Concert band - Grade 2

SKU: CL.011-4569-00

Composed by Sherburne. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR392). Score and set of parts. Composed 2017. Duration 3 minutes, 32 seconds. C.L. Barnhouse #011-4569-00. Published by C.L. Barnhouse (CL.011-4569-00).

Bold and ferocious, this piece will get your adrenaline running and keep audiences at the edge of their seat! A dramatic opening sets up subtlety in the woodwinds while maintaining high intensity from the percussion section, all providing great musical contrast to engage the performer and the listener. Accessible to younger players, yet has a broad musical range which shows a maturity for the band that can close a concert with a Wow!.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert band - Grade 2

SKU: CL.011-4569-01

Composed by Sherburne. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR392). Extra full score. Composed 2017. Duration 3 minutes, 32 seconds. C.L. Barnhouse #011-4569-01. Published by C.L. Barnhouse (CL.011-4569-01).

Bold and ferocious, this piece will get your adrenaline running and keep audiences at the edge of their seat! A dramatic opening sets up subtlety in the woodwinds while maintaining high intensity from the percussion section, all providing great musical contrast to engage the performer and the listener. Accessible to younger players, yet has a broad musical range which shows a maturity for the band that can close a concert with a Wow!.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2479-00

Young Concert Band. Command Series. Audio recording available separately (item CL.WFR192). Score and set of parts. Composed 1992. C.L. Barnhouse #011-2479-00. Published by C.L. Barnhouse (CL.011-2479-00).

Get your young band's holiday concert off to a delightful start with this toe-tapping selection that is bursting with the festive Yuletide spirit! Simple but effective, combined with the sounds of sleigh bells and horse hooves creating a perfect vehicle for young bands.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2479-01

Young Concert Band. Command Series. Audio recording available separately (item CL.WFR192). Extra full score. Composed 1992. C.L. Barnhouse #011-2479-01. Published by C.L. Barnhouse (CL.011-2479-01).

Get your young band's holiday concert off to a delightful start with this toe-tapping selection that is bursting with the festive Yuletide spirit! Simple but effective, combined with the sounds of sleigh bells and horse hooves creating a perfect vehicle for young bands.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Accordion Orchestra - Grade 2

SKU: BT.DHP-1001913-060

Composed by Jacob De Haan. Arranged by Foppe Jacobi. Accordion. Original Light Music. Set (Score and Parts). Composed 2000. De Haske Publications #DHP 1001913-060. Published by De Haske Publications (BT.DHP-1001913-060).

ISBN 9789043131650.

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

In oktober 1997 bezocht Jacob de Haan het Zwitserse St. Moritz. De bergen rondom waren getooid in schitterende herfstkleuren. De componist raakte in deze omgeving ge nspireerd door de kleuren, de rust en de natuur en schreef daaropzijn lyrische compositie Yellow Mountains, dat door Foppe Jacobi fraai is gearrangeerd voor accordeonorkest.

H erbst im schweizerischen St. Moritz: Die Berge sind in die unterschiedlichsten Herbstfarben getaucht und die Natur strahlt eine gelassene Ruhe aus. Jacob de Haan war im Oktober 1997 in dieser Umgebung und schrieb dort, von den Farben, der Ruhe und der Natur inspiriert, seine lyrische Komposition Yellow Mountains.

En octobre 1997, Jacob de Haan se rend Saint-Moritz en Suisse. La nature a quitté ses habits dâ??été pour revêtir une extraordinaire palette de couleurs. Les montagnes radieuses retiennent leur souffle dans lâ??attente des premières neiges et le paysage tout entier diffuse un sentiment de paix et de sérénité. Le modèle est idéal et inspire Jacob de Haan cette pièce aux couleurs tonales variées. Tel un peintre, il créé une oeuvre aux traits fluides et souples, où les arrondis donnent naissance des teintes chaleureuses.

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.PB-4960

Composed by Pjotr Iljitsch Tschaikowsky. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 120 pages. Duration 32'. Breitkopf and Haertel #PB 4960. Published by Breitkopf and Haertel (BR.PB-4960).

ISBN 9790004207451. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Violoncello (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-23

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-23. Published by Breitkopf and Haertel (BR.OB-4960-23).

ISBN 9790004326824. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Double bass (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-27

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-27. Published by Breitkopf and Haertel (BR.OB-4960-27).

ISBN 9790004326831. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Viola (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.OB-4960-19

Composed by Pjotr Iljitsch Tschaikowsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 32'. Breitkopf and Haertel #OB 4960-19. Published by Breitkopf and Haertel (BR.OB-4960-19).

ISBN 9790004326817. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

Fanfare Band - Grade 3

SKU: BT.DHP-1012589-020

Composed by Christian Bouthier. Applause Series. Pasodoble. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012589-020. Published by De Haske Publications (BT.DHP-1012589-020).

