Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496.
The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes.
Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L).
UPC:
680160684489.
The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes.
Spring Song Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1114997-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1114997-020
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Festive
and Solemn Music. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1114997-020. Published by
De Haske Publications
(BT.DHP-1114997-020).
9x12 inches.
English-German-French-Dut
ch.
Spring has
finally arrived. The days
grow longer, birds
prepare to nest, trees
turn green and plants
begin to bloom as nature
wakes up from her winter
sleep. This, and the fact
that the
composer’s third
grandson was born in the
spring, were the
inspiration for Spring
Song.
Het is
voorjaar! De dagen worden
langer, de vogels bouwen
hun nestjes, bomen hullen
zich in het groen en alle
planten beginnen te
bloeien. Kortom: de
natuur ontwaakt uit haar
winterslaap. En precies
in dit jaargetijde zag
ook hetderde kleinkind
van de componist het
levenslicht. Lente en
nieuw leven: voor Jan de
Haan twee prachtige
inspiratiebronnen voor
zijn nieuwe werk
Spring
Song!
Es ist
Frühling. Die Tage
werden länger,
Vögel bauen ihre
Nester, die Bäume
schlagen aus und alle
Pflanzen beginnen zu
blühen. Kurz gesagt:
Die Natur erwacht aus
ihrem Winterschlaf. Der
Frühling und der
glückliche Umstand,
dass just zu dieser
Jahreszeit sein dritter
Enkel das Licht der Welt
erblickte inspirierte den
Komponisten zu seinem
Stück Spring
Song.
E’
primavera: la natura si
risveglia, gli uccelli
preparano i nidi, gli
alberi e le piante
cominciano a fiorire. Uno
spettacolo che la natura
ci regala puntuale ogni
anno. Spring Song
trasuda di questo
splendore e vuole essere
per Jan de Haan un
benvenuto al mondo al suo
terzo nipote, nato
appunto in quella che
è per molti la
stagione più bella
dell’anno..
Spring Song Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1114997-120 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1114997-120
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Festive
and Solemn Music. Score
Only. Composed 2011. 12
pages. De Haske
Publications #DHP
1114997-120. Published by
De Haske Publications
(BT.DHP-1114997-120).
9x12 inches.
English-German-French-Dut
ch.
Spring has
finally arrived. The days
grow longer, birds
prepare to nest, trees
turn green and plants
begin to bloom as nature
wakes up from her winter
sleep. This, and the fact
that the
composer’s third
grandson was born in the
spring, were the
inspiration for Spring
Song.
Het is
voorjaar! De dagen worden
langer, de vogels bouwen
hun nestjes, bomen hullen
zich in het groen en alle
planten beginnen te
bloeien. Kortom: de
natuur ontwaakt uit haar
winterslaap. En precies
in dit jaargetijde zag
ook hetderde kleinkind
van de componist het
levenslicht. Lente en
nieuw leven: voor Jan de
Haan twee prachtige
inspiratiebronnen voor
zijn nieuwe werk
Spring
Song!
Es ist
Frühling. Die Tage
werden länger,
Vögel bauen ihre
Nester, die Bäume
schlagen aus und alle
Pflanzen beginnen zu
blühen. Kurz gesagt:
Die Natur erwacht aus
ihrem Winterschlaf. Der
Frühling und der
glückliche Umstand,
dass just zu dieser
Jahreszeit sein dritter
Enkel das Licht der Welt
erblickte inspirierte den
Komponisten zu seinem
Stück Spring
Song.
E’
primavera: la natura si
risveglia, gli uccelli
preparano i nidi, gli
alberi e le piante
cominciano a fiorire. Uno
spettacolo che la natura
ci regala puntuale ogni
anno. Spring Song
trasuda di questo
splendore e vuole essere
per Jan de Haan un
benvenuto al mondo al suo
terzo nipote, nato
appunto in quella che
è per molti la
stagione più bella
dell’anno..
