Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.49044897 From...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.49044897
From
Children's Corner for
Flute and Piano.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. 14 pages.
Schott Music #ED09976.
Published by Schott Music
(HL.49044897).
ISBN
9790001192200. UPC:
841886019935.
9.25x12.0x0.096
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
Piano SKU: BR.EB-8118 Composed by Richard Wagner. Solo instruments; Softc...(+)
Piano
SKU:
BR.EB-8118
Composed
by Richard Wagner. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
Composed 1831. 24 pages.
Breitkopf and Haertel #EB
8118. Published by
Breitkopf and Haertel
(BR.EB-8118).
ISBN
9790004175019. 9 x 12
inches.
Richard
Wagner (1813-1883) is
rightly considered as the
19th-century music
dramatist whose formal
and harmonic originality,
for example in Tristan
and Isolde, provided a
significant impetus to
the development of
20th-century music.
Despite Wagner's fame,
his reuvre for piano
remains practically
unknown. Tobe sure, these
primarily early works and
occasional compositions
hardly even hint at the
outstanding
characteristics of the
later works such as
leit-motifs, flowing
transitions or original
forms. Nonetheless,
whoever is acquainted
with Wagner's later music
dramas will undoubtedly
not fail to be impressed
by the individual melodic
and harmonic traits of
his piano works. The
Sonata in B-flat Major
Op. 1 is of special
interest to us today
since it is Wagner's
first published work,
composed in 1831 and
printed in 1832 by
Breitkopf & Hartel. At
that time, Wagner was
studying counterpoint
with Theodor Weinlig, the
choral master and music
director of the
Thomasschule in Leipzig.
Weinlig, however, only
agreed to give Wagner
lessons if he promised to
refrain from composing
for half a year. In the
course of his studies,
Wagner was allowed to
compose the piano sonata
in B-flat Major as a kind
of journeyman-work. His
teacher Weinlig succeeded
in having the work
published by Breitkopf &
Hartel. Hence the
dedication of this piece
to Weinlig is not
surprising, since the
18-year-old Wagner would
otherwise have had great
difficulty finding a
publisher. This Sonata in
B-flat Major, which has
long been out of print,
is a reproduction of the
first edition by
Breitkopf & Hartel (plate
number 10433). For this
reprint, obvious
typographical errors have
been corrected (missing
or wrong accidentals and
dynamic indications). The
work presents a
four-movement classical
sonata form and is
stylistically reminiscent
of Mozart and Beethoven.
Shortly before composing
this sonata, Wagner wrote
a piano reduction of
Beethoven's Ninth
Symphony, which was
easily playable and yet
gratifying to hear. This
helps explain the
octave-doublings typical
of piano reductions.
Wiesbaden, Fall
1980
Respectfully
dedicated to Theodor
Weinlig, the choral
master and music director
of the Thomasschule in
Leipzig.
Guitar SKU: HF.FH-3070 Schule fur 5- 7jahrige. Composed by Isolde ...(+)
Guitar
SKU:
HF.FH-3070
Schule
fur 5- 7jahrige.
Composed by Isolde
Schaupp. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 3070.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3070).
Clarinet SKU: HF.7804 Composed by Heyneck. Edited by Heyneck, Roscher, an...(+)
Clarinet
SKU:
HF.7804
Composed by
Heyneck. Edited by
Heyneck, Roscher, and
Schreinicke. Arranged by
Heyneck, Roscher, and
Schreinicke. Sheet music.
Friedrich Hofmeister
Musikverlag #7804.
Published by Friedrich
Hofmeister Musikverlag
(HF.7804).
ISBN
9790203458036. 9 x 12
inches.
