For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

For Vocal Soprano. Classical (Opera with Orchestra). Includes a printed vocal score on high-quality ivory paper, with informative liner notes; and a compact disc with complete versions (with soloist) followed by stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Bass-Baritone. Includes a printed vocal score on high-quality ivory paper, with informative liner notes; and a CD G graphics-enabled compact disc with complete versions (with soloist) followed by stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Bass-Baritone. Includes an expansive, newly engraved vocal score, printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo, followed by digital stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

For Vocal Tenor. Includes a printed vocal score on high-quality ivory paper, with informative liner notes; and a CD G graphics-enabled compact disc with complete versions (with soloist) followed by stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One

For Vocal Soprano. Includes an expansive, newly engraved vocal score, printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo, followed by digital stereo accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

For Vocal Soprano. Includes an expansive, newly engraved vocal score, printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo, followed by digital stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Soprano. Includes a high-quality printed vocal score and a CD G graphics-enabled compact disc with complete versions (with soloist) followed by stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Vocal Soprano. Classical (Laureate Master Classes with piano). Includes a high-quality printed vocal score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by stereo accompaniments to each piece, minus the soloist.

By Various. Edited by Jerome Roche. For 5 and 6 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

Composed by Wendy Hodge. Text: Laura Galvin. A little musical play honoring the Knights of Columbus founder. Musical play. Published by CanticaNOVA Publications (C5.8800).

By Stacy Phillips. For Violin(S). Folk, Celtic. Sheet Music. 52 pages. Published by Music Sales. Music for 50 fiddle tunes from Ireland, England, Scotland, and Wales. Plus tips on authentic techniques, interpretation, and a discography.

Early Music; Music Education

SKU: UT.DM-8

Single volume. Composed by Giorgio Pacchioni. Paperback (Soft Cover). Classical. Ut Orpheus #DM 8. Published by Ut Orpheus (UT.DM-8).

ISBN 9790215300477. 9 x 12 inches.

Musicologo e musicista hanno rappresentato, in questi ultimi decenni, due entita distinte. Il musicologo e quasi sempre uno studioso di preparazione o di inclinazione piu teorica che pratica e che possiede conoscenze scientifiche e letterarie di gran lunga superiori a quelle musicali pratiche. Il musicologo e stato ed e tuttora di grande aiuto al musicista pratico nel suo rendere nota una grande mole di documenti riguardanti la prassi esecutiva delle epoche passate, in particolare del Rinascimento e del Barocco. Cio nonostante, sembra quasi che il musicologo e il musicista pratico lavorino su due piani paralleli destinati a non incontrarsi mai: da un lato la musicologia spesso dimostra di essere fine a se stessa o comunque non destinata a scopi immediatamente pratici, dall'altro il musicista e di solito abbastanza recalcitrante nell'apprendere tecniche esecutive diverse da quelle imparate in conservatorio.
Come risolvere questo problema? Qualcuno lo ha gia fatto fondendo nella stessa persona le due specialita: questo sembra difficile - e forse lo e - ma probabilmente e l'unica soluzione pos- sibile per lo sviluppo futuro della prassi esecutiva della musica antica. Qualcuno potrebbe obiettare che anche nell'antichita convivevano 'musici teorici' e 'musici pratici', ma questi ultimi era- no certamente preparati sia negli aspetti che oggi consideriamo attinenti la musicologia sia in quelli puramente pratici, cioe riguardanti la tecnica vocale e strumentale. Inoltre, gli antichi musici teorici avevano ben poco in comune con i moderni musicologi: essi appartenevano ad una speciale categoria di scienziati-filosofi, indagatori di speculazioni teoriche e matematiche nonche astrologiche e cabalistiche, tesi a investigare i segreti piu occulti in relazione con la musica.
E quindi auspicabile che il musicista moderno approfondisca la sua conoscenza della prassi esecutiva della musica antica per poterla eseguire rispettandone la vera natura. Il presente studio, gia in uso nella classe di Flauto Dolce del Conservatorio <> di Bologna, rappresenta un utile supporto per giungere a questo scopo. Il contenuto delle varie sezioni e sintetico, ma, crediamo, esauriente e comprensibile a tutti coloro che desiderano elevare il proprio livello di conoscenza nel campo della musica antica o che, piu semplicemente, necessitano di un'agevole guida che permetta di risolvere rapidamente eventuali dubbi di carattere storico e pratico.
(G. Pacchioni).

Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 85 pages. Play Music Spain #CARML3360. Published by Play Music Spain

Mixed choir (SAB and SATB) a cappella (SATB) - very easy

SKU: HL.49001350

Chorheft Nr. 15 - Alpenlandische Hirtenlieder. Composed by Hilger Schallehn. Edited by Hilger Schallehn. This edition: Saddle stitching. Sheet music. Schott Chorverlag (Choral Music). Classical. Choral Score. 16 pages. Schott Music #C 45715. Published by Schott Music (HL.49001350).

ISBN 9790001015271. 7.5x11.0x0.064 inches. German.

(Settings of 19th Century Hymn Tunes for Organ). By Emma Lou Diemer (1927-). For Organ. Sacred. 3-staff. Parts. Published by Sacred Music Press

Arranged by Brent Jorgensen. Hymn extender. Published by Jackman Music Corporation

By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker. For SATB Choir. Level: Varied. Published by Jackman Music Corporation.

By Samuel Webbe, William Henry Walker, Hans Henry Petersen and O. P. Huish. Arranged by Donald H. Ripplinger. For TTBB choir. Medium / Medium-Difficult (accompaniment). Octavo. Published by Jackman Music Corporation