The Spring Sketches Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094730-140 Based on Fanfa...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094730-140
Based on Fanfare -
Young Pheasants in the
Sky. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces.
Score Only. Composed
2009. 12 pages. De Haske
Publications #DHP
1094730-140. Published by
De Haske Publications
(BT.DHP-1094730-140).
9x12 inches.
English-German-French-Dut
ch.
The Spring
Sketches is a sequel to
the 2006 Fanfare - Young
Pheasants in the Sky. The
Spring Sketches is a
wonderful work to perform
on its own, but also
creates an interesting
set when performed in
conjunction with
itspredecessor, the
Fanfare. Dur:
3:35
The Spring
Sketches ist eine
Fortsetzung von Young
Pheasants in the Sky
desselben Komponisten.
Das ganze Stück
wurde in einem
choralähnlichen Stil
geschrieben und
enthält das Thema
seines Vorgängers. So
lässt sich The Spring
Sketches wunderbar
alleine als Zwischenspiel
oder direkt im Anschluss
an Young Pheasants in the
Sky auff ühren.
Mixed choir SKU: FG.55011-567-5 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir
SKU:
FG.55011-567-5
Composed by Alex Freeman.
Fennica Gehrman
#55011-567-5. Published
by Fennica Gehrman
(FG.55011-567-5).
ISBN
9790550115675.
Alex
Freeman's (b. 1972)
Cathedral of Spring for
chamber choir (2019) to
poems of e.e. cummings
and Robert Frost was
commissioned and
premiered by Somnium
Ensemble. The composer
tells: For the
celebration of the 10th
anniversary of Somnium
Ensemble (Finland), I was
commissioned to write a
piece with spring as a
central theme. While
contemplating that and
perusing appropriate
poetry, I was inspired by
memories of the
night-time sky in early
spring--the warm air, the
teeming, buzzing energy
of life all around, and
an expansive dome of
stars overhead. I then
imagined that moment in
time as a kind of sacred
space; this is the point
where the cathedral
notion came to mind. The
frenetic and joyous
poetry of e.e. cummings,
from his Epithalamion,
gives an exclamatory
introduction to the set,
followed by his vision of
spring from the point of
view of giddy children in
his iconic poem, [in
Just-]. We then take a
moment to contemplate the
ephemerality of all this
beauty (spring giveth and
spring taketh away, i.e.
an offertorium of sorts);
Robert Frost's
Blue-Butterfly Day places
us in a moment where, by
chance, we find ourselves
enveloped by a delicately
fluttering swarm of
butterflies. Peaceful and
still, yet in constant
flux, we spend a some
time taking that
phenomenon in, while also
experiencing a twinge of
the realisation that this
is truly fleeting. The
final movement, returning
to a later stanza from
Epithalamion, cummings's
sparkling paean to May is
set as a kind of final
anthem..
Last Spring Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1043755-040 Your Favorite Classics. Tr...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1043755-040
Your Favorite Classics.
Transcription. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043755-040.
Published by De Haske
Publications
(BT.DHP-1043755-040).
English-German-French-
Dutch.
In 1880,
Edvard Grieg composed
twelve song poems by
Aasmund Olavsson Vinje.
He arranged two of these
songs for String
Orchestra published under
the title of Two Elegiac
Melodies, Op. 34. These
two deeply meloncholy
pieces were titled The
Wounded Heart and Last
Spring. The latter of
these two titles inspired
Tohru Takahashi to
produce this expressive
and sensitive
transcription for Concert
Band, which will make a
fantastic encore piece
for any concert.
Last
Spring komt uit de
Two Elegiac Melodies
for String Orchestra,
opus 34. Deze muziek,
gecomponeerd in 1880, is
oorspronkelijk geschreven
voor twee liederen uit
Grieg's album opus 33:
The Wounded Heart
en Spring.De
laatste van deze twee
titels inspireerde Tohru
Takahashi tot het maken
van een prachtige
transcriptie die heel
geschikt is als toegift.
Met hart en ziel gespeeld
zal deze muziek uw
beslist
raken.
