By Samuel Sebastian Wesley (1810-1876). Arranged by Richard Lyne. For SATB choir and organ. Mixed Voices. Church Music Society publications. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press

By Ralph Vaughan Williams. For Longer Choral Work: Chorus Part. Published by Oxford University Press.

By Sumsion. For Mixed Choir Unaccompanied. CMSO11. Published by Oxford University Press.

Transcribed Scores Bass; Drums; Guitar; Piano/Keyboard; Vocal Complete Scores Collectors Edition. By Queen. Transcribed Score. Pop, Rock. Hardcover. Published by Hal Leonard

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.

18 Arrangements Inspired by Universal Statements of Faith. Arranged by Albert Mendoza. Other Church; Piano Collection; Piano Supplemental; Worship Resources. Sacred Performer Collections. Form: Prelude. Communion; Peace/Brotherhood; Sacred; Stewardship. Book. 60 pages. Alfred Music #00-47784. Published by Alfred Music

Composed by Lloyd Larson. Choral, cantatas. Christmas. SATB with performance CD. Lorenz Publishing Company #65/2111L. Published by Lorenz Publishing Company

Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Christmas. Choral score. Lorenz Publishing Company #65/2112L. Published by Lorenz Publishing Company

Composed by Lloyd Larson. Choral, cantatas. Christmas. Choral score. Lorenz Publishing Company #65/2110L. Published by Lorenz Publishing Company

Bob Chilcott Anthems 1 by Bob Chilcott. For SATB choir accompanied and a cappella. Mixed Voices. Composer Anthem Collections. Sacred, Choral Collection. Vocal score. 64 pages. Published by Oxford University Press

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

By Willcocks and John Rutter. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

By Marc Byrd; Steve Hindalong. For SATB choir and piano. Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3744L)

Composed by Arvo Part (1935-). Bible, St Matthew 5, 3-12. World Premiere: in Nathanaelkirche Berlin / Germany by the Theatre of Voices conducted by Paul Hillier. Choral part(s). With Standard notation. Composed 1990/1991. Duration 7 minutes. Universal Edition #UE33003. Published by Universal Edition

By Nielle Mann. For SATB choir, a cappella. Mixed Voices. ...for Choirs Collections. Sacred, Choral Collection. 272 pages. Published by Oxford University Press

By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Christmas Choral Collection. Pack of 10 copies. 384 pages

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

Vocal Baritone (Simone), Orchestra, Soprano (Bianca), Tenor (Guido Bardi)

SKU: PR.UE033962

Oper In Einem Aufzug. Composed by Alexander Zemlinsky. Edited by Felix Adler. Full score. With Standard notation. Composed 1916. Opus 16. Universal Edition #UE033962. Published by Universal Edition (PR.UE033962).

ISBN 9783702470609. UPC: 803452067702. Text: Oscar Wilde. Oscar Wilde.

If, as the editor states, Zemlinsky's A Florentine Tragedy is one of the milestones of 20th century music theatre, its path to acceptance was rather arduous. Beginning with the troubled text by Oscar Wilde, Zemlinsky dove into the work as if in a fever. A problem arose in requesting the rights to Wilde's text, not helped by timing (and World War I), and this was but one impediment to its performance. The editor provides a complete history of the work, in historical context, along with critical commentary, which, itself is fascinating reading. There follows the complete piano-vocal score in the 1916 UE edition, with revisions in 2011.

Carols for Choirs 1 (Fifty Christmas Carols). By Jacques and Willcocks. Edited by Reginald Jacques, David Willcocks. For mixed choir. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Choral collection. 192 pages. Published by Oxford University Press

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

By Archer & Scott. For Choral Collection: Mixed Choir. Published by Oxford University Press.

By Archer & Scott. For Choral Collection: Mixed Choir. Published by Oxford University Press.

(9 anthems for mixed voices). By Mack Wilberg (1955-). For SATB choir and organ/orchestra/unaccompa nied. Mixed Voices. Sacred, Choral Collection. Vocal score. 64 pages. Published by Oxford University Press