Composed by Stuart Townend and Keith Getty. Arranged by Mary McDonald. Sacred, Praise, General Worship. Octavo. Hope Publishing Company #C 6138. Published by Hope Publishing Company (HP.C6138).

(Ode fur den Geburtstag der Konigin Anna (Serenata). Urtext der Hallischen Handel-Ausgabe (deutsch/englisch). Composed by George Frideric Handel (1685-1759). Edited by Walther Siegmund-Schultze. For solo voices, choir, orchestra (soprano voice solo, alto voice solo; tenor voice solo, bass voice solo, SATB choir, oboe (2), bassoon, trumpet (2), strings, basso continuo). This edition: Complete edition, Urtext edition. Linen. Halle Handel Edition. Series I, Volume 6. Geburtstag, Barock (Baroque). Level 4. Score. Language: German/English, Text Language: German. HWV 74. 80 pages. Duration 22 minutes. Published by Baerenreiter Verlag

For Chorus of Mixed Voices with Soprano or Tenor Solo and Piano or Organ. By C?Sar Franck. Arranged by Edward S. Breck. Choir (SATB, keyboard). For Tenor Solo, Soprano Solo, SATB Chorus, Piano, Organ. Carl Fischer Choral Repertoire. Choral. Choral Part(s). 8 pages. Published by Carl Fischer.

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE17570. Published by Universal Edition

Soprano Saxophone, Tenor Saxophone, Baritone Saxophone and Percussion

SKU: BT.MUSM570367733

G - Parts. Composed by Luís Tinoco. Book Only. University of York Music Press #MUSM570367733. Published by University of York Music Press (BT.MUSM570367733).

English.

Short Cuts  was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of two Soprano Saxophones, one Tenor Saxophone, one Baritone Saxophone and Percussion (Vibraphone and Marimba).  The work’s main purpose is to play with two possible meanings for Short Cuts . That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom thework was dedicated.

Choral Score. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 34 pages. Published by Boosey and Hawkes.

SATB choir & organ (SATB) - easy

SKU: OU.9780193954069

Composed by William Denis Browne. Sacred choral - mixed voices. Church Music Society Publications. Sacred. Vocal score. 16 pages. Duration 5.5'. Oxford University Press #9780193954069. Published by Oxford University Press (OU.9780193954069).

ISBN 9780193954069. 10 x 7 inches.

For SATB and organ Written in 1911, this work is mainly homophonic. Tenors and basses sing four phrases in unison and a soprano solo takes the phrase 'He rememb'ring his mercy'. The Gloria returns to the music of the opening and builds to a fine climax, as does the Nunc dimittis.

SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edited by Robert Shaw and Alice Parker. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Lawson-Gould. Classical; Masterwork; Sacred. Book. 160 pages. Alfred Music #00-LG51595. Published by Alfred Music

Soprano (Soprano)

SKU: HL.48186765

Composed by Ernest Chausson. Leduc. Softcover. Alphonse Leduc #HA09028. Published by Alphonse Leduc (HL.48186765).

Chausson 14 Melodies No.6 Hebe Sopranor Or Tenor Solo & Piano Book.

Really Easy Tenor Hn Book T-Hn/Pf (Very First Solos for Tenor Horn with Piano Accompaniment). Arranged by Leslie Pearson. For French Horn and Piano. Book; Brass - French Horn Method or Collection; Method/Instruction. Faber Edition. Elementary. Published by Faber Music

By Heinrich Schutz. For Soprano, Tenor, Bass, SATB Choir, Orchestra. Christmas, Renaissance. Sheet Music. 72 pages. Published by Novello and Co Ltd.

Dramatic Oratorio or Opera in One Cathartic Act. By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For Flute, Recorder, Clarinet, Bassoon, Horn, 2 Trumpet, Trombone, 5 Violin, 5 Viola, 4 Violoncello, 3 Viola Da Gamba, 2 Contrabass, Soprano, Mezzo, Tenor, Baritone, SATB, 11 Percussion, 3 Timpani, Keyboard. Piano Reduction. S. 150. Duration 30:0. Published by Theodore Presser Company.

How To Play Recorder composed by Margaret Brandman (1951-). For recorder. This edition: Paperback. Instructional. How to Play series. Method. Book. Text Language: English. 48 pages. Published by Santorella Publications

Collection of First Editions. Edited by Rampe, Siegbert. For Organ / Harpsichord / Piano. This edition: Urtext Edition. Playing score. Collection. 98 pages. Published by Baerenreiter Verlag (German import).

