By Samuel Sebastian Wesley (1810-1876). Arranged by Richard Lyne. For SATB choir...(+)
By Samuel Sebastian
Wesley (1810-1876).
Arranged by Richard Lyne.
For SATB choir and organ.
Mixed Voices. Church
Music Society
publications. Sacred,
Choral Leaflet. Vocal
score. 8 pages. Duration
3'. Published by Oxford
University Press
Transcribed Scores Bass;
Drums; Guitar;
Piano/Keyboard;
Vocal
Complete Scores
Collectors
Edition. By Queen.
Transcribed
Score. Pop, Rock.
Hardcover.
Published by Hal Leonard
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
Be the Church Piano seul - Intermédiaire/avancé Alfred Publishing
18 Arrangements Inspired by Universal Statements of Faith. Arranged by Albert ...(+)
18 Arrangements Inspired
by
Universal Statements of
Faith. Arranged by Albert
Mendoza. Other Church;
Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Form:
Prelude.
Communion;
Peace/Brotherhood;
Sacred;
Stewardship. Book. 60
pages.
Alfred Music #00-47784.
Published by Alfred Music
Composed by Lloyd Larson. Choral, cantatas. Christmas. SATB with performance C...(+)
Composed by Lloyd Larson.
Choral, cantatas.
Christmas.
SATB with performance CD.
Lorenz Publishing Company
#65/2111L. Published by
Lorenz Publishing Company
Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Christmas....(+)
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral,
cantatas. Christmas.
Choral
score. Lorenz Publishing
Company #65/2112L.
Published
by Lorenz Publishing
Company
Bob Chilcott Anthems Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
Bob Chilcott Anthems 1 by Bob Chilcott. For SATB choir accompanied and a cappell...(+)
Bob Chilcott Anthems 1 by
Bob Chilcott. For SATB
choir accompanied and a
cappella. Mixed Voices.
Composer Anthem
Collections. Sacred,
Choral Collection. Vocal
score. 64 pages.
Published by Oxford
University Press
Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano...(+)
100 Carols for Choirs by
David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Advent,
Christmas, Epiphany,
Easter, Sacred, Secular.
Paperback. 388 pages.
Published by Oxford
University Press
Composed by Arvo Part (1935-). Bible, St Matthew 5, 3-12. World Premiere: in Nat...(+)
Composed by Arvo Part
(1935-). Bible, St
Matthew 5, 3-12. World
Premiere: in
Nathanaelkirche Berlin /
Germany by the Theatre of
Voices conducted by Paul
Hillier. Choral part(s).
With Standard notation.
Composed 1990/1991.
Duration 7 minutes.
Universal Edition
#UE33003. Published by
Universal Edition
By Nielle Mann. For SATB choir, a cappella. Mixed Voices. ...for Choirs Collecti...(+)
By Nielle Mann. For SATB
choir, a cappella. Mixed
Voices. ...for Choirs
Collections. Sacred,
Choral Collection. 272
pages. Published by
Oxford University Press
By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . ...(+)
By David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Christmas
Choral Collection. Pack
of 10 copies. 384 pages
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Oper
In Einem Aufzug.
Composed by Alexander
Zemlinsky. Edited by
Felix Adler. Full score.
With Standard notation.
Composed 1916. Opus 16.
Universal Edition
#UE033962. Published by
Universal Edition
(PR.UE033962).
ISBN
9783702470609. UPC:
803452067702. Text: Oscar
Wilde. Oscar
Wilde.
If, as the
editor states,
Zemlinsky's A Florentine
Tragedy is one of the
milestones of 20th
century music theatre,
its path to acceptance
was rather arduous.
Beginning with the
troubled text by Oscar
Wilde, Zemlinsky dove
into the work as if in a
fever. A problem arose in
requesting the rights to
Wilde's text, not helped
by timing (and World War
I), and this was but one
impediment to its
performance. The editor
provides a complete
history of the work, in
historical context, along
with critical commentary,
which, itself is
fascinating reading.
There follows the
complete piano-vocal
score in the 1916 UE
edition, with revisions
in 2011.
Carols for Choirs 1 (Fifty Christmas Carols). By Jacques and Willcocks. Edited b...(+)
Carols for Choirs 1
(Fifty Christmas Carols).
By Jacques and Willcocks.
Edited by Reginald
Jacques, David Willcocks.
For mixed choir. Mixed
Voices. ...for Choirs
Collections. Christmas,
Choral Collection. Choral
collection. 192 pages.
Published by Oxford
University Press
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(9 anthems for mixed voices). By Mack Wilberg (1955-). For SATB choir and organ/...(+)
(9 anthems for mixed
voices). By Mack Wilberg
(1955-). For SATB choir
and
organ/orchestra/unaccompa
nied. Mixed Voices.
Sacred, Choral
Collection. Vocal score.
64 pages. Published by
Oxford University Press