Grade 4

SKU: CL.012-3605-01

Composed by A. Spika and D. Young. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR354). Extra full score. Composed 2007. Duration 4 minutes, 17 seconds. Opus III Wind Orchestra Publications #012-3605-01. Published by Opus III Wind Orchestra Publications (CL.012-3605-01).

Rim Shot provides the perfect opportunity to showcase your top rudimental drummer. The grade 5 solo and the grade 3 accompaniment take a minimal amount of rehearsal time for a successful performance. Opens with a powerful statement from the band and percussion and the solo could be performed with your entire snare drum line if desired. An excellent snare drum showcase that will be a highlight of any concert!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

SKU: HL.50605438

Composed by William Bolcom. E.B. Marks. Softcover. Edward B. Marks Music #MR00489. Published by Edward B. Marks Music (HL.50605438).

ISBN 9781705185865. UPC: 196288118190. 11.25x17.0x3.0 inches.

I. A Legend, II. Complainte, III. Nightmare-Scherzo, IV. Finale: Introduction and Variations. The Second Piano Concerto was commissioned by The Heidelberger Fruhling Music Festival (Heidelberg, Germany). It premiered in Heidelberg on April 22, 2022 with Igor Levit, soloist, and The Mahler Chamber Orchestra conducted by Elim Chan. Instrumentation: Solo Piano: 2(2dPicc).2(2dEH).2(2dSCl /BCl).2(+CBsn): 4.2(2dFlglHn).2(+BTbn).0: Timp.Perc(3): Harp: Str.

Concert band - Grade 3

SKU: CL.012-4406-00

Composed by Galvin. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR385). Score and set of parts. Composed 2015. Duration 3 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-4406-00. Published by Opus III Wind Orchestra Publications (CL.012-4406-00).

This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912805

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Choral Score. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/05. Published by Carus Verlag (CA.3912805).

ISBN 9790007055875. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score available separately - see item CA.3912800.

Grade 5

SKU: CL.012-1486-00

Composed by Hill. Concert Band. Score and set of parts. Composed 1977. Opus III Wind Orchestra Publications #012-1486-00. Published by Opus III Wind Orchestra Publications (CL.012-1486-00).

Winner of the ABA Ostwald Award! An exciting three movement work that alternates highly dissonant contemporary sounds with allusions to archaic modes and dance forms. Solo sections for flute, clarinet and trumpet. I. May Danse II. Danse Macabre III. Estampie.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912812

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Violin 2. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/12. Published by Carus Verlag (CA.3912812).

ISBN 9790007055899. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912813

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Viola. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/13. Published by Carus Verlag (CA.3912813).

ISBN 9790007055905. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912814

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Cello/Double Bass. TVWV 1:1316. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.128/14. Published by Carus Verlag (CA.3912814).

ISBN 9790007055912. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912811

Kantate zum Sonntag Estomihi. Composed by Georg Philipp Telemann. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Siehe, Das Ist Gottes Lamm Ii. Sacred vocal music, Cantatas, Holy Week, Whitsun. Single Part, Violin 1. TVWV 1:1316. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.128/11. Published by Carus Verlag (CA.3912811).

ISBN 9790007055882. Language: German/English.

Thi s cantata, too, has the Passion as its theme. While the choruses are of only moderate difficulty, the solo parts demand singers with coloratura ability. Score and part available separately - see item CA.3912800.

By Johann Sebastian Bach. Edited by Besseler, Heinrich; Wenzinger, August. For Flute solo, Violin Solo, Harpsichord Solo, violin, viola, violoncello, basso continuo. Score; Urtext Edition. BWV 1050. Duration 21. Published by Baerenreiter-Ausgaben (German import).

Grade 3

SKU: CL.012-3366-75

Composed by Reineke. Concert Band. Spotlight Series. Audio recording available separately (items CL.WFR331 & CL.WFR352). Oversized, spiral-bound score. Composed 2004. Duration 5 minutes, 12 seconds. Opus III Wind Orchestra Publications #012-3366-75. Published by Opus III Wind Orchestra Publications (CL.012-3366-75).

A new programmatic composition that depicts the marvels of modern aviation. The opening represents the take-off and the majesty of the climb into the heavens. But after reaching cruising altitude and soaring peacefully above the clouds, the plane must descend through a strong turbulent storm. All ends well as the pilot regains control of the aircraft and heroically returns the band and your captivated audience safely to the ground. A superior choice for any festival or concert performance. Extraordinary music by one of today's most popular composers.!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Basso (cello/double bass) (solo: org - 0.2.0.0. - 0.2.0.0. - str)

SKU: BR.OB-5132-26

Urtext. Composed by Franz Joseph Haydn. Edited by Eva-Maria Hodel. Stapled. Orchester-Bibliothek (Orchestral Library). Our new edition is based on the autograph. For the first time, the composition appears with brass (2 trumpets) as it is written in the autograph. Almost all transcripts preserved are presenting this version, too. Solo concerto; Classical. Part. 12 pages. Duration 19'. Breitkopf and Haertel #OB 5132-26. Published by Breitkopf and Haertel (BR.OB-5132-26).