By Luigi Boccherini. Edited by Martin Banner. Arranged by Luigi Boccherini. Text: From the Ordinary of the Mass; Series editor: Martin Banner. For Horn 1-2, Violin 1-2, Viola Continuo; Keyboard accompaniment. (SATB). Martin Banner Series. Sacred, Concert. Level: Medium Advanced Adult. 56 pages. Duration 21 min, 23 sec. Published by Hinshaw Music Inc.

(SATB Choir A Cappella). By Steven Stucky (1949-). SATB chorus. For Soprano, Alto, Tenor, Bass, Piano (for Rehearsal Only). Words by Kate Light. Ithaca College Choral Series. First performance by the Ithaca College Choir, Lawrence Doebler, conductor. Choral. Octavo. Standard notation. Composed JUNE 20 2009. 16 pages. Duration 5 minutes. Published by Theodore Presser Company

SATB choir

SKU: HP.8703

Composed by Mary McDonald. General Worship. Accompaniment CD. Hope Publishing Company #8703. Published by Hope Publishing Company (HP.8703).

UPC: 763628187033. Rose Aspinall.

Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM.

SATB choir

SKU: HP.8704

Composed by Mary McDonald. General Worship. Set of Instrumental Parts. Hope Publishing Company #8704. Published by Hope Publishing Company (HP.8704).

UPC: 763628187040. Rose Aspinall.

Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM.

SATB choir

SKU: HP.8696

Composed by Mary McDonald. General Worship. Split-track accompaniment CD. Hope Publishing Company #8696. Published by Hope Publishing Company (HP.8696).

UPC: 763628186968. Rose Aspinall.

Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM.

By Ellington, Russell. Arranged by Les Sabina. For soprano saxophone (optional alto saxophone), alto saxophone, tenor saxophone, and baritone saxophone. Saxophone Quartet. Level: Grade 5. Published by Kendor Music Inc.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Ob, 2 Hn, Str, Continuo)

SKU: BA.BA04045

Opera in three acts. Composed by George Frideric Handel. Edited by Bernd Baselt. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II-Supplement/1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV A. Duration 2 hours. Baerenreiter Verlag #BA04045_00. Published by Baerenreiter Verlag (BA.BA04045).

ISBN 9790006443536. 33 x 26.1 cm inches. Text Language: Italian. Anonymus.

In 1734 Handel provided the pasticcio “ Oreste ” for his third operatic enterprise which, following the bankruptcy of the Royal Academy and its successor academy, felt threatened by competition from the newly-founded Opera of the Nobility. Hence, the composer did not compile the work from favourite movements from his own and other composer's pieces as was usual at that time; rather in “ Oreste ” he presented a selection of the most beautiful arias and ensembles exclusively from his own operas. In addition, he expanded the ballet and choral scenes which he thought would make a great impact after the move into the newly built Covent Garden Theatre.
As most of the singers in his Italian company had been enticed away by the competition, Handel increasingly began to engage English virtuosi. He probably even worked on the new version of the libretto himself in order to place the new stars in the limelight to the best effect.

The new vocal score is based on Volume 1 of the Supplement to Series II of the “Halle Handel” Edition edited by Bernd Baselt .

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Michael Ball. For Descant recorder and piano (or string orchestra) Tenor recorder optional. Intermediate to Advanced. Published by Forsyth Publications

(Zehn 3- und 4 stimmige Satze in variablen Besetzungen fur Blockfloten, Renaissance- oder andere Instrumente von Anonymen, Blitheman u.a.). Edited by Paul van Nevel. For Soprano Recorder (C), Alto Recorder (F,G), Tenor Recorder (C,D), Bass Recorder (F). Frutti Musicali. Score; Set of Parts. Published by Baerenreiter Verlag

Brass Band - Grade 2

SKU: BT.DHP-1094673-130

Opus 2 no. 1. Composed by Edward Elgar. Arranged by Robert van Beringen. Great Classics. Classical. Score Only. Composed 2009. 8 pages. De Haske Publications #DHP 1094673-130. Published by De Haske Publications (BT.DHP-1094673-130).

9x12 inches. English-German-French-Dut ch.

Edward Elgar originally composed this work in 1887, as a Pie Jesu, when he was an organist in the St George’s Church in Worcester. Years later, in 1902, he transformed the Pie Jesu into an Ave Verum for soprano and tenor solo, mixed choir and organ. This excellent arrangement by Robert van Beringen skilfully retains the wonderful atmosphere of the original composition.

