Composed by Johann Sebastian Bach (1685-1750), edited by Gunter Hausswald. BWV 1001-1006. For violin. Urtext of the New Bach Edition. Format: violin solo book. With introductory text. Baroque. 60 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

BWV 1001-1006. By Lawrence Golan. For Violin. Solos. Classic. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Composed by Andrew Driscoll. For mandolin. Methods/studyies. Advanced. Book. 76 pages. Published by Mel Bay Publications, Inc

Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. This edition: urtext edition. Stapled. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology. BWV 1001- 1006. Baerenreiter Verlag #BA05256. Published by Baerenreiter Verlag

By Johann Joseph Vilsmayr. Edited by Alessandro Bares. For solo violin. This edition: Paperback. I piaceri del violino. Baroque. Published by Musedita Edizioni Musicali

Cello quintet - Grade 6-8

SKU: ST.C360

Composed by J Remy. String music. Study score. Clifton Edition #C360. Published by Clifton Edition (ST.C360).

ISBN 9790570813605.

Gavo tte en Rondeau from Violin Partita No.3 (BWV 1006).

Paper, daylight and candles were often in short supply during Bachâ??s very busy lifetime but simply to view the autograph score in his hand of the Sonatas and Partitas for solo violin is to be bound into a spell by the beauty, skill and extempore furiosity of the script. The cycle has been described as a miracle of implied harmony and rich harmonic textures, â??its freshness and maturity, its depth, its beauty, its response to all moodsâ? informing a work of humanity and genius unparalleled in all the literature for solo violin.

The present arrangement of the Gavotte en Rondeau from Partita No. 3 (BWV1006) is based on Rachmaninoffâ??s intricate harmonisation for piano. â??Ruht Wohlâ?? from the St. John Passion (BWV 245). In the final Chorus from the St. John Passion, Bach imbues the popular dance-forms of the Sarabande and Minuet with a spiritual theme of atonement and reconciliation. The three ritornelli stand like pillars in a palindromic structure whose unbroken melodic line and flowing counterpoint represent a â??timeless continuanceâ??. The original scoring is light and transparent, and transfers appropriately to a choir of cellos without the loss of any counterpoint. Prelude Op. 25 No 3 by Rachmaninoff. Throughout his career as a composer and virtuoso pianist, this Prelude was one of Rachmaninoffâ??s favourite pieces and he dedicated it to his teacher Alexander Siloti. A powerful structure is built up from a small rhythmic motif, reminiscent of Tchaikovskyâ??s representations of fate or Shostakovichâ??s of looming state power. This is contrasted with a lyrical middle section and a final phrase marked leggiero in which the music flies off into the air like a bird.

Composed by Georg Philipp Telemann (1681-1767), edited by Waldemar Woehl. For violin (oboe, flute, or recorder can be substituted), keyboard and basso continuo. Format: set of performance parts (includes separate pull out violin and continuo parts). With solo part, basso continuo part, keyboard realization and introductory text. Baroque. 88 pages. 9x12 inches. Published by Hortus Musicus.

Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Chamber Music Piano

SKU: CF.PL1072

Edited by Ruby Morgan. Collection. 168 pages. Carl Fischer Music #PL1072. Published by Carl Fischer Music (CF.PL1072).

ISBN 9781491160244. UPC: 680160918836.

An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone.

Composed by Johann Sebastian Bach (1685-1750). Collection for violin solo. With introductory text, performance notes, bowings and fingerings. Text language English, German, and French. 88 pages. Published by Schott.

Composed by Johann Sebastian Bach (1685-1750), edited by Carl Flesch. BWV 1001-1006. Violin solo book for violin. With performance notes. 105 pages. Published by C.F. Peters.

Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Sebastian Bach. For Harp Solo. Bach-Grandjany. Classical. Soft Cover. 63 pages. Published by Carl Fischer.

Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For solo violin. Schirmer's Library, volume 221. Format: violin solo songbook. With standard notation. Baroque. 61 pages. 9x12 inches.

Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750). Edited by Valerie Woodring Goertzen. Arranged by Johannes Brahms. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1187. Published by G. Henle

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

For Solo Violin. Composed by Johann Sebastian Bach. Edited by Fulvio Luciani. String Solo. Classical. Softcover. 112 pages. Ricordi #ER00309500. Published by Ricordi

Piano

SKU: BO.B.3288

Composed by Jordi Cervello. Duration 7:00. Published by Editorial de Musica Boileau (BO.B.3288).

ISBN 9790350303760.

Engl ish comments:
ARABESQUE: Is a subtle and smooth movement of a virtuous disposition based on fast uses of triplets. These oscillate weaving a parabolic picture within a romantic atmosphere. The music disappears gently and mysteriously. PRELUDIANDO: Is the adaptation for piano of the famous prelude of the III Partita for solo violin by J. S. Bach. Staccato and legato, vigour and softness freely run through the Prelude which is integrated through a dramatic pedal before its end. Recording: Columna Musica.

Comentarios del Espanol:
ARABESQUE Es un sutil y escurridizo movimiento de caracter virtuosistico basado en rapidas figuraciones de seisillos. Estos oscilan tejiendo un dibujo parabolico dentro de una atmosfera romantica. La musica desaparece suave y misteriosamente. PRELUDIANDO Es la transformacion pianistica del celebre preludio de la III Partita para violin solo de J. S. Bach. Staccato y legato, vigor y suavidad recorren libremente el Preludio que se instalara en un dramatico pedal antes de su conclusion. Grabacion: Columna Musica.

Chamber Music Violin

SKU: CF.BF115

Composed by Johann Sebastian Bach. Edited by Rachel Barton Pine. SWS. Collection. With Standard notation. 80 pages. Carl Fischer Music #BF115. Published by Carl Fischer Music (CF.BF115).

ISBN 9781491150993. UPC: 680160908493. 9x12 inches.

Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach” (Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.
here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach” (Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.”.

with 2 Violin Parts (1 Part with editorial annotations) - for Violin solo. By Johann Sebastian Bach. Edited by Klaus Ronnau. Violin. Pages: VII and 62 * Vl Part with editorial annotations = VII and 62. Urtext edition-paper bound. Published by G. Henle.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Michael and Kimberly Davenport. For solo bass clarinet. Classical; baroque period. Score. Published by Alea Publishing

By Johann Sebastian Bach (1685-1750). For Piano. Published by Forsyth Publications

Bassoon and Piano. Composed by Naji Hakim (1955-). Woodwind Solo. Classical. Softcover. Schott Music #FAG38. Published by Schott Music

By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 1. Published by Last Resort Music Publishing