Spanien ist vielen wegen seiner sonnigen Ferienparadiese ein Begriff. Das Land ist aber ebenso für seine Stierkämpfe, Arenen und nicht zuletzt seine Toreros - die Stierkämpfer - berühmt. Sie sind es, die die Zuschauer während des Kampfes in Atem halten und den Stier buchstäblcih so lange reizen, bis er zusammenbricht. Christian Bouthier hat mit seinem Paso Doble eine Szene mitten aus dem Getümmel eines solchen Stierkampfes eingefangen. Die brechend volle Arena, die aufgestachtelte Menge, der wild wütende Stier und die Toreros ergeben eine spannungsgeladene Szenerie, die in diesem feurigen Paso Doble hinreißend zum Ausdruck kommt.

Fanfare Band - Grade 3

SKU: BT.DHP-1012589-120

Composed by Christian Bouthier. Applause Series. Pasodoble. Score Only. Composed 2001. De Haske Publications #DHP 1012589-120. Published by De Haske Publications (BT.DHP-1012589-120).

Spanien ist vielen wegen seiner sonnigen Ferienparadiese ein Begriff. Das Land ist aber ebenso für seine Stierkämpfe, Arenen und nicht zuletzt seine Toreros - die Stierkämpfer - berühmt. Sie sind es, die die Zuschauer während des Kampfes in Atem halten und den Stier buchstäblcih so lange reizen, bis er zusammenbricht. Christian Bouthier hat mit seinem Paso Doble eine Szene mitten aus dem Getümmel eines solchen Stierkampfes eingefangen. Die brechend volle Arena, die aufgestachtelte Menge, der wild wütende Stier und die Toreros ergeben eine spannungsgeladene Szenerie, die in diesem feurigen Paso Doble hinreißend zum Ausdruck kommt.

Books and Journals; Recorder; Early Music

SKU: UT.LB-1

Edited by Vittorio Nicolucci. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 1. Published by Ut Orpheus (UT.LB-1).

ISBN 9788881094417. 6.5 x 9.5 inches.

Scritti di Sergio Balestracci, Andrea Bornstein, Peter Hauge, Francesco Li Virghi, Gerd Lünenburger, Patricio Portell, Pietro Sopranzi, Karel van Steenhoven, Giovanni Toffano, John Tyson, Angelo Zaniol

Lâ€⠄¢idea del volume Il flauto dolce. Dallo scolaro al virtuoso nasce nel ’94 grazie al prezioso contributo di Marcos Volonterio che nella fase iniziale cura con Vittorio Nicolucci il progetto e la scelta degli autori. La contemporaneità di questo lavoro con la nascita della manifestazione Musica Umanità, con la preparazione dell’Annuario Italiano della Musica Antica e Danza Storica e con la partenza dall’Italia di Marcos Volonterio ne avevano posticipato la pubblicazione. Il Convegno Nazionale sul Flauto Dolce, organizzato dall’Associazione Consort Veneto, avvenuto a Padova il 6-7 giugno ’98, costituì l’occasione per presentare questa monografia in una forma ormai quasi definitiva.
Rimanendo quanto più possibile fedeli alla forma già esistente, priva sin dall’origine di una prefazione tecnica, si è lavorato, da aprile a oggi, a una nuova stesura definitiva, dando l’opportunità a tutti gli autori di rivedere i testi. Le sole modifiche riguardano aggiornamenti, integrazioni e post-scriptum. Per quanto concerne invece alcuni contributi stranieri, gli adattamenti delle traduzioni sono stati curati e, dove necessario, completati da Giuliana Montanari.

Vitt orio Nicolucci, laureato in ingegneria ed esperto in elaborazione dati, ha sempre coltivato, sin dall’epoca degli studi universitari, interessi diversificati e interdisciplinari. Ha studiato pianoforte, violoncello e flauto dolce, ha seguito corsi e seminari di organo, teoria del temperamento, basso continuo, danza storica. Diplomato a Parigi in Analisi della scrittura si è dedicato, oltre al proprio lavoro professionale, a ricerche sulla Psicologia dei colori e a 415 Associazione Italiana per la Musica e la Danza Antiche che ha fondato nel 1990 e di cui è stato il Presidente. .

An ABRSM syllabus title.The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero, published by Ricordi 1953. The title of the original score is Concerto in Do minore per flauto, archi e cembalo the original setting: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score the continuo part, however, has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements, the piano part contains the entire orchestral material in theTuttis, thus the soloist is not obliged to play all the Tutti parts. However, in Movement I and III the first and last Tutti may never be omitted by the performer.

