The Legend of Flathead Lake Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-010 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-010
Composed by Carl
Wittrock. Set (Score &
Parts). 174 pages.
Gobelin Music
Publications #GOB
000447-010. Published by
Gobelin Music
Publications
(BT.GOB-000447-010).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-140
Composed by Carl
Wittrock. Score Only. 30
pages. Gobelin Music
Publications #GOB
000447-140. Published by
Gobelin Music
Publications
(BT.GOB-000447-140).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002209-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002209-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002209-010.
Published by De Haske
Publications
(BT.DHP-1002209-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
final movement is named
after ISTVAN, the King
who introduced
Christianity into Hungary
and who was crowned by
Pope Silvestro II on
January 1, 1001. A rather
solemn start leads to
another war-like passage,
ending with some loud
crashes. This symbolizes
the fact that the body of
the pagan Koppany was cut
into four pieces, and
sent to the four castles
of the country as an
example. After a quiet,
almost
religiousintermezzo, the
National Hymn of Hungary
is introduced. This broad
“grandiosoâ€
ending also has a
symbolic meaning: after
ten centuries, Hungary
has many reasons to look
back on the past with
pride, and to look
forward to the future
with optimism and
confidence.
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
(For Strings - Cello Book). By Larry Clark. Arranged by Doris Gazda Larry Clark....(+)
(For Strings - Cello
Book). By Larry Clark.
Arranged by Doris Gazda
Larry Clark. For 2 Cello,
Compatible with Bf50,
Bf51, Bf53. 32 pages.
Published by Carl Fischer
Piano; Piano Four Hands (1 Piano, 4 Hands) SKU: HL.51481648 Piano 4 Ha...(+)
Piano; Piano Four Hands
(1 Piano, 4 Hands)
SKU: HL.51481648
Piano 4 Hands.
Composed by Johannes
Brahms. Edited by Jakob
Hauschildt. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN1648. Published
by G. Henle
(HL.51481648).
UPC:
196288308423.
12.25x9.25x0.11
inches.
Johannes
Brahms twice chose a
theme by his friend and
mentor Robert Schumann as
the basis for piano
variations. While the
Variations op. 9 were
composed for piano solo,
as an exception he wrote
Opus 23 for a four-hand
scoring. Its tender,
chorale-like theme is
particularly touching and
was carefully chosen by
Brahms: It was among
Robert Schumann's last
musical thoughts, which
the composer, already
tormented by severe
delusions, believed he
heard from the voices of
angels. The Variations,
composed in 1861, end
with a kind of funeral
march and can be
understood as a wistful
farewell to his deceased
friend. The musical text
is based on the New
Brahms Complete Edition,
thus ensuring the highest
accuracy and reflecting
the most current state of
research. Furnished with
fingerings by Andreas
Groethuysen, a proven
specialist for the
four-hand repertoire,
this Urtext edition
leaves nothing to be
desired.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Chorus and piano SKU: BR.CHB-16003 Waltzes for Voices and Piano for Tw...(+)
Chorus and piano
SKU:
BR.CHB-16003
Waltzes for Voices and
Piano for Two Hands -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Jakob
Hauschildt. Choir;
stapled. Chor-Bibliothek
(Choral Library). Song;
Romantic; Late-romantic.
Sheet Music. Duration
26'. Breitkopf and
Haertel #CHB 16003.
Published by Breitkopf
and Haertel
(BR.CHB-16003).
ISBN
9790004413302. 7.5 x 10.5
inches. German.
The
well-known Liebeslieder
op. 52, originally for
piano four hands and
voices ad libitum, appear
here for the first time
as a modern Urtext
edition in a hitherto
little-known form for
voices and piano for two
hands. Brahms made this
arrangement himself in
November 1874 after the
conductor Hermann Levi,
who had initially been
commissioned, had
rejected it. Brahms had
previously immersed
himself in the pieces
again for the four-hand
version without voice op.