Edvard
Grieg komponierte
Zwölf Lieder zu
Gedichten von Aasmund
Olavsson Vinje. Zwei
dieser Lieder arrangierte
er für
Streichorchester unter
dem Titel Zwei
elegische Melodien.
Diese Lieder heißen
The Wounded Heart
(Der Verwundete) und
The Last Spring
(Letzter Frühling).
Letzteres inspirierte
Tohru Takahashi zu einer
emotionalen
Transkription, die mehr
Musikverständnis als
technische Fertigkeiten
verlangt und sich
hervorragend als
Zugabenummer
eignet.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480).
ISBN
9781491136294. UPC:
680160688784.
Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement.
Last Spring Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043755-010 Composed by Edvar...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043755-010
Composed by Edvard Grieg.
Your Favorite Classics.
Transcription. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043755-010.
Published by De Haske
Publications
(BT.DHP-1043755-010).
English-German-French-
Dutch.
In 1880,
Edvard Grieg composed
twelve song poems by
Aasmund Olavsson Vinje.
He arranged two of these
songs for String
Orchestra published under
the title of Two Elegiac
Melodies, Op. 34. These
two deeply meloncholy
pieces were titled The
Wounded Heart and Last
Spring. The latter of
these two titles inspired
Tohru Takahashi to
produce this expressive
and sensitive
transcription for Concert
Band, which will make a
fantastic encore piece
for any concert.
Last
Spring komt uit de
Two Elegiac Melodies
for String Orchestra,
opus 34. Deze muziek,
gecomponeerd in 1880, is
oorspronkelijk geschreven
voor twee liederen uit
Grieg's album opus 33:
The Wounded Heart
en Spring.De
laatste van deze twee
titels inspireerde Tohru
Takahashi tot het maken
van een prachtige
transcriptie die heel
geschikt is als toegift.
Met hart en ziel gespeeld
zal deze muziek uw
beslist
raken.
Edvard
Grieg komponierte
Zwölf Lieder zu
Gedichten von Aasmund
Olavsson Vinje. Zwei
dieser Lieder arrangierte
er für
Streichorchester unter
dem Titel Zwei
elegische Melodien.
Diese Lieder heißen
The Wounded Heart
(Der Verwundete) und
The Last Spring
(Letzter Frühling).
Letzteres inspirierte
Tohru Takahashi zu einer
emotionalen
Transkription, die mehr
Musikverständnis als
technische Fertigkeiten
verlangt und sich
hervorragend als
Zugabenummer
eignet.
Piano SKU: BR.EB-9412 12 Piano Pieces - Urtext. Composed by Joachi...(+)
Piano
SKU:
BR.EB-9412
12
Piano Pieces -
Urtext. Composed by
Joachim Raff. Edited by
Ulrich Mahlert. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
56 pages. Duration 30'.
Breitkopf and Haertel #EB
9412. Published by
Breitkopf and Haertel
(BR.EB-9412).
ISBN
9790004188866. 9 x 12
inches.
Joachim
Raff's 12 piano pieces
Fruhlingsboten op. 55,
originating in 1852/53,
mark a new creative start
in his compositional
oeuvre, in which the
composer left behind his
previously written and
published piano works.
The title of the work,
translated as Heralds of
Spring, is multilayered:
It refers not only to
spring in nature as
expressed in the headings
of the first two pieces,
Winterruhe [Hibernation]
and Fruhlingsnahen
[Spring's Approach], but
the words Heralds of
Spring also indicate
love's spring, the
blossoming of love for
his future wife, the
actress Doris Genast.
This appears in the
headings of the pieces as
of no. 3, sketching the
path of an imaginary
couple approaching union
via various annoyances.