Die Grundlage dieser Ausgabe des Blockflötenkonzertes in c-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1953). Der Titel der Originalpartitur lautet: Concerto in Do minore per flauto, archi e cembalo: die Besetzung ist folgende: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Blockflöte und Klavier folgt getreu dem Urtext der Partitur, doch ist die Ausarbeitung des Continuos schon etwas freier behandelt (natürlich im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Zum Unterschied von den bisherigen Bearbeitungen enthält die Klavierstimme an den Tuttistellen das Stimmaterial des ganzen Orchesters: derSolist ist daher nicht verpflichtet, sämtliche Tutti mitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Vortragenden nicht weggelassen werden

(Press, Promotion, Distribution, and Retail). Berklee Press. Softcover. 216 pages

Classroom

SKU: BT.PS2102

Book Only. 240 pages. Progetti Sonori #PS2102. Published by Progetti Sonori (BT.PS2102).

Italian.

La scuola italiana tende essenzialmente a strutturare la formazione musicale sul modello della sola competenza colta, secondo un criterio gerarchizzante che non riconosce l'esistenza di una competenza musicale di base, popolare, specchio dei complessi e diversificati vissuti musicali quotidiani. Tuttavia, se vogliamo che l'educazione musicale sia davvero inclusiva, dobbiamo assolutamente riportarla verso condotte in-disciplinate, più a misura d'uomo, e indirizzarla all'educazione della persona prima che all'insegnamento in sé. Da questa urgenza di riconversione disciplinare, argomentata dal punto di vista psico-pedagogico e didatticometodologico, Maurizio Spaccazocchi arriva a proporre una nuova programmazione musicale verticale: fornendo esempi concreti e trattando nello specifico tutte le competenze e le abilit dell'Homo Musicus, l'Autore delinea un progetto propedeutico, ampio e dettagliato, che dal Nido, passando per l'Infanzia e la Primaria, si completa nella Secondaria di 1° grado. Un progetto che mira alla valorizzazione della persona e dell'esperienza comune, al recupero e all'esaltazione del valore est/etico dell'educazione, al rafforzamento dell'autostima e della creativit di bambine e bambini, ragazze e ragazzi. La programmazione musicale verticale si rivolge a tutti gli educatori e ai docenti di musica di ogni ordine e grado.

SKU: HL.777155

Model 900T. Percussion Plus Drums. General Merchandise. Hal Leonard #900T. Published by Hal Leonard (HL.777155).

UPC: 611534004336. 13.0x19.0x7.0 inches.

A round drum throne with a tripod base gives you a sturdy foundation to keep you from tipping over when you are in the groove. This comfortable, budget priced 900T padded seat gives you the support and comfort you need for those long and tiring gigs! It works for keyboard players and guitar players too. The double braced design makes it long lasting and rugged, and the screw type height adjustment lets you set the right height. Features include: • Tripod throne • Double-braced • 12″ x 2″ padded seat • Adjusts from 17-1/2″ to 22-1/4″ • Dimensions: 14.6 x 16.4 x 6.9 inches • Item weight: 8.2 pounds.

Violin

SKU: FG.55011-907-9

Kolme kappaletta pienille viulisteille. Composed by Kalevi Aho. Classical, contemporary, pedagogical. Score. Fennica Gehrman #55011-907-9. Published by Fennica Gehrman (FG.55011-907-9).

ISBN 9790550119079.

Kale vi Aho's Three pieces for young violin players (2023) celebrates the full potential of open strings, first position, glissandos that end up on natural harmonics. The young violin player gets the tell three stories:

I Storming (Myrsky)
II Meowing (Kissa naukuu)
III Rain making (Sadetanssi)

Premi ere by the pupils of Pirkanmaa Music Institute at Tampere Biennale (Finland) in March 2024.

Accordion (AKK)

SKU: HL.49040923

Composed by Grosse. Sheet music. Edition Schott. 64 pages. Schott Music #MH999011. Published by Schott Music (HL.49040923).

ISBN 9783920468112. UPC: 884088882235. 9.0x12.0x0.215 inches.

Tangos und lateinamerikanische Tanze sind seit dem Film Dirty dancing und dem Siegeszug des Lambada um die Welt wieder besonders gefragt. Das Grosse Tango & Latin-Buch fur Akkordeon durfte einmalig sein in seiner Art, bringt es doch 30 Titel mit 15 verschiedenen Rhythmen in allen Schwierigkeitsstufen vom kleinen Junior 48-Spieler bis zum Morino- und Gola-Virtuosen. Freude am Tanz und Freude am Spiel, beides gehort zusammen. Dennoch muss man sich nicht unbedingt bei den eckigen Bewegungen mit Wiegeschritt und todernstem Gesichtr den Kopf verrenkt oder die Hufte ausgekugelt haben, um einen Tango originalgetreu zu spielen. Viel Spass bei letzterem!