52A, so that he was now
able to create the new
arrangement in a few
days. Here, Brahms
explicitly intended the
voices no longer as ad
libitum, since the vocal
parts are not completely
incorporated in the piano
part any more. In the
spring of 1875, this
version was published by
Simrock, but it could not
prevail against the
popular original version
and was presumably mainly
performed in a domestic
setting. The present
edition would like to
invite musicians to
rediscover, practically
test and perform a still
little-known form of the
Liebeslieder op. 52. The
musical text follows the
new Brahms Complete
Edition, on which the
informative preface is
also based.
Solo Part Orchestra; Percussion (Percussion Parts) - difficult SKU: HL.490462...(+)
Solo Part Orchestra;
Percussion (Percussion
Parts) - difficult
SKU: HL.49046246
Four Poems for
Percussion Solo and
Orchestra Solo Part.
Composed by Peter Eö,
s, and tvö. This
edition: Saddle
stitching. Sheet music.
Percussion. Classical.
Softcover. Composed
2012/2013. 32 pages.
Duration 1380 seconds.
Schott Music #BAT56.
Published by Schott Music
(HL.49046246).
ISBN
9781540058447. UPC:
842819106340.
9.0x12.0x0.086 inches.
Artificial
language.
'Talking
whilst playing the drum
is not something unique.
We can find it in
traditional Indian
percussion, and in jazz
when musicians accompany
their play with
'Sprechgesang'. This
piece goes the opposite
way: It begins with the
percussionist speaking
nonsensically, the
emphasis on the rhythm,
which he then passes on
to his instrument. Like
the pure, childish joy of
repeating the same word
in a different tune, the
soloist teaches his
instrument to speak until
the drums start to talk
themselves. Several poems
form the basis; in the
first two movements it
are three poems by Sandor
Weores, and in the third
movement it is a poemby
Jayadeva. Each sentence
has a more complex form
than the one before.
Rhythms form words, words
form sentences, and
sentences create a
narrative.' (Ann-yi
Bingol).
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Voice and Piano SKU: BT.SCHBB6600212 Opera for children. Composed ...(+)
Voice and Piano
SKU:
BT.SCHBB6600212
Opera for
children. Composed by
Hans Krasa. Opera or
Operetta. Book Only. 74
pages. Bote & Bock
#SCHBB6600212. Published
by Bote & Bock
(BT.SCHBB6600212).
The
children's opera
Brundibar by Hans
Krása and
Adolf
Hoffmeister became
particularly famous
through the role it
played in the
concentration camp Terez
n. It helped to make the
tragic fate ofthe
prisoners more human and
bearable - of those who
played in the opera and
of those who went to see
the more than fifty
performances of it. The
famous first night of
Brundibár in Terez n
took place on September
23rd 1943 in thehall of
Magdeburg barracks.
'The children liked
the opera from the very
first. Both the music and
the text. Both are
childlike, the music is
modern and
melodious...'
- R. Franek, The
Terez n
School,Prague1965.
This edition
includes the original
Czech libretto by Adolf
Hoffmeister, plus an
English translation by
Joza Karas and a German
translation by Frank
Harders-Wuthenow and
Matthias Harre.
Flute and Orchestra SKU: HL.14021039 Composed by Sir Peter Maxwell Davies...(+)
Flute and Orchestra
SKU: HL.14021039
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Classical.
Book [Softcover].
Composed 2005. 52 pages.
Chester Music #CH61596.
Published by Chester
Music (HL.14021039).
ISBN 9781844493425.
5.5x7.5x0.214
inches.
A dreamlike
and evocative work from
Peter Maxwell Davies for
flute and orchestra. The
piece captures the wonder
and sanctuary of the
composer's home,
surrounded by seabirds
and seals that fire the
imagination in childlike
ways, evoking images of
mermaids and angels.
Descriptive and inventive
orchestral colours
support and illuminate
the flute solo material
that is both tranquil and
highly virtuosic. The
piece was first performed
in May 1999 at the Royal
Concert Hall, Dublin.