Rigoletto
(G.Verdi), Der Troubadour
(G.Verdi), La Traviata
(G.Verdi), Ein Maskenball
(G.Verdi), Die Macht des
Schicksals (G.Verdi),
Aida (G.Verdi), Othello
(G.Verdi), Falstaff
(G.Verdi), Eine
Faust-Ouverture
(R.Wagner), Rienzi
(R.Wagner), Der fliegende
Hollander (R.Wagner),
Tannhauser (R.Wagner),
Lohengrin (R.Wagner),
Siegfried-Idyll
(R.Wagner), Tristan und
Isolde (R.Wagner), Die
Meistersinger (R.Wagner),
Der Venusberg (R.Wagner),
Sinfonien Nr. 7-12
(D.Schostakowitsch),
Violinkonzert op. 99
(D.Schostakowitsch),.
From Children's Corner. Composed by Claude Debussy (1862-1918). Edited ...(+)
From Children's
Corner.
Composed by Claude
Debussy
(1862-1918). Edited by
Wolfang Birtel. Arranged
by
Wolfgang Birtel,
Charlotte
Mohrs. This edition:
Saddle
stitching. Sheet music.
Edition Schott - Single
Edition. Classical.
Softcover. 16 pages.
Schott
Music #ED0 9975.
Published by
Schott Music
Vorspiel und Liebestod. Composed by Richard Wagner (1813-1883). Arranged ...(+)
Vorspiel und
Liebestod. Composed
by Richard Wagner
(1813-1883). Arranged by
D. Godfrey. BOVACO
Classic Concert Band.
Extra condensed score.
Published by BOVACO Music
Publications
(CL.BOV-S2000-01).
SKU: BR.BV-410 Complete Letters in 35 Volumes and Supplements. Com...(+)
SKU: BR.BV-410
Complete Letters in 35
Volumes and
Supplements. Composed
by Richard Wagner. Edited
by Andreas Mielke. Linen.
Buchverlag Breitkopf &
Hartel (Music Books).
Romantic period. Complete
Works. 656 pages.
Breitkopf and Haertel #BV
410. Published by
Breitkopf and Haertel
(BR.BV-410).
ISBN
9783765104107. 5.5 x 8.5
inches.
German.
With the
publication of Volume 11
in November 1999, Werner
Breig's fundamentally new
scholarly concept begins
to make itself felt more
strongly. All editorial
differences aside: with
respect to their
contents, Volumes 9-11
can be neatly categorized
as the Tristan letters
volumes, the genesis of
each act of Tristan und
Isolde can be assigned to
one specific
chronological section.
Wagner was working on the
first act (beginnung his
correspondance with
Mathilde Wesendonck at
the same time) in Zurich
during the period of the
letters compiled in
Volume 9. Volume 10 plays
in Venice and documents
the origin of the second
act. And in Volume 11,
the reader can relive the
completion of the
epoch-making stage work
in the letters Wagner
sent from Lucerne.
Concerning this Volume we
have obtained the
following fax by the
English Wagner expert
Stewart Spencer, who
wittily praises Werner
Breig's fundamental new
concept: There is a
general problem of
reviewing such
magnificent volumes. They
are the yardstick by
which all other writings
on Wagner will be judged.
It is like sending
someone to inspect the
standard metre rule in
Paris and asking them to
review it. All one can
say is that it exists and
that it is in a class of
its own. I'd like to
congratulate you on its
publication and thank you
most warmly for picking
up this edition. (Stewart
Spencer, October 11,
2000).
Edited by Helen Marlais. Collection and accompaniment CD for piano. The FJH pian...(+)
Edited by Helen Marlais.
Collection and
accompaniment CD for
piano. The FJH pianist's
curriculum. Series: In
Recital with Classical
Themes. 55 pages.
Published by The FJH
Music Company.
(Piano Solo). Composed by Richard Wagner (1813-1883). Arranged by Vestard Shimku...(+)
(Piano Solo). Composed by
Richard Wagner
(1813-1883). Arranged by
Vestard Shimkus. For
Piano. Piano Solo.
Softcover. 20 pages.
Schott Music #ED21840.
Published by Schott Music