ISBN 9790004329177. 10 x 12.5 inches.

Joseph Haydns Organ Concerto in C major Hob XVIII:1 was composed in 1756. The autograph stems from the archives of Breitkopf & Hartel and has been housed at the Universitats- und Landesbibliothek Darmstadt since 1953. The first edition (score and orchestral parts) was published in 1953 by Breitkopf & Hartel in Wiesbaden. The present Urtext edition is the first to take into account the brass parts prescribed in the autograph, but not written out contained in a contemporary copy.

Our new edition is based on the autograph. For the first time, the composition appears with brass (2 trumpets) as it is written in the autograph. Almost all transcripts preserved are presenting this version, too.

Grade 3

SKU: CL.012-1936-00

An Overture for Band. Composed by Tatgenhorst. Concert Band. Score and set of parts. Composed 1975. Opus III Wind Orchestra Publications #012-1936-00. Published by Opus III Wind Orchestra Publications (CL.012-1936-00).

After a broad melodic introduction filled with lush harmonies and poignant brass clusters, snare and bass drum introduce a lively and effective modal allegro. Solo snare drum alternating with brass and woodwinds build to a majestic conclusion. Few technical demands.

Grade 3.5

SKU: CL.012-3677-01

A Christmas Sing-along. Composed by Reineke. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR349). Extra full score. Composed 2007. Duration 5 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-3677-01. Published by Opus III Wind Orchestra Publications (CL.012-3677-01).

Steven Reineke’s Merry Christmas, Everyone! is a masterful arrangement of several classic and well known Christmas carols may be performed by band alone; band with SATB choir; or with an audience Sing-along! Versatile and impressive, you’ll want to close your holiday concert with this Christmas spectacular every year. Our highest recommendation!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, drums, piano). Score and parts. Duration 3 minutes, 06 seconds. Published by Carl Fischer

Concert band - Grade 3

SKU: CL.012-4303-75

Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR381). Oversized, spiral-bound score. Composed 2014. Duration 2 minutes, 33 seconds. Opus III Wind Orchestra Publications #012-4303-75. Published by Opus III Wind Orchestra Publications (CL.012-4303-75).

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Grade 3

SKU: CL.012-5034-00

Arranged by P. Clark. Concert Band. Score and set of parts. Composed 2023. Opus III Wind Orchestra Publications #012-5034-00. Published by Opus III Wind Orchestra Publications (CL.012-5034-00).

Written in 1927, Stardust has been recorded over 1,500 times and is now considered to be part of the Great American Songbook. This stellar Paul Clark arrangement includes the 16 bar introduction, followed by solo trumpet on the first verse. Full ensemble plays the 2nd verse, with a solo trumpet ending that’s as pretty as stardust. A classic arrangement of a great American standard. Perfect for adult community bands as well!

Grade 4

SKU: CL.012-5014-00

Composed by L. Johnson. Concert Band. Score and set of parts. Composed 2023. Opus III Wind Orchestra Publications #012-5014-00. Published by Opus III Wind Orchestra Publications (CL.012-5014-00).

This stunning debut composition from the pen of Lucas Johnson, Valley of the Fallen Lords is a bold and exciting programmatic work for advanced bands. Composed in a film score style with a powerful opening theme, your ensemble will fly through rapid stylistic changes with multiple solo opportunities throughout. A lyrical and lush middle section opens the door for a very expressive and emotional performance with soaring melodies and warm harmonies. You won’t want to miss this one! Our highest recommendation!

Grade 4

SKU: CL.012-3249-00

Composed by C. McBride. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR328). Score and set of parts. Composed 2003. Duration 4 minutes, 39 seconds. Opus III Wind Orchestra Publications #012-3249-00. Published by Opus III Wind Orchestra Publications (CL.012-3249-00).

The debut composition of a talented young composer who created this exceptional piece at the age of 15 while a student at Independence High School in Iowa. Programmatic in concept, Perilous Voyage opens up with short solo statements for both flute and oboe and then builds in intensity using contemporary compositional techniques throughout the piece. Since Cory is a young percussionist, he has featured a large cast of percussion instruments which provide a bold pulse that is both impressive and exciting! Your students(and audiences) will love this unique and dynamic music by this talented young composer! OUTSTANDING!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

Composed by Steven Barton. Bandworks. Score and set of parts. Published by Neil A. Kjos Music Company (KJ.WB247).

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

Grade 3

SKU: CL.012-4736-00

Arranged by Conaway. Concert Band. Score and set of parts. Composed 2019. Opus III Wind Orchestra Publications #012-4736-00. Published by Opus III Wind Orchestra Publications (CL.012-4736-00).

This haunting and beautiful setting of the traditional Irish farewell song The Parting Glass will be a memorable moment on your next concert or contest performance. Reflective solos, lush harmonies, and sensitively scored percussion all combine to create this soundscape of memories, loss, and hope. A perfect reflective composition for your mature group of musicians!