Piano SKU: HL.50563043 Piano Solo. By Isidore Philipp. By Blair Fa...(+)
Piano
SKU:
HL.50563043
Piano
Solo. By Isidore
Philipp. By Blair
Fairchild. Editions
Durand. Classical. Score
Only. Composed 2001.
Editions Durand
#DF01096708. Published by
Editions Durand
(HL.50563043).
Inch....this
work is likely to become
a standart work very
quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Sheet Music...(+)
Composed by Bedrich
Smetana
(1824-1884). Edited by
Milan
Pospisil. Sheet Music.
Paperbound. Henle Music
Folios. Classical. Score
and
Parts. 88 pages. G. Henle
#HN1249. Published by G.
Henle
Orchestra (Score) SKU: HL.50600661 Für jugendensemble Exempla Nova ...(+)
Orchestra (Score)
SKU:
HL.50600661
Für
jugendensemble Exempla
Nova for the Young.
Composed by Gerald Resch.
Ensemble. Classical.
Softcover. 52 pages.
Sikorski #SIK8829.
Published by Sikorski
(HL.50600661).
8.25x11.75x0.136
inches.
With the
“Fingertip
Dancesâ€, Gerald
Resch joins a long
tradition of composers
who have written pieces
for their own children
and, in so doing, have
immersed themselves in
childlike worlds of
images and experiences.
Mila, Gerald Resch's
daughter and the
dedicatee of the
“Fingertip
Dancesâ€, received
them as a special present
for her ninth birthday:
she is able to call her
own these thirteen little
pieces that have gained
considerable attention
through their variety of
musical ideas and
pianistic challenges.
Following the original
version for piano (SIK
1708), a selection of
eight pieces for youth
ensemble is now available
as part of the edition
series “exempla
nova – for the
young.†Gerald
Resch arranged these
eight pieces of the (13)
“Fingertip
Dances†in response
to a commission of the
“Brücken-Festiva
l†in
Mürzzuschlag 2015. All
text in German.
10 Carol Arrangements for Solo Piano. Arranged by Beatrice Miller. For Piano. Pi...(+)
10 Carol Arrangements for
Solo Piano. Arranged by
Beatrice Miller. For
Piano. Piano Collection.
Level: Early
Intermediate. Book. 20
pages. Published by
Alfred Publishing.
Opera in Two Acts.
Composed by Jonathan
Dove. Score. Peters
Contemporary Library.
Living Composer. Score
and Part(s). 364 pages.
Edition Peters
#98-EP7795. Published by
Edition Peters
(PE.EP7795).
ISBN
9790577006093.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Fifteen Pieces for
Mezzo Soprano, Percussion
and Double Bass Scor.
Composed by Sofia
Gubaidulina. Score.
Chamber, Classical.
Softcover. Duration 2700
seconds. Sikorski
#SIK8900. Published by
Sikorski (HL.50606905).
ISBN 9798350122176.
UPC:
196288202059.
Sofia
Gubaidulina took
Christian
MorgensternÂ’s
collection of poems
“Gallow
Songs†as the
starting point for her
own song cycle.
Gubaidulina adapted 15 of
MorgensternÂ’s
seemingly childlike,
formally simple poems,
which are full of
linguistic playfulness,
for mezzo-soprano, double
bass and percussion. In
her settings, the
composer subtly explores
the ambiguities of
MorgensternÂ’s poems
and transforms their
grotesque imagery into
unique miniatures of
sound. 14 of these songs
are also available in a
version for
mezzo-soprano, flute,
double bass, bayan and
percussion.
The Lamb Chorale SATB SATB, Piano [Octavo] GIA Publications
Composed by Philip Orem. Christmastide, Christmas Vigil, Christmas Night, Christ...(+)
Composed by Philip Orem.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. Sacred. Octavo. 8
pages. Published by GIA
Publications (GI.G-8536).