(Kadenzen und Eingange zu Klavierkonzerten - Fragmente). By Wolfgang Amadeus Mozart (1756-1791). Edited by Faye Ferguson. For piano. This edition: Faux-leather bound, Complete edition, Urtext edition. Neue Mozart-Ausgabe. Serie X, Werkgruppe 31/3. Performance score, Anthology. Published by Baerenreiter Verlag

Ossia La scuola degli amanti. Dramma giocoso in 2 Akten (ital.). Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Ferguson, Faye; Rehm, Wolfgang. Text: da Ponte, Lorenzo. For Soprano Solo (3), Tenor Solo, Bass Solo (2), Mixed Choir-SATB, Flute (2), Oboe (2), Clarinet (B Flat) 1; Clarinet (B Flat) 2/Basset Horn, Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe, Serie II, Werkgruppe 5/18. Score; Urtext Edition; Complete Edition (cloth bound). KV 588. Duration 180'. Published by Baerenreiter-Ausgaben (German import). (BA4606 01)

Composed by Ian Krouse (1956-). SATB a cappella. Peermusic Classical. Peermusic #70063-121. Published by Peermusic

(Musikdrama in 3 Akten. Pariser Fassung 1776 (franzosisch/deutsch). Im Anhang Erganzungen, Einschube und Fragmente. Urtext der Gluck-Gesamtausgabe). By Christoph Willibald von Gluck (1714-1787). Edited by Rudolf Gerber. For Soprano Solo (2), Alto Solo, Tenor Solo (3), Baritone Solo, Bass Solo (6), Mixed Choir, Ball, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (4), Trumpet (2), Trombone (3), Kettledrum, Strings. Gluck. Samtliche Werke. Serie I, Band 7. Score; Urtext Edition; Complete Edition (cloth bound). Duration 165'

(KV 49(47d), 65(61a), 66, 139(47a), 140(Anh. 235d). Anhang: Fragmente, Skizzen, ursprungliche, spatere und gestrichene Fassungen. Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Walter Senn. For Soli, Mixed Choir, Orchestra. Neue Mozart-Ausgabe. Serie I, Werkgruppe 1/1, 1. Score; Urtext Edition; Complete Edition (cloth bound)

BWV 816. Composed by Johann Sebastian Bach (1685-1750). Arranged by Nestor Ausqui. Perfect binding. Book. Published by Mel Bay Publications, Inc (MB.30513).

Chamber Music String Quartet

SKU: PR.11440505S

Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S).

UPC: 680160008391. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

Composed by Cesar Auguste Franck (1822-1890). Edited by Christiane Strucken- Paland. This edition: urtext edition. Paperback. Cesar Franck. Samtliche Orgel- und Harmoniumwerke 1 \| BARENREITER URTEXT. Performance score, anthology. Baerenreiter Verlag #BA09291. Published by Baerenreiter Verlag

(Opera seria in tre atti (italienisch), Anhang. Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (4), Alto Solo, Tenor Solo (2), Flute (2), Oboe (2), Bassoon, Horn (4), Trumpet (2), Harpsichord, Strings. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/4. Musiktheater, Klassik (Concert Music, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 87 (74a). Duration 195'

Opera buffa in 4 Akten (italienisch), Anhange. Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Ludwig Finscher. Text: Da Ponte, Lorenzo. For Soprano solo (5), Tenor solo (2), Bass solo (4), Mixed Choir, Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings, Basso continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/16. Score; Urtext Edition; Complete Edition (cloth bound). KV 492. Duration 180'. Published by Baerenreiter-Ausgaben (German import). (BA4565 01)

Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Franz Giegling. For Horn Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 14/5. Musikwissenschaft, Musikhandschriften, Klassik (Music Theory, Classical). Collection; Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA4602 01)

Violin, piano

SKU: BA.BA04540-01

Composed by Wolfgang Amadeus Mozart. Edited by Eduard Reeser. This edition: complete edition, urtext edition. Linen. New Mozart Edition (NMA) VIII/23/2. Klassik (Classical). Complete edition, Performance score, Part, anthology. Duration 3 hours, 15 minutes. Baerenreiter Verlag #BA04540_01. Published by Baerenreiter Verlag (BA.BA04540-01).

ISBN 9790006450237. 33 x 26.1 cm inches.

Urtext der Neuen Mozart Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin, piano

SKU: BR.EB-9250

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)

New music (post-2000); Music post-1945. Performance score. Composed 2016. 12 pages. Duration 12'. Breitkopf and Haertel #EB 9250. Published by Breitkopf and Haertel (BR.EB-9250).

ISBN 9790004185506. 10 x 12.5 inches.

Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)

World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).

