crash
cymbals (pairs), bass
drum, triangle, gong,
tambourine. Note for
larger ensembles: If
there is a f (13
players).
Medium-Advanced. Score
and parts on CD-ROM. 18
pages. Duration 3'00 .
Published by Tapspace
Publications
From Sounds of a Better World. By Jim Papoulis. Arranged by Francisco J. Nunez. ...(+)
From Sounds of a Better
World. By Jim Papoulis.
Arranged by Francisco J.
Nunez. (SATB). BH Sounds
of a Better World. Size
6.8x10.5 inches. 16
pages. Published by
Boosey and Hawkes.
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Intermediate SK...(+)
Soprano voice,
mezzo-soprano
voice, or tenor voice and
piano - Intermediate
SKU: EC.9229
Composed by Juliana Hall.
E.C.
Schirmer Publishing
#9229.
Published by E.C.
Schirmer
Publishing
SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.373818 SAM-Klang Ch...(+)
SAM a cappella Choral (SA
MEN, A CAPPELLA)
SKU:
HL.373818
SAM-Klang Choral
Series. Composed by
Johannes Brahms. Arranged
by Morten Schuldt-jensen.
Choral. Softcover. 26
pages. Published by Hal
Leonard (HL.373818).
ISBN 9781705149881.
UPC: 196288016601.
6.75x9.25x0.105
inches.
This
collection, created in
1888, is Johannes
Brahms's last collection
of secular choral songs.
Originally for
four-to-six parts, these
sonorous choral works are
striking for their rich
harmony and double-choir
polyphonic effects,
traits more frequently
found in his sacred
works. The compilation of
the texts testifies to
the 55-year-old
composer's growing
awareness of the
transience of nature and
life. The name SAM-Klang
takes the three voice
parts from the
arrangements -- Soprano,
Alto and Men -- and
combines it with the
Scandinavian and German
words for
“sound†to
create the portmanteau
word “sound
together†or
“harmony.â€
The series offers basic
and advanced choral
repertoire. In addition
to new repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire.
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-27.
Published by Breitkopf
and Haertel
(BR.OB-5302-27).
ISBN
9790004340059. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-16. Published by
Breitkopf and Haertel
(BR.OB-5562-16).
ISBN
9790004342299. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
German Brass SKU: HL.49045646 Das Trainingsprogramm fur alle Blechblas...(+)
German Brass
SKU:
HL.49045646
Das
Trainingsprogramm fur
alle Blechblaser.
Erganzungsband zur Brass
Master Class-Methode.
Edited by Malte Burba.
Edition Schott.
Classical, Classical
Reference, German
Edition, Instrumental
Reference, Warm-Up.
Softcover. 56 pages.
Schott Music #ED21921.
Published by Schott Music
(HL.49045646).
For many years,
Malte Burba's Brass
Master Class (ED 8335)
has been a standard work
for the technical and
musical training of brass
players. In his new
volume, Burba presents a
multi-level programme of
basic exercises: By
specifically developing
body awareness andbody
control, the musician is
enabled to identify and
solve the causes of
problems with sound,
endurance and intonation.
Each level starts with
physical exercises which
are then transferred to
the instrument and
finally solidified by
specific exercises. Text
in German.
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score &
Parts)
SKU:
HL.4008643
Score
and Parts. Composed
by Franco Cesarini.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Concert Band,
Tuning, Warm-Up.
Softcover. Hal Leonard
#EFC003-CBHA. Published
by Hal Leonard
(HL.4008643).
ISBN
9798350114997. UPC:
196288189664.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Sonic Ascent Orchestre d'harmonie [Conducteur] C.L. Barnhouse
Concert band - Pre 1 SKU: CL.023-4182-01 Composed by Weller. Young Concer...(+)
Concert band - Pre 1
SKU:
CL.023-4182-01
Composed by Weller. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR380). Extra full
score. Composed 2013.
Duration 1 minute, 16
seconds. C.L. Barnhouse
#023-4182-01. Published
by C.L. Barnhouse
(CL.023-4182-01).
Energize your
beginning band with Sonic
Ascent, a triumphant
concert opener that fuels
a young musician’s
aspiration to play an
instrument. Using just
six notes in all the wind
parts, bold melodies are
shared by each section in
the ensemble. The middle
section offers
opportunities to develop
the ensemble’s
awareness of dynamic and
articulation contrast
through a series of short
call and response motifs
between the sections. A
brilliant opener for that
very first band
concert!