Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5

SKU: CF.YAS201F

Entre le bœuf et l'âne gris. Composed by 0. Arranged by Ian David Coleman. Sws. Yas. Full score. 8 pages. Carl Fischer Music #YAS201F. Published by Carl Fischer Music (CF.YAS201F).

ISBN 9781491157589. UPC: 680160916160. 9 x 12 inches.

This ancient melody has an intrinsic beauty in both its shape and harmonic support. Reflecting those elements, this arrangement also creates an evocative sound world. The mood of this piece is inspired by viewing the expanse of the night sky. Throughout history, we as humans are connected, in a sense, by the fact that we look up at the same pattern of stars today as those who created this ancient tune so many years ago, which suggests a point of connection over time. In this arrangement you will find a sense of wonder and awe as the melody weaves its way between consonance and dissonance, and that the reimagining of an ancient melody in a new setting, also reflects the timeless nature that points of celebration, such as in the Christmas season.
This ancient melody has an intrinsic beauty in both its shape and harmonic support. Reflecting those elements, this arrangement also creates an evocative sound world.  The mood of this piece is inspired by viewing the expanse of the night sky.  Throughout history, we as humans are connected, in a sense, by the fact that we look up at the same pattern of stars today as those who created this ancient tune so many years ago, which suggests a point of connection over time.  In this arrangement you will find a sense of wonder and awe as the melody weaves its way between consonance and dissonance, and that the reimagining of an ancient melody in a new setting, also reflects the timeless nature that points of celebration, such as in the Christmas season.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SATB choir, cantor, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-007476

Psalm 130. Composed by David L. Sanders. Lent 5 A. Sacred. Octavo. 4 pages. GIA Publications #007476. Published by GIA Publications (GI.G-007476).

UPC: 641151074764. Scripture: Psalm 130.

Choral SATB choir

SKU: CF.CM9551

Composed by Irish Hymn Tune. Arranged by Russell L. Robinson. Fold. Octavo. With Standard notation. 8 pages. Carl Fischer Music #CM9551. Published by Carl Fischer Music (CF.CM9551).

ISBN 9781491150832. UPC: 680160908332. 6.875 x 10.5 inches.

Russ Robinson's arrangement of Be Thou My Vision is simplistic yet elegant. His addition of color chords adds musical interest without taking away from the original melody and harmonies.

Piano

SKU: LM.JMS04

Composed by Martial Solal. Pop and jazz. Score. Editions Henry Lemoine #JMS04. Published by Editions Henry Lemoine (LM.JMS04).

ISBN 9782911567049.

A bout de souffle - Accalmie - Aigue-Marine - A San Francisco sans Francis - A night in Venezia - Balade du 10 Mars - Ballade - Bizarre, vous avez Dit ? - Bluesine - Centre de gravite - Chi va piano - Chromatisme - Coming yesterday - Cortancyl - Demaplastic - Difficult blues - Et si c'etait vrai - Fausses notes - Grain de valse - Grapes - Histoire de Blues - Hommage a Frederic Chopin - In an out - Incoercible - Isocele - Jazz frit - July shower - La couronne de flore - Life is so sweet - Lombardy - L'oreille hardie - Medium - Middle Jazz - Moins de 36 - Monostome - Navigation - No delay - Neutralisme - N.Y.1 - Ouin Ouin - Petites phrases - Quand les chlamydes - Ramage - Ridikiool - Ritournelle N1 - Ritournelle n. 2 - Round About twelve - Satar - Sacrebleu - Sapristi - Slightly bluesy - Soliloc - Special Club - Suspect rhythm - The date - The newest old waltz - Triangle - Une nuit au violon - Valse a 3 temps - Vice-versa - Viennoiserie - Voyage en Anatolie - Zag zig - 14 Septembre - 64 mesures.

Organ

SKU: GI.G-003061

Composed by Alison Luedecke. Edited by Alison Luedecke. Children. Sacred. 32 pages. GIA Publications #003061. Published by GIA Publications (GI.G-003061).

UPC: 641151030616.