Viola and piano

SKU: BR.MN-9604

Composed by Ernst Widmer. Edited by Emmy Henz-Diemand. Solo instruments; Folder. Musikverlag Nepomuk. Music post-1945. Score. Composed 1973/75. 20 pages. Duration 7'. Breitkopf and Haertel #MN 9604. Published by Breitkopf and Haertel (BR.MN-9604).

ISBN 9790004790731. 8.5 x 11.5 inches.

Wasser, Luft, Erde und Feuer entsprechen den vier Hauptteilen dieser spielfreudigen und klanglich reizvollen Komposition. Brasilianische Tanzrhythmen und Fragmente von sudamerikanischen Volksliedern werden gekonnt mit Spieltechniken der Musik unserer Zeit verwoben. Widmer hat die Interpreten seiner Werke nicht nur als Ausfuhrende seiner Musik betrachtet, sondern ihnen ein Mitgestaltungsrecht eingeraumt. So konnen die vier Teile vom Interpreten in freier Wahl miteinander verbunden werden.

(German singspiel in three acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Gerhard Croll. For 2 soprano voice solos, 2 tenor voice solos, bass voice solo, 2 speakers, choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 2 horns, 2 trumpets, timpani, percussion, strings, basso continuo. This edition: Complete edition, Urtext edition. Linen. New Mozart Edition. Series II, Section 5/12. Score. Language: German. KV 384. Duration 2 hours, 30 seconds. Published by Baerenreiter Verlag

Composed by Philip Schuessler. Duo score (two copies). Composed 2011. Published by Alea Publishing (A7.ALEA1164).

KV 49(47d), 65(61a), 66, 139(47a), 140(Anh. 235d). Anhang: Fragmente, Skizzen und Fassungen. By Wolfgang Amadeus Mozart. Edited by Walter Senn. For Soli, Mixed Choir, Orchestra. Neue Mozart-Ausgabe. Serie I, Werkgruppe 1/1, 1. Critical Commentary; Complete Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4547 40)

Chamber Music brass quintet

SKU: PR.14440622S

For Brass Quintet. Composed by Lauren Bernofsky. Contemporary. Full score. With Standard notation. Composed 1997. 8 pages. Duration 3 minutes. Theodore Presser Company #144-40622S. Published by Theodore Presser Company (PR.14440622S).

UPC: 680160626762. 9 x12 inches.

A commission by the South Shore Conservatory (Duxbury, MA) led to this exciting fanfare for brass quintet. Says Bernofsky, The piece begins with a rather fragmented-sounding opening, and it gradually takes shape as all the instruments come together to play the main theme of the piece..

Cello

SKU: HL.14010203

For Solo Cello. Composed by Brian Elias. Music Sales America. Classical. Softcover. Chester Music #CH88182. Published by Chester Music (HL.14010203).

Piece for solo cello is in three sections. The work starts with an almost inaudible tremolo on a low E and then states a few motifs which are repeated and developed throughout, in a fragmented manner and appearing in different orders. The music returns to a loud low tremolando E at the end, and once again fades into nothing. Piece was written in 1970 and first performed by Thomas Igloi at the Holborn Public Library, London, that year. The work was revised in February 2021.

Mixed choir

SKU: FG.55011-568-2

Composed by Alex Freeman. Fennica Gehrman #55011-568-2. Published by Fennica Gehrman (FG.55011-568-2).

ISBN 9790550115682.

The texts of Alex Freeman's Calle sin nombre for mixed choir (2019) are drawn from quotations of families seeking asylum who are victims of the policies of family separation aggressively and abruptly enacted by the administration of President Donald John Trump. These desperate words tread with bare feet across shards of fragmented lines from Emma Lazarus's The New Colossus (the iconic poem enshrined at the base of The Statue of Liberty). A rehearsal reduction for piano is included in the publication. Alex Freeman (b. 1972) grew up in Raleigh, North Carolina. Around the age of 13 he became interested in composing. In 1998 he moved to New York to begin his Doctoral studies at the Juilliard School, studying with Christopher Rouse. The focus of his doctoral document led him to Finland. The recipient of a Fulbright Full Fellowship, he moved to Helsinki in 2001 to research Sibelius's sketches and study composition with Eero Hameenniemi at the Sibelius Academy. Dr. Freeman is currently composing full-time and lives with his wife and children in Finland.

String quartet (2 violins, viola, cello) (Violins (2), Viola, Violoncello) - Level 5

SKU: BA.BA07195

Sechs Stücke für Streichquartett. Composed by Manfred Trojahn. Stapled. Performance score. Composed 1988. Duration 12 minutes. Baerenreiter Verlag #BA07195_00. Published by Baerenreiter Verlag (BA.BA07195).

ISBN 9790006486014. 36 x 28 cm inches.

World Premiere 11/10/1988, Barcelona.