By Josef Holbrooke. For 2 violins, viola, cello, piano, soprano voice/tenor voic...(+)
By Josef Holbrooke. For 2
violins, viola, cello,
piano, soprano
voice/tenor voice.
Facsimile Editions -
Strings and Piano.
Sextets. 20th Century.
Published by Rosewood
Publications
By Louise Farrenc. Edited by Willi Rechsteiner. For flute, oboe, clarinet in Bb,...(+)
By Louise Farrenc. Edited
by Willi Rechsteiner. For
flute, oboe, clarinet in
Bb, horn in Eb, bassoon
and piano. First
Publication. Level:
intermediate. Score and
parts. Composed 1851-52.
Duration 26,30'.
Published by
Furore-Verlag (German
import). (fue 1980)
Second cello, double bass (2. Violoncello, Double bass) SKU: BA.BA09504-83(+)
Second cello, double bass
(2. Violoncello, Double
bass)
SKU:
BA.BA09504-83
Composed by Wolfgang
Amadeus Mozart. Edited by
Christopher Hogwood.
Arranged by Anonymous.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Nach
der Sinfonia concertante
KV 364. Single part.
Composed 1808. 14 pages.
Baerenreiter Verlag
#BA09504_83. Published by
Baerenreiter Verlag
(BA.BA09504-83).
ISBN
9790006533633. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
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Bärenreiter Urtext
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possible to the
composerâ€â„Â
¢s intentions - With
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Score Orchestra SKU: HL.14030970 For Chamber Ensemble Score. Compo...(+)
Score Orchestra
SKU:
HL.14030970
For
Chamber Ensemble
Score. Composed by
Bent Sorensen. Music
Sales America. Classical.
Score. Composed 2002. 82
pages. Edition Wilhelm
Hansen #WH30142.
Published by Edition
Wilhelm Hansen
(HL.14030970).
ISBN
9788759805725.
Work
for Chamber dating from
1988. The composer
writes: MINNEWATER means
'love water'/'love lake',
but when I began to
compose the work, this
direct meaning of the
title was not very
important to me. Rather
the word itself had a
magical sound. Later on,
however, it occurred to
me that the piece was
full of mumbling swells
and swarming cascades,
and the sensation of
water is perhaps most
perceptible towards the
end where lots of falling
water movements are felt
behind the emphasized
rhythmic surface. Falls
that moreover, quite
literally at the end,
sinks into the water.
MINNEWATER has a
subtitle: THOUSANDS OF
CANONS, which directly
refers to a compostion
technique where all
layers and elements in
the music constantly are
imitated; possibly waves
imitating each other? The
mudded and impalpable
beginning of the work
takes its starting point
in one of my earlier
pieces, the sextett LES
TUCHINS (in fact the
first 5 or 6 pages of the
two pieces are quite
identical but in
MINNEWATER it is all
'blown up' to a larger
ensemble). Quite soon,
however, the thread to
LES TUCHINS is cut off
and it goes its own way;
From the mumbling in the
start - through swarming
trills and pointilistic
staccato movements - to a
long section where the
trumpet appears as a
soloist and in a way
conducts the movements of
the remaining ensemble
right to the rhythmic
final section of the
piece. MINNEWATER was
commissioned by the
Danish Radio for the
German Ensemble
Modern.
Sextette. Arranged
by G. Holmes. Ensemble.
Apollo Sax Quartet
Series. Composed 1911.
C.L. Barnhouse
#111-0010-20. Published
by C.L. Barnhouse
(CL.111-0010-20).
By Felix Mendelssohn. For Violin, 2 Viola, Cello, Contabass, Klarinet. Breitkopf...(+)
By Felix Mendelssohn. For
Violin, 2 Viola, Cello,
Contabass, Klarinet.
Breitkopf
Kammermusik-Bibliothek.
Published by Breitkopf
and Haertel (German
import).