Respo nding to the pastoral needs of church musicians, Luedecke researched WLP's extensive organ library and edited five volumes of music that are musts for any church organist. Table of Contents Canon on Ave Maris Stella, Raymond Keldermans Christus Vincit, Sr. Mary David Callahan, OSB Deo Gracias, Noël Goemanne Jesu Dulcis-Verbum Supernum, Victor Togni Veni, Veni, Emmanuel, Eugene Englert Ave Maria, Victor Togni Offertory on Regina Caeli, Eugene Hemmer Ave Verum, Sr. Mary David Callahan, OSB Salve Mater, Sr. Mary David Callahan, OSB Three Variations on Puer Nobis Nascitur, Tannis Grimes Ave Maria, Sr. Mary David Callahan, OSB Introduction and Two Versets on Pange Lingua, Edward Diemente  .

Organ

SKU: HL.14005761

Composed by A. Charles L. Hylton Stewart. Music Sales America. Exam Material. Book [Softcover]. 12 pages. Music Sales #NOV590115. Published by Music Sales (HL.14005761).

9.0x12.0x0.131 inches.

Short Pieces for Organ dating from 1928.

Choral TBB chorus

SKU: CF.CM9638

Composed by John Bennet. Arranged by Russell L. Robinson. Fold. Performance Score. 4 pages. Duration 2 minutes. Carl Fischer Music #CM9638. Published by Carl Fischer Music (CF.CM9638).

ISBN 9781491157107. UPC: 680160915668. 6.875 x 10.5 inches. Key: A minor. English, English. Original.

Robinson' s TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. A wonderful concert or festival staple piece!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time. Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty. The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel. Enjoy this wonderful madrigal!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time.Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices.The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty.The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel.Enjoy this wonderful madrigal!

Piano

SKU: BT.PWM236

Composed by Frederic Chopin. Chopin Complete Works. Book Only. Composed 2006. 104 pages. Polskie Wydawnictwo Muzyczne #PWM236. Published by Polskie Wydawnictwo Muzyczne (BT.PWM236).

ISBN 9788322411544.

ladem pó nych scherz Beethovena, odznaczaj si ekspresj zwi zan z wyobra ni fantastyczn , zaskakuj c , czasem przera aj c . Ka de scherzo ma w asny odcie wyrazowy i swoj odmian formy, najcz ciej s to jednak wariantybudowy repryzowej. Jej skrajne cz ci maj charakter wzburzony, ruchliwy, niespokojny a do demoniczno ci, natomiast wyciszona cz rodkowa symbolizuje azyl: rodzinny, arkadyjski, filozoficzny czy uczuciowy.

Utwory zosta yopracowane przez I. J. Paderewskiego, L. Bronarskiego i J. Turczy skiego.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5

SKU: CF.YAS201

Entre le bœuf et l'âne gris. Composed by Traditional French Carol. Arranged by Ian David Coleman. Folio. Yas. Set of Score and Parts. 8+8+2+5+5+8+5 pages. Duration 3 minutes, 5 seconds. Carl Fischer Music #YAS201. Published by Carl Fischer Music (CF.YAS201).

ISBN 9781491157763. UPC: 680160916344. 9 x 12 inches.

Though not as familiar as other holiday carols, this ancient melody has an intrinsic beauty in both its shape and harmonic support. Reflecting those elements, this arrangement creates an evocative sound world. The mood is inspired by viewing the expanse of the night sky. Throughout history, we as humans are connected, in a sense, by the fact that we look up at the same pattern of stars today as those who created this ancient tune so many years ago, which suggests a point of connection over time. In this arrangement you will find a sense of wonder and awe as the melody weaves its way between consonance and dissonance. The re-imagining of this medieval carol reflects the timeless nature of the Christmas season. Students will work on sustaining long tones and tuning non-traditional chords in this choral-like setting for string orchestra. The melody flows between all the parts with short musical interludes between.
Though not as familiar as other holiday carols, this ancient melody has an intrinsic beauty in both its shape and harmonic support. Reflecting those elements, this arrangement creates an evocative sound world.  The mood is inspired by viewing the expanse of the night sky.  Throughout history, we as humans are connected, in a sense, by the fact that we look up at the same pattern of stars today as those who created this ancient tune so many years ago, which suggests a point of connection over time.  In this arrangement you will find a sense of wonder and awe as the melody weaves its way between consonance and dissonance. The re-imagining of this medieval carol reflects the timeless nature of the Christmas season. Students will work on sustaining long tones and tuning non-traditional chords in this choral-like setting for string orchestra. The melody flows between all the parts with short musical interludes between.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SATB choir, keyboard accompaniment

