Piano SKU: M7.VHR-3568 24 Klavierstücke durch den Quintenzirkel...(+)
Piano
SKU:
M7.VHR-3568
24
Klavierstücke durch
den Quintenzirkel.
Composed by Anne
Terzibaschitsch. Sheet
music. Performance book.
64 pages. Holzschuh
Musikverlag #VHR 3568.
Published by Holzschuh
Musikverlag
(M7.VHR-3568).
ISBN
9783864340963.
Die
Ausgabe enthält 24
Eigenkompositionen für
Klavier in allen Tonarten
des Quintenzirkels. Zu
jedem Stück finden
sich Anmerkungen über
Charakter und Stimmung
der jeweiligen Tonart,
die dem interessierten
Spieler als Anregung
dienen können. Seit
vielen Jahrhunderten
beschäftigen sich
renommierte Musiker,
Wissenschaftler und
Musiktheoretiker mit der
Frage nach
Charaktereigenschaften
und
Ausdrucksqualitäten
bestimmter Tonarten. In
Fachkreisen wird dieses
Thema zumeist kontrovers
diskutiert. In diesem
Heft soll gezeigt werden,
dass verschiedene
Tonarten durchaus
unterschiedliche
Charaktere aufweisen
können. Anregungen
dafür fanden sich u.
a. in dem Buch des
Musikwissenschaftlers
Friedrich Oberkogler
Tierkreis- und
Planetenkräfte in der
Musik. In ihm werden die
zwölf Dur- und
Molltonarten des
Quintenzirkels mit den
zwölf Tierkreiszeichen
am Sternenhimmel in
Verbindung gebracht.
For Medium/Low Voice and Piano. Composed by Francis Poulenc (1899-1963). ...(+)
For Medium/Low Voice
and Piano. Composed
by Francis Poulenc
(1899-1963). Vocal
Collection. Classical.
Softcover. 168 pages.
Editions Durand #DF16404.
Published by Editions
Durand (HL.50601036).
For High Voice and Piano. Composed by Francis Poulenc (1899-1963). Vocal Coll...(+)
For High Voice and Piano.
Composed by Francis
Poulenc
(1899-1963). Vocal
Collection. Softcover.
168
pages. Editions Durand
#DF16403. Published by
Editions Durand
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
Le
Lion de Belfort è
un brano commissionato
dallâ??Orchestra di
Fiati della citt di
Belfort in Francia. Jan
de Haan ha composto
questo brano per
lâ??inaugurazione
ufficiale del Leone di
Belfort, una scultura
monumentale in ceramica
rosa che domina la citt .
Questo brano può
essere eseguito con coro
misto a tre voci e una
voce recitante (testi
scritti da Jean
Ehret).
Le
Lion de Belfort è
un brano commissionato
dall’Orchestra di
Fiati della citt di
Belfort in Francia. Jan
de Haan ha composto
questo brano per
l’inaugurazione
ufficiale del Leone di
Belfort, una scultura
monumentale in ceramica
rosa che domina la citt .
Questo brano può
essere eseguito con coro
misto a tre voci e una
voce recitante (testi
scritti da Jean
Ehret).
(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Siegfried Petr...(+)
(piano reduction). By
Ludwig van Beethoven
(1770-1827). Edited by
Siegfried Petrenz. For
Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir and
Orchestra. Edition
Breitkopf. Piano
reduction, Urtext. 84
pages
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109).
ISBN
9790007081003. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. German title:
Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155.
Duration 35 minutes.
Carus Verlag #CV
50.321/19. Published by
Carus Verlag
(CA.5032119).
ISBN
9790007133566. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1771. MH 155. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
50.321/05. Published by
Carus Verlag
(CA.5032105).
ISBN
9790007080990. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score
available separately -
see item CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Single
Part, Violin 1. Composed
1761. MH 39. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 50.344/11.
Published by Carus Verlag
(CA.5034411).
ISBN
9790007081331. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Single
Part, Cello/Double Bass.
Composed 1761. MH 39. 2
pages. Duration 5
minutes. Carus Verlag #CV
50.344/13. Published by
Carus Verlag
(CA.5034413).
ISBN
9790007081355. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. 1x 50.344/31
clarino 1, 1x 50.344/32
clarino 2, 1x 50.344/41
timpani. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Set of
Orchestra Parts. Composed
1761. MH 39. 6 pages.
Duration 5 minutes. Carus
Verlag #CV 50.344/09.
Published by Carus Verlag
(CA.5034409).
ISBN
9790007081324. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Single
Part, Violin 2. Composed
1761. MH 39. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 50.344/12.
Published by Carus Verlag
(CA.5034412).
ISBN
9790007081348. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Set of
Orchestra Parts. Composed
1761. MH 39. Duration 5
minutes. Carus Verlag #CV
50.344/19. Published by
Carus Verlag
(CA.5034419).
ISBN
9790007138318. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Score and
parts available
separately - see item
CA.5034400.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Choral
Score. Composed 1761. MH
39. 4 pages. Duration 5
minutes. Carus Verlag #CV
50.344/05. Published by
Carus Verlag
(CA.5034405).
