Study score (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15146-07...(+)
Study score (solo: clar -
2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15146-07
Urtext. Composed
by Louis Spohr.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical;
Romantic. Study Score. 72
pages. Duration 20'.
Breitkopf and Haertel #PB
15146-07. Published by
Breitkopf and Haertel
(BR.PB-15146-07).
ISBN
9790004803400. 6.5 x 9
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-19.
Published by Breitkopf
and Haertel
(BR.OB-15127-19).
ISBN
9790004347508. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
By The American Jazz Orchestra. Edited by Jeffrey Sultanof and Rob DuBoff. Arran...(+)
By The American Jazz
Orchestra. Edited by
Jeffrey Sultanof and Rob
DuBoff. Arranged by Benny
Carter. For big band.
Swing. Medium. Score and
parts. Published by Jazz
Lines Publications
<
p>The ballet â??Les
Fêtes d'Hbâ? deals
with the talents that are
usually the subject of
the Opra and are placed
at the service of love on
stage: poetry and
declamation (1st entre,
La Posie), song and
harmony (2nd entre, La
Musique) and finally
dance and choreography
(3rd entre, La Danse);
hence the alternative
title of the ballet
â??Les Talents
lyriquesâ?. In this
ballet opera, Rameau
consistently gives
priority to the female
roles. The prologue
glorifies Hb, the goddess
of youth, and her
alliance with love, while
â??La Posieâ? praises
the poetress Sappho, who
sings almost throughout,
and â??La Musiqueâ?
concentrates on the
omnipresent princess
Iphise; finally, â??La
Danseâ? has as its
main character the
shepherdess Ã?gl, who
excels in dance and
song.
Since the
premiere, the text of the
libretto has been
perceived as rather
unbalanced. Rameau
compensates for these
poetic shortcomings with
musical boldness and
innovations of the
highest order. Be it the
overture that throws
Lully's model overboard,
the varied choral
movements such as that of
the Thessalians â??Que
jusqu'au fond de nos
grottes profondesâ?,
the virtuoso arias such
as Sappho's air â??Un
jour pass dans les
tourmentsâ? or the
magnificent monologues
for Iphise and Tirte â??
the originality and
beauty of the music
testify to incredible
ingenuity.
O Clap Your Hands Chorale SATB - Intermédiaire/avancé Kjos Music Company
SATB choir, piano accompaniment - Grade 4 SKU: KJ.9018 Composed by Graeme...(+)
SATB choir, piano
accompaniment - Grade 4
SKU: KJ.9018
Composed by Graeme
Morton. Arranged by
Graeme Morton.
Collection. Music for the
Church Year. Sacred,
Easter & Eastertide.
Octavo. Neil A. Kjos
Music Company #9018.
Published by Neil A. Kjos
Music Company (KJ.9018).
UPC:
8402701475.
After
the rousing organ
introduction, the music
moves into smaller
sections, including a
devotional O sing praises
to our God followed by a
glorifying canon on O
clap your hands. Ending
on a satisfying Alleluia,
this piece is a strong
addition to any
service.