SKU: GI.G-008778

Composed by Noel Goemanne. Children. Sacred. Octavo. GIA Publications #008778. Published by GIA Publications (GI.G-008778).

UPC: 641151087788.

Tomas o Albinoni‚ Adagio has inspired this alluring choral adaptation by prolific composer No?´l Goemanne. Hints of this classic melody are found throughout the four-part texture. Beginning with a simple pulse in the keyboard, the men state the initial theme in unison and fifths. The vocal writing takes some interesting harmonic turns and contains wonderful solo passages. A keyboard interlude introduces a duet between soprano and tenor and leads us to a concluding homophonic choral section. Agnus Dei will also serve well as a concert performance piece.

Orchestra - Grade 2.5

SKU: AP.45842S

Recorded by American Authors. Composed by Aaron Accetta, David Rublin, James Shelley, Jonnie Davis, Matthew Sanchez, Michael Goodman, and Zachary Barnett. Arranged by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Pop/Rock. Score. 12 pages. Duration 2:40. Alfred Music #00-45842S. Published by Alfred Music (AP.45842S).

UPC: 038081524115. English. Zachary Barnett; James Shelley; Matthew Sanchez; David Rublin; Aaron Accetta; Jonnie Davis; Michael Goodman [American Authors].

Go big and get your audience excited with this bright and energetic sing-along hit arranged by Victor López. American Authors, an indie rock band based in Brooklyn, New York, wrote Go Big or Go Home---a Top 20 hit on Billboard charts and featured in promos for the 2016 NBA Playoff Finals. Given the catchy melody and vibrant rhythms, this song is the hair-raising anthem you have been looking for to complete your program. Great tune for a recruiting demonstration! (2:40).

Choral TB Voices with Piano and optional flute

SKU: CF.CM9532

Arranged by Russell L. Robinson. SWS. Performance. With Standard notation. 16 pages. Carl Fischer Music #CM9532. Published by Carl Fischer Music (CF.CM9532).

ISBN 9781491150641. UPC: 680160908141. 6.875 x 10.5 inches.

This thoughtful setting of a traditional Scottish melody features text by Robert Burns, a harp-like piano accompaniment, and a lilting flute obbligato giving it a Celtic feel. Like so many folk songs of this region, the melody is beautifully singable and richly rewarding. Also available for Three-Part Mixed Voices (CM8734) and SA Voices (CM8735).

Organ

SKU: GI.G-003066

Composed by Alison Luedecke. Edited by Alison Luedecke. Children. Tune Name: Nicaea, Sandringham, Kremser, All Things Bright And Beautiful, Grosser Gott, Mit Freuden Zart, Jefferson, Rathburn, Rendez À Dieu, Lübeck, Gott Sei Dank, Lobe Den Herren. Sacred. 32 pages. GIA Publications #003066. Published by GIA Publications (GI.G-003066).

UPC: 641151030661.

Flute - easy

SKU: BT.DHP-1023126-401

By Jean Castelain and Michiel Oldenkamp. Écouter, Lire et Jouer. Educational Tool. Book Only. Composed 2002. 24 pages. De Haske Publications #DHP 1023126-401. Published by De Haske Publications (BT.DHP-1023126-401).

ISBN 9789043115124. French.