ISBN
9790007081317. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
March-Chagu-Chagu Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175813-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175813-010
Composed by Satoshi
Yagisawa. Brilliant
Marches. March. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175813-010. Published by
De Haske Publications
(BT.DHP-1175813-010).
English-German-French-
Dutch.
This work
was composed as
ceremonial music, as part
of a march medley for the
participants’
entry for the 71st
National Sports Festival
and the 16th National
Disabled Personnel Sports
Festival, held in Iwate
Prefecture in 2016. The
European premiere of this
piece took place in
December of that year,
the composer guest
conducting the Young
Musicians from Fribourg,
Switzerland. This work,
fusing Japanese folk song
with march music, will
have wide appeal, like
the sister work
March-Bou-Shu,
also published by de
Haske
Publications.
Dit
werk is gecomponeerd als
ceremoniële muziek:
het maakte deel uit van
een marsenmedley voor de
binnenkomst van
deelnemers aan het 71e
Nationale Sportfestival
en het 16e Nationale
Sportfestival voor
Gehandicapten, gehouden
in de prefectuur Iwate,
in 2016. Deze combinatie
van Japanse volksmuziek
met marsmuziek zal veel
muzikanten en luisteraars
aanspreken, net als het
zusterwerk
March-Bou-Shu, dat
ook door de Haske
Publications bv werd
uitgegeven.
Dieses Werk wurde
2016 anlässlich eines
großen Sportfestes in
Japan komponiert und war
Teil eines Marsch-Medleys
für den Einmarsch der
Teilnehmer. Die
europäische Premiere
fand 2016 mit den Young
Musicians aus Fribourg
(Schweiz) und dem
Komponisten als
Gastdirigent statt. Im
March-Chagu-Chagu
vermischen sich
japanische Volksmusik und
Marschmusik zu einem
exotischen
Hörvergnügen.
Ques
to brano è stato
composto nello stile di
una musica cerimoniale,
come parte di un medley
di marce per accompagnare
l’entrata dei
partecipanti al 71°
National Sports Festival
e al 16° National
Disabled Personnel Sports
Festival nella Prefettura
di Iwate in Giappone nel
2016. La prima europea
della composizione si
è tenuta nel dicembre
dello stesso anno a
Friburgo (Svizzera),
sotto la direzione del
compositore stesso. Come
per March-Bou-Shu
successo garantito per
questa delizioso mix di
canzone popolare
giapponese e marcia.
March-Chagu-Chagu Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175813-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175813-140
Composed by Satoshi
Yagisawa. Brilliant
Marches. March. Score
Only. Composed 2017. De
Haske Publications #DHP
1175813-140. Published by
De Haske Publications
(BT.DHP-1175813-140).
English-German-French-
Dutch.
This work
was composed as
ceremonial music, as part
of a march medley for the
participants’
entry for the 71st
National Sports Festival
and the 16th National
Disabled Personnel Sports
Festival, held in Iwate
Prefecture in 2016. The
European premiere of this
piece took place in
December of that year,
the composer guest
conducting the Young
Musicians from Fribourg,
Switzerland. This work,
fusing Japanese folk song
with march music, will
have wide appeal, like
the sister work
March-Bou-Shu,
also published by de
Haske
Publications.
Dit
werk is gecomponeerd als
ceremoniële muziek:
het maakte deel uit van
een marsenmedley voor de
binnenkomst van
deelnemers aan het 71e
Nationale Sportfestival
en het 16e Nationale
Sportfestival voor
Gehandicapten, gehouden
in de prefectuur Iwate,
in 2016. Deze combinatie
van Japanse volksmuziek
met marsmuziek zal veel
muzikanten en luisteraars
aanspreken, net als het
zusterwerk
March-Bou-Shu, dat
ook door de Haske
Publications bv werd
uitgegeven.
Dieses Werk wurde
2016 anlässlich eines
großen Sportfestes in
Japan komponiert und war
Teil eines Marsch-Medleys
für den Einmarsch der
Teilnehmer. Die
europäische Premiere
fand 2016 mit den Young
Musicians aus Fribourg
(Schweiz) und dem
Komponisten als
Gastdirigent statt. Im
March-Chagu-Chagu
vermischen sich
japanische Volksmusik und
Marschmusik zu einem
exotischen
Hörvergnügen.
Ques
to brano è stato
composto nello stile di
una musica cerimoniale,
come parte di un medley
di marce per accompagnare
l’entrata dei
partecipanti al 71°
National Sports Festival
e al 16° National
Disabled Personnel Sports
Festival nella Prefettura
di Iwate in Giappone nel
2016. La prima europea
della composizione si
è tenuta nel dicembre
dello stesso anno a
Friburgo (Svizzera),
sotto la direzione del
compositore stesso. Come
per March-Bou-Shu
successo garantito per
questa delizioso mix di
canzone popolare
giapponese e marcia.