And ultimately, Raff saw
in his new piano work the
harbingers of his future
works, created under
happy circumstances. In
Fruhlingsboten Raff
repeatedly demonstrates
his ability to adapt
idioms and compositional
techniques from works by
Liszt, Chopin,
Mendelssohn, Schumann,
and others. The pieces do
nonetheless possess their
own thoroughly original
diction with a character
spectrum just as diverse
as their stylistic piano
design. Mahlert's new
edition, as beautifully
presented as ever from
this publisher, is
exemplary, and can easily
be recommended to
advanced pianists with a
love of
nineteenth-century
repertoire.
Superb.(Andrew Eales,
Pianodao).
Teacher Edition with CD Choral (Teacher Magazine w/CD) SKU: HL.140879 ...(+)
Teacher Edition with CD
Choral (Teacher Magazine
w/CD)
SKU:
HL.140879
Seasonal
Movement and Activity
Songs for Grades K-3.
Composed by John Jacobson
and Roger Emerson. Music
Express Books. Classroom
Resources, Collection,
Elementary. Softcover
with CD. Published by Hal
Leonard (HL.140879).
ISBN 9781495008306.
UPC: 888680041472.
8.5x11.0x0.252 inches. By
John Jacobson and Roger
Emerson.
This is
the day! Jump in. Pump up
the pumpkin. Do a little
holiday hop. Put a little
spring in your life!
Bring John Jacobson into
your music class every
day with step-by-step
online video
demonstrations of twelve
active seasonal songs for
movin' fun all year!
There are helpful teacher
tips, reproducible lyric
sheets and piano/vocal
accompaniments with
printed choreography
notes; now all available
in one cost-saving
Book/CD pak! Sing along
with John and a group of
children as you learn
each song; then perform
for others with the
accompaniment-only song
tracks! Songs include:
This Is the Day, Jump In,
Fallin' Into Fall, Pump
Up the Pumpkin, The
Holiday Hop, Circle of
Light, A Brand New Me,
February, Put a Little
Spring in Your Life,
Spring Up, All I Wanna Do
Is Dance, Feelin' Good.
Suggested for Grades K-3.
Come along and you will
see - it's a brand new
me! ScorePlay - click to
view score with
recording.
Santa's Spring Break Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB2202FS Jolly Old St. Ni...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB2202FS
Jolly
Old St. Nicholas, Up on
the Housetop, Spring from
The Four Seasons, Joy to
the World, God Rest Ye
Merry Gentlemen,
Hallelujah Chorus from
The Messiah. Composed
by Various. Arranged by
Larry Clark. Concert
Concert Band. Da Capo
Grade 1.0. (Jolly Old St.
Nicholas, Up on the
Housetop, Spring from The
Four Seasons, Joy to the
World, God Rest Ye Merry
Gentlemen, Hallelujah
Chorus from The Messiah).
Christmas/Holiday. Score.
Excelcia Music Publishing
#DCB2202FS. Published by
Excelcia Music Publishing
(XC.DCB2202FS).
12 x 9
inches.
Ever wonder
what Santa does the rest
of the year? Give your
students something fun to
play with this clever
combination of popular
carols with Vivaldi's
famous Spring movement
from his piece The Four
Seasons. Of course, the
piece is intended to be
fun, and make the
audience smile, but also
a great way to introduce
younger students to the
famous Vivaldi
work.
(Jolly Old
St. Nicholas, Up on the
Housetop, Spring from The
Four Seasons, Joy to the
World, God Rest Ye Merry
Gentlemen, Hallelujah
Chorus from The
Messiah).
Before Spring Orchestre University Of York Music Press
Orchestra SKU: BT.MUSM570365029 Composed by Luís Tinoco. Classical. Stud...(+)
Orchestra
SKU:
BT.MUSM570365029
Composed by Luís Tinoco.
Classical. Study Score.
56 pages. University of
York Music Press
#MUSM570365029. Published
by University of York
Music Press
(BT.MUSM570365029).
English.
Study
score for Lu s Tinoco 's
Before Spring for
Symphony Orchestra.