Jouer avec un partenaire oblige écouter, réagir et répondre d’autres sons. Avec Les Duos 1 & 2, vous aurez votre disposition, de nombreuses compositions simples et originales classées dans l’ordre croissant de difficulté. Les Duos sont idéaux pour faire du jeu deux un véritable plaisir musical.

Choral TBB Voices a cappella and optional Piano

SKU: CF.CM9535

Arranged by Patrick M. Liebergen. Fold. Performance. With Standard notation. 12 pages. Carl Fischer Music #CM9535. Published by Carl Fischer Music (CF.CM9535).

ISBN 9781491150672. UPC: 680160908172. 6.875 x 10.5 inches.

Patrick M. Liebergen's lively arrangement of Pierre Certon's most famous SATB chansons, Je ne l'ose dire, lends itself perfectly to natural, energetic singing. English or French, a cappella or accompanied, this arrangement is sure to be a favorite for tenor-bass choirs of all sizes and abilities.

Concert Band (Score & Parts) - Grade 4

SKU: HL.44011061

Composed by Jan Van der Roost. De Haske Concert Band. Concert Piece. Set (Score & Parts). Composed 2011. De Haske Publications #1115063010. Published by De Haske Publications (HL.44011061).

UPC: 884088640064. 9x12 inches.

Jan Van der Roost and the commissioner of this work have strong personal ties, making By the River a very personal work for both of them. The first part is pastoral and describes the rural character of what is actually an industrial region.The next movement, a dynamic allegro that creates an exciting contrast to the first. All instruments are put to good use, letting everyone have their moment in the limelight. All the interesting thematic and melodic elements Van der Roost createswill keep the audience engaged through to the very last note!

De opdrachtgever van dit werk is op meerdere wijze verbonden aan de componist. Hierdoor is By the River een zeer persoonlijk en indrukwekkend werk geworden. Het eerste deel heeft het karakter van een pastorale en beschrijfthet landelijke karakter van een - in basis - industrieel gebied. In sterk contrast daarop volgt een dynamisch allegro met toespelingen op Leonard Bernstein. Alle registers van het moderne blaasorkest komen aan hun trekken in Bythe River. Maar ook het publiek wordt flink op de proef gesteld, wil het alle thematische en melodische elementen van dit afwisselende werk doorgronden..!

Dem Auftraggeber dieses Werkes ist der Komponist in mehrfacher Weise sehr verbunden, wodurch By the River ein sehr personliches und eindringliches Werk geworden ist. Der erste Teil ist von pastoralem Charakter und beschreibt den landlichenCharakter einer eigentlichen Industrieregion. Stark kontrastiv folgt darauf ein dynamisches Allegro mit einer Anspielung auf Leonard Bernstein. Alle Register des modernen Blasorchesters sind in By the River gefordert, genau wie dieAufmerksamkeit des Publikums, wenn es alle thematischen und melodischen Elemente dieses abwechslungsreichen Werkes erfassen will.

By the River (Pres de la rivere) est une oeuvre que Jan van der Roost affectionne tout particulierement. La premiere partie s'ouvre sur motif plutot pastoral et decrit le caractere assez rural des gens du paysvivant dans une certaine region industrielle. Un dynamique allegro amene en contraste un bref clin d'oeil a Leonard Berstein. Afin de pouvoir restituer cette composition dans toute sa diversite, l'ensemble des registres del'orchestre d'harmonie contemporain sera sollicite. Votre attentif auditoire en restera epoustoufle !

By the River e un'opera alla quale Jan Van der Roost e particolarmente affezionato. La prima parte si apre su un motivo pastorale e descrive il carattere rimasto rurale di alcuni popoli che vivono in regioni ormaiindustrializzate. Segue un dinamico allegro, breve ma che ricorda la musica di Leonard Bernstein. Una composizione che sollecita tutti i registri della banda e che entusiasmera il pubblico!

SATB choir,cantor,assembly, handbells,2-3 octave handbells,[category]

SKU: GI.G-003411

Composed by Paul M. French. Arranged by David L. Sanders. Children. Sacred. Octavo. GIA Publications #003411. Published by GIA Publications (GI.G-003411).