Oorspronkelijk componeerde Edward Elgar (1857-1934) dit werk in 1887 als een Pie Jesu, toen hij organist was in de St. George’s Church in Worcester. Hij schreef het ter nagedachtenis aan de advocaat William Allen, voor wiehij had gewerkt toen hij vijftien jaar oud was. Het Pie Jesu vormde het eerste deel van opus 2 (de andere twee delen waren het Ave Maria en het Ave Maris Stella). Een aantal jaren later, in 1902, transformeerdehij het Pie Jesu tot een Ave Verum voor sopraan- en tenorsolo, gemengd koor en orgel.Deze uitstekende bewerking is van de hand van Robert van Beringen, die de sfeer van de compositie op vakkundige wijze intact heeftgelaten.

Dies e Musik schrieb Edward Elgar im Jahre 1887, während seiner Zeit als Organist in Worcester, unter dem Titel Pie Jesu als Teil seines Opus 2. Erst Jahre später machte er daraus ein Ave Verum für Sopran- und Tenorsolo, gemischten Chor und Orgel. Robert van Beringen schuf daraus diese ausgezeichnete Bearbeitung, in der die Stimmung des Originals sehr gut wiedergegeben wird.

En 1885, Edward Elgar est nommé organiste de l’église Saint-George de Worcester. ce titre, il compose de nombreuses œuvres liturgiques. En 1887, il crée un Pie Jesu, dans le cadre d'un triptyque comprenant aussi un Ave Maria et l’Ave Maria Stella. Il remanie la pièce en 1892, et celle-ci devient alors l’Ave Verum Corpus pour Soprano solo, Ténor solo, Chœur mixte et Orgue (Opus 2, n°1). Robert van Beringen en a réalisé un arrangement délicat et profond.

Brass Band - Grade 2

SKU: BT.DHP-1094673-030

Opus 2 no. 1. Composed by Edward Elgar. Arranged by Robert van Beringen. Great Classics. Classical. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094673-030. Published by De Haske Publications (BT.DHP-1094673-030).

9x12 inches. English-German-French-Dut ch.

Edward Elgar (1857-1934) originally composed this work in 1887, as a Pie Jesu, when he was an organist in the St George’s Church in Worcester. Years later, in 1902, he transformed the Pie Jesu into an Ave Verum for soprano and tenor solo, mixed choir and organ. This excellent arrangement was created by Robert van Beringen and skilfully retains the wonderful atmosphere of the original composition.

Oorspronkelijk componeerde Edward Elgar (1857-1934) dit werk in 1887 als een Pie Jesu, toen hij organist was in de St. George’s Church in Worcester. Hij schreef het ter nagedachtenis aan de advocaat William Allen, voor wiehij had gewerkt toen hij vijftien jaar oud was. Het Pie Jesu vormde het eerste deel van opus 2 (de andere twee delen waren het Ave Maria en het Ave Maris Stella). Een aantal jaren later, in 1902, transformeerdehij het Pie Jesu tot een Ave Verum voor sopraan- en tenorsolo, gemengd koor en orgel.Deze uitstekende bewerking is van de hand van Robert van Beringen, die de sfeer van de compositie op vakkundige wijze intact heeftgelaten.

Dies e Musik schrieb Edward Elgar im Jahre 1887, während seiner Zeit als Organist in Worcester, unter dem Titel Pie Jesu als Teil seines Opus 2. Erst Jahre später machte er daraus ein Ave Verum für Sopran- und Tenorsolo, gemischten Chor und Orgel. Robert van Beringen schuf daraus diese ausgezeichnete Bearbeitung, in der die Stimmung des Originals sehr gut wiedergegeben wird.

En 1885, Edward Elgar est nommé organiste de l’église Saint-George de Worcester. ce titre, il compose de nombreuses œuvres liturgiques. En 1887, il crée un Pie Jesu, dans le cadre d'un triptyque comprenant aussi un Ave Maria et l’Ave Maria Stella. Il remanie la pièce en 1892, et celle-ci devient alors l’Ave Verum Corpus pour Soprano solo, Ténor solo, Chœur mixte et Orgue (Opus 2, n°1). Robert van Beringen en a réalisé un arrangement délicat et profond.

For S.A.T.B. Chorus, Soprano, Mezzo-Soprano, Tenor and Baritone Soloists, and Orchestra. By PDQ Bach. Edited by Professor Peter Schickele. Mixed choir. For Soprano Solo, Mezzo-Soprano Solo, Tenor Solo, Baritone Solo, SATB Chorus, Keyboard Rehearsal. This edition: Vocal score and piano reduction. Classical. Piano/Vocal Score. S 100. 36 pages. Duration 8:00. Published by Theodore Presser Company.

By Ros Stephen. Arranged by Melanie Henry. For tenor or soprano saxophone. Saxophone. Globetrotters for wind. Other Collection. 32 pages. Published by Oxford University Press