Originally composed in
2010, this new Orchestral
version was premièred by
the Portuguese Symphony
Orchestra, under the
baton of Joana Carneiro,
at the S. Carlos Theatre
in Lisbon on the 18th of
January 2014. 'Before
Spring' was originally
scored for 16 players,
following a commission
from the OrchestrUtopica
to be performed as a
tribute piece to
Stravinky’s 'The Rite
of Spring'. It was
premièred on the 29th of
May 2010 by the
OrchestrUtopica,
conducted by Cesário
Costa, at the CCB Centro
Cultural de Belém, in
Lisbon. Following a
commission from OPART /
Teatro Nacional de São
Carlos, 'Before Spring'
was laterrevised and
scored for Symphony
Orchestra. - Lu s Tinoco
.
Concert Band Concert Band - Grade 1 SKU: XC.DCB2202 Jolly Old St. Nich...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB2202
Jolly
Old St. Nicholas, Up on
the Housetop, Spring from
The Four Seasons, Joy to
the World, God Rest Ye
Merry Gentlemen,
Hallelujah Chorus from
The Messiah. Composed
by Various. Arranged by
Larry Clark. Concert
Concert Band. Da Capo
Grade 1.0. (Jolly Old St.
Nicholas, Up on the
Housetop, Spring from The
Four Seasons, Joy to the
World, God Rest Ye Merry
Gentlemen, Hallelujah
Chorus from The Messiah).
Christmas/Holiday. Set of
parts. Excelcia Music
Publishing #DCB2202.
Published by Excelcia
Music Publishing
(XC.DCB2202).
12 x 9
inches.
Ever wonder
what Santa does the rest
of the year? Give your
students something fun to
play with this clever
combination of popular
carols with Vivaldi's
famous Spring movement
from his piece The Four
Seasons. Of course, the
piece is intended to be
fun, and make the
audience smile, but also
a great way to introduce
younger students to the
famous Vivaldi
work.
(Jolly Old
St. Nicholas, Up on the
Housetop, Spring from The
Four Seasons, Joy to the
World, God Rest Ye Merry
Gentlemen, Hallelujah
Chorus from The
Messiah).
The Spring Sketches Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094730-010 Based on Fanfa...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094730-010
Based on Fanfare -
Young Pheasants in the
Sky. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094730-010. Published by
De Haske Publications
(BT.DHP-1094730-010).
9x12 inches.
English-German-French-Dut
ch.
The Spring
Sketches ist eine
Fortsetzung von Young
Pheasants in the Sky
desselben Komponisten.
Das ganze Stück
wurde in einem
choralähnlichen Stil
geschrieben und
enthält das Thema
seines Vorgängers. So
lässt sich The Spring
Sketches wunderbar
alleine als Zwischenspiel
oder direkt im Anschluss
an Young Pheasants in the
Sky auff ühren.
Before Spring Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.MUSM570365005 Composed by Luís Tinoco. Classical. Scor...(+)
Orchestra
SKU:
BT.MUSM570365005
Composed by Luís Tinoco.
Classical. Score Only.
University of York Music
Press #MUSM570365005.
Published by University
of York Music Press
(BT.MUSM570365005).
English.
A3
conductor's score for Lu
s Tinoco 's Before Spring
for Symphony Orchestra.
Originally composed in
2010, this new Orchestral
version was premièred by
the Portuguese Symphony
Orchestra, under the
baton of Joana Carneiro,
at the S. Carlos Theatre
in Lisbon on the 18th of
January 2014. 'Before
Spring' was originally
scored for 16 players,
following a commission
from the OrchestrUtopica
to be performed as a
tribute piece to
Stravinky’s 'The Rite
of Spring'. It was
premièred on the 29th of
May 2010 by the
OrchestrUtopica,
conducted by Cesário
Costa, at the CCB Centro
Cultural de Belém, in
Lisbon. Following a
commission from OPART /
Teatro Nacional de São
Carlos, 'Before Spring'
waslater revised and
scored for Symphony
Orchestra. - Lu s Tinoco
.
Spring Song Orchestre à Cordes [Conducteur] Music Distribution Services
String orchestra SKU: M7.DOHR-88807 Composed by Adrian Connell. Sheet mus...(+)
String orchestra
SKU:
M7.DOHR-88807
Composed by Adrian
Connell. Sheet music.
Score. 20 pages. Duration
10'. MDS (Music
Distribution Services)
#DOHR 88807. Published by
MDS (Music Distribution
Services)
(M7.DOHR-88807).
ISBN
9790202098073.
Spri
ng Song is a celebration
of the arrival of spring,
a renewal of life from
the death of the old
year. The basic structure
of this piece is
classical Sonata form.
The opening represents
winter and this section
contains the motives that
are the seeds for spring.
The music does not really
take flight until the
development section where
march-like textures
punctuated by string
fanfares propel the music
forward. The
recapitulation is
transformed as the themes
reappear in a different
order and use the
march-like elements from
the development. The coda
acts as a tranquil recall
of the opening music as
four solo strings take on
the guise of birds
singing in contentment in
the summer sun.
For piano solo. Keyboard. Level: Early Elementary (1A). Published by Alfred Publ...(+)
For piano solo. Keyboard.
Level: Early Elementary
(1A). Published by Alfred
Publishing. Welcome
spring with this
"delicious" solo with
lyrics that depict the
many colors and flavors
of jelly beans. Written
in Middle C position, the
single-line melody is
divided between the
hands. An optional
teacher duet adds harmony
and aids in developing
rhythmic security. This
would be a fun addition
to any spring recital!
Why not serve jelly beans
at the reception?
Concert Band (Score) - Level 3.5 SKU: HL.44013291 Concert Band Score(+)
Concert Band (Score) -
Level 3.5
SKU:
HL.44013291
Concert Band
Score. Composed by
Satoshi Yagisawa. De
Haske Concert Band.
Classical. Softcover.
Duration 250 seconds. De
Haske Publications
#1175712140. Published by
De Haske Publications
(HL.44013291).
UPC:
888680908881.
This
work was composed as a
commission by the Keika
Gakuen Symphonic Band, to
commemorate their 40th
annual concert. The
compositionis a
march-style work that
begins with a chorale
based on a theme from the
school songa distinctive
motif that reappears in
the middle section.
Tetsuya Kashino, a
graduate of the high
school, is a band coach
and has a deep friendship
with the composer.
Kashinonamed the work
Scent of Spring, which
reflects two distinct
meaningsfirstly, in
Japanese, a part of the
bands own name, and also
a premiere in Spring.
Scent of Spring is a
bright and optimistic
piece of music, suitable
to perform on various
occasions.
Concert Band - Grade 1 SKU: XC.FCB2405 (Jolly Old St. Nicholas, Up on ...(+)
Concert Band - Grade 1
SKU: XC.FCB2405
(Jolly Old St.
Nicholas, Up on the
Housetop, Spring from The
Four Seasons, Joy to the
World, God Rest Ye Merry
Gentlemen, Hallelujah
Chorus from The
Messiah). Composed by
Larry Clark. Set of
parts. Excelcia Music
Publishing #FCB2405.
Published by Excelcia
Music Publishing
(XC.FCB2405).
Take a fun and
engaging trip with Santa
as he enjoys his spring
vacation! This creative
piece is a treasure of
musical concepts wrapped
up in one accessible
package! Spring from The
Four Seasons is cleverly
woven amongst a medley of
popular holiday songs.
Creative orchestration
puts the music in a
variety of settings from
festive to march-like to
Middle Eastern. Beginning
players will reinforce a
wide variety of musical
concepts, and young
trombonists will work on
developing first to sixth
position. A guaranteed
holiday favorite!
Spring Promises Piano seul - Intermédiaire Alfred Publishing
Piano - Late Intermediate SKU: AP.48033 Composed by Dennis Alexander. Due...(+)
Piano - Late Intermediate
SKU: AP.48033
Composed by Dennis
Alexander. Duet or Duo;
Graded Standard
Repertoire; Piano Suite;
Solo Small Ensembles.
Recital Suite Series.
Form: Suite. Recital.
Book. 12 pages. Alfred
Music #00-48033.
Published by Alfred Music
(AP.48033).
ISBN
9781470642716. UPC:
038081554600.
English.
The three
movements of Spring
Promises highlight the
energy of spring that
follows a long winter.
The first movement, A
Garden's Promise,
features a lyrical melody
line over a chord
progression that includes
a descending bass line.
It portrays the beauty of
the flowers that begin to
appear with the warmer
weather. Staccato fifths
and grace notes suggest
the image of Soft Rains
in the A section of the
second movement. Triplets
in the B section give a
stronger sense of
movement. The final
movement---Spring
Fever!---is a rondo that
uses root position and
second inversion chords
in a lively setting. The
staccato chords alternate
with more lyrical lines
to provide contrast.
Piano - Late Intermediate SKU: FJ.E1134 Composed by Julie Gardner Bray. P...(+)
Piano - Late Intermediate
SKU: FJ.E1134
Composed by Julie Gardner
Bray. Piano Solo; Piano
Supplemental. The FJH
Piano Ensemble Series.
Spring. Score. The FJH
Music Company Inc
#98-E1134. Published by
The FJH Music Company Inc
(FJ.E1134).
UPC:
241444419632.
English.
Appropriat
ely named, this colorful
piece is a tone poem that
evokes the earth
awakening to spring. The
lush harmonies exploit
the full range of the
keyboard with frequent
modulations to new keys.
The thematic material is
seamlessly woven into
both parts. Often the
primo and secondo hands
are very close to each
other. The composer
includes short phrases
above the staff such as
swaying branches,
fragrant rain, and
flowers blooming plus
others to depict the
various sense of spring.
Good piece for an
experienced duet
team.
About FJH
Piano Ensemble
Series
Cre
ative material especially
written to explore
aspects of artistic
ensemble performance.
Spring's Awakening Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4734-00 Composed by J. Bell. Young Concert Band. Scor...(+)
Grade 2
SKU:
CL.011-4734-00
Composed by J. Bell.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4734-00.
Published by C.L.
Barnhouse
(CL.011-4734-00).
Flowers bloom
and the world stirs with
life renewed in
Spring’s
Awakening! The music
begins with a driving
ostinato in the
clarinets, and staggered
entrances that portray
flowers opening for the
first time. After the
entire ensemble enters,
two different melodic
themes are passed
throughout the ensemble,
layered over driving
8th-note rhythms that
propel the music forward.
Spring’s Awakening
is an engaging and
beautiful work that makes
a perfect fit for any
spring or end of the year
concert.
Last Spring Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043755-140 Composed by Edvar...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043755-140
Composed by Edvard Grieg.
Your Favorite Classics.
Transcription. Score
Only. Composed 2004. De
Haske Publications #DHP
1043755-140. Published by
De Haske Publications
(BT.DHP-1043755-140).
English-German-French-
Dutch.
In 1880,
Edvard Grieg composed
twelve song poems by
Aasmund Olavsson Vinje.
He arranged two of these
songs for String
Orchestra published under
the title of Two Elegiac
Melodies, Op. 34. These
two deeply meloncholy
pieces were titled The
Wounded Heart and Last
Spring. The latter of
these two titles inspired
Tohru Takahashi to
produce this expressive
and sensitive
transcription for Concert
Band, which will make a
fantastic encore piece
for any concert.
Edvard Grieg
komponierte Zwölf
Lieder zu Gedichten von
Aasmund Olavsson
Vinje. Zwei dieser
Lieder arrangierte er
für Streichorchester
unter dem Titel Zwei
elegische Melodien.
Diese Lieder heißen
The Wounded Heart
(Der Verwundete) und
The Last Spring
(Letzter Frühling).
Letzteres inspirierte
Tohru Takahashi zu einer
emotionalen
Transkription, die mehr
Musikverständnis als
technische Fertigkeiten
verlangt und sich
hervorragend als
Zugabenummer
eignet.