UPC: 641151034119.

Choral SSA choir, piano

SKU: CF.CM9629

Composed by Traditional English Carol. Arranged by Russell L. Robinson. Fold. Performance Score. 12 pages. Duration 2 minutes, 35 seconds. Carl Fischer Music #CM9629. Published by Carl Fischer Music (CF.CM9629).

ISBN 9781491157015. UPC: 680160915576. 6.875 x 10.5 inches. Key: E major. English, English.

Treble choirs of all sizes will enjoy singing this timeless English carol with diverse piano accompaniment and interesting textures and harmonies. A fine addition to any holiday program!

Organ

SKU: HL.49047063

On the Name of Saint Charbel. Composed by Naji Hakim. Organ Collection. Classical. Softcover. 16 pages. Duration 405 seconds. Schott Music #ED23528. Published by Schott Music (HL.49047063).

ISBN 9781705183434. UPC: 842819115762. 9.0x12.0x0.062 inches.

The Prélude proceeds by juxtaposition of 7 harmonic variations alternating the cantus of C H A R B E L (consisting of the French correspondence between letters and notes), between left hand and right hand, with gradation of nuances from pianissimo to fortissimo. The subject of the Fugue derives from an ornamentation of the cantus of the Prélude and gives rise to a contrapuntal andtonal development modulating throughout the cycle of fifths.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909705

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Choral Score. Composed 1735. TVWV 9:5. 12 pages. Duration 10 minutes. Carus Verlag #CV 39.097/05. Published by Carus Verlag (CA.3909705).

ISBN 9790007162115. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score available separately - see item CA.3909700.

SATB choir, keyboard accompaniment, C instrument, violin, cello, triangle

SKU: GI.G-008846

Composed by Robert W Schaefer. Christmastide, Advent 4 A, Advent 4 B, Holy Family, Epiphany. Tune Name: Incorporating Excerpts From Messiah. Sacred. Octavo. 8 pages. GIA Publications #008846. Published by GIA Publications (GI.G-008846).

UPC: 641151088464. Text by Richard Leach.

The text by Richard Leach dances through various meters, each stanza concluding with a jubilant Alleluia! Sing Noël! Parts for obbligato instrument and optional triangle provide additional cheer.

Wind Quintet

SKU: ST.C423

Composed by Francois Couperin. Wind & brass music. Clifton Edition #C423. Published by Clifton Edition (ST.C423).

ISBN 9790570814237.

Four contrasting movements. Giocoso, Sostenuto, Allegro and Comodo

The Couperin family’s influence extended over five generations and was as important to French music as the Bachs’ to German music. François 1668-1733 (known as ‘le Grand’) was, like his father, organist of St. Gervais and in 1693 became organist to the King at Versailles.

He excelled as a composer of keyboard music and produced an instruction book L’Art de Toucher le Clavecin, which is valuable for the light it throws on contemporary practice in harpsichord playing.

J. S. Bach knew and admired François Couperin’s music and the two did correspond. Alas, the letters disappeared when, (according to an article in Grove) they were used as lids for jampots!

Arranged by B ryan Kelly
Former Spartan Press Cat. No.: SP1115.

Recorder Ensemble

SKU: HL.49002881

Score and Parts. Composed by John Wilbye. Arranged by John L. Boston and Marylin Wailes. This edition: Folding. Sheet music. Edition Schott. Classical. Score and Parts. 20 pages. Schott Music #ED 11581. Published by Schott Music (HL.49002881).

ISBN 9790220111495. UPC: 073999260779. 9.0x12.0x0.088 inches.

2 descant, 2 treble, tenor and bass recorder.

SKU: HL.50499114

Composed by Chailly L. MGB. Ricordi #CP1301115. Published by Ricordi (HL.50499114).

SKU: HL.48018591

Composed by Hans Gá and l. Boosey & Hawkes Miscellaneous. 16 pages. Simrock #M221115270. Published by Simrock (HL.48018591).

UPC: 073999994650. 8.25x11